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Books on the topic 'Feminine style'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Duncan, Monica. Is there a feminine style of management. Birmingham: University of Birmingham, 1992.

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2

Newman, D. R. Feminine leadership: the style of the future. Oxford: Oxford Brookes University, 1996.

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3

Kaul, Asha. The impact of feminine identity and soft influence tactics on leadership style. Ahmedabad: Indian Institute of Management, 2011.

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4

Nolan, Edward Peter. Cry out and write: A feminine poetics of revelation. New York: Continuum, 1994.

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5

1941-, Sheldon Michael, ed. Learning curves: Living your life in full and with style. New York: Crown, 2000.

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6

Post, Lucia Van der. Things I wish my mother had told me: A guide to living with impeccable grace and style. Philadelphia, PA: Da Capo Press, 2008.

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7

Vogue futures: Health, fitness, looks and style for women in their 30's, 40's,50's ... London: Condé Nast Books, 1994.

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8

Inc, ebrary, ed. Things I wish my mother had told me: A guide to living with impeccable grace & style. Philadelphia, PA: Da Capo Press, 2008.

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9

Esther, Drill, and McDonald Heather, eds. The looks book: A whole new approach to beauty, body image, and style. New York: Penguin Books, 2002.

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10

Hot feminist: Modern feminism with style without judgement. London: Hodder & Stroughton, 2015.

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11

Feminist stylistics. London: Routledge, 1995.

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12

Who stole feminism?: How women have betrayed women. New York: Simon & Schuster, 1994.

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13

Fashion talks: Undressing the power of style. Albany: State University of New York Press, 2012.

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14

Transue, Pamela J. Virginia Woolf and the politics of style. Albany: State University of New York Press, 1986.

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15

Martin, Biddy. Woman and modernity: The (life)styles of Lou Andreas-Salomé. Ithaca: Cornell University Press, 1991.

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16

Woman and modernity: The (life)styles of Lou Andreas-Salomé. Ithaca: Cornell University Press, 1991.

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17

It's So You: 35 Women Write About Personal Expression Through Fashion and Style. Emeryville, USA: Seal Press, 2007.

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18

The significance of the women's movement to marketing: A life style analysis. New York: Praeger, 1985.

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19

Guilty pleasures: Feminist camp from Mae West to Madonna. Durham: Duke University Press, 1996.

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20

Nüwa zhi ling: Zhongguo dang dai 10 wei you yi nü hua jia = Nuwa with feminism in Chinese female art. Zhuhai: Zhuhai chu ban she, 1999.

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21

Beam, Dorri. Style, gender, and fantasy in nineteenth-century American women's writing. New York: Cambridge University Press, 2010.

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22

Appropriate[ing] dress: Women's rhetorical style in nineteenth-century America. Carbondale: Southern Illinois University Press, 2002.

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23

Valdes, Alisa. Learning to submit: How feminism stole my womanhood, and the traditional cowboy who helped me find it. New York: Gotham Books, 2013.

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24

Style, gender, and fantasy in nineteenth-century American women's writing. New York: Cambridge University Press, 2010.

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25

Häusl, Maria. Bilder der Not: Weiblichkeits- und Geschlechtermetaphorik im Buch Jeremia. Freiburg: Herder, 2003.

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26

Irene, Hofmann, Orange County Museum of Art (Calif.), Contemporary Art Museum St. Louis, and Blaffer Gallery, eds. Girls' night out. Newport Beach, Calif: Orange County Museum of Art, 2003.

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27

Elizabeth, Armstrong. Girls' night out. Newport Beach, Calif: Orange County Museum of Art, 2004.

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28

Stancliff, Michael. Frances Ellen Watkins Harper: African American reform rhetoric and the rise of a modern nation state. New York: Routledge, 2010.

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29

Teresa of Avila and the rhetoric of femininity. Princeton, N.J: Princeton University Press, 1990.

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30

The eloquence of Mary Astell. Calgary: University of Calgary Press, 2005.

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31

M, Trevelyan Amelia, and Gettysburg College, eds. The art of Mary Beth Edelson. New York, N.Y: Seven Cycles, 2002.

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32

Engendered trope in Joyce's Dubliners. Carbondale: Southern Illinois University Press, 1996.

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33

Out of Eden: Reading, rhetoric, and ideology in Genesis 2-3. Sheffield, England: Sheffield Academic Press, 1995.

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34

Melissa, Richards, ed. Decades of beauty. New York: Checkmark Books, an imprint of Facts On File, Inc., 1998.

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35

Mulvey, Kate. Decades of beauty: [the changing image of women, 1890s-1990s. London: Hamlyn, 1998.

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36

Frances Ellen Watkins Harper: African American reform rhetoric and the rise of a modern nation state. New York: Routledge, 2010.

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37

1942-, Flannery Daniele D., ed. Women as learners: The significance of gender in adult learning. San Francisco: Jossey-Bass Publishers, 2000.

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38

Katherine, Gleason, ed. Releasing the goddess within. Indianapolis, Ind: Alpha Books, 2003.

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39

Alaska Feminine Style. Wandering Lobo Editions, Inc., 2000.

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40

Are You A Jackie Or A Marilyn Timeless Lessons On Love Power And Style. Gotham Books, 2010.

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41

Are You A Jackie Or A Marilyn Timeless Lessons On Love Power And Style. Gotham Books, 2011.

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42

Liberated threads: Black women, style, and the global politics of soul. University of North Carolina Press, 2015.

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43

Liberated Threads: Black Women, Style, and the Global Politics of Soul. University of North Carolina Press, 2017.

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44

Ford, Tanisha C. Liberated Threads: Black Women, Style, and the Global Politics of Soul. University of North Carolina Press, 2015.

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45

Weston, Michele J. Learning Curves: Living Your Life in Full and with Style. Crown, 2000.

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46

Dosekun, Simidele. Fashioning Postfeminism. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043215.001.0001.

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This book concerns young, class-privileged women in the Nigerian city of Lagos who dress in a “spectacularly feminine” style characterised by the extravagant use and combination of normatively feminine technologies of dress: cascading hair extensions, false eyelashes and nails, heavy and immaculate makeup, and so on. Based on interviews with such stylized women, the book offers a critical consideration of the kinds of feminine subjectivities that they are performing and desiring. Tracing the repertoires of individualist choice, pleasure, entitlement and “can do” that run through the women’s talk, it argues that they subscribe passionately to the notion, or what the book frames more specifically as the “postfeminist promise,” that immaculate and spectacularized feminine beauty now constitutes and signals feminine power. Seeing themselves as “already empowered,” then, what the women do not see is the need for cultural critique, nor for feminism in the form of collective political struggle. The first book on postfeminism both as a cultural formation in the global South and as it interpellates black women, the work offers a groundbreaking new understanding of the culture as performative and transnationally mobile, and a richly theorised account of how women live, embody, and to some extent suffer it, in the flesh.

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47

Sommers, Christina Hoff. Who Stole Feminism? Blackstone Audiobooks, 1997.

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48

Underwood, Kristen, and Christina Hoff Sommers. Who Stole Feminism? Blackstone on Brilliance Audio, 2018.

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49

Who Stole Feminism?: How Women Have Betrayed Women. Simon & Schuster, 1995.

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50

Murmu, Maroona. Words of Her Own. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199498000.001.0001.

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Drawing on a spectrum of genres, such as autobiographies, diaries, didactic tracts, novels and travelogues, this book examines the sociocultural incentives that enabled the emergence of middle-class Hindu and Brahmo women authors as an ever-growing distinct category in nineteenth-century Bengal and the factors facilitating production and circulation of their creations. By exploring the intersections of class, caste, gender, language, religion, and culture in women-authored texts and by reading these within a specific milieu, the study opens up the possibility of re-configuring mainstream history-writing that often ignores women. Questioning essentialist conceptions of women’s writings, it contends that there exists no monolithic body of ‘women’s writings’ with a firmly gendered language, form, style, and content. It shows that there was nothing in the women’s writings that was based on a fundamentally feminine perspective of experiences with an inherent feminine voice. While describing the specifically female life world of domestic experiences, women authors might have made conscious divergences from male-projected stereotypes, but it is equally true that there are a number of issues on which men and women authors spoke in unison. The book argues for distinctions within each genre and across genres in language, content, and style amongst women authors. Even after women authors emerged as a writing community, the bhadralok critics often censured them for fear of their autonomous selfhood in print and praised them for imparting ‘feminine’ ideals alone. Nevertheless, there were women authors who flouted the norms of literary aesthetics and tutored tastes, thus creating a literary tradition of their own in Bangla and becoming agents of history at the turn of the century.

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