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Dissertations / Theses on the topic 'Feminine'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Matic, Mislav. "Concerning feminine and feminite approaches to ethics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0010/MQ32938.pdf.

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2

Rodrigues, Cláudia Susana Tavares. "Feminine/ Feminist Reflections on Fairy Tales." Master's thesis, Universidade de Aveiro, 2005. http://hdl.handle.net/10773/15244.

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Mestrado em Estudos Ingleses<br>To analyse some fairy tales such as Beauty and the Beast and Snow White and the Seven Dwarfs from the perspective of modern feminism is like revising the paradigms which form our romantic expectations and illustrate psychological ambiguities that frequently confuse contemporary women. Portraits of adolescents waiting and dreaming, patterns of enchantment, and the romanticism of marriage contribute to the power of fairy tales. However, such fantasies praise the heroines’ incapacity to act independently, the reliance on exterior rescue and the binding to th

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3

Boff, Ediliane de Oliveira. "De Maria a Madalena: representações femininas nas histórias em quadrinhos." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-20052014-123753/.

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Trata das representações de protagonistas femininas nas histórias em quadrinhos, enfatizando exemplos de histórias que abordam concepções identitárias distintas. Com o intuito de compreender como o feminino aparece em determinadas criações, esta tese se apoia nos pressupostos metodológicos da Hermenêutica de Profundidade, de John B. Thompson (2011). Assim, a pesquisa apresenta dois momentos dorsais, sendo que o primeiro aborda as construções femininas, a partir da perspectiva de autores masculinos; e o segundo aborda tais construções a partir da perspectiva de autoras-mulheres e do autor trans

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4

Jones, Marie F. "Academic Libraries as Feminine and Feminist Models of Organization." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1920.

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Because academic libraries are primarily staffed by women and are relatively autonomous entities in colleges and universities, they offer a unique model of workplace gendering and feminism. This qualitative, ethnographic study examined 3 small college libraries in 3 regions of the United States and explored issues of bureaucracy and gendering in these libraries. Feminist challenges to bureaucracy emerged in the areas of hierarchy, division of labor, competition and collaboration, decision-making, and communication. Feminine practice in the libraries reflected private sphere attitudes toward wo

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5

Mantecon, Laurie. "Feminine Rhyme." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5220.

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'Feminine Rhyme' is a sequence of objects and paintings that resonate with women's experience in contemporary culture. The components I have used are: the structure of the grid, aggressive surface handling, and language derived from text. I have reconfigured these elements to direct the viewer in exploring layers of information that can be viewed in fragments as well as understood within the containment of a sound whole. I have explored the relationship of gender identity in our culture, and the role women play in association to masculine power. Through repetitive use of the grid, combined wit

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6

Eileen, Clements. "Re(dis)covering the creative power of eros : finding liberation from neoliberalism through the feminist awakening of aphrodite-demeter consciousness." Thesis, Federation University Australia, 2019. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/173363.

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There is a problem with western patriarchal capitalist narratives of love and connected models of subjectivity which some feminisms, in particular, neoliberal (post)feminism, continue rather than criticise. This is a problem, not only because these feminisms uphold existing patriarchal structures and values, but because models of patriarchal subjectivity are founded on a repression and devaluation of love that contributes to what I am naming a ‘crisis of love’ in neoliberal societies. While some solutions to this problem have been offered, including by feminist love studies scholars, none of t

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7

BOCLIN, MONICA CARVALHO PINTO. "TIME, FEMININE AND IDENTITY: THE FEMININE IDENTITY IN OLD AGE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2003. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4436@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>A velhice é uma categoria que adquiriu recentemente maior visão social, e apesar de muitos já terem e voltado para o estudo dessa população , a imagem do velho, no Brasil, ainda sofre com alguns preconceitos consequentes da falta de informação e divulgação. Os idosos formam uma população em que o número de mulheres é dominante e mais disponível na busca de melhorias para a sua qualidade de vida. A mulher, ao longo do tempo, sofreu com uma desvalorização social de suas capacidades, considerada como inferior ao homem e

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8

Sleeman, Lauren. "The forgotten feminine." Click here to access this resource online, 2007. http://hdl.handle.net/10292/422.

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The topic of my research is the lived experiences of eight psychotherapists and counsellors who consciously work with unusual phenomena as it arises in the therapeutic encounter. Unusual phenomena in this thesis refers to felt experiences which are considered to be beyond the everyday in the Cartesian paradigm and are often referred to as spiritual and/or mystical phenomena. Exploring these phenomena brings to light the potentialities in the vastness of consciousness which is considered to be an integral aspect of human existence in the thesis. I chose Heidegger’s hermeneutic phenomenological

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9

Miller, Rosalena L. "The Feminine Ideal." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/17.

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While footwear was originally meant to protect the feet and enable the wearer to span larger distances and rough materials, today shoes are often seen as a fashion statement and a sex symbol for women. In his book, Of Cigarettes, High Heels, and Other Interesting Things, Marcel Danesi examines how high heels have moved away from the original purpose of shoes and now “seem to contravene this function. They are uncomfortable and yet millions of women wear them." They have moved from practicality to a sign of femininity, sexuality, and power.

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10

Tilley, Jane Lucinda. "Feminism and the feminine in Yolande Villemaire's La vie en prose." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28553.

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Exposing the fallacies of the existing ideological system founded upon a linguistic system of signifieds, recent women's writing has aimed to deconstruct the numerous hierarchies and stereotypes used against women, thus clearing a space for the hitherto repressed feminine and the marginal. The inclusion of a vast range of intertextual borrowing in La Vie en prose, by Yolande Villemaire, challenges the elitist boundaries erected by the closed academic literary world, incorporating elements from all genres and levels. Thanks to the diversity and number of these borrowings. La Vie en prose refuse

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11

Stabile, Sergei. "The seduction of the feminine : Irigaray and Baudrillard on feminine subjectivity /." Title page, contents and thesis outline only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09ars7753.pdf.

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12

Gillespie, Betty Lynn. "Stress and the feminine self-concept : responses to feminine and gender-neutral stressors as a function of feminine self-evaluation /." Diss., This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-02052007-072446/.

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13

Sybylla, Rose. "Feminism, Foucault and menopause : the construction of the modern western feminine subject /." Title page and contents only, 1989. http://web4.library.adelaide.edu.au/theses/09AR/09ars981.pdf.

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14

Ranger, Holly Anne. "The feminine Ovidian tradition." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/7116/.

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While the growing body of literature on the relationship between feminist theory, classical myth, and classical scholarship has contributed to an understanding of general scholarly trends, there has not been a sustained examination of the relationship between feminist scholarship and classical receptions. Furthermore, the field of classical reception studies focuses almost exclusively on male authors and widely ignores female voices. This thesis addresses these lacunae through detailed discussions of the Ovidian receptions of four women writers active between 1950 and the present: Sylvia Plath

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15

MONCHOTTE, ISABELLE. "Hperprolactinemie et infertilite feminine." Montpellier 1, 1990. http://www.theses.fr/1990MON11215.

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16

Trimble, Anna Claire, and Donna Marie Venardos. "Feminine socialization or codependency." CSUSB ScholarWorks, 1993. https://scholarworks.lib.csusb.edu/etd-project/822.

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17

Williams, Rose M. A. "Feminine fictions: An embodied autobiography : navigating feminine embodied ontologies with/in aesthetic autobiography." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2003. https://ro.ecu.edu.au/theses/1822.

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“In Speculum I wrote that to re-establish a political ethics a dual dialectic is necessary, one for the male subject and another for the female subject (pp223-4). Today I would say that a triple dialectic is necessary: one for the male subject, one for the female subject and one for their relationships as a couple or in a community. The weak and strong point of this quest concerns the issue of subjectivity and objectivity for women.” Pg 39 Irigaray, L (1994) Thinking the Difference: for a peaceful revolution trans Karin Montin, Routledge New York The Feminine Fictions project takes on Irigaray

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18

Barros, Cristiane Amaral de. "Iemanjá e pomba-gira: imagens do feminino na umbanda." Universidade Federal de Juiz de Fora (UFJF), 2006. https://repositorio.ufjf.br/jspui/handle/ufjf/3261.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-02-07T13:06:26Z No. of bitstreams: 1 cristianedoamaraldebarros.pdf: 2033944 bytes, checksum: 8a83386b104383632a4283548a885e70 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-02-07T14:12:04Z (GMT) No. of bitstreams: 1 cristianedoamaraldebarros.pdf: 2033944 bytes, checksum: 8a83386b104383632a4283548a885e70 (MD5)<br>Made available in DSpace on 2017-02-07T14:12:04Z (GMT). No. of bitstreams: 1 cristianedoamaraldebarros.pdf: 2033944 bytes, checksum: 8a83386b104383632a4283548a885e70 (MD5)

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19

Guyon, Elisabeth Louise. "The New Feminine Rhetoric: Wollstonecraft, Austen, and the Forms of Romantic-Era Feminism." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2324.pdf.

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20

McCabe, Janet. "Addicted to distractions : imagined female spectator-participants and the early German popular cinema as discourse, 1910-1919." Thesis, University of Kent, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369685.

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21

Reboul, Dominique. "Activite professionnelle feminine et prematurite." Université Louis Pasteur (Strasbourg) (1971-2008), 1989. http://www.theses.fr/1989STR1M241.

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22

Irvine, Robert P. "Walter Scott and feminine discourse." Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/21317.

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This thesis examines the relation between Scott's fiction and the late eighteenth-century feminine domestic novel as it appears at the interlinked levels of discourse and plot in the Scottish Waverley novels themselves. Scott's fiction brought a new sort of realism to the novel in its enlightenment understanding of society and history as objects of knowledge, but the plots of the novels are not used to signify social or historical reality. Because social history has no ending, narrative closure is provided instead by extra-historical agents in the text. In Part One I examine how this autonomou

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23

Boyes, Emma Louise. "The masquerade of the feminine." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16250/1/Emma_Boyes_Thesis.pdf.

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This project investigates the apparent contradiction of a female artist who prioritises embodied presence in her art works, but produces Minimalist installations. It does this by describing in detail and analysing, and thus re-evaluating the significance of, the full range of actions and processes that are performed to produce the work. It further proposes that, in the actions of crafting the individual elements and in designing, planning and installing the work in Modernist gallery spaces, conditions are set up for viewers of the finished work to experience a physical awareness that echoes th

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24

Boyes, Emma Louise. "The masquerade of the feminine." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16250/.

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This project investigates the apparent contradiction of a female artist who prioritises embodied presence in her art works, but produces Minimalist installations. It does this by describing in detail and analysing, and thus re-evaluating the significance of, the full range of actions and processes that are performed to produce the work. It further proposes that, in the actions of crafting the individual elements and in designing, planning and installing the work in Modernist gallery spaces, conditions are set up for viewers of the finished work to experience a physical awareness that echoes th

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25

Santos, Maria Aparecida Conceição Mendonça. "A domesticação do corpo e a subversão da sexualidade feminina na literatura: do Iluminismo ao Naturalismo." Universidade Federal do Maranhão, 2015. http://tedebc.ufma.br:8080/jspui/handle/tede/1514.

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Submitted by Rosivalda Pereira (mrs.pereira@ufma.br) on 2017-05-25T21:21:30Z No. of bitstreams: 1 MariaAparecidaSantos.pdf: 5437358 bytes, checksum: 7d0fb7d9c036565940c65b37d2add22c (MD5)<br>Made available in DSpace on 2017-05-25T21:21:30Z (GMT). No. of bitstreams: 1 MariaAparecidaSantos.pdf: 5437358 bytes, checksum: 7d0fb7d9c036565940c65b37d2add22c (MD5) Previous issue date: 2015-09-25<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>This work consists in showing a reflection about the female sexuality through a rich dialogue between History and Literature in order

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26

Meinen, Sarah. "POLITICAL FEMININE STYLE AND FIRST LADY RHETORIC: FEMINIST IMPLICATIONS OF A WHITE-GLOVE PULPIT." Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1051189500.

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Thesis (M.A.)--Miami University, Dept. of Speech Communication, 2003.<br>Title from first page of PDF document. Document formatted into pages; contains iv, 127 p. Includes bibliographical references (p. 107-114).

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27

Ritzén, Gisela. "The Monstrous Feminine : i Takashi Miikes filmer." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-26942.

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I slutet av 90-talet sköljde en våg med asiatisk skräckfilm in över västvärlden. Filmerna handlade om kvinnor som dött en våldsam eller orättvis död och nu var tillbaka för att hämnas. Takashi Miike är en av de mest kända japanska regissörerna som har bidragit till den japanska skräckfilmsgenren som fick så stor spridning i väst. Syftet med den här uppsatsen är att undersöka vilka kvinnoroller som finns representerade i fyra utav Miikes skräckfilmer och hur de framställs. Uppsatsen utgår från klassisk feministisk filmteori och undersöker om Barbara Creeds ”the monstrous feminine” och Carol Clo

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28

Hamilton, Jayne. "Gender representation and textual strategies in the films of Pilar Miro." Thesis, University of Newcastle Upon Tyne, 1997. http://hdl.handle.net/10443/286.

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This thesis aims to demonstrate the interrelatedness of the rebellious form and content of Pilar MirO's first six films - La petición (1976), El crimen de Cuenca (1979), Gary Cooper gue estás en los cielos (1980), Hablamos esta noche (1982), Werther (1986) and Beltenebros (1991). The Introduction provides a brief outline of the director's life and an insight into some of the core themes of her cinema, summaries of relevant theoretical arguments from psychoanalysis and gender theory in the context of sociology and film studies and an outline of the situation of men and women in Spain vis-à-vis

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29

Robertsson, Sandra. "Att vara eller inte vara en feminin feminist : En kritisk diskursanalys om förhållandet mellan feminism och feminitet." Thesis, Umeå universitet, Sociologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-96686.

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Offentliga diskurser har historiskt framställt feminitet och feminism som oförenliga med varandra. Feminitet framställs vanligen med en kvinna som besitter normativt feminina egenskaper, medan framställningen av feministen skildrat en radikal och manhaftig kvinna. Tidigare forskning visar att ordet feminist, för många individer, har en negativ laddning samt en otydlighet i innebörden av ordet. Detta speglar hur väl individen identifierar sig med feminism. Denna uppsats handlar om hur bloggaren UnderbaraClara, som aktör i den feministiska diskursen, på sin blogg positionerar sig till feminism o

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30

Chabot, Joceline. "Le syndicalisme feminin chretien en france de 1899 a 1944 : pratiques et discours d'une culture feminine." Paris 8, 1998. http://www.theses.fr/1998PA081526.

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Notre recherche porte sur la naissance et le developpement de syndicalisme feminin chretien en france de 1899 a sa dissolution en 1944. Composees uniquement de femmes, ces organisations regroupaient principalement des employees de commerce, de banque et d'industrie ainsi que des ouvrieres de la couture. Situes dans la mouvance du catholicisme social, les syndicats feminins chretiens se distinguaient des unions et des associations feminines d'action catholique par un certain nombre de facteurs : leurs lieux d'implantation, leur mode de recrutement, leur action orientee vers le terrain professio

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31

Sloggett, Maria. ""Multicultural" writers and the feminine subject /." Title page and preface only, 1992. http://web4.library.adelaide.edu.au/theses/09AR/09ars6343.pdf.

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32

Sterenberg, Gladys Yvonne, and University of Lethbridge Faculty of Education. "Women and computers : the feminine mystaque." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Education, 2000, 2000. http://hdl.handle.net/10133/142.

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Recent Canadian statistics have shown a dramatic decrease in women enrolling in computer science courses at the university level. This study presents quantitative and qualitative research that forms a profile of the family background, schooling experiences and personal characteristics of women who are successful computer science students at this level. Forty-five male and female technology students were surveyed to determine emerging gender differences and 4 females were interviewed. Contrary to previous studies, the lack of early and extensive computer experience did not limit these women. Re

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33

Stoneley, Peter Nicholas. "Mark Twain and the feminine aesthetic." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303569.

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34

Wong, Shuk-han Mary, and 黃淑嫻. "New Chinese cinemas and feminine writings." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894410.

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35

Hart, Nancy Tarr. "Beyond the veil : unmasking the feminine." Thesis, University of Wales Trinity Saint David, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683065.

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36

Merriam, Carol U. "The feminine world of the Epyllion." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1329153842.

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37

NEWELL, HEIDI C. "A CONSIDERATION OF FEMININE DEFAULT GENDER." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123162261.

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38

Merriam, Carol Una. "The feminine world of the epyllion /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487848531361567.

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39

Weeks, Birgit. "Does Trummerliteratur have a Feminine Side?" University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491558452845952.

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MARQUIER, GABRIEL VERONIQUE. "La morphotypie feminine dans le temps." Aix-Marseille 2, 1992. http://www.theses.fr/1992AIX20053.

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41

Meakin, H. L. "John Donne's articulations of the feminine /." Oxford : Clarendon press, 1998. http://catalogue.bnf.fr/ark:/12148/cb371084712.

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Wong, Shuk-han Mary. "New Chinese cinemas and feminine writings." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21779041.

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43

Spreat, Eric. "Beyond the Feminine in Pushkin's Tatiana." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19257.

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Pushkin's Tatiana tends to be pigeonholed by criticism that acknowledges her dynamism and openness to creative possibilities but restricts her intertextual significance to the heroines of the European novelists she herself reads. I argue that only by viewing her as the construction of a narrator who relies heavily on the stylistics of Karamzin and Zhukovsky can Tatiana be pulled out of such narrow confines. By tracing the thread of these Russian texts in the novel in verse, I will show that they often beg comparison not with their predecessors' heroines but with their male counterparts. Tatian

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De, Biasio Valentina <1991&gt. "A new feminine in contemporary Japan." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15061.

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Il seguente lavoro si propone di analizzare il cambiamento avvenuto nella rappresentazione della figura femminile nei media giapponesi, con riferimento in particolare a quanto realizzato dalla compagnia Sanrio con i corti "Aggressive Retsuko" e all'opera della mangaka Kusanagi Mizuho "Akatsuki no Yona". A titolo comprensivo verranno trattate anche la rappresentazione “storica” della figura femminile e la sua evoluzione nel genere shōjo, anche per inquadrare l’opera di Kusanagi Mizuho non solo all’interno degli altri lavori della stessa ma anche al genere in cui ufficialmente si inserisce. Olt

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45

Boukaftane, Nora. "L'inspiration feminine dans la nouvelle marocaine." Paris 4, 1986. http://www.theses.fr/1986PA040264.

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Ce travail se rattache essentiellement a l'ecriture feminine au maroc et tout particulierement a la nouvelle, comme champs de creation privilegie par la femme ecrivain. C'est encore la volonte d'aborder un domaine qui reste encore neglige par la plupart des critiques et ecrivains qui s'interessent a la litterature arabe en general. Pour resumer cette etude, tres brievement, on peut dire que les themes essentiels abordes dans la nouvelle feminine marocaine sont, par ordre d'importance, la femme, l'enfant et le probleme palestinien. La condition de la femme est vue a partir de differents angles.

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Han, Catherine Paula. "Reimagining the Brontës : (post)feminist middlebrow adaptations and representations of feminine creative genius, 1996-2011." Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/83347/.

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Investigating conceptualisations of the feminine creative imagination, this thesis examines representations of the Brontës and adaptations of their novels released between 1996 and 2011. I focus on portrayals of Charlotte and Anne Brontë alongside reworkings of Jane Eyre (1847) and The Tenant of Wildfell Hall (1848) in various media. Contributing to existing research on the cultural afterlives of the Brontës and their novels, I position the works discussed within contemporary middlebrow culture whilst considering the influence of feminism. The Introduction discusses the gendering of creative g

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47

Lewis, Maxwell Boudinot 1952. "The feminine and the spiritual: Renowned spiritual figures studied from a feminist point of view." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/291701.

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The feminine character, shaped by nurturing experience, includes fundamental spiritual training. Feminist spiritual writers value nurturant other-oriented personality characteristics. Although not necessarily having fulfilled nurturing social roles, men may develop spiritually advanced characteristics by undergoing experiences Christ recommended. Examining four spiritual figures, this study sought to ascertain whether exposure to the experiences recommended by feminists and by Christ facilitates development of spiritually advanced characteristics. The findings did not demonstrate that exposure

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48

Hackney, Fiona Anne Seaton. "'They opened up a whole new world' : feminine modernity and the feminine imagination in women's magazines, 1919-1939." Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/7998/.

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“They opened up a whole new world”, or something like it, was a phrase I heard repeatedly when I spoke to women about their memories of magazine reading in the interwar years. How the magazine operated as an imaginative window, a frame, space or mirror for encountering, shaping, negotiating, rethinking, rejecting, mocking, enjoying, the self and others became the central question driving this thesis. The expansion of domestic ‘service’ magazines in the 1920s responded to and developed a new female readership amongst the middle classes and working-class women, preparing the way for high-selling

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Surewicz, Anita Wioletta. "Theatre of unreason : the French feminist concept of 'L'Ecriture feminine' and woman as the 'irrational other' /." Title page, contents and introduction only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09ars9613.pdf.

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Ashworth, Karike. "#SoBrave: The crisis of neoliberal feminine bravery." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/132395/1/Karike_Ashworth_Thesis.pdf.

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Abstract:

This creative practice-led research project employs cross-disciplinary methods to examine how neoliberal constructions of feminine bravery reinforce prescriptive and restrictive behaviour standards for women. Using performance, video, textiles and immersive installations to explore conceptions of feminine bravery, the artist has developed a parodic persona, 'Brave Girl', a mock super-hero/medieval warrior, who is inspired by popular culture, online media, cosplay and comic strip characters. Brave Girl embodies some aspects of the artist's journey – however, stepping away from autobiography, in

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