Academic literature on the topic 'Femininidad'
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Journal articles on the topic "Femininidad"
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Sola García, Marina. "Challenging Violence and Victimisation Discourses in International Relations. The experiences of Men and Women during the Rwandan Genocide = Desafiando los discursos de violencia y victimización en las relaciones internacionales. Las experiencias de hombres y mujeres durante el genocidio de Ruanda." FEMERIS: Revista Multidisciplinar de Estudios de Género 3, no. 1 (February 5, 2018): 94. http://dx.doi.org/10.20318/femeris.2018.4076.
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Abstract. The study of the roles of men and women during violent conflicts and postconflict situations has traditionally restricted the experiences of women to those of victims, and those of men to violent perpetrators. This paper adopts a feminist constructivist approach to explore how traditional gender discourses have sustained the victimisation of women and the association of violence with men in the roles of aggressors and protectors. Throughout the case study of the Rwandan genocide, this research illustrates gender stereotypes tend to ignore on the one hand the role of women as violent perpetrators, and on the other hand, the victim status of men during conflicts. This study attempts to show experiences of Rwandan women were not limited to those of victims, but they planned and participated in genocidal violence and abuses. Additionally, and also contrary to traditional gender discourses, Rwandan men compromised the first targets of violence during the conflict. This thesis concludes that a broader and deeper understanding of conflict studies and ultimately world politics can be acquired by challenging traditional gender discourses, and investigating and recognizing the multifaceted experiences of women and men in conflict and post-conflict situations.Keywords: victimisation, violence, masculinity, femininity, “beautiful souls”, “just warriors”, passivity, agency.Resumen. El estudio de los roles de hombres y mujeres durante situaciones de conflictos y de los escenarios post-conflicto, tradicionalmente ha restringido las experiencias de las mujeres a las de las víctimas, y las de los hombres a los perpetradores de violencia. Este documento adopta un enfoque constructivista feminista para explorar cómo los discursos tradicionales de género han sostenido por un lado, la victimización de las mujeres, y por otro lado, la asociación de la violencia con los hombres bien sea en su papel de agresores y/o protectores. A lo largo del estudio de caso del genocidio de Ruanda, esta investigación ilustra que en situaciones de conflicto los estereotipos de género tienden a ignorar, por una parte, el papel de las mujeres como perpetradoras violentas y, por otra parte, el estatus de víctima de los hombres. Este estudio intenta mostrar que las experiencias de las mujeres ruandesas no se limitaron únicamente a las de las víctimas, sino que planificaron y participaron de manera active en la violencia y abusos genocidas. Además, y también en contra de los discursos de género tradicionales, los hombres de Ruanda conformaron los primeros objetivos y víctimas de la violencia durante el conflicto. Esta tesis concluye que se puede adquirir una comprensión más amplia y profunda de los estudios de conflicto y, en última instancia, de la política mundial, desafiando los discursos tradicionales de género e investigando y reconociendo las experiencias multifacéticas de mujeres y hombres en situaciones de conflicto y posconflicto.Palabras clave: victimización, violencia, masculinidad, femininidad, “almas hermosas”, “guerreros justos”, pasividad, agencia.
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MATOS, SÔNIA MISSAGIA DE. "Artefatos de gênero na arte do barro: masculinidades e femininidades." Revista Estudos Feministas 9, no. 1 (2001): 56–80. http://dx.doi.org/10.1590/s0104-026x2001000100004.
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Este é um estudo sobre gênero na produção artística de peças de cerâmica em algumas comunidades de artesãos do Vale do Jequitinhonha, Minas Gerais, onde tradicionalmente apenas as mulheres chamadas "paneleiras" praticavam esse ofício, que era transmitido de mãe para filha. Naquela região, assim que a arte do barro se tornou uma fonte alternativa de renda, vários homens decidiram entrar para o ofício. A entrada de homens na arte do barro provocou reconfigurações nas relações de gênero. Um ponto muito importante a ser observado aqui é que apesar de tradicionalmente transmitida por mulheres e pela ação feminina, a arte do barro tem incorporado valores de masculinidade: ao se aproximarem de um ofício tradicionalmente feminino, os homens passaram a retirar dele recursos simbólicos de representação de masculinidade.
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Azzahra, Yuelfa, and Rouli Esther Pasaribu. "Dinamika Maskulinitas dan Femininitas: Representasi Hubungan Amerika Serikat dan Jepang dalam Film Anime Banana Fish." LINGUA : JURNAL ILMIAH 16, no. 1 (April 29, 2020): 1–27. http://dx.doi.org/10.35962/lingua.v16i1.36.
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Penelitian ini membahas bagaimana Jepang, Amerika dan hubungan kedua negara tersebut direpresentasikan dalam anime Banana Fish serta apa gagasan yang berada di balik representasi tersebut. Penulis menggunakan metode deskriptif analisis dan teori representasi dari Stuart Hall dan konsep gender dari Kite, penerapan konsep gender terhadap hubungan Amerika dan Jepang dari Dower. Hasil penelitian menunjukkan bahwa dalam anime Banana Fish, Amerika dan Jepang digambarkan sebagai oposisi biner. Amerika sebagai pihak maskulin, direpresentasikan kuat, superior dan penuh kekerasan, sementara Jepang sebagai pihak feminim, direpresentasikan lemah, inferior dan cinta damai. Banana Fish merepresentasikan hubungan Amerika dan Jepang sebagai hubungan saling bergantung, di mana Amerika cenderung melindungi Jepang dan Jepang menyediakan dukungan untuk Amerika, seperti bagaimana femininitas dan maskulinitas diposisikan dalam relasi gender. Tetapi, film animasi Banana Fish juga menunjukkan bahwa di satu sisi terdapat pergeseran bahwa sebenarnya Jepang perlahan mendapatkan maskulinitasnya yang merujuk kepada gagasan untuk merevisi konstitusi Jepang, sebuah peninggalan Amerika pada masa okupasinya di Jepang. Dari pembacaan terhadap teks Banana Fish, dapat dikatakan bahwa Banana Fish menunjukkan refleksi dari dinamika hubungan Amerika-Jepang dan pergerakan perjanjian keamanan Amerika-Jepang.
Kata Kunci: Representasi, anime Banana Fish, hubungan Amerika-Jepang, femininitas, maskulinitas.
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Nedbálková, Kateřina. "Does Prison Have a Gender? Masculinity and Femininity in Prison Subcultures." Czech Sociological Review 39, no. 4 (August 1, 2003): 469–86. http://dx.doi.org/10.13060/00380288.2003.39.4.03.
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Rahwati, Wawat. "Pemerian Alam Sebagai Simbol Femininitas dalam Novel Hana wo Hakobu Imouto." Japanese Research on Linguistics, Literature, and Culture 1, no. 1 (November 28, 2018): 28–47. http://dx.doi.org/10.33633/jr.v1i1.2097.
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This paper discusses about interconnecting nature an women in one of Japanese literary work named Hana wo Hakobu Imouto by Natsuki Ikezawa. He has written numerous novels and through his works such as Hana wo Hakobu Imouto, he depicts upon the relationship between nature and women. through this novel i assume nature can be seen as a representation about femininity and has interconnection with women. According to my assumption, i analyze this novel by employing the culture eco-feminism perspective to aim at showing how nature can be represented as a symbol of femininity through portraying the women characters and the setting of place of the story in this novel. The result is found that the water and iearth as nature elements which have been portrayed dominanly in every setting of places in the story, The water is represended across by river in Paris, rain in Thailand, and sea in Bali show a symbol as a 'mother's womb' called fetus which is very important to protect for someone's life. Meanwhile the earth is representing through rice fields show a symbol of femininity which represent of mother's nurture who protect someone's life.Keyword: cultural eco-feminism, femininity, Hana wo Hakobu Imouto, nature
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Agustina, Pradipta, and Maimunah Maimunah. "Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire." ATAVISME 16, no. 2 (December 30, 2013): 141–52. http://dx.doi.org/10.24257/atavisme.v16i2.89.141-152.
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The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This onehourandfiftysevenminute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance of Daniel Hillard as Euphegenia Doubtfire. Narrative aspect of the film is not only the main concern; the nonnarrative is also part of the analysis especially on costume, makeup, performance and color. The main finding of this study is this film in one hand celebrates traditional gender roles but on the other hand promotes gender as performance. Femininity is pictured as fluid. Therefore, it is also a performativity. The contestation between those two opposing ideas is smoothly wrapped through amusing film such as Mrs. Doubtfire.
Abstrak:
Film Mrs. Doubtfire karya Chris Columbus menampilkan konstruksi yang berbeda dengan konstruksi peran gender yang telah menjadi mainstream. Berdurasi 1 jam dan 57 menit, film ini menampilkan konstruksi maskulinitas dan femininitas yang dapat saling bertukar, cair, dan tidak baku. Studi ini mengkaji dua pertanyaan utama. Pertama, bagaimana konstruksi peran gender digugat melalui performativitas gender? Kedua, ideologi apa yang terdapat dalam film? Teori Queer terutama gender performativitas yang dikemukakan oleh Judith Butler menjadi kerangka penelitian ini. Penelitian ini dilakukan dengan mengobservasi dan menganalisis adegan terpilih dengan berfokus pada penampilan Daniel Hillard sebagai Euphegenia Doubtfire. Aspek naratif dalam film bukan satusatunya perhatian utama. Aspek nonnaratif juga menjadi bagian analisis kostum, tata rias, penampilan, dan warna. Penelitian ini menyimpulkan bahwa film ini pada satu sisi mengonfirmasi peran gender yang tradisional, tetapi di lain pihak juga mencoba menawarkan performativitas gender. Ideologi film ini menggambarkan femininitas sebagai sesuatu yang cair sehingga femininitas juga sesuatu yang sifatnya performativitas. Kontestasi antara kedua hal tersebut disajikan dengan menarik dalam film Mrs. Doubtfire.
KataKata Kunci: konstruksi gender; performativitas gende; teori queer
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Maimunah, Maimunah. "Fluiditas Antara Maskulinitas Dan Femininitas: Representasi Waria Dalam Film Dokumenter Dan Fiksi." ATAVISME 15, no. 1 (June 28, 2012): 1–14. http://dx.doi.org/10.24257/atavisme.v15i1.43.1-14.
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Dunia Waria menjadi salah satu tema yang muncul dalam perkembangan film Indonesia pasca Orde Baru. Penelitian ini mengkaji dua film dokumenter dan sebuah film fiksi yaitu Betty Bencong Slebor karya Benyamin Sueb (1978) serta dua film dokumenter RenitaRenita karya Tony Trimarsanto (2006) dan Ngudal Piwulang Wandu karya Kukuh Yudha Karnanta (2009). Meng gunakan metode penelitian kualitatif dan teori queer dalam membaca media film, hasil penelitian ini menunjukkan bahwa dari ketiga film tersebut terlihat perbedaan dalam memaknai tubuh dan gender. Tokoh Sholeh dalam Ngudal Piwulang Wandu berharap suatu hari nanti kembali menjadi lanang sejati, menikah secara heteroseksual dan memiliki anak. Renita membayangkan tubuh dan identitas gender sebagai perempuan sempurna, sedangkan Betty terlihat menikmati interplay antara tubuh feminine dan maskulinnya. Tubuh dalam konteks ini dapat dilihat sebagai suatu con tinuum, perpaduan antara femininitas dan maskulinitas, bukan suatu entitas yang statis. Perbe daan ketiga tokoh utama dalam memandang tubuh, seksualitas, dan gender mereka juga mere fleksikan bahwa tidak ada identitas dan entitas tunggal dari waria.
Abstract:
The growing visibility of waria/male to female transgender has become one of the do dominant features in Indonesia’s contemporary film industry. The research examines three waria films: Tony Trimarsanto’s RenitaRenita (2006), Kukuh Yudha Karnanta’s Ngudal Piwulang Wan du (2009), and Benyamin Sueb’s Betty Bencong Slebor (1978). Two basic research questions are, firstly: how is the fluidity of masculinity and femininity represented; secondly how do the waria perceive themselves (selfidentity) in a heterosexual culture. Queer film theory will be used in analyzing the film diegesis. The research finds the fluidity and continuum of the waria main characters in defining the meaning of the self and their bodies. This fluidity offers a playful negotiation to the essentialist concept of gender binary system.
Key Words: waria, film, gender identity
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Zulkarnain, Jaka Ahmad, and Wiyatmi. "Dekonstruksi Femininitas dalam Novel-novel Karya Eka Kurniawan: Dari Pekerjaan Sampai Kecantikan." Poetika 6, no. 2 (December 31, 2018): 109. http://dx.doi.org/10.22146/poetika.v6i2.40188.
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One of the stereotypes of gender is femininity in which it is closely related to women. Femininity with passive characteristic is constructed to limit their moves. In Eka Kurniawan’s novels, the femininity is unstable. It brings an assumption that he is conducting the femininity deconstruction. This research is aimed to find out and to explain the femininity deconstruction in Eka Kurniawan’s novels. Three Eka Kurniawan’s novels were chosen as the data source of this research, they were Cantik Itu Luka, Lelaki Harimau, and Seperti Dendam, Rindu Harus Dibayar Tuntas. This research used critical discourse analysis method with post-modern feminism approach. There are seven forms of femininity deconstructions in Eka Kurniawan’s novels such as feminine jobs, feminine images, feminine habits, feminine symbols, feminine principles, feminine desire, and beauty. Femininity deconstruction shows that femininity has strengths and weaknesses. Femininity is conveyed and practiced either by men and women characters in his novels. Through femininity deconstruction, Eka Kurniawan draws images of how femininity is being deconstructed and how the characters in his novels questioning, rejecting, and or making use of femininity.
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Noviana, Fajria, and Retno Wulandari. "MASKULINITAS DAN FEMININITAS DALAM ANIME KIMI NO NA WA KAJIAN RESPON PEMIRSA." KIRYOKU 1, no. 4 (December 7, 2017): 10. http://dx.doi.org/10.14710/kiryoku.v1i4.10-19.
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Masculinity and femininity are never-ending subjects. This research aims at observing young generation’s perception on masculinity and femininity in Japanese animee Kimi no Na wa. In addition this research also brings input on how young generation reacts on masculinity and femininity. By using viewer’s response method, this research is conducted among 15 (fifteen) Japanese Department students and 15 (fifteen) Engish Department students of Universitas Diponegoro.The finding shows that young generation generally view that there is no significant differences between sex and gender role. Meanwhile, in the relation with the movie, responden assert their agreement on the description of masculinity and femininity through the male and female characters, although generally respondents from English Department prefer East masculinity and West femininity. This view can be used as the basic how older people build relation with young people due to differences in age and point of view.
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Mawaidi, Mawaidi, and Nurhadi Nurhadi. "EKSPLORASI HANTU PEREMPUAN DALAM SIHIR PEREMPUAN KARYA INTAN PARAMADITHA: TELAAH KONSTRUKSI FEMININITAS." Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya 48, no. 2 (April 15, 2021): 167–76. http://dx.doi.org/10.17977/um015v48i22020p0167.
Full textDissertations / Theses on the topic "Femininidad"
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Ferreira, Adínia Santana. "A reclusão femininina no Convento Soledade : as diversas faces de uma experiência (Salvador - século XVIII)." reponame:Repositório Institucional da UnB, 2006. http://repositorio.unb.br/handle/10482/6638.
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Dissertação (mestrado)—Universidade de Brasília, Departamento de História, Linha de pesquisa: Sociedade, Instituições e Poder, 2006.Submitted by Larissa Ferreira dos Angelos (ferreirangelos@gmail.com) on 2009-10-27T16:34:23Z No. of bitstreams: 1 2006_Adínia Santana Ferreira.pdf: 2314276 bytes, checksum: 89107e6481d8f6b9fe8f9846ec677afc (MD5)
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Sob o título “A reclusão feminina no Convento da Soledade: as diversas faces de uma experiência (Salvador- século XVIII)”, analisamos as “diversas faces” da experiência de reclusão feminina nessa instituição, procurando atentar para as concepções, imagens, valores, normas, papéis e significações que informaram a prática de clausura feminina. Para tal, apontamos para a diversidade e pluralidade constitutivas das mulheres, exercendo atividades de gerenciamento, administração, devocionais e educacionais, bem como para as relações de sociabilidade, de trabalho, de vida comunitária, ao lado de vivências individuais. Além disso, mostramos uma instituição presidida por regras e interdições, por um permanente sistema de vigilância e disciplinarização e também por transgressões e rupturas com o isolamento. Espaço, enfim, de submissão, passividade e desapego e, ao mesmo tempo, de autonomia, independência financeira e exercício de poder. ____________________________________________________________________________ ABSTRACT
Under the heading “The feminine reclusion in the Convent of the Soledade: The different forms of one experience (Salvador – Century XVIII)”, different forms of experience of feminine reclusion in the Convent of the Soledade are analyzed, attempting to the conceptions, images, values, norms, social functions, and impressions that reveal the practice of feminine confinement. Therefore, we point with respect to the diversity and plurality of the women, who at that time exerted different activities of management, adminstration, devotion, education and, as well as working for sociability relations, communitarian life and individual experiences. Moreover, we show up an institution presided under rules and interdictions, a permanent system of minitoring and discipline, and also for trespasses and ruptures with the isolation. At last, space of submission, passivity and indifference and, at the same time, of autonomy, financial independence and exercise of control and power.
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Víznerová, Petra. "Genderované aspekty těla a tělesnosti u downhillových longboardistek." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-368851.
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Focusing on girls who compete in downhill longboarding, this thesis examines how women are pushed to display typically "male" characteristics in order to succeed. With contemporary western society viewing attributes such as speed, being competitive, overcoming fear and coping with pain as typically masculine traits, the main research goal of this inquiry is to find out how female riders cope with maintaining their femininity in the masculinized world of downhill longboarding. The main focus is on observing how female riders cope with being a good rider and being feminine at the same time, primarily through the way this double-faced pressure is projected in the bodies of female downhill longboarders.The theoretical part of this thesis is mainly focused on a sport as a gendered/masculinized field and the ideal form of the body constructed by the sociocultural pressure and instructions which are associated with it. The analytical part of this thesis is focused on the experiences of Czech female downhillers and the way in which they negotiate their femininity/masculinity, perceived or otherwise, and how the gender order is projected onto their bodies. This thesis aims to reveal the ambivalences caused by the pressure to women to maintain the hegemonic femininity and be masculinized competitive sport...
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Žilková, Martina. "Femmebook; Femininní sebeprezentace na sociální síti." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-350697.
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Introduced Diploma thesis aims to analyze the schemes of online self-presented femininity on a social network site using depth analysis of chosen Profiles. The aim was to discover the concepts of online self-presentation using gender perspective. Facebook as a huge user based medium, which allows all its users to produce content, constitutes a potential to change stereotyped schemes in presenting femininity in media. In theroretical part I summarize the principles of Facebook functions, I engage in Goffman's (and his followers') dramaturgical metafor and I link it to the theories of Gender Advertisements, The Beauty myth and Male gaze. All of these theories I use in analytical part of the thesis.
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Rozumek, Kryštof. "Sex, drogy, rock'n'roll: Reflexe genderu ve vybraných pražských rockových kapelách." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-339577.
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This thesis deals with aspects and force of gender order in Prague rock bands. It is focused on presence of gender aspects which are viewed from a gender point of view. Main aim of my research is to cover force of gender order in specificic musicial field which has connotation primarly with men. Also to obtain ethnographic description of this subculture. I'm going to fulfill the aim of my research by research in field, by interviews with informators and content lyrics analysis. This thesis is divided into two parts: theoretical and empirical. Theoretical part contains particular definitions and theoretical approaches. Empirical describes a strategy of my research, whole procedure and results of the research. Key words: culture, subculture, gender, masculinity, femininity, ethnography, rock
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Šlechtová, Nikola. "Od animace k hraným verzím: proměna klasických pohádkových filmů studia Disney z feministické perspektivy." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-435593.
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This diploma thesis analyses and compares two categories of Disney fairy tale films. On one side we have the animated films from the 20th century, on the other side their modern live action remakes. This thesis focuses on the portrayal of gender and social interactions, and examines whether there has been any change in these aspects from a feminist perspective. Fairy tales play a significant role in gender socialization of children and are a reflection of the contemporary societal ideals of femininity and masculinity. The theoretical part of the thesis introduces the concept of gender and how it is learned, how feminism views gender and society, and the development of the feminist movement. It explores fairy tales, their role as socialization agents and the theory of feminist critique of fairy tales. It also focuses on film adaptations of fairy tales and more specifically on Disney studio and the criticism of it. The examined films were subjected to analysis based on the method of grounded theory. During the research a significant advancement was discovered in the portrayal of female and male heroes, romantic love, patriarchal society in fairy tale worlds and in the representation of race and sexual minorities.
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Slavíčková, Barbora. "Pojetí žárlivosti v rámci maskulinity a femininity." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-340784.
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This thesis deals with the jealousy in the context of masculinity and femininity. The work focuses on jealousy in relationships, which is viewed from a gender and psychological point of view. Main aim of the thesis is to explore the way of constructing jealousy in the context of gender and to find any differences and similarities in such constructs. I am going to fulfill the aim through content analysis of selected lifestyle journals, while some of them are gender-focused on their readers and some are not. The work is divided into two parts, the first, theoretical part deals with the particular definitions and theoretical approaches to jealousy, their description and explanation of the origin of differences in jealousy between men and women. In my own research I use a combination of quantitative and qualitative content analysis of the most widely read magazines in the Czech Republic and therefore I can provide a more comprehensive insight into the topic and gain more comprehensive information about the link between jealousy and gender. I believe that the work will bring better insight into the question of designing jealousy in the context of gender. Key words: gender, masculinity, femininity, psychology, jealousy in romantic relationships
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Študencová, Andrea. "Časopisy pro ženy dnes: výkladní skříň konzumerismu?" Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-298178.
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The graduation thesis Magazines for women today: a shop-window of consumerism? focuses on analysis of editorials in periodicals Blesk pro ženy and ELLE. I analyzed the year 2009 by using qualitative content analysis. In this thesis I am trying to find out how much these editorials are engaged in consumerism and how much they are appealing to the consumer life style. I was also interested in values connected with consumerism and in the ways the consumer life style is being tied in the editorials. By using semiotic theories, sociology and critical media studies literature I am decoding that the pleasurable images and editorials are primarily rooted in the economic system of consumer goods distribution. This thesis is devoted to anyone who is interested in women's magazines and their economic background.
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Hrabáková, Alexandra. "Konstrukce genderových rolí v českých televizních publicistických pořadech roku 2012." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-330473.
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My thesis is focused on construction of gender roles in Czech TV shows of the year 2012. First part of the thesis consists of theoretical background, where the principle of feminine and masculine roles, which are constructed by media too, is presented. The thematic foreign and domestic studies, which are introduced there, show how the experts look at this issue. Other chapters are formed by this view and present the most frequented image of women and men on TV or the media principles. Last sections of the theoretical frame are about consumers' everyday habits of watching TV and about impact, which this programmes could have. Second part of this thesis has metodological character. The objective to decode which gender roles are formed by selected programmes Sama doma, Top Star Magazín, menZONE or Těžká dřina and which signs participate on this constructions are described in this part. The research method is semiotic analysis with description of the narrative, thanks to which the hidden myth is revealed more precisely. The quantitative content analysis is also used in analytic part, however, only in a prototypical form. This probe refers to the other possibilities of further extensions of this thesis. All the results demonstrate that the programmes of current domestic production construct women and...
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Holakovská, Eva. "Vzorce maskulinity a femininity u ledních hokejistek (případová studie českého hokejového týmu)." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306928.
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This study discusses ways how patterns of masculinity and femininity construct themselves in gendered practices of ice hockey, in the bodies of female ice hockey players and their gender identifications and how the players construct their gender performances. Opening section describes gender as an analytical category in the sport as a male domain where there are reproduced and emphasized elements of traditional masculinity as physical strength and dominance that are contrasted to the attributes of traditional femininity such as vulnerability and passivity. It outlines how gender is constituted in the sport in general and in ice hockey as a masculine sport, and how the norms of masculinity and femininity are reproduced through them. The dynamics of relationship between gender and ice hockey team is treated within the case study of a Czech women hockey team. The study discusses how gender positions of female hockey players of this team are constituted within the team dynamics, the effect of normative femininity to the constructions of physical performances, the concept of physical fitness for hockey and gender conformity appearance. It also outlines the gendered formal grounding of the women hockey through the rules and hierarchical structures and the influence of media coverage and the segregation...
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Phillips, Anna. "REPREZENTACE MASKULINITY A FEMININITY V HAAGSKÝCH ROMÁNECH LOUISE COUPERUSE." Doctoral thesis, 2021. http://www.nusl.cz/ntk/nusl-449016.
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Univerzita Karlova Filozofická fakulta Ústav germánských studií Filologie-germánské jazyky a literatury REPRESENTATIE VAN MANNELIJKHEID ENVROUWELIJKHEID IN DEHAAGSE ROMANS VAN LOUIS COUPERUS REPREZENTACE MASKULINITY A FEMININITY VHAAGSKÝCH ROMÁNECH LOUISE COUPERUSE THEREPRESENTATION OF MASCULINITY ANDFEMININITY INTHE HAGUE NOVELS BY LOUIS COUPERUS Abstract in English Anna Phillips Vedoucí práce: doc. dr. Ellen J.Krol 2018 1 Abstract in English This dissertation examines masculinity and femininity in what are referred to as the 'Hague novels' of Louis Couperus: Eline Vere, The Books of the Small Souls (De boeken der kleine zielen), and Old People and the Things that Pass (Van oude menschen, de dingen, die voorbijgaan…). The following research questions were asked: 1) In what ways are masculinity and femininity represented in the Hague novels of Louis Couperus? 1) Are these representations of the masculine and the feminine diametrically op- posed, and if so, in what ways does the opposition manifest? 2) Do the representations of masculinity and femininity in the individual Hague novels differ? If so, how? The research method is theoretically grounded in views of masculinity and femininity common to the 'fin de siècle' period (1878-1914) in which the Hague novels were published, and which forms the setting of...
Books on the topic "Femininidad"
Book chapters on the topic "Femininidad"
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Ruys, Juanita Feros. "Carnal Compassion." In The Intellectual Dynamism of the High Middle Ages. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462985933_ch01.
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Abelard addresses the cognitive-affective concept of empathy (compassio) across a range of his writings. He questions its ethics in his philosophical writings, taking his lead from Seneca’s De clementia in viewing empathy as a femininized emotional response lacking in judgment. This Stoic-inspired understanding of empathy becomes more personal in his first-person life writing, the Historia calamitatum, where Abelard explores the negative impact of empathy on his own life as both feeling subject and recipient. Then in seeking to displace himself as the subject of Heloise’s sympathetic identification of suffering in favor of Christ and his Passio, Abelard conceptualizes the redemptive love of Christ that will infuse his theological writings, leading to a rejection of the ransom theory of the Crucifixion and presaging the affective piety of the later Middle Ages.