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1

Turner, Christine. Photography, feminism and the sociology of knowledge. Ottawa: National Library of Canada, 1996.

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2

Indecent exposures: Twenty years of Australian feminist photography. St Leonards, NSW, Australia: Allen & Unwin in association with the Power Institute of Fine Arts, 1994.

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3

Printing, London College of. BA Photography dissertation 1989: Feminism, science fiction and social criticism. London: LCP, 1989.

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4

London College of Printing and Distributive Trades. BA Photography dissertation 1991: Mirror mirror on the wall : controlling the gaze- feminism, photography and self portraiture. London: LCPDT, 1991.

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5

Arte, fotografia e femminismo in Italia negli anni Settanta. Milano: Postmedia books, 2013.

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6

McEachern, Susan. The creation of desire: An exhibition. [Halifax, N.S.]: Eye Level Gallery, 1992.

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7

Feminine fables: Imaging the Indian woman in painting, photography,and cinema. Ahmedabad: Mapin Publishing, 2002.

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8

Inc, First Bank System. What does she want?. [Minneapolis, Minn.]: First Banks, 1989.

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9

Sajin ŭi puktchok: Ko Hyŏn-ju, Ku Sŏng-yŏn, Kim Su-gang ... [et al.]. Sŏul T'ŭkpyŏlsi: Wŏlgan Sajin, 2008.

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10

1967-, Cusk Rachel, Allnutt Gillian 1949-, Byatt, A. S. (Antonia Susan), 1936-, Otsuka Julie 1962-, Moorehead Caroline, Gregerson Linda, Davis Lydia 1947-, et al., eds. The F word. London: Granta, 2011.

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11

Freeman, John. The F word. Edited by Cusk Rachel 1967-, Allnutt Gillian 1949-, Byatt, A. S. (Antonia Susan), 1936-, Otsuka Julie 1962-, Moorehead Caroline, Gregerson Linda, Davis Lydia 1947-, et al. London: Granta, 2011.

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12

The new woman international: Representations in photography and film from the 1870s through the 1960s. Ann Arbor: University of Michigan Press and the University of Michigan Library, 2011.

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13

Gaskell, Anna. Anna Gaskell: Half life. Houston: Menil Foundation, 2002.

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14

Matthew, Drutt, and Menil Collection (Houston, Tex.), eds. Anna Gaskell: Half life : The Menil collection. Houston: Menil Foundation, 2002.

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15

Anna Gaskell. Andover, MA: Addison Gallery of American Art, 2002.

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16

Aspen Art Museum (Aspen, Colo.)., ed. Anna Gaskell: By proxy. Aspen, CO: Aspen Art Museum, 2000.

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17

Annie, Dizier-Metz, and Rochefort Florence, eds. Photo, femmes, féminisme: 1860-2010 : collection de la Bibliothèque Marguerite Durand. Paris: Paris bibliothèques, 2010.

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18

Jankowska, Małgorzata. Film artystów: Szkice z historii filmu plastycznego i ruchu fotomedialnego w Polsce w latach 1957-1981. Toruń: Wydawn. Uniwersytetu Mikołaja Kopernika, 2002.

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19

Kehl, Richard. The feminine. La Jolla: Green Tiger Press, 1986.

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20

Amelia, Jones, ed. Intra Venus. New York: Ronald Feldman Fine Arts, 1995.

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21

Wilke, Hannah. Intra Venus. New York: R. Feldman Fine Arts, 1995.

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22

Irene, Hofmann, Orange County Museum of Art (Calif.), Contemporary Art Museum St. Louis, and Blaffer Gallery, eds. Girls' night out. Newport Beach, Calif: Orange County Museum of Art, 2003.

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23

Elizabeth, Armstrong. Girls' night out. Newport Beach, Calif: Orange County Museum of Art, 2004.

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24

Friedlander, Jennifer. Feminine look: Sexuation, spectatorship, subversion. Albany: State University of New York Press, 2008.

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25

Oca, Dannys Montes de. Labores domésticas, versiones para otra historia de la visualidad en Cuba: Género, raza y grupos sociales. [Ciudad de la Habana]: Ediciones Unión, 2003.

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26

DeLano, Sharon, ed. Women. New York: Random House, 1999.

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27

Argentine, Mexican, and Guatemalan photography: Feminist, queer, and post-masculinist perspectives. Austin: University of Texas Press, 2014.

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28

Meskimmon, Marsha. Engendering the city: Women artists and urban space. London: Scarlet Press, 1997.

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29

Engendering the city: Women artists and urban space. London: Scarlet Press, 1997.

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30

Seeing through the seventies: Essays on feminism and art. Amsterdam: G+B Arts International, 2000.

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31

Printing, London College of. BA Photography thesis 1988: A feminist view of two women artists associated with the surrealist movement. London: LCP, 1988.

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32

Jack, Haas. Her: The sacred naked mother earth, and the divine feminine soul. Vancouver: Iconoclast Press, 2005.

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33

Chizhova, I. B. Russkie krasavit︠s︡y v proizvedenii︠a︡kh zhivopisi i fotografii =: Russian beauties in painting and photography. Moskva: "Iskusstvo", 1996.

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34

Yi, Chae-gil. Hwan: Yi Chae-gil sajinjip = Fantasia / by Jae-Kil Lee. [Korea]: Tʻaim-Sŭpʻeisŭ, 1987.

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35

Among women. New York: St. Martin's Press, 1996.

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36

Free, Julianna. La tete (French for head, in the feminine): Cornrows say a healer's life (taken from Mama Maddo's Zaire biography). Katonah, N.Y: Lifeline Resources, 1996.

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37

Daly, Ann Burke. The Imaginary Zone. Rosendale, N. Y: The Women's Studio Workshop, 1993.

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38

1945-, Tenneson Joyce, ed. Vagina warriors. New York: Bulfinch Press, 2004.

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39

ZnO bao mo zhi bei ji qi guang, dian xing neng yan jiu. Shanghai Shi: Shanghai da xue chu ban she, 2010.

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40

Photography after Photography: Gender, Genre, History. Duke University Press Books, 2017.

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41

Solomon-Godeau, Abigail. Photography after Photography: Gender, Genre, History. Duke University Press Books, 2017.

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42

Solomon-Godeau, Abigail, and Sarah Parsons. Photography after Photography: Gender, Genre, History. Duke University Press, 2017.

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43

1946-, Neumaier Diane, ed. Reframings: New American feminist photographies. Philadelphia: Temple University Press, 1995.

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44

Woman-Child in Fashion Photography: Fashion, Feminism and the Female Gaze. Bloomsbury Publishing Plc, 2021.

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45

Klorman-Eraqi, Na'ama. Visual Is Political: Feminist Photography and Counter-Cultural Activity in 1970s Britain. Rutgers University Press, 2019.

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46

Visual Is Political: Feminist Photography and Counter-Cultural Activity in 1970s Britain. Rutgers University Press, 2019.

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47

(Editor), Jo Spence, and Joan Solomon (Editor), eds. What Can a Woman Do With a Camera?: Photography for Women. Scarlet Press, 1995.

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48

(Contributor), Nick Cave, Will Self (Contributor), and Mark Holborn (Editor), eds. Bunny. Booth-Clibborn, 2008.

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49

Borland, Polly. Bunny. Booth-Clibborn, 2008.

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50

Agnès Varda between film, photography, and art. 2018.

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