Relevant bibliographies by topics / Feminism and theater

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  1. Dissertations / Theses

Academic literature on the topic 'Feminism and theater'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Dissertations / Theses on the topic "Feminism and theater"

1

Albinger, Dawn. "Diva Voce : reimagining the diva in contemporary feminist performance." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2012. https://ro.ecu.edu.au/theses/538.

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This practice-led contemporary performance study investigates and invigorates the diva icon’s usefulness to feminist theatre praxis. It traces the research journey from an unexamined belief in the diva as an icon of empowered, independent and expressive womanhood, to a more nuanced conception of the diva as boundless feminist performer and philosophical subject. Two major questions emerge from and drive the process. The primary research question asks: How can the diva icon (in all her fury and glory and wretchedness and perversity and mastery and mortality) usefully inform a feminist theatre p
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2

Xing, Jia. "Ting Ling." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1084912718.

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3

Dailey, Zachary Elijah. "Finding the Rhythms and the Accidental Poetry: Annie Baker and the Condition of a Contemporary Female Playwright." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1439378464.

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4

King, Portia Jane. "Shake it hard feminist identity and the burly-Q /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/5798.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 12, 2009) Includes bibliographical references.
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5

Leith, Hope Mary. "Moral and social constraints on femininity in the comedie larmoyante." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28102.

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This study has attempted to show that the plays of La Chaussée, which were popular in France in the middle to lat eighteenth century, were popular because they appealed to social values of the period, and particularly because they expressed a conservative view of society and of the role of women in that society. The introduction sets forth the historical and biographical background of La Chaussée, the extent of the success achieved by his "comédies larmoyantes" in performance and in publication during the eighteenth century, and the reasons for selecting the five plays on which this study con
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6

Whittington, Amanda. "Bad girls and blonde bombshells : lived feminism in popular theatre." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/34413/.

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This project examines texts from a body of work which numbers fifteen performed across the country. The accompanying commentary identifies the ways in which 'Be My Baby' and 'The Thrill of Love' tell female-centred stories in a popular dramatic voice which explore aspects of women's lived experience. It engages with feminist theory and practice to identify the diffuse and sometimes contradictory feminisms within the plays. Dramatic structure is considered with close reference to realist and expressionist forms. The exegesis investigates their engagement with popular culture, the importance of
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7

Williams, Kerry Lee. "Joking a part : the modalities of feminist humour in performance." Thesis, The University of Sydney, 1993. https://hdl.handle.net/2123/26651.

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This thesis examines the social semiotics of difference within feminism's joking relations in the production and reception of performance texts. It hypothesises that the signifiers of the modality system in the verbal and visual channels of the constructed world of performance are the key markers of joking relations. It further proposes that certain contextual and rhetorical markers of modality maintain, decentre or reinvent the social and subjective positioning of interactive participants (the producers and receivers of the text) within discursive formations of power, solidarity and subordina
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8

Bledsoe, Stormi Danielle. "Liberte Egalite Sororite: Feminist Directing Strategies Applied to The Revolutionists at Miami University." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1564606867621745.

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9

Brandenburg, Rachel Lynn. "Ceremonials: A Reclamation of the Witch Through Devised Ritual Theatre." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1556854180665756.

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10

Teoh, Remedios A., and remedios teoh@deakin edu au. "Gender and national identity: The people's theatre in the Philippines (1967-2000)." Deakin University. School of Social and International Studies, 2004. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061207.150434.

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The Philippine Education Theater Association (PETA), the People’s Theatre in the Philippines was founded within the bounds of the nationalist leftist tradition. Its origin therefore determines to a great extent the contours of the discourse on the feminist movement in the Philippines, its participation within the cultural movement and the founding years of the pioneering People’s Theatre in the country. As a grass roots theatre from a Third World nation, the PETA theatre model responded to the needs in raising socio-political and economic consciousness and can therefore serve as an alternati
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