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Books on the topic 'Feminist Art Workers'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Klick, Laurel. Feminist Art Workers: A history. Otis College of Art and Design, 2012.

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2

Centre, International Women's Tribune. Feminist logos: Símbolos y logotipos feministas = emblèmes féministes : a clip art book = coleccion de collages = collection de collages. The Center, 1991.

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3

Norma, Broude, Garrard Mary D, and Brodsky Judith K, eds. The power of feminist art: The American movement of the 1970s, history and impact. H.N. Abrams, 1996.

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4

Arora, Payal, Usha Raman, and René König. Feminist Futures of Work. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728386.

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The future of work is at the centre of debates related to the emerging digital society. Concerns range from the inclusion, equity, and dignity of those at the far end of the value chain, who participate on and off platforms, often in the shadows, invisible to policymakers, designers, and consumers. Precarity and informality characterize this largely female workforce, across sectors ranging from artisanal work to salon services to ride hailing and construction. A feminist reimagining of the futures of work—what we term as “FemWork” —is the need of the day and should manifest in multiple and var

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5

Kehl, Richard. The feminine. Green Tiger Press, 1986.

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6

Tricker, Greg. Bernadette of Lourdes: The mystery of Mary & the eternal feminine : paintings & sculptures. Paul Holberton Pub., 2008.

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7

1951-, Tricker Greg, Beckett Wendy, and Vann Philip, eds. Bernadette of Lourdes: The mystery of Mary & the eternal feminine : paintings & sculptures. Paul Holberton Pub., 2008.

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8

Vries, Maureen de, author, compiler, Wessels Elise author compiler, and Nihon no Hanga (Amsterdam, Netherlands), eds. Feminine and independent: The modern women of pre-war Japan. Nihon no hanga, 2011.

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9

1958-, Nakagawa Chihiro, Fujimoto Kuniharu, and Miki Pamera, eds. New girly graphics: A new interpretation of glamorous, cute and romantic designs. Pai Intānashonaru, 2010.

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10

Lyon, J. Vanessa. Figuring Faith and Female Power in the Art of Rubens. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985513.

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Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens’s paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist’s best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of

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11

Wilke, Hannah. Intra Venus. R. Feldman Fine Arts, 1995.

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12

Oca, Dannys Montes de. Labores domésticas, versiones para otra historia de la visualidad en Cuba: Género, raza y grupos sociales. Ediciones Unión, 2003.

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13

Barchiesi, Liliana. Donne è bello. Postcart, 2020.

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14

Frueh, Joanna. Clairvoyance (for those in the desert): Performance pieces, 1979-2004. Duke University Press, 2007.

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15

Shigemitsu, Hirano, ed. Uemura Shōen gashū. Seigensha, 2009.

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16

Nony, Anaïs. Performative Images. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722827.

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Performative Images draws upon the work of video artists and activists in France between the 1970s and the early 2020s and focuses on significant practices with technology. Video art and video activism are analysed together in the book to revaluate key concepts in media studies and foreground a performative approach to the theory of image technology. The book engages works in visual culture, performance studies, digital studies, critical race theory, and feminist methodologies to account for the changes brought about by video technology in social and psychic life. Performative Images is about

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17

Spring, Samantha. Ms Boss Independent Queen Lioness: Lined Notebook Feminist Gift- Black and Gold Lioness Art for Empowered Women, Independent Women, Office Workers, Strong Women, Empowering Women. Independently Published, 2022.

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18

Özpınar, Ceren, ed. Art, Feminism, and Community. British AcademyLondon, 2024. https://doi.org/10.5871/bacad/9780197267837.001.0001.

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Abstract Are artists, their communities, and their works of art interconnected? How may multiple feminist perspectives be applied to the perception and articulation of artworks? Art, Feminism, and Community: Feminist Art Histories from Turkey, 1973-1998 explores how the lives and communities of artists, and the artworks they create intersect. It suggests that feminisms inform artists’ relationships and experiences, which get intertwined with their artistic practices. Through detailed readings of artworks, it covers seven major case studies from Turkey and focuses on rarely seen paintings, inst

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19

Foerschner, Anja. Female Art and Agency in Yugoslavia, 1971–2001. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350229242.

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Despite having been marginalized on the map of contemporary art since the Yugoslav wars of the 1990s, Belgrade continues to be a hub of creative activity. Especially noteworthy is the strong presence of women artists, scholars, and activists whose deeply personal, yet highly political artwork is rooted in the city’s legacy of female and feminist artists and agents. This book builds on existing scholarship in the area to highlight how – through art and exhibition making, writing, mentorship, and activism – the alternative art scene in the Balkans states has been primarily shaped by female-led a

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20

Broude, Norma, and Mary D. Garrard. Power of Feminist Art. Harry N. Abrams, 1996.

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21

Whitson, Kathy J. Encyclopedia of Feminist Literature. Greenwood, 2004. http://dx.doi.org/10.5040/9798400650598.

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Many women writers have secured a solid place in the literary canon, while others have remained marginalized. This reference includes alphabetically arranged entries on roughly 70 women writers whose works are widely read in English, and on some 20 related topics. While some of the writers profiled are widely known, others have not yet received as much attention. And while most of the writers are from England and America, the volume also profiles Chilean, Brazilian, Indian, South African, Australian, French, and German authors. The writers selected are feminist, in that their works have challe

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22

Lucey, Colleen. Love for Sale. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501758867.001.0001.

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This book is the first study to examine the ubiquity of commercial sex in Russian literary and artistic production from the nineteenth century through the fin de siècle. The book offers a compelling account of how the figure of the sex worker captivated the public's imagination through depictions in fiction and fine art, bringing to light how imperial Russians grappled with the issue of sexual commerce. Studying a wide range of media — from little-known engravings that circulated in newspapers to works of canonical fiction — the book shows how writers and artists used the topic of prostitution

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23

(Editor), Norma Broude, Mary D. Garrard (Editor), and Judith K. Brodsky (Editor), eds. The Power of Feminist Art: The American Movement of the 1970S, History and Impact. Harry N Abrams, 1994.

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24

Sartori, Eva M. The Feminist Encyclopedia of French Literature. Greenwood, 1999. http://dx.doi.org/10.5040/9798400650567.

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The earliest known literary productions by women living in Europe were probably written by French writers. As early as the 12th century, women troubadours in the south of France were writing poems. French women continued writing through the ages, their number increasing as education became more available to women of all classes. And yet, of the great number of works by women writers who preceded the current feminist movement, very few have survived. A few writers such as Marie de France, George Sand, and Simone de Beauvoir became part of the canon. But critics, mostly male, had judged the work

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25

Wagenaar, Hendrik, Helga Amesberger, and Sietske Altink. Understanding the policy field: migration, prostitution, trafficking and exploitation. Policy Press, 2017. http://dx.doi.org/10.1332/policypress/9781447324249.003.0005.

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Chapter Five proceeds from to the transnational character of prostitution and situates it in an analysis of labour migration and labour exploitation. Instead of projecting on the migrant sex worker the collective images that are driven by radical feminist and anti-immigrant ideology, we argue that is it more effective to take seriously what the sex workers told us over and over again: that the migrant sex worker’s self-understanding of prostitution is work, a discerning occupational choice in a situation in which thousands of female migrants find themselves worldwide. This reframing of prostit

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26

Peckruhn, Heike. Situating Feminist Theologies Phenomenologically. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190280925.003.0002.

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Chapter 2 investigates the manner in which feminist theologies employ experience as a source for theology, particularly sensory experience. It highlights scholarly work that seeks to overcome body-mind dualisms by appealing to perception and analyzes where and how these attempts fall short. Perception in the theological works surveyed is either conceived in an empiricist or intellectualist fashion, which upholds the very body-mind dualism sought to move beyond. The chapter proposes that we are our bodies, and we experience the world as we are in the world through our bodies, as body-subjects.

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27

Tomlinson, Maria Kathryn. From Menstruation to the Menopause. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348462.001.0001.

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This book examines the representation of the female fertility cycle in contemporary Algerian, Mauritian, and French women’s writing. It focuses on menstruation, childbirth, and the menopause whilst also incorporating experiences such as miscarriage and abortion. This study frames its analysis of contemporary women’s writing in French by looking back to the pioneering work of the second-wave feminists. Second-wave feminist texts were the first to break the silence on key aspects of female experience which had thus far been largely overlooked or considered taboo. Second-wave feminist works have

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28

Lila: Història gràfica d’una lluita. Editorial Comanegra S.L., 2019.

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29

Lila: Historia gráfica de una lucha. Editorial Comanegra S.L., 2019.

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30

Faxneld, Per. Satanic Feminism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190664473.001.0001.

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According to the Bible, Eve was the first to heed Satan’s advice to eat of the forbidden fruit. The notion of woman as the Devil’s accomplice is prominent throughout the history of Christianity and has been used to legitimate the subordination of wives and daughters. During the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Hereby, Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a patriarchy supported by God the Father and his male priest

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31

Young, Emma. Motherhood. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427739.003.0003.

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This chapter commences by contextualising the politics of motherhood in light of the feminist writings of Shulamith Firestone, Adrienne Rich and Julia Kristeva. The literary analysis focuses on the control of women’s bodies and societal expectations in the work of Roberts and how the critique of motherhood apparent in these narratives reflects a tendency of much second-wave feminist thought. The second section considers the writings of Simpson and how she invokes the narrative brevity of the short story to heighten the sense of spatial constraint the female protagonist’s, who are mothers, expe

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32

Timothy, Roberta Krysten Lynn. Resistance education: African/Black women shelter workers' perspectives. 2007.

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33

Leeuwen, Anne van. We Have Always Been Materialists. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190275594.003.0005.

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This essay revolves around a basic question: What is the relationship between twentieth- century French feminism and materialist politics? More precisely, what is the place of materialism in the works of Simone de Beauvoir and Luce Irigaray, or in what sense are the philosophies of Beauvoir and Irigaray “materialist” ones? I take up this set of questions vis-à-vis the “new” materialism of Marx—a materialism that destroys the classical philosophical opposition of idealism and materialism in order to think the subject of politics. I seek to show that it is precisely this subject that we find in

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34

Gurlesque The New Grrly Grotesque Burlesque Poetics. Saturnalia Books, 2010.

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35

Jones, Gwyneth. Joanna Russ. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042638.001.0001.

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Joanna Russ (1937-2011) was an outstanding writer, critic, and theorist of science fiction at a time when female writers were marginal to the genre, and very few women, perhaps only Judith Merril and Joanna herself, had significant influence on the field. In her university teaching and in her writing she championed the integration of new social models and higher literary standards into genre works. In her review columns for the Magazine of Fantasy and Science Fiction she dissected the masters of the New Wave with appreciation, wit, and incisive intelligence. Her experimental novel The Female M

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36

The Art of Naming My Pain. Blue Cactus Press, 2019.

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37

Russell, Rinaldina. The Feminist Encyclopedia of Italian Literature. Greenwood, 1997. http://dx.doi.org/10.5040/9798400650581.

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Over the last 20 years, there has been an increasing interest in feminist views of the Italian literary tradition. While feminist theory and methodology have been accepted by the academic community in the U.S., the situation is very different in Italy, where such work has been done largely outside the academy. Among nonspecialists, knowledge of feminist approaches to Italian literature, and even of the existence of Italian women writers, remains scant. This reference work, the first of its kind on Italian literature, is a companion volume for all who wish to investigate Italian literary cultur

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38

The Witches Are Coming. Hachette Books, 2019.

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39

Berghaus, Günter, ed. New Perspectives on Prehistoric Art. Greenwood Publishing Group, Inc., 2004. http://dx.doi.org/10.5040/9798400691171.

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Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functio

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40

Birnbaum, Lucia Chiavola. liberazione della donna: Feminism in Italy. Wesleyan, 1988.

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41

Lyon, J. Vanessa. Figuring Faith and Female Power in the Art of Rubens. Amsterdam University Press, 2020. http://dx.doi.org/10.5040/9789048566785.

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Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens’s paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist’s best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of

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42

Hedenborg White, Manon. The Eloquent Blood. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190065027.001.0001.

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The study analyzes constructions of femininity and feminine sexuality in interpretations of the goddess Babalon, a central deity in the British occultist Aleister Crowley’s (1875–1947) religion Thelema. Babalon is based on Crowley’s positive reinterpretation of the biblical Whore of Babylon and symbolizes liberated female sexuality and the spiritual modality of passionate union with existence. Analyzing historical and contemporary written sources, qualitative interviews, and ethnographic fieldwork in the Anglo-American esoteric milieu, the study traces interpretations of Babalon from the works

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43

Where Art Might Happen: The Early Years of CalArts. Prestel Verlag GmbH & Co KG., 2021.

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44

Lori, Ope. Beyond the Feminine. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350204874.

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How can contemporary artists and image makers challenge representations of race and gender in visual culture and produce alternate visions? Exploring a range of lens-based British art that engages with questions of race and gender, this book critiques power structures that embed racial dichotomies to arrive at a nuanced understanding of the position of race in contemporary visual culture. It examines how white and light-skinned Black women are privileged over Black and dark-skinned women in music videos, advertising, and even in classic paintings. Focusing on skin colour as implicit in constru

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45

Pérez, Laura E., and Ann Marie Leimer, eds. Consuelo Jimenez Underwood. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022930.

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Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place

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46

Persuasive fictions: Feminist narrative and critical myth. Bucknell University Press, 2001.

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47

Jabour, Anya. Sophonisba Breckinridge. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042676.001.0001.

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Sophonisba Breckinridge (1866-1948) was involved in virtually every reform--including legal aid for immigrants, civil rights for blacks, labor legislation for workers, juvenile courts for youth, and citizenship rights for women--of both the Progressive and New Deal eras. She also played an important role in the development of the welfare state. As a social scientist, a social worker, and a public policy consultant, she played a key role in the development and the implementation of the 1935 Social Security Act. Breckinridge’s influence extended beyond national boundaries. As a founding member o

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48

Guerrilla Girls: The Art of Behaving Badly. Chronicle Books LLC, 2020.

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49

Girls, Guerrilla. Guerrilla Girls: The Art of Behaving Badly. Chronicle Books LLC, 2020.

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50

Farfan, Penny. “What are you trying to say?”— “I’m saying it”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190679699.003.0006.

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This chapter considers Djuna Barnes’s 1923 metatheatrical parodies To the Dogs and The Dove to suggest that the audience for queer modernist performance was not limited to past spectators but has also encompassed later critics and theorists, and that the work’s impact has extended beyond its original context into the present moment, shaping critical discourse in modernist studies. Barnes’s plays have been regarded by some as dramatic failures, but in fact they deliberately thwart conventional representational tropes and dynamics to stage critiques of gendered and sexualized narrative structure

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