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Relevant bibliographies by topics / Feminist criticism

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Academic literature on the topic 'Feminist criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Feminist criticism"

1

Du Plessis, J. W., and D. H. Steenberg. "Uit die oogpunt van ’n vrou? Perspektief op feministiese literêre kritiek in die kader van die Airikaanse prosa." Literator 12, no. 3 (May 6, 1991): 71–88. http://dx.doi.org/10.4102/lit.v12i3.781.

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Feminists feel that in literary criticism not enough consideration is given to feminism as an ideology in the production of texts. According to them, existing literary criticism is strongly man-centred. This is especially true of the practice of South African literary criticism. Although feminism does not have at its disposal a formulated feminist literary criticism, a great deal of research has been done in this direction abroad. This is especially the case in Europe and America. Feminist literary critics apply themselves to the representation of the woman in works by male authors and an analysis of feminine experience in the production of texts by women. This article is an exploration of the Anglo-American and French approaches in feminist literary criticism. An attempt is made to formulate the aims of a possible South African feminist literary criticism in order that not only the general norms, but also the feminist codes in the production of a text, speak towards the final interpretation of a work.

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Deepwell, Katy. "Art Criticism and the State of Feminist Art Criticism." Arts 9, no. 1 (February 25, 2020): 28. http://dx.doi.org/10.3390/arts9010028.

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This essay is in four parts. The first offers a critique of James Elkins and Michael Newman’s book The State of Art Criticism (Routledge, 2008) for what it tells us about art criticism in academia and journalism and feminism; the second considers how a gendered analysis measures the “state” of art and art criticism as a feminist intervention; and the third, how neo-liberal mis-readings of Linda Nochlin and Laura Mulvey in the art world represent feminism in ideas about “greatness” and the “gaze”, whilst avoiding feminist arguments about women artists or their work, particularly on “motherhood”. In the fourth part, against the limits of the first three, the state of feminist art criticism across the last fifty years is reconsidered by highlighting the plurality of feminisms in transnational, transgenerational and progressive alliances.

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Deepwell, Katy. "The Politics and Aesthetic Choices of Feminist Art Criticism." Arts 12, no. 2 (March 23, 2023): 63. http://dx.doi.org/10.3390/arts12020063.

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This article explores feminist art criticism from the point of view of aesthetics/politics in global contemporary art. It is based on the author’s experience as an art critic and founding editor of n.paradoxa: international feminist art journal (1998–2017). Reading articles published in the previous two decades both for the journal and outside it, it became possible to identify how subjects produce specific objects in art criticism that demonstrate different locations and standpoints in thought and how these align with criticism from broader feminist political theories. This is an exploration of the aesthetics/politics both in, about and beyond feminist art criticism. The methodology presented analyses feminist art criticism using a model of clusters of concepts that draws on Anne Ring Petersen’s examination of identity politics, race and multiculturalism from 2012. Feminist analyses in which this approach has been attempted are discussed: Sue Rosser’s 2005 analysis of cyberfeminism and Tuzyline Jita Allan’s 1995 discussion of black/womanist/African feminisms. The article identifies four types of feminist art criticism: liberal feminism, materialist feminism, feminist cosmopolitan multi-culturalism, and queer post-colonial feminism. The aims, methods and approaches of these tendencies are outlined to demonstrate the differences between them. The article concludes with a discussion about the futures of feminist art criticism.

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Kuteleva, Anna V. "The Multiplicity of Feminism: Syntheses of the Local and the Universal." RUDN Journal of Political Science 24, no. 1 (February 25, 2022): 16–24. http://dx.doi.org/10.22363/2313-1438-2022-24-1-16-24.

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Any universal definitions of feminism - as well as what constitutes feminist theory, political strategy, and related practices - are problematic. The patriarchal relations that feminists oppose have different configurations depending on the social, economic, cultural and political contexts. Consequently, there are various feminisms: multiple syntheses of local and universal knowledge. This article analyzes the conceptual and political rifts within the global feminism associated with the hegemony of western ideas and its criticism by transnational and postcolonial feminists and examines the postsocialist transformations and localizations of feminism and, in particular, the evolution of feminist ideas in post-soviet Russia.

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Sen, Tithi, and Kaushik Das. "Salient Features of Feminist Literary Criticism." Shanlax International Journal of English 10, no. 1 (December 1, 2021): 20–24. http://dx.doi.org/10.34293/english.v10i1.4199.

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Feminist literary criticism as criticism schools is marked by gender, widespread gender awareness, and feminine consciousness is its elementary characteristics. This study introduces the different phases of Feminism through various insidious social and cultural mores. The main objective of this study to Criticism the Salient Features of Feminist Literary. The main content of this paper is divided into three aspects, the first, second, and third wave of feminism from the 19th century to date. Methodology Employed based on qualitative research. The secondary sources of this study are taken from various books, articles, diaries, proposals, official records, archives, Govt. Gazetteers, Manuals and sites, and so on.

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N. A. Dhivya. "FEMINIST LITERARY CRITICISM." WORLD WOMEN STUDIES JOURNAL 1, no. 1 (July 1, 2016): 1–13. http://dx.doi.org/10.46291/wwsj.v1i1.1.

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Feminist literary criticism arose thirty years ago, and became widespread in Western Europe and the United States. Today, there is practically no large American university where there would be no courses on female / feminist literature and criticism, as well as gender aspects of literary work. In this study the general concept of criticism over literature by feminism outlined.

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Marome, Wijitbusaba. "Foucault’s Work for the Analysis of Gender Relations: Theoretical Reviews." Journal of Architectural/Planning Research and Studies (JARS) 3 (December 30, 2005): 115–26. http://dx.doi.org/10.56261/jars.v3.169048.

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Michel Foucault’s focus on power relationships has drawn political scientists, political philosophers,and feminists to his texts. His argument which analyses power and discourse takes political analysts beyondstate as the locus of power. In general, his work is important for feminist analyses, especially the threevolumeof historical account of sexuality, because it shares with feminists and intense and critical gaze atsexuality, ‘power and knowledge.’ However, Foucault’s politics of Western sexuality leaves female sexualityinvisible. To complete this historical account of sexuality requires feminist critiques which extend and alterthe analysis to include female sexuality. Thus, the question is not if, but how Foucault should be situated intocontemporary feminist theory. This paper examines four major criticisms that traditional feminists haveargued against Foucault’s understanding of theory-justification, power relations, collective politics, and genderneutrality. We argue that the first three criticisms are undiscovered, but offer an important set of political toolto feminism. For the gender neutrality criticism, we argue that Foucault’s neglect of gender difference in hishistory of sexuality falls short of feminist goals. Finally, feminists should approbate only the aspects ofFoucauldian philosophy that are conductive to gender analysis and move beyond Foucault’s androcentrism tocreate alternative histories of sexuality and opportunities for resistance.

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Nugraha, Dipa. "PENDEKATAN SOSIOLOGI FEMINIS DALAM KAJIAN SASTRA." UNDAS: Jurnal Hasil Penelitian Bahasa dan Sastra 16, no. 2 (December 1, 2020): 341. http://dx.doi.org/10.26499/und.v16i2.2807.

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Abstract: Sociology of literature is widely used in Indonesian literary criticism since its introduction in 1978 by Sapardi Djoko Damono. However, there is a doubt in recent Indonesian literary criticism to accept feminist literary criticism in some way as part of sociology of literature whilst it is already that feminism deals with social construct and patriarchy practice in society. This article aims to show that sociology of literature in the form of feminist sociology and feminist literary criticism are not contradictory as one claims. This is a systematic literature review. The method of collecting data is extensive close reading on sociology of literature, feminist sociology, and feminist literary criticism. Based on the extensive close reading, there are at least five models can be used in feminist sociologal approach: through reading agenda, using anachronistic reading, on the marketing strategy and endorsement, on the situation of the readers’ activity, and based on writer’s situation and consciousness. This article shows that feminist sociological approach in literature and feminist literary criticism are not in conflict as the two come from feminism.

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Genovese, Ann. "Unravelling Identities: Performance and Criticism in Australian Feminisms." Feminist Review 52, no. 1 (March 1996): 135–53. http://dx.doi.org/10.1057/fr.1996.12.

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The following article is an exploration of the non-linear and non-unified identities that make up Australian feminism. The main premise is that the divergent strands of rational and romantic thought, central to the project of liberalism, are inherent in the characterization of Australian feminisms. As a result, there have always been tensions between feminists, centred around politics of self-identification. These tensions continue to exist, but to be articulated in different ways in different decades as a result of the ever changing relationships between feminist, state and media/public discourses. These ideas are explored through comparing two key moments in our recent past in which differences between feminisms were declared. These two events – the Mary Daly visit to Australia to promote Gyn/Ecology in 1981, and the debate engendered by Helen Garner's The First Stone in 1995 – are taken to be performative metaphors through which the continuities and discontinuities of the nature of Australian feminisms can be subjectively explored.

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Nugraha, Dipa, and Suyitno Suyitno. "REPRESENTATION OF ISLAMIC FEMINISM IN ABIDAH EL KHALIEQY’S NOVELS." LITERA 18, no. 3 (November 26, 2019): 465–84. http://dx.doi.org/10.21831/ltr.v18i3.27012.

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The Indonesian literary tradition during the reform period was marked by the rise of female writers who raised the issue of feminism. Within the framework of locality and contextuality, the feminism movement echoed by female writers comes in diverse expressions. This study aims to describe the reference figures and issues of Islamic feminism that are represented in novels by Abidah El Khalieqy. This research uses a feminist literary criticism approach. The data sources of the research are three novels by Abidah El Khalieqiy, namely Perempuan Berkalung Sorban, Geni Jora, and Mataraisa. The technique used to gather feminist voices in the three novels is a close reading. The analysis was conducted using a descriptive qualitative method. The results of the study are as follows. First, Islamic feminist figures who were referred to by the feminism movement were Fatima Mernisi and Riffat Hassan. Fatima Mernisi is known as a misogonic hadith critic, while Riffat Hassan uses the hermeneutic principle in the interpretation of the Quran. Second, the issues of feminism represented are: the lives of women in the pesantren tradition, the position of women in the family, the view of normal sexual relations and relationships, and the interpretation of the hadiths and verses of the Qur'an relating to women. Islamic feminism voiced by Abidah El Khalieqy brings its own color compared to the Western feminism movement which refers to the concept of ecriture feminine. Keywords: Islamic Feminism, ecriture feminine, Indonesian literary history, politics of difference, intersectionality REPRESENTASI FEMINISME ISLAM DALAM NOVEL-NOVEL KARYA ABIDAH EL KHALIEQY AbstrakTradisi sastra Indonesia masa reformasi ditandai maraknya penulis perempuan yang mengangkat permasalahan feminisme. Dalam bingkai lokalitas dan kontekstualitas, gerakan feminisme yang digaungkan para penulis perempuan hadir dalam ekspresi yang beragam. Penelitian ini bertujuan mendeskripsikan tokoh rujukan dan persoalan feminisme Islam yang direpresentasikan dalam novel-novel karya Abidah El Khalieqy. Penelitian ini menggunakan pendekatan kritik sastra feminis. Sumber data penelitian adalah tiga novel karya Abidah El Khalieqiy, yaitu Perempuan Berkalung Sorban, Geni Jora, dan Mataraisa. Teknik yang dipakai untuk mengumpulkan suara-suara feminisme di dalam ketiga novel adalah pembacaan cermat (close reading). Analisis dilakukan dengan metode deskriptif kualitatif. Hasil penelitian sebagai berikut. Pertama, tokoh feminis Islam yang menjadi rujukan gerakan feminisme adalah Fatima Mernisi dan Riffat Hassan. Fatima Mernisi dikenal dengan kritik hadist misogonis, sedangkan Riffat Hassan dengan prinsip hermeneutika dalam tafsir Alquran. Kedua, persoalan feminisme yang direpresentasikan adalah: kehidupan perempuan dalam tradisi pesantren, kedudukan perempuan dalam keluarga, pandangan terhadap relasi dan hubungan seksual yang normal, dan tafsir terhadap hadist dan ayat Al-quran berkaitan dengan perempuan. Feminisme Islam yang disuarakan Abidah El Khalieqy membawa warna tersendiri dibandingkan dengan gerakan feminisme Barat yang merujuk pada konsep ecriture feminine. Kata kunci: feminisme Islam, ecriture feminine, sejarah sastra Indonesia, politik perbedaan, interseksionalitas.

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Dissertations / Theses on the topic "Feminist criticism"

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Garrett, Roberta. "Postmodernist cinema and feminist film criticism." Thesis, Staffordshire University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272823.

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Garber, Elizabeth Jessie. "Feminist polyphony : a conceptual understanding of feminist art criticism in the 1980s /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487671640055385.

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Wardrop, Alex. "Feminist criticism and Plato's Timaeus-Critias : rethinking chora." Thesis, University of Bristol, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574593.

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Brunsdon, Charlotte Mary. "The feminist, the housewife and the soap opera : feminist television criticism and soap opera." Thesis, University of Birmingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396230.

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Henderson, Susan E. "Details, baby, details : a feminist criticism of The crying game." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/902494.

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This study examined gender portrayals in the film, The Crvinq Game. The societal labels for gender, "masculine" and "feminine," are not negative in and of themselves. However, when they are coupled with stereotypes, their power to direct behavior and perception formation can rob people of their freedom to be simply "human." This study primarily focused upon the costs of maintaining, challenging, and abandoning gender role stereotypes as illustrated in The Crvinq Game. Sonja Foss's four-step approach to feminist criticism was used as a tool for examination of this film.By examining the appearances, attitudes, and behaviors of the four central characters in the film, two messages emerged. First, in all four cases, being of a feminine nature was less desirable than being of a masculine nature. Second, Neil Jordan, the film's director, prescribes that all people should transcend the boundaries of gender, and simply allow themselves and others to be human.Jordan's humanistic message also provides insight into expansion of rhetorical methods and theories. Feminist criticism and Queer theory could attempt to transcend the boundaries of gender, and work toward the inclusion of all non-traditional sex roles.
Department of Speech Communication

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MacKeen, Alison. "From discovery to creation : feminist literary criticism's aesthetic turn." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59590.

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This thesis challenges the way feminist literary criticism has been represented as a field polarized between American and French positions. As an alternative to the American/French distinction, I propose one between feminist criticism oriented to research and feminist criticism oriented to aesthetics. In keeping with this alternative distinction, I relocate the shift in feminist criticism within American feminism. The "aesthetic turn" inaugurated by American "gynocriticism" is itself identified in relation to a more general philosophical shift from discovery to creation. While the relativistic and voluntaristic tendencies which distinguish the latter pole are exemplified by French feminism, I argue that they are anticipated by American feminism's "aesthetic turn." Finally, this thesis not only relocates and redefines the shift in feminist literary criticism, but provides arguments in favour of a research-oriented feminist criticism.

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Threadgold, Terry. "Feminist textual practice performance and critique." Monash University, School of Literary, Visual and Cultural Studies, 1999. http://arrow.monash.edu.au/hdl/1959.1/8576.

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Taghavie-Moghadam, Mariah. "A Miraculous Deliverance: An Adaptation Through Historical Criticism and Feminist Theory." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5740.

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This thesis attempts to reconstruct the narrative of Anne Greene, a young female servant in 1650 England that was wrongfully found guilty of infanticide and made into a spectacle by her peers as an example of what happens when one breaks societies gender norms and is met by the influence of the gender politics of the period. Her female body was objectified and placed on display by a ritual performance of the hangman’s noose and the criminal corpse to further the process of by maintaining fear among members of the population, especially rebellious women. Thus, making Anne Greene a subversive figure, victimized by a patriarchal society, a trope that remains relevant today. By way of literary adaptation, explorations of bodily practice, and engagements with the historical archive this thesis allows Anne Greene’s disembodied figure to unfold as a narrative and visual tool in history. This study and the accompanying original play text allow Anne Greene to become an essential figure to feminist studies and continuing struggles for equality in the era of the “Me too” social narrative.

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Luckner, Victoria. "“I AM NOT A PRINCESS BUT…”: AN IDEOLOGICAL CRITICISM OF “FEMINIST” IDEOLOGIES IN DISNEY’S MOANA." CSUSB ScholarWorks, 2018. https://scholarworks.lib.csusb.edu/etd/753.

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In 2016, Disney animation studios released their newest princess film Moana. The film follows a seemingly feminist plot line of a young female heroine who saves the world from destruction. This study examines Moana (2016) in relation to the views on feminism in the U.S. Disney’s large social and economic influence provides rich grounds for this research. Using an ideological rhetorical criticism, I uncovered the presented and suggested elements of the film. These elements combined with research on U.S. feminist ideology allowed three ideological themes to emerge: ecofeminism, power feminism, and post-feminism. The three themes are threaded to create a seemingly feminist patchwork ideology. I argue that the patchwork ideology that is created is a result of the political and economic conditions present around the production of Moana. Furthermore, I argue that this patchwork ideology is ultimately harmful to current feminist ideology in the U.S. This study adds insight into how feminist ideology is used in popular media.

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Potts, Tracey. "Can the Imperialist read? : race and feminist literary theory." Thesis, University of Warwick, 1997. http://wrap.warwick.ac.uk/63653/.

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Since the mid 1980's it has been unthinkable for white feminist literary critics to neglect race in their theoretical work. Strong challenges from black feminists have been effective in placing race high on the critical agenda. No longer is the kind of exclusivity that marked early (white) feminist literary theory possible. However, despite the evident commitment to addressing the race question in their work, the black feminist challenge has been greeted with a considerable degree of anxiety by white feminist critics. I suggest that the main source of anxiety is a failure to square the pressing need to 'include' race on the feminist agenda with doubts about straying into what is perceived to be black feminist territory. In other words, white feminist critics have yet to resolve their relation to the black feminist project. This anxiety has meant that a concern over the notion of exclusion has given way to that of appropriation. This has tended to place the white feminist reader in the paralysing position where there seems little available ground between the twin poles of exclusion and appropriation. Typical questions that have arisen out of this dichotomy are: should white feminists teach black women's writing? Should white feminist critics produce critical readings of texts authored by black women? Can white women readers read black women's writings without imposing onto them their own critical agendas? Is a non-appropriative reading relation possible? How should white feminists deal with the fact of their own race privilege and what bearing does this privilege have upon the readings they, potentially, might produce? This project examines some of the ways in which white feminists have attempted to address their relation to the race question in feminist literary criticism. Over the space of six chapters I focus on a number of specific reading strategies offered as positive critical interventions. My main contention is the impossibility of a guaranteed anti-imperialist theory or reading position. I also argue for the necessity of asking the question: whether the imperialist can read, as a complement to that of whether 'the subaltern can speak'. Chapter 1 questions the white feminist ambition of arriving at the truth of the black text as a means of decolonising the text. Through an examination of the Rodney King events some of the perils of appeals to pure seeing are highlighted. Chapter 2 explores the implications of white feminist abstention from the race debates. Chapter 3 looks at the issue of identification as a basis for reading. Chapter 4 questions the identifications that inhere in applying theory to a text. Chapter 5 challenges the use of contextualisation as a source of textual limits. Chapter 6 examines the limits of self-reflexivity as an anti-imperialist method.

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Books on the topic "Feminist criticism"

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Humm, Maggie. Feminist criticism. New York: St. Martin's Press, 1986.

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Maggie, Humm. Feminist criticism: Women as contemporary critics. Brighton, Sussex: Harvester Press, 1986.

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Maggie, Humm. Feminist criticism: Women as contemporary critics. New York: St. Martin's Press, 1986.

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Mary, Eagleton, ed. Feminist literary criticism. London: Longman, 1991.

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1944-, Sheridan Susan, ed. Grafts: Feminist cultural criticism. London: Verso, 1988.

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Arlene, Raven, Langer Cassandra L, and Frueh Joanna, eds. Feminist art criticism: Ananthology. New York, NY: IconEditions, 1991.

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Jacqueline, Bobo, ed. Black feminist cultural criticism. Malden, Mass: Blackwell, 2001.

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Sally, Minogue, ed. Problems for feminist criticism. London: Routledge, 1990.

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Eagleton, Mary. Working with feminist criticism. Oxford, OX, UK: Blackwell Publishers, 1996.

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1949-, Kauffman Linda S., ed. Gender and theory: Dialogues on feminist criticism. Oxford, UK: B. Blackwell, 1989.

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Book chapters on the topic "Feminist criticism"

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Peck, John, and Martin Coyle. "Feminist criticism." In How to Study a Shakespeare Play, 190–210. London: Macmillan Education UK, 1995. http://dx.doi.org/10.1007/978-1-349-13804-3_9.

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Harvey, Geoffrey. "Feminist criticism." In Sons and Lovers, 32–38. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18507-8_5.

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Levine, Amy-Jill. "Feminist Criticism." In The Blackwell Companion to the New Testament, 156–65. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444318937.ch10.

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Newton, K. M. "Feminist Criticism." In Twentieth-Century Literary Theory, 263–77. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19486-5_18.

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Tyson, Lois. "Feminist criticism." In Critical Theory Today, 70–120. 4th ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003148616-4.

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Slethaug, Gordon E. "French feminist criticism. See feminist criticism, French." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 64–69. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-020.

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Schellenberg, Elizabeth. "Quebec feminist criticism: see Feminist criticism, Quebec." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 170–74. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-043.

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Gelfand, Elissa. "Feminist criticism, French." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 44–50. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-016.

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Walker, Victoria. "Feminist criticism, Quebec." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 50–52. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-017.

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Lee, Alvin A. "Anglo-American feminist criticism: see Feminist criticism, Anglo- American." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 3–5. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-003.

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Conference papers on the topic "Feminist criticism"

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Zhang, Tingting. "Influence of Western Feminist Literary Criticism on Chinese Feminine Writing." In International Conference on Education, Management and Computing Technology (ICEMCT-16). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.254.

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Zhang, Tingting. "Research on Ecological Feminist Literary Criticism." In International Conference on Education, Management and Computing Technology (ICEMCT-16). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.255.

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Zou, Jie, and Shunhui Wang. "History of Feminist Criticism in Japan." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.245.

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Man, Zhihui. "Research on American Feminist Literary Criticism." In 2016 International Conference on Education, Sports, Arts and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icesame-16.2016.256.

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Guo, Rongqiong. "Brief Analysis of Feminist Literary Criticism." In Proceedings of the 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/erss-18.2019.91.

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Zhang, Tingting. "Research Literature Review on Western Feminist Literary Criticism." In 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemaess-15.2016.219.

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Pan, Haiou. "Westward Ecological Feminist Literary Criticism and Its Enlightenment." In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icesame-18.2018.49.

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Zhang, Tingting. "Main Schools and Its Viewpoint on Western Feminist Literary Criticism." In 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemaess-15.2016.222.

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Sumartini, Sumartini, and Dyah Prabaningrum. "Independence Of Female Character In Serayawati P. Tisna’s Wajah-Wajah Perempuan: A Feminist Criticism." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296865.

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Afanaseva, Victoria V. "FROM STYLISTIC STUDY TOWARDS FEMINIST CRITICISM: “BLISS” (K. MANSFIELD) AND “MAGNOLIA BLOSSOM” (A. CHRISTIE)." In CURRENT ISSUES IN MODERN LINGUISTICS AND HUMANITIES. RUDN University, 2020. http://dx.doi.org/10.22363/09835-2020-425-434.

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