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Journal articles on the topic 'Feminist literary criticism Women's studies'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Syainit, Rahma Aulia, Yenni Hayati, and Muhammad Ismail Nasution. "PERJUANGAN PEREMPUAN DALAM KUMPULAN CERPEN NADIRA KARYA LEILA S. CHUDORI: KAJIAN FEMINISME." Jurnal Bahasa dan Sastra 6, no. 1 (2018): 53. http://dx.doi.org/10.24036/81009000.

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The object of this study was a collection of short stories Nadira written by Leila S. Chudori. This research aims to describe (1) women's struggle, and (2) ideas of feminism in a collection of short stories Nadira by Leila S. Chudori. Theoritical studies used in this research are: (1) the definition of short stories and (2) fictional structure, consists of (a) intrinsic element, and (b) extrinsic elements, (3) fictional analysis approach, and (4) the essence of feminism. The study used feminist literary criticism. Based on the story of this collection of short stories, another study used theor

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Meyers, Kay B., and Elaine Neil Orr. "Subject to Negotiation: Reading Feminist Criticism and American Women's Fictions." Tulsa Studies in Women's Literature 17, no. 2 (1998): 366. http://dx.doi.org/10.2307/464399.

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Mendelman, Lisa. "Who Are We? Feminist Ambivalence in Contemporary Literary Criticism." American Literary History 32, no. 1 (2019): 190–200. http://dx.doi.org/10.1093/alh/ajz051.

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Abstract Feminism exists in a perpetual identity crisis—with a vexed past, an unstable present, and an uncertain future. A scholar interested in this charged identity must manage such existential conditions in order to enable their transformative ambitions. Historicizing Post-Discourses (2017), Bodies of Information (2019), and Selling Women’s History (2017) take up this cognitive and corporeal challenge and largely meet it. In these three books, feminism’s endemic ambivalence becomes a resource for literary and cultural criticism. Focused on popular, digital, and material cultures in the twen

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Galytska, Iuliia. "Alias in women's literature: feminist aspects in a gender context." Grani 23, no. 4 (2020): 28–35. http://dx.doi.org/10.15421/172038.

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The problem of the identity of the woman hiding her gender under a male pseudonym makes us recollect U. Eco’s arguments about the truth and the purpose of literature as well as A. F. Losev’s ideas about the name and the meaning, the theories of the feminist literary critics K. Millett, M. Ellman, T. Moi, E. Showalter, etc. who have presented "women`s writing" and "writing about women" in the feminist field. As one of the central principles of feminist criticism is that no scientific view can ever be neutral, the problem of pseudonyms occupies an important place in the contemporary gender studi

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Averis, Kate. "Vieillir, dit-elle: Nancy Huston's Feminist Trajectory and Writing Female Ageing." Nottingham French Studies 57, no. 3 (2018): 325–39. http://dx.doi.org/10.3366/nfs.2018.0228.

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This article examines Nancy Huston's writing of female ageing in light of her intellectual and personal trajectory as a feminist thinker. It identifies women's ageing as an integrative and ubiquitous phenomenon in Huston's œuvre, tracing the presence of this thematic and theoretical concern to her very first published works, and outlining its development until her most recent works, before examining a key instance of her fictional treatment of female ageing in Lignes de faille. Drawing on a literary, philosophical and sociological theoretical framework, it argues that Huston furthers feminist

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JONES-KATZ, GREGORY. "“THE BRIDES OF DECONSTRUCTION AND CRITICISM” AND THE TRANSFORMATION OF FEMINISM IN THE NORTH AMERICAN ACADEMY." Modern Intellectual History 17, no. 2 (2018): 413–42. http://dx.doi.org/10.1017/s1479244318000318.

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“The Brides of Deconstruction and Criticism,” an informal group of feminist literary critics active at Yale University during the 1970s, were inspired by second-wave feminist curriculum, activities, and thought, as well as by the politics of the women's and gay liberation movements, in their effort to intervene into patterns of female effacement and marginalization. By the early 1980s, while helping direct deconstructive reading away from the self-subversiveness of French and English prose and poetry, the Brides made groundbreaking contributions to—and in several cases founded—fields of schola

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Bassnett, Susan. "Struggling with the Past: Women's Theatre in Search of a History." New Theatre Quarterly 5, no. 18 (1989): 107–12. http://dx.doi.org/10.1017/s0266464x00002992.

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Theatre scholarship is only just beginning to respond to the insights and emphases suggested by feminist criticism. In this introductory article to what we intend to be a strong and continuing thread in NTQ, Susan Bassnett outlines the resulting problems, and explores the historical context and conditions in terms of one central issue – the role of women as performers (and non-performers) in the sixteenth and seventeenth centuries. She also examines some of the wider implications for theatre studies, affected as these also are by new historicist approaches to the study of cultural change. Susa

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Schroeder, Janice. "SELF-TEACHING: MARY CARPENTER, PUBLIC SPEECH, AND THE DISCIPLINE OF DELINQUENCY." Victorian Literature and Culture 36, no. 1 (2008): 149–61. http://dx.doi.org/10.1017/s1060150308080091.

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With the growth of the organized feminist movement in England at the end of the 1850s, women began to mount public lecture platforms in increasing numbers. By claiming a space in public assembly rooms through the simple use of their voices, women reformers such as Bessie Rayner Parkes and Barbara Leigh Smith Bodichon challenged the male privilege of public address, and changed the visual, oral, and aural culture of Victorian reform movements. Women's public speech in the 1850s and 60s was never linked with the kind of riotous responses provoked later by Josephine Butler or the women's suffrage

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Booth, Alison. "Particular Webs:Middlemarch,Typologies, and Digital Studies of Women's Lives." Victorian Literature and Culture 47, no. 1 (2018): 5–34. http://dx.doi.org/10.1017/s1060150318001286.

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[H]e was enamoured of that arduous invention which is the very eye of research, provisionally framing its object and correcting it to more and more exactness of relation … to pierce the obscurity of those minute processes.—George Eliot,MiddlemarchIt would be hard to discover a theoretical or aesthetic approach to George Eliot'sMiddlemarchthat is not already anticipated in some way by the novel's sagacious narrator. Possibly that persona, the quintessential Victorian polymath, does not foresee digital humanities as we know it. But critics have been struck as much by Eliot's prototyping of infor

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Zou, Yejun. "Female Solidarity as Hope: A Re-Examination of Socialist Feminism in the Literary Works of Ding Ling and Christa Wolf." British Journal of Chinese Studies 9, no. 1 (2019): 85–116. http://dx.doi.org/10.51661/bjocs.v9i1.27.

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Recent scholarship has questioned the validity of Western feminism as a model for feminist movements in contemporary China and highlights a gap in the scholarly understanding of the tradition and trajectory of socialist feminism in China (Song, 2012; Wang, 2017). In this article, I will examine the practicality of socialist feminism as an alternative model for contemporary Chinese feminism by comparing the depiction of women in the literary works of the Chinese writer Ding Ling and the East German author Christa Wolf. In Ding Ling’s novel In the Hospital, she strives for gender equality via co

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11

Bogdan, Deanne. "A Case Study of the Selection/Censorship Problem and the Educational Value of Literature." Journal of Education 170, no. 2 (1988): 39–57. http://dx.doi.org/10.1177/002205748817000202.

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This paper is a case study of a graduate class in women's literature and feminist criticism, in which student rebellion against one of the works to be studied appeared to be an instance of censorship. Proceeding from a definition of censorship as agnosis or resistance to knowing, the author defends the legitimacy of the students' refusal to read or to know within the context of their emergent ideological identity. The paper raises questions about the relationship between censorship and selection of literature texts, the literary versus the stock response, and humanist assumptions underlying th

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Beigi, Leila Sadegh. "Simin Daneshvar and Shahrnush Parsipur in Translation." Journal of Middle East Women's Studies 16, no. 2 (2020): 124–43. http://dx.doi.org/10.1215/15525864-8238146.

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Abstract Contemporary Iranian women writers contribute to the Iranian literary tradition by writing about women’s roles during the political upheavals leading up to and after the 1979 Revolution. In Simin Daneshvar’s Savushun and Shahrnush Parsipur’s Women without Men, the authors meticulously employ colloquial sexist diction to expose the connection between sexism and violence against women. The portrayal of such violence relies on language that illustrates the authors’ concerns and their commentary on the status of women. In this situation, literary criticism of the novels demands an approac

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Roe, Joshua. "Kristeva: The Individual, the Symbolic and Feminist Readings of the Biblical Text." Text Matters, no. 4 (November 25, 2014): 132–44. http://dx.doi.org/10.2478/texmat-2014-0009.

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The aim of this study is to develop from Kristeva’s account of time and semiotics the conditions of possibility for a new approach to interpreting the Bible. This will be set against the background of feminist biblical criticism, beginning from Esther Fuchs’s assessment of deception. She bases her comparison on the concept of deceptiveness but I will argue, using Lacan, that the aporia of desire undermines this comparison. Through Kristeva’s framework of the phases of feminism it will be shown that Fuchs’s argument weakness lies in her presupposition of the determinate identities of men and wo

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Hiddleston, Jane. "Imprisonment, freedom, and literary opacity in the work of Nawal El Saadawi and Assia Djebar." Feminist Theory 11, no. 2 (2010): 171–87. http://dx.doi.org/10.1177/1464700110366815.

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In her astute study of contemporary Arab women writers, Anastasia Valassopoulos begins by noting the pitfalls of much existing criticism of writers such as El Saadawi and Djebar in the West. Citing Amal Amireh’s article on the fraught history of the reception of El Saadawi in Egypt and in Europe, Valassopoulos comments that Arab women’s literature tends to be seen as ‘documentary’, and this obscures the ‘core issue of representation’ as it is explored and challenged by women writers. In the face of this omission, the present article explores a selection of works by El Saadawi and Djebar from a

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Sanchez, Melissa E. "“Use Me But as Your Spaniel”: Feminism, Queer Theory, and Early Modern Sexualities." PMLA/Publications of the Modern Language Association of America 127, no. 3 (2012): 493–511. http://dx.doi.org/10.1632/pmla.2012.127.3.493.

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In this essay, I take A Midsummer Night's Dream and The Faerie Queene as case studies that show how critical commonplaces may become so entrenched that they limit the horizons of what we can see in a given text, genre, or period. The essay has two purposes. The first is theoretical. I aim to make explicit the often unspoken (perhaps even unconscious) theoretical subtexts that have shaped readings of female sexuality, and I propose some historical reasons for the dominance of certain strains of feminism—those best known as “subordination feminism” and “cultural feminism”—in criticism of early m

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Peyre, Henri. "1960: Facing the New Decade." PMLA/Publications of the Modern Language Association of America 115, no. 7 (2000): 1862. http://dx.doi.org/10.2307/463587.

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If ours is a young man's world, it is also a woman's world. Some of us who are fortunate to have women among our graduate students and as young colleagues are extraordinarily impressed by the high level of their work. Indeed, we often wonder if criticism will not make substantial strides forward, blending the cognitive and the affective values, taste and a rational approach, the logic of the intellect and that of the heart, only when women take over a large share of it, as they are now out-numbering men as teachers of English and of languages in many schools. This country witnessed a bold femi

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Lysanets, Yuliia. "Women’s images in the medical discourse of the US autobiographical novels." LITERARY PROCESS: methodology, names, trends, no. 15 (2020): 60–62. http://dx.doi.org/10.28925/2412-2475.2020.15.9.

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The aim of the research is to develop the typology and examine the features of women’s representations in the US literary works, focused on medical problematics.The research methodology is based on the application of modern literary studies in the fields of narratology, receptive aesthetics and literary hermeneutics. The paper analyses the author’s intentions and the role of the reader’s reception of medical discourse through the prism of gender studies and feminist literary criticism. We analyse the semi-autobiographical prose works by the American writers: “The Snake Pit” (1946) by Mary Jane

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Wanzo, Rebecca. "The Unspeakable Speculative, Spoken." American Literary History 31, no. 3 (2019): 564–74. http://dx.doi.org/10.1093/alh/ajz028.

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Abstract Exploring various absences—what is or should not be represented in addition to the unspeakable in terms of racial representations—is the through line of three recent books about race and speculative fictions. Mark C. Jerng’s Racial Worldmaking: The Power of Popular Fiction (2018) argues racial worldmaking has been at the center of speculative fictions in the US. In Posthuman Blackness and the Black Female Imagination (2017), Kristen Lillvis takes one of the primary thematic concerns of black speculative fictions—the posthuman—and rereads some of the most canonical works in the black f

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Mawarni, Hasindah, and Sumartini Sumartini. "Citra Wanita Tokoh Utama Rani Novel Cerita Tentang Rani Karya Herry Santoso Kajian Kritik Sastra Feminis." Jurnal Sastra Indonesia 9, no. 2 (2020): 137–43. http://dx.doi.org/10.15294/jsi.v9i2.30290.

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Tujuan penelitian ini adalah untuk mengetahui citra wanita dalam sebuah novel karya Herry Santoso berjudul Cerita Tentang Rani. Pendekatan yang digunakan dalam penelitian ini adalah feminisme dan dikaji menggunakan kritik sastra feminis. Metode penelitian yang digunakan yaitu metode deskripsi kualitataif. Adapun permasalahan yang muncul dalam penelitian ini adalah bagaimana citra wanita tokoh utama Rani yang terdapat dalam novel Cerita Tentang Rani karya Herry Santoso. Dalam artikel ini, ditemukan citra tokoh utama Rani meliputi, citra diri dan citra sosial. Citra diri wanita terdiri dari aspe

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Tsukamoto, Tomoka, and Ted Motohashi. "Deconstructing the Saussurean System of Signification." Critical Survey 33, no. 1 (2021): 23–47. http://dx.doi.org/10.3167/cs.2021.330103.

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Shakespeare’s Othello has been staged overwhelmingly through the racial relationship between the two protagonists, Othello and Iago, at the expense of another protagonist, Desdemona, partly because of the prominence of racial and military perspectives in European modernity, and partly because of the relatively scarce textual presence of Desdemona. Despite the tremendous efforts and contributions of feminist criticism to rectify the imbalance, this female protagonist has been enclosed in the realm of a patriarchal framework that divides women between ‘chaste wife’ and ‘villainous whore’. Miyagi

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Herbert, T. Walter, Roberta Rubenstein, and Amy Schrager Lang. "Feminist Literary Criticism and Cultural Interpretation." American Quarterly 39, no. 4 (1987): 656. http://dx.doi.org/10.2307/2713134.

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22

Walker, Cheryl. "Feminist Literary Criticism and the Author." Critical Inquiry 16, no. 3 (1990): 551–71. http://dx.doi.org/10.1086/448546.

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Stern, Kimberly J. "A History of Feminist Literary Criticism." Women's Writing 16, no. 1 (2009): 173–76. http://dx.doi.org/10.1080/09699080902854503.

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Roof, Judith. "Hypothalamic Criticism: Gay Male Studies and Male Feminist Criticism." American Literary History 4, no. 2 (1992): 355–64. http://dx.doi.org/10.1093/alh/4.2.355.

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Rosas Consuegra, Adriana. "La crítica literaria sobre escritoras colombianas a partir de los años ochenta." La Manzana de la Discordia 10, no. 1 (2016): 59. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v10i1.1595.

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Resumen: Los ochenta son considerados como la épocadel “boom” femenino y en Latinoamérica se empieza areconocer la historia de la literatura de mujeres que habíapermanecido en estantes y fuera del circuito del canonliterario. Sin embargo, en Colombia la crítica literaria nose acercó a la literatura escrita por mujeres de manera similara como se hizo con la de autores hombres. En variasantologías los nombres femeninos no aparecen, creandoasí un círculo excluyente, que se manifiesta también enlas críticas literarias. El género, desafortunadamente yafortunadamente, todavía debe seguir siendo util

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Howard, June, Elaine Showalter, Toril Moi, et al. "Feminist Differings: Recent Surveys of Feminist Literary Theory and Criticism." Feminist Studies 14, no. 1 (1988): 167. http://dx.doi.org/10.2307/3178009.

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Kaminsky, Amy. "Issues for an International Feminist Literary Criticism." Signs: Journal of Women in Culture and Society 19, no. 1 (1993): 213–27. http://dx.doi.org/10.1086/494868.

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28

Dodds and Dowd. "Happy Accidents: Critical Belatedness, Feminist Formalism, and Early Modern Women's Writing." Criticism 62, no. 2 (2020): 169. http://dx.doi.org/10.13110/criticism.62.2.0169.

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O'Driscoll, Sally. "Lesbian Criticism and Feminist Criticism: Readings of "Millenium Hall"." Tulsa Studies in Women's Literature 22, no. 1 (2003): 57. http://dx.doi.org/10.2307/20059132.

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Gallop, Jane. "Heroic Images: Feminist Criticism, 1972." American Literary History 1, no. 3 (1989): 612–36. http://dx.doi.org/10.1093/alh/1.3.612.

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Makinen, Merja, Gayle Greene, and Coppelia Kahn. "Changing Subjects: The Making of Feminist Literary Criticism." Feminist Review, no. 47 (1994): 110. http://dx.doi.org/10.2307/1395265.

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Freedman, Diane P., Gayle Greene, and Coppelia Kahn. "Changing Subjects: The Making of Feminist Literary Criticism." Tulsa Studies in Women's Literature 14, no. 1 (1995): 173. http://dx.doi.org/10.2307/464255.

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Donovan, Josephine. "Ecofeminist Literary Criticism: Reading The Orange." Hypatia 11, no. 2 (1996): 161–84. http://dx.doi.org/10.1111/j.1527-2001.1996.tb00669.x.

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Ecofeminism, a new vein in feminist theory, critiques the ontology of domination, whereby living beings are reduced to the status of objects, which diminishes their moral significance, enabling their exploitation, abuse, and destruction. This article explores the possibility of an ecofeminist literary and cultural practice, whereby the text is not reduced to an “it” but rather recognized as a “thou,” and where new modes of relationship—dialogue, conversation, and meditative attentiveness—are developed.

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Zwinger, Lynda. "Blood Relations: Feminist Theory Meets the Uncanny Alien Bug Mother." Hypatia 7, no. 2 (1992): 74–90. http://dx.doi.org/10.1111/j.1527-2001.1992.tb00886.x.

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This essay addresses the troubling and uncanny figure of Mother in feminist theory, psychoanalytic theory, literary criticism, and real life. Readings of feminist literary criticism and the films Alien and Aliens explore the liminality of Mother and the consequences for feminist thought and practice of the persistent narrative modes (the sentimental and the gothic) locatable in all of these discourses on/of Motherhood.

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Mudge, Bradford K., Mary Jacobus, and Jane Marcus. "Reading Woman: Essays in Feminist Criticism." Tulsa Studies in Women's Literature 7, no. 1 (1988): 138. http://dx.doi.org/10.2307/464066.

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Zheng, Yi. "Writing about women in ghost stories: subversive representations of ideal femininity in “Nie Xiaoqian” and “Luella Miller”." Neohelicon 47, no. 2 (2020): 751–66. http://dx.doi.org/10.1007/s11059-020-00524-3.

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AbstractOn the one hand, because of the double historical prejudices from literary criticism against ghost stories and women’s writing, little attention has been paid to investigate the ideals of femininity in women’s ghost stories in nineteenth-century America. This article examines “Luella Miller,” a short story by Mary E. Wilkins Freeman, who indirectly but sharply criticized the ideal of femininity in her time by creating an exaggerated example of the cult of feminine fragility. On the other hand, although extensive research has been done on Chinese ghost stories, especially on the ghost h

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Kaplan, Carla. "Women's Writing and Feminist Strategy." American Literary History 2, no. 2 (1990): 339–57. http://dx.doi.org/10.1093/alh/2.2.339.

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Bowlby, Rachel. "Soft sell: Marketing rhetoric in feminist criticism." Women: A Cultural Review 1, no. 1 (1990): 13–21. http://dx.doi.org/10.1080/09574049008578011.

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Fitriana, Irna, Achmad Tolla, Jasruddin Jasruddin, and Mahmudah Mahmudah. "The Characteristics of Women's Image in A Novel of Entrok by Okky Madasari: A Study of Literary Criticism in Ideological Feminism." Journal of Language Teaching and Research 10, no. 6 (2019): 1318. http://dx.doi.org/10.17507/jltr.1006.22.

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This research aims at revealing the image characteristics of a transitional and feminist woman in a novel by Okky Madasari through ideological feminist literary criticism. This research uses qualitative descriptive method where ‘Entrok’ novel by Okky Madasari becomes as the data source. Technique of data collection applied is content analysis, while technique of validity is source triangulation. For technique of data analysis used in this research is an interactive analysis model with three components of data reduction, data presentation, and conclusion drawing. The findings discover two main

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Williams, Tamara, and Debra A. Castillo. "Talking Back: Toward a Latin American Feminist Literary Criticism." South Central Review 11, no. 4 (1994): 77. http://dx.doi.org/10.2307/3190127.

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Lye, Colleen. "Identity Politics, Criticism, and Self-Criticism." South Atlantic Quarterly 119, no. 4 (2020): 701–14. http://dx.doi.org/10.1215/00382876-8663603.

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If one of French Maoism’s main contributions to the sixties’ cultural turn was a theory of the relative autonomy of ideology, one of US Maoism’s main contributions was identity politics. A product of the application of Mao’s theory of contradiction to US circumstances, identity politics also represented a reinvention of ideology critique by US Third World and Black feminist movements, though in this case directed to practical ends.

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Kamal, Hala. "“Women's Writing on Women's Writing”: Mayy Ziyada's Literary Biographies as Egyptian Feminist History." Women's Writing 25, no. 2 (2017): 268–87. http://dx.doi.org/10.1080/09699082.2017.1387350.

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Redl, Carolyn. "Ten Year Checkup: Feminist Criticism and the American Literary Canon." Canadian Review of American Studies 22, Supplement 2 (1992): 193–214. http://dx.doi.org/10.3138/cras-022s-02-03.

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Bucher, Christine, Elaine Hedges, and Shelley Fisher Fishkin. "Listening to Silences: New Essays in Feminist Criticism." MELUS 23, no. 4 (1998): 193. http://dx.doi.org/10.2307/467836.

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Marks, Elaine, Arlyn Diamond, Lee R. Edwards, Peggy Kamuf, and Elizabeth V. Spelman. "The Authority of Experience: Essays in Feminist Criticism." Tulsa Studies in Women's Literature 9, no. 2 (1990): 309. http://dx.doi.org/10.2307/464227.

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Haggerty, George, Joseph A. Boone, and Michael Cadden. "Engendering Men: The Question of Male Feminist Criticism." Tulsa Studies in Women's Literature 11, no. 1 (1992): 148. http://dx.doi.org/10.2307/463797.

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Waxman, Barbara Frey, Elaine Hedges, and Shelley Fisher Fishkin. "Listening to Silences: New Essays in Feminist Criticism." Tulsa Studies in Women's Literature 15, no. 1 (1996): 167. http://dx.doi.org/10.2307/463986.

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48

Showalter, Elaine. "Shooting the Rapids: Feminist Criticism in the Mainstream." Oxford Literary Review 8, no. 1 (1986): 218–24. http://dx.doi.org/10.3366/olr.1986.027.

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Burns, E. Jane. "Feminist Theory, Women's Writing.Laurie A. Finke." Speculum 70, no. 3 (1995): 614–16. http://dx.doi.org/10.2307/2865290.

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Jacobs, Mignon R. "Bridging the Times: Trends in Micah Studies since 1985." Currents in Biblical Research 4, no. 3 (2006): 293–329. http://dx.doi.org/10.1177/1476993x06064627.

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Scholars continue to respond to Willis's foundational work of the 1960s, and to each other, using a variety of classical and new methodologies to treat questions of unity, coherence, theme, and other aspects of the book of Micah. Sampling works that use literary criticism, text criticism, form criticism, historical criticism, tradition criticism, redaction criticism, rhetorical criticism, feminist and womanist approaches, canonical and intertextual approaches, and inter-disciplinary approaches, as well as innovative combinations of these (both multi-critical and multi-disciplinary), this artic

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