Relevant bibliographies by topics / Feminist literature – History and criticism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Feminist literature – History and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Feminist literature – History and criticism"

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HAMZA REGUIG MOURO, Wassila. "From Feminization of Fiction to Feminine Metafiction in Gaskell’s Wives and Daughters and Woolf’s Orlando." Arab World English Journal For Translation and Literary Studies 4, no. 4 (October 15, 2020): 187–201. http://dx.doi.org/10.24093/awejtls/vol4no4.13.

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Feminism developed and widened its scope to different disciplines such as literature, history, and sociology. It is associated with various other schools and theories like Marxism and poststructuralism, as well. In the field of literature, feminist literary criticism managed to throw away the dust that cumulated on women’s writing and succeeded in raising interest in those forgotten female artists. Some critics in the field of feminism claim that there are no separate spheres, masculine and feminine, whereas others have opted for post-feminist thinking. Some women writers used metafiction to write literary criticism. Therefore, how do Gaskell and Woolf implement metafiction in their stories? Accordingly, this work aims at shedding light on Wives and Daughters by Gaskell and Orlando by Woolf to tackle metafiction from a feminist perspective. Examples from both novels about intertextuality, narration, and other aspects, that are part of metafiction, will be provided to illustrate how and where metafiction is used.
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Stern, Kimberly J. "A History of Feminist Literary Criticism." Women's Writing 16, no. 1 (May 2009): 173–76. http://dx.doi.org/10.1080/09699080902854503.

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Henry, Astrid. "Feminist Deaths and Feminism Today." PMLA/Publications of the Modern Language Association of America 121, no. 5 (October 2006): 1717–21. http://dx.doi.org/10.1632/pmla.2006.121.5.1717.

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When asked to reflect on the role of feminist criticism today, i immediately recalled the recent deaths of Betty Friedan and Andrea Dworkin. Friedan and Dworkin join an unfortunately growing list of well-known feminist thinkers who have died over the last few years. The passing of Friedan and Dworkin makes us think about the feminism they represented and indeed about the history of feminist thought itself, its ebbs and flows, its metaphoric births and deaths. Ideas, after all, are as living as people, with periods of growth, maturity, and decline.
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Ledger, Sally. "Feminist Criticism in the Nineties." Literature & History 2, no. 2 (September 1993): 76–82. http://dx.doi.org/10.1177/030619739300200207.

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Gallop, Jane. "Heroic Images: Feminist Criticism, 1972." American Literary History 1, no. 3 (1989): 612–36. http://dx.doi.org/10.1093/alh/1.3.612.

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Roof, Judith. "Hypothalamic Criticism: Gay Male Studies and Male Feminist Criticism." American Literary History 4, no. 2 (1992): 355–64. http://dx.doi.org/10.1093/alh/4.2.355.

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Mendelman, Lisa. "Who Are We? Feminist Ambivalence in Contemporary Literary Criticism." American Literary History 32, no. 1 (December 4, 2019): 190–200. http://dx.doi.org/10.1093/alh/ajz051.

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Abstract Feminism exists in a perpetual identity crisis—with a vexed past, an unstable present, and an uncertain future. A scholar interested in this charged identity must manage such existential conditions in order to enable their transformative ambitions. Historicizing Post-Discourses (2017), Bodies of Information (2019), and Selling Women’s History (2017) take up this cognitive and corporeal challenge and largely meet it. In these three books, feminism’s endemic ambivalence becomes a resource for literary and cultural criticism. Focused on popular, digital, and material cultures in the twentieth- and twenty-first-century US, these volumes dramatize the merits and drawbacks of irresolution and resist a definitive conclusion about what feminism, both past and present, necessarily means for contemporary scholarship. Instead, we get alternative archives and, hopefully, better practices. Analyzing mass media, data visualizations, and consumer products, these studies engage new materials to flesh out the gendered, racialized human body at their common center. They rethink feminist historiography and demonstrate the myriad ways in which the sense of an ending continually renews and unsettles feminism’s search for a useable past. These works aim to create strategic alliances: they drive at embodied, material concerns, foreground questions of pedagogy and other modes of public interchange, and embrace a style of advocacy that rejects such extreme position-taking and instead embraces ambivalence.
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Galytska, Iuliia. "Alias in women's literature: feminist aspects in a gender context." Grani 23, no. 4 (July 5, 2020): 28–35. http://dx.doi.org/10.15421/172038.

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The problem of the identity of the woman hiding her gender under a male pseudonym makes us recollect U. Eco’s arguments about the truth and the purpose of literature as well as A. F. Losev’s ideas about the name and the meaning, the theories of the feminist literary critics K. Millett, M. Ellman, T. Moi, E. Showalter, etc. who have presented "women`s writing" and "writing about women" in the feminist field. As one of the central principles of feminist criticism is that no scientific view can ever be neutral, the problem of pseudonyms occupies an important place in the contemporary gender studies, explicitly or implicitly highlighting the artificially constructed debate, which divides "serious male literature" and "superficial and secondary female writing". On the one hand, this is the problem of feminism itself, on the other, it is a question of the role and place of the woman in the world` culture and history. In this kind of the analysis we cannot ignore such an epiphenomenon of postmodernism as "label change" with the postmodern emphasis on the sociocultural role of the context, which is especially relevant in aspects of the gender "name problem". The last one, undoubtedly, is included in the problematization of postmodern culture on the whole, since all cultural narratives have always been gender "stories". Today an individual construct his or her gender-reflecting reality, still the modelling of the new gender system is far from being complete. The created sign systems are ambivalent, the meanings are very unstable and can easily be hermeneutically interpreted. However, the role of hermeneutics in analyzing the relationship between the author and the sociocultural context is in the core of the gender aspects of literature, in general, and in the problems of the pseudonym as a change of "name", in particular. The latter is by all means relevant and important. Undoubtedly, one of the main incentives for feminist scholars in their turn to women's literature is connected with the patriarchal demand for women's "silence", their "dumbness" in culture and, accordingly, in literature. Obviously, there are two main interpretations of the concept of "female literature" in feminist criticism. The first one is the representation of female subjectivity in its difference from the male one. The second approach is the representation of "non-essentialist" female subjectivity, which is understood as the logical structure of the difference. In general, in the patriarchal dichotomy of the femininity and masculinity "women who write" are always dangerous. "Three strange sisters" – Anne, Charlotte and Emily Bronte wrote their novels under disguise of male pen names, exactly specifying two conceptual motives: the "Other" concept and the image of "Veil". In this context the motive of androgyny is also important from the point of view of both analysis and literary criticism. In ХIXth century George Sand (Aurora Dupin), having most vividly represented this concept, became an example for many subsequent generations of feminists – writers, actresses and media representatives. However, in our era of gender plurality, the question of the pseudonym as a problem of "genders" is not so relevant; more likely it is still a question of the priorities in the feminist theory. In the contemporary discourse of literary criticism many of the author’s socially significant features are perceived as gender neutral. In the postmodern paradigm the question of the androgynous identity of the man/woman writer requires its further actualization as the androgynous is often replaced by the bisexuality (J. Irving` "In One Person"). In general, it should be recognized that postmodern approaches to gender identity, which paint a "picture of the world" today, transform the female experience of being as the "Other", secondary and insignificant with a conceptual orientation to a fundamental variety of postmodern cognitive perspectives.
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Scott, B. K. "GILL PLAIN and SUSAN SELLERS (eds). A History of Feminist Literary Criticism." Review of English Studies 59, no. 242 (October 25, 2007): 813–15. http://dx.doi.org/10.1093/res/hgn086.

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Smith, Peter J. "Review: Book: The Matter of Difference: Materialist Feminist Criticism of Shakespeare." Cahiers Élisabéthains: A Journal of English Renaissance Studies 42, no. 1 (October 1992): 123–26. http://dx.doi.org/10.1177/018476789204200139.

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Dissertations / Theses on the topic "Feminist literature – History and criticism"

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Donovan, Kathleen McNerney. "Coming to voice: Native American literature and feminist theory." Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186769.

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This dissertation argues that numerous parallels exist between Native American literature, especially that by women, and contemporary feminist literary and cultural theories, as both seek to undermine the hierarchy of voice: who can speak? what can be said? when? how? under what conditions? After the ideas find voice, what action is permitted to women? All of these factors influence what African American cultural theorist bell hooks terms the revolutionary gesture of "coming to voice." These essays explore the ways Native American women have voiced their lives through the oral tradition and through writing. For Native American women of mixed blood, the crucial search for identity and voice must frequently be conducted in the language of the colonizer, English, and in concert with a concern for community and landscape. Among the topics addressed in the study are (1) the negotiation of identity of those who must act in more than one culture; (2) ethnocentrism in ethnographic reports of tribal women's lives; (3) misogyny in a "canonical" Native American text; (4) the ethics of intercultural literary collaboration; (5) commonality in inter-cultural texts; and (6) transformation through rejection of Western privileging of opposition, polarity, and hierarchy.
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Bethune, Carol. ""The pleasures of the mind" : themes in early feminist literature in England, 1660-1730." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69608.

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This thesis examines the writing in poetry and prose of a small group of English feminist writers of the late seventeenth and early eighteenth centuries. The best known of these authors was Mary Astell (1666-1731). The influence on the feminists' ideas of the philosophies of Descartes and of the most prominent English thinkers of the period, the Cambridge Platonists, is described.
The thesis focuses on three main themes in the seventeenth century feminists' writing. These were occupation, education and marriage. Emphasis is put on education as the most important of the feminists' concerns. They believed that the poor education women received in comparison with that received by men put women at a disadvantage in society in general and in personal relationships with men. They also believed that education was vital for personal happiness and spiritual fulfillment. In their writing about occupation, the feminists stated that the things that middle and upper class women were expected to do were unfulfilling. They wanted the right to occupy themselves with reading and writing without facing ridicule. On the subject of marriage the feminists' main concern also centred around education. They believed that women were at a disadvantage in the marriage relationship because they were not as well educated as their husbands. They thought that more equitable marriages were desirable, and that they would exist if women were better educated.
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James, Sarah J. "Not without my body : feminist science fiction and embodied futures." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14613.

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This study explores the interaction between feminist science fiction and feminist theory, focusing on the body and embodiment. Specifically, it aims to demonstrate that feminist science fiction novels of the 1990s offer an excellent platform for exploring the critical theories of the body put forward by Judith Butler in particular, and other feminist/queer theorists in general. The thesis opens with a brief history of science fiction's depiction of the body and feminist science fiction's subversions and rewritings of this, as well as an overview of Judith Butler's theories relating to the body and embodiment. It then considers a wide range of feminist science fiction novels from the 1990s, focusing on four key areas; bodies materialised outside patriarchal systems in women-only or women-ruled worlds, alien bodies, cyborg bodies and bodies in cyberspace. An in-depth analysis of the selected texts reveals that they have important contributions to make to the consideration of bodies as they develop and expand the issues raised by theorists such as Butler, Elisabeth Grosz, Luce Irigaray and Julia Kristeva.
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Taghavie-Moghadam, Mariah. "A Miraculous Deliverance: An Adaptation Through Historical Criticism and Feminist Theory." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5740.

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This thesis attempts to reconstruct the narrative of Anne Greene, a young female servant in 1650 England that was wrongfully found guilty of infanticide and made into a spectacle by her peers as an example of what happens when one breaks societies gender norms and is met by the influence of the gender politics of the period. Her female body was objectified and placed on display by a ritual performance of the hangman’s noose and the criminal corpse to further the process of by maintaining fear among members of the population, especially rebellious women. Thus, making Anne Greene a subversive figure, victimized by a patriarchal society, a trope that remains relevant today. By way of literary adaptation, explorations of bodily practice, and engagements with the historical archive this thesis allows Anne Greene’s disembodied figure to unfold as a narrative and visual tool in history. This study and the accompanying original play text allow Anne Greene to become an essential figure to feminist studies and continuing struggles for equality in the era of the “Me too” social narrative.
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Macfarlane, Karen E. "The politics of self-narration : contemporary Canadian women writers, feminist theory and metafictional strategies." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/NQ44504.pdf.

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Slagle, Judith Bailey. "Punctuated by the Pen: Representations of History, Criticism and Feminism in the Letters of Joanna Baillie." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3226.

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Drodge, Susan. "The feminist romantic, the revisionary rhetoric of Double negative, Naked poems, and Gyno-text." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25770.pdf.

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Naidu, Sam. "Towards a transnational feminist aesthetic: an analysis of selected prose writing by women of the South Asian diaspora." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1012941.

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This thesis argues that women writers of the South Asian diaspora are inscribing a literary aesthetic which is recognisably feminist. In recent decades women of the South Asian diaspora have risen to the forefront of the global literary and publishing arena, winning acclaim for their endeavours. The scope of this literature is wide, in terms of themes, styles, genres, and geographic location. Prose works range from grave novelistic explorations of female subjectivity to short story collections intent on capturing historical injustices and the experiences of migration. The thesis demonstrates, through close readings and comparative frameworks, that an overarching pattern of common aesthetic elements is deployed in this literature. This deployment is regarded as a transnational feminist practice.
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Mills, Rebecca May. "'Thanks for that elegant defense' : polemical prose and poetry by women in the early eighteenth century." Thesis, University of Oxford, 2000. http://ora.ox.ac.uk/objects/uuid:d98a502d-97b4-4dd2-b5e6-1f8c432b5cb7.

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The end of the seventeenth century and the beginning of the eighteenth saw many women writers from numerous social ranks, political affiliations and religious denominations reading, writing, circulating and publishing polemical prose and poetry in defence of their sex. During this surge of protofeminist activity, many of these women decried 'Customs Tyranny' by advocating a more egalitarian status for themselves, especially in regard to marriage, education and religion. This thesis, then, is a socio-historic study of the lives and writings of several polemical women writers, namely, Mary Astell (1666-1731), Mary, Lady Chudleigh (1656-1710) and Elizabeth Thomas (1675-1731). It also considers how and why protofeminism evolved in the late seventeenth century and reached a climax between 1694, when Astell published A Serious Proposal to the Ladies, and 1710, when Chudleigh published Essays upon Several Subjects. Until now, scholars of early women writers have labelled Astell the foremost English feminist of her day. Consequently, many of her contemporary protofeminist writers have been neglected. By contextualizing their lives and texts within the political and literary activity at the turn of the eighteenth century, this thesis ultimately argues that women polemicists, such as Chudleigh and Thomas, who followed Astell into print, were not merely echoes and disciples. Rather, they furthered the evolution and secularization of a genre that anticipates feminism proper, which began to develop in the late eighteenth and early nineteenth centuries. In order to uncover and rediscover the personal and professional details of these women's lives their class, education, friendships and patronage relationships this thesis relied heavily upon material evidence such as letters, parish records, legal records, prison records and wills. As a result, it combines feminist, materialist inclinations with traditional methodology, such as historical and archival research.
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Hill, Sydney M. "She must write her self, feminist poetics of deconstruction and inscription : six Canadian women writing." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0025/MQ26957.pdf.

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Books on the topic "Feminist literature – History and criticism"

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Maggie, Humm. Practising feminist criticism: An introduction. London: Prentice Hall/Harvester Wheatsheaf, 1995.

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Felski, Rita. Beyond feminist aesthetics: Feminist literature and social change. Cambridge, Mass: Harvard University Press, 1989.

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Felski, Rita. Beyond feminist aesthetics: Feminist literature and social change. Cambridge, Mass: Harvard University Press, 1989.

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Beyond feminist aesthetics: Feminist literature and social change. London: Hutchinson Radius, 1989.

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Mills, Sara. Feminist readings/feminists reading. 2nd ed. London: Prentice Hall/Harvester Wheatsheaf, 1996.

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Canadian Research Institute for the Advancement of Women., ed. Star gazing: Charting feminist literary criticism. Ottawa: CRIAW/ICREF, 1991.

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Barbara, Christian. New Black feminist criticism, 1985-2000. Urbana: University of Illinois Press, 2007.

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Jacobus, Mary. Reading woman: Essays in feminist criticism. New York: Columbia University Press, 1986.

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Jacobus, Mary. Reading woman: Essays in feminist criticism. London: Methuen, 1986.

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Jacobus, Mary. Reading woman: Essays in feminist criticism. London: Methuen, 1987.

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Book chapters on the topic "Feminist literature – History and criticism"

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Lansdown, Richard. "‘A Province of Truth’: Criticism and History." In The Autonomy of Literature, 145–200. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333985182_5.

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Scrivener, Michael. "Jewish Representations, Literary Criticism and History." In Jewish Representation in British Literature 1780–1840, 11–25. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120020_2.

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Cameron, Barry. "5. Theory and Criticism: Trends in Canadian Literature." In Literary History of Canada, edited by William New, Carl Berger, Alan Cairns, Francess Halpenny, Henry Kreisel, Douglas Lochhead, Philip Stratford, and Clara Thomas, 108–32. Toronto: University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781487589547-007.

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Mozejko, Edward, and Milan V. Dimić. "Romantic Irony in Polish Literature and Criticism." In Comparative History of Literatures in European Languages, 225. Budapest: Akadémiai Kiadó, 1988. http://dx.doi.org/10.1075/chlel.viii.16moz.

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Zuckerman, Shachar. "Feminist Criticism of Genetic Counselling in the Second Half of the Twentieth Century." In History of Human Genetics, 523–40. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51783-4_30.

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Jiong, Zhang. "A History of Chinese Literature from a Macro-Level Perspective." In Literature and Literary Criticism in Contemporary China, 79–111. London ; New York : Routledge, 2017. | Series: China perspectives: Routledge, 2017. http://dx.doi.org/10.4324/9781315708386-7.

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Cocks, Neil. "The Child and History." In The Peripheral Child in Nineteenth Century Literature and its Criticism, 143–71. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137452450_7.

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Torres-Saillant, Silvio. "Dominican Literature and Its Criticism: Anatomy of a Troubled Identity." In Comparative History of Literatures in European Languages, 49–64. Amsterdam: John Benjamins Publishing Company, 1994. http://dx.doi.org/10.1075/chlel.x.06tor.

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Keller, Vera. "Fake News: The Marketplace of Boccalini’s Parnassian Press and the History of Criticism." In Economies of Literature and Knowledge in Early Modern Europe, 51–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-37651-2_3.

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Czermińska, Małgorzata. "Women Writers in Polish Literature, 1945–95: From ‘Equal Rights for Women’ to Feminist Self-Awareness." In A History of Central European Women’s Writing, 220–39. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333985151_14.

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Conference papers on the topic "Feminist literature – History and criticism"

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Zou, Jie, and Shunhui Wang. "History of Feminist Criticism in Japan." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.245.

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Zhang, Tingting. "Research Literature Review on Western Feminist Literary Criticism." In 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemaess-15.2016.219.

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Sumartini, Sumartini, and Dyah Prabaningrum. "Independence Of Female Character In Serayawati P. Tisna’s Wajah-Wajah Perempuan: A Feminist Criticism." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296865.

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"A Study of the Literary Criticism Style in Xia Zhiqing's The History of Chinese Modern Novels." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.45.

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Golubchikov, YUriy. "Methodological potential of the teleological principle of purpose." In International Conference "Computing for Physics and Technology - CPT2020". Bryansk State Technical University, 2020. http://dx.doi.org/10.30987/conferencearticle_5fce27705d8750.02429694.

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The cognitive capabilities of the teleological paradigm of purpose are discussed. An inquiring mind everywhere sees that inanimate matter serves for living, and that, in turn, serves for a man. However, such a concept as “purpose” turned out from the contemporary science, although for a long time it went along the path of becoming the doctrine of purpose determination, or nomogenesis. The history of the substitution of the main paradigm of science from purpose to chance is traced. The overcoming of the catastrophic representations of Cuvier by the provisions of actualism and evolutionism is considered. From the middle of the 19th century, public opinion began to strengthen that every new scientific achievement casts doubt on religious beliefs. Criticism of biblical history began with the events of the Great Flood, as the key one in the Bible. The negative attitude to catastrophism in the Soviet scientific literature and the importance of ideology in the methodology of science are considered. The anthropic principle predetermines a radical restructuring of the general scientific methodology. It finally comes closer to religious knowledge. The anthropic principle is teleological and contains that goal (“eidos-entelechia”) in the structure of matter that impels it. In this light, the power of science is again seen not in confrontation with religion, but in harmonization with it.
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