Relevant bibliographies by topics / Feminist poetry American poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Feminist poetry American poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Feminist poetry American poetry"

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MICHAILIDOU, ARTEMIS. "Edna St. Vincent Millay and Anne Sexton: The Disruption of Domestic Bliss." Journal of American Studies 38, no. 1 (2004): 67–88. http://dx.doi.org/10.1017/s0021875804007911.

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Popular perceptions of Edna St. Vincent Millay do not generally see her as a poet interested in so-called “domestic poetry.” On the contrary, Millay is most commonly described as the female embodiment of the rebellious spirit that marked the 1920s, the “New Woman” of early twentieth-century feminism. Until the late 1970s, the subject of domesticity seemed incompatible with the celebrated images of Millay's “progressiveness,” “rebelliousness,” or “originality.” But then again, by the 1970s Millay was no longer seen as particularly rebellious or original, and the fact that she had also contribut
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Yakovenko, Iryna. "Women’s voices of protest: Sonia Sanchez and Nikki Giovanni’s poetry." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 130–39. http://dx.doi.org/10.34079/2226-3055-2020-13-23-130-139.

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The paper explores contemporary African American women’s protest poetry in the light of the liberation movements of the mid-20th century – Black Power, Black Arts Movement, Second Wave Feminism. The research focuses on political, social, cultural and aesthetic aspects of the Black women’s resistance poetry, its spirited dialogue with the feminist struggle, and undertakes its critical interpretation using the methodological tools of Cultural Studies. The poetics and style of protest poetry by Sonia Sanchez and Nikki Giovanni, whose literary works have received little scholarly attention literar
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Kilcup, Karen L. "Feeling American in the Poetic Republic." Nineteenth-Century Literature 70, no. 3 (2015): 299–335. http://dx.doi.org/10.1525/ncl.2015.70.3.299.

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Karen L. Kilcup, “Feeling American in the Poetic Republic” (pp. 299–335) Recent scholarship concerning nineteenth-century American poetry has challenged petrified attitudes that depict it as almost exclusively sentimental, unoriginal, and meritless. Yet, absent a historicized conceptual framework for assessing the considerable achievements of these poets, we still undervalue and oversimplify their work. Poetry reviews published between 1820 and 1840 show how properly calibrated emotion shaped readers’ tastes and identities, individual and national, in what I call the poetic republic: a country
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Kubińska, Olga. "Fasetowany język: bilingwalna poezja Ireny Klepfisz w poetyckim dyskursie o Zagładzie." Poznańskie Studia Polonistyczne. Seria Literacka, no. 33 (October 26, 2018): 327–47. http://dx.doi.org/10.14746/pspsl.2018.33.19.

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The bilingual poetry of Irena Klepfisz, a Polish-born Jewish-American poet, seems to constitute a unique case of Holocaust poetry. The poet, an intellectual and activist engaged in lesbian, queer, feminist and gender movements, advocates the reading of Holocaust poetry within the ramifications of gender oriented cultural theories. Her bilingual poetry undermines the hypothesis of the postvernacularity of contemporary Yiddish. The paper substantiates the thesis that the choice of the target language in the translaton of bilingual Holocaust poetry has clear axiological underpinnings.
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Yakovenko, I. "Resistance and liberation discourse in Audre Lorde’s “Sister Outsider”." Studia Philologica 1, no. 14 (2020): 107–13. http://dx.doi.org/10.28925/2311-2425.2020.1416.

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The article focuses on the essays of Audre Lorde — African American writer, Black feminist and activist. Through the lens of African American and Feminist Studies the essay collection “Sister Outsider” by Audre Lorde is analysed as a political manifesto which critiques the Second Wave feminism, and suggests a unique perspective on issues of racism, sexism, heterosexism, homophobia, women’s erotic and creativity. Although Lorde’s early poetry collections are characterised by the wide usage of authentic imagery and Afro-centric mythology, the later poetry, the 1982 biomythography “Zami: A New Sp
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Khalid, Najwa A. "Cultural Ecofeminism in Pat Mora's Poetry." Al-Adab Journal 1, no. 136 (2021): 107–20. http://dx.doi.org/10.31973/aj.v1i136.1027.

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Eco-feminist writers, in general, investigate the relationship between the oppression of women and the degradation of nature. Cultural ecofeminism, as a branch of ecofeminism, reclaims the twinning of nature with women in terms of productivity and bounty. Cultural eco-feminists emphasize a kind of affinity between elements of nature such as land, woods, desert….etc. and women, in an attempt to reach out to a better cultural community. They try to integrate their views of nature with culture. With such perspective, the current study approaches the poetry of the Mexican American poet, Pat Mora (
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Gargallo, Francesca. "Escritura de mujeres, escritura de las diferencias." La Manzana de la Discordia 1, no. 1 (2016): 107. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v1i1.1441.

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Resumen: Se rastrea la historia contemporánea de la literaturalatinoamericana escrita por mujeres, mostrando temáticas queprofundizan en la diferencia sexual y sus consecuencias parala escritura. Se exploran las consecuencias para la narrativa yla poética de las autoras, de temas como la eroticidad femeninay la especificidad del cuerpo de la mujer, y el lugar que ésteocupa en las historias familiar, nacional y continental. Seindaga asimismo sobre las formas en las cuales sus narracionescontribuyeron al meta-relato del patriarcado latinoamericano.A la vez, en este trabajo se registran las huell
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Marais, R. "Vrouwees: perspektiewe in die meer onlangse Afrikaanse poësie en prosa." Literator 9, no. 3 (1988): 29–43. http://dx.doi.org/10.4102/lit.v9i3.853.

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This article investigates the views on woman and womanhood that are expressed in the poetry and prose of several contemporary women writers in Afrikaans. The study is conducted against the background of certain tendencies in feminist movements in Europe, Britain and the United States of America as well as views pronounced in the writings (both literary and feminist) of a number of feminist writers in Europe, Britain and the USA. For the purposes of this investigation a short exposition is given of what feminism entails, as well as of a number of the different views and approaches which it acco
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Koplowitz-Breier, Anat. "Déjà Vu: Shirley Kaufman’s Poetry on Biblical Women." Religions 10, no. 9 (2019): 493. http://dx.doi.org/10.3390/rel10090493.

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This article explores Shirley Kaufman’s reading of the Bible as an elaboration on/of its feminine characters via three devices: (a) Dramatic monologues, in which the woman speaks for herself (“Rebecca” and “Leah”); (b) description of specific scenes that gives us a glimpse into the character’s point of view (“His Wife”, “Michal”, “Abishag”, “The Wife of Moses”, “Yael”, and “Job’s Wife”); and (c) interweaving of the biblical context into contemporary reality (“Déjà Vu” and “The Death of Rachel”). Fleshing these figures out, Kaufman portrays the biblical women through contemporary lenses as a wa
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Bonasera, Carmen. "Bodies and self-disclosure in American female confessional poetry." European Journal of Life Writing 10 (July 9, 2021): SV33—SV56. http://dx.doi.org/10.21827/ejlw.10.37638.

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Far from being a mere thematic device, the body plays a crucial role in poetry, especially for modern women poets. The inward turn to an intimate autobiographical dimension, which is commonly seen as characteristic of female writing, usually complies with the requests of feminist theorists, urging writers to reconquer their identity through the assertion of their bodies. However, inscribing the body in verse is often problematic, since it frequently emerges from a complicated interaction between positive self-redefinition, life writing, and the confession of trauma. This is especially true for
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Dissertations / Theses on the topic "Feminist poetry American poetry"

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Hassan, Saman Salah. "Women and literature : a feminist reading of Kurdish women's poetry." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/13903.

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This research work is a detailed feminist reading of the poetry of a selected group of Kurdish women poets which has been written in Sorani Kurdish. The poets come from two different locations, but are originally from Iraqi Kurdistan. A group of them live in the diaspora and the rest are home-based. Thus, it is the study of the Sorani-written poetry produced by Kurdish women poets locally and externally. The study chooses the time extending from 1990 to 2009 as its scope. There are clear reasons for the selection of this time as it stands for the most hectic period when Kurdish women’s poetry
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Hurteau, Alicia. "Pedagogies of Solidarity: Feminist Poetry Written by Arab American Women Post September 11, 2001." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/910.

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This thesis materialized out of an urgency to legitimize more creative, plural, and curious ways of thinking critically about the implications of 9/11 specifically, and global terrorism generally. This thesis actively grapples with the question: how has feminist poetry written by Arab American women post 9/11 complicated, resisted, and re-imagined the creation of one homogenizing national narrative of the event? The data used in order to answer this research question comes from an analysis of the poetic work of five Arab American women, each of whom write explicitly within an anti-imperialist
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Clake, Jenna. "'A noisy situation' : the feminine and feminist 'New Absurd' in twenty-first-century British and American poetry, and, 'Send Shells'." Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8653/.

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This thesis consists of a critical study, ‘“A Noisy Situation”: The Feminine and Feminist New Absurd in Twenty-first Century British and American Poetry’, followed by a poetry collection, 'Send Shells'. The critical study is a guidebook to the New Absurd, and thereby informs the reading of 'Send Shells'. Chapter One introduces the New Absurd as a descendant of male-dominated Absurdism; feminine and feminist humour is explored through Sam Riviere, Heather Phillipson, Selima Hill and Luke Kennard. Chapters Two, Three and Four focus on individual poets: Jennifer L. Knox’s 'A Gingo Like Me', Emily
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Sit, Wai-yee Agnes, and 薛慧宜. "The poetic quests of Emily Dickinson and Sylvia Plath." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38429640.

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Wiechmann, Natalia Helena. "A questão da autoria feminina na poesia de Emily Dickinson /." Araraquara : [s.n.], 2012. http://hdl.handle.net/11449/94145.

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Orientador: Alcides Cardoso dos Santos<br>Banca: Ana Maria Domingues de Oliveira<br>Banca: Maria Dolores Aybar Ramires<br>Resumo: Esta dissertação tem por objetivo apresentar os resultados da pesquisa de mestrado intitulada primeiramente Aspectos da autoria feminina na poesia de Emily Dickinson, modificada posteriormente pelo título A questão da autoria feminina na poesia de Emily Dickinson. Emily Dickinson (1830-1886) foi uma poeta norte-americana cuja obra é bastante conhecida por suas características particulares, tanto na forma quanto no conteúdo: o uso excessivo do travessão, das incorreç
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Burk, Chelsea D. "Poetics of the document and documentary poetics : documentary poetry by women, 1938-2015." Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/6711.

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This project reconceives the methods critics use to define and analyze the critical field of documentary poetry. Although scholarship on documentary in the visual arts abounds, literary criticism that explores poetry through a documentary lens is sparse. Documentary poetics criticism focuses almost exclusively on socioeconomic class within the poems and on defining the genre. Critics have not attended to the ways that the category “document” inflects this poetic arena. I argue that documentary poetics includes engagement with specific documents and with the power they hold within a given histo
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Sit, Wai-yee Agnes. "The poetic quests of Emily Dickinson and Sylvia Plath." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38429640.

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Spriggs, Bianca L. "Women of the Apocalypse: Afrospeculative Feminist Novelists." UKnowledge, 2017. http://uknowledge.uky.edu/english_etds/56.

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“Women of the Apocalypse: Feminist Afrospeculative Writers,” seeks to address the problematic ‘Exodus narrative,’ a convention that has helped shape Black American liberation politics dating back to the writings of Phyllis Wheatley. Novels by Zora Neale Hurston, Octavia Butler, and Alice Walker undermine and complicate this narrative by challenging the trope of a single charismatic male leader who leads an entire race to a utopic promised land. For these writers, the Exodus narrative is unsustainable for a number of reasons, not the least of which is because there is no room for women to opera
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Kicak, Elizabeth. "Goddesses and Doormats." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1680.

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The following is a collection of original poetry written over a span of two years while attending the University of South Florida. The poetry is divided into three numbered sections, marking the major thematic divisions. Preceding the poetry is a critical introduction to the work which outlines the author's developing thematic ideology.
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Abdulrahim, Safaa. "Between empire and diaspora : identity poetics in contemporary Arab-American women's poetry." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/19525.

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This dissertation aims to contribute to the burgeoning field of Arab-American feminist critique through an exploration of the work of four contemporary Arab-American women poets: Etel Adnan (1925-), a poet and a visual artist and a writer, Naomi Shihab Nye (1952-), poet, a song writer, and a novelist, Mohja Kahf (1967-), a poet, an Islamic feminist critic and author, and Suheir Hammad (1973-), a hip-hop poet and political activist. The study traverses the intersections of stereotypical racial and Orientalist discourses with which these women contend, and which have been further complicated by
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Books on the topic "Feminist poetry American poetry"

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Whitehead, Kim. The feminist poetry movement. University Press of Mississippi, 1996.

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Frost, Elisabeth A. The feminist avant-garde in American poetry. University of Iowa Press, 2002.

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The feminist avant-garde in American poetry. University of Iowa Press, 2003.

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Levine, Ida. Spare ribs and other food for thought: A collection of early feminist poems and other writings. I. Levine, 1994.

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Lonidier, Lynn. Clitoris lost: A woman's version of the creation myth. ManRoot Press, 1989.

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Montefiore, Jan. Feminism and poetry: Language, experience, identity in women's writing. Pandora, 1987.

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Montefiore, Jan. Feminism and poetry: Language, experience, identity in women's writing. 2nd ed. Pandora, 1994.

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Green, Jaki Shelton. Singing a tree into dance. Carolina Wren Press, 2003.

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Singing a tree into dance: Poems. Carolina Wren Press, 2004.

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A new tradition?: The poetry of Sylvia Plath, Anne Sexton, and Adrienne Rich, a study of feminism and poetry. P. Lang, 1985.

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Book chapters on the topic "Feminist poetry American poetry"

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Huntsperger, David W. "Objectivist Form and Feminist Materialism in Lyn Hejinian’s My Life." In Procedural Form in Postmodern American Poetry. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106109_6.

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Keller, Lynn, and Cristanne Miller. "Feminism and the Female Poet." In A Concise Companion to Twentieth-Century American Poetry. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470757680.ch4.

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Hutchinson, Stuart. "Dickinson’s Poetry." In The American Scene. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1057/9780230373198_6.

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Müller, Timo. "Analyzing Poetry." In English and American Studies. J.B. Metzler, 2012. http://dx.doi.org/10.1007/978-3-476-00406-2_24.

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Sánchez Leyva, José Ramón. "Selected Poetry." In Guantánamo and American Empire. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62268-2_12.

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Gilbert, Roger. "Contemporary American Poetry." In A Companion to Twentieth-Century Poetry. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch46.

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Brennan, Claire, and Nicolas Tredell. "Feminist and Psychoanalytic Strategies." In The Poetry of Sylvia Plath. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-137-19380-3_5.

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Eckstein, A. M. "Perils of Poetry." In American Journal of Ancient History, edited by Ernst Badian. Gorgias Press, 2017. http://dx.doi.org/10.31826/9781463237448-004.

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Garber, Frederick. "3.9 Address and Its Dialectics in American Romantic Poetry." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.24gar.

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French, Roberts W. "Lawrence and American Poetry." In The Legacy of D. H. Lawrence. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08308-4_6.

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Conference papers on the topic "Feminist poetry American poetry"

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Apenko, Elena. "qAnotherq Literature of American Revolution: poetry of M. O. Warren and Ph. Wheatley and its Interpretation by American Feminist Critics." In 45th International Philological Conference (IPC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.40.

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Slatin, John M. "Twentieth-century American poetry." In the 6th annual international conference. ACM Press, 1988. http://dx.doi.org/10.1145/358922.358944.

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Shen, Yuan. "Review: A Postcolonial-feminist Interpretation of Marlene Nourbese Philip’s Poetry." In Proceedings of the International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/cesses-18.2018.113.

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Ghazvininejad, Marjan, Yejin Choi, and Kevin Knight. "Neural Poetry Translation." In Proceedings of the 2018 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies, Volume 2 (Short Papers). Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/n18-2011.

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Yu, Rong, and Wei-Yan Shen. "American Modernist Poetry under Intertextual Perspective." In International Conference on Humanity and Social Science (ICHSS2016). WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813208506_0063.

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Uricariu, Doina. "Poetry and the Politics of Memory." In the 39th American Romanian Academy of Arts and Sciences Congress. ARA Publisher, 2015. http://dx.doi.org/10.14510/39ara2015.3901.

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Kaplan, David M., and David M. Blei. "A Computational Approach to Style in American Poetry." In Seventh IEEE International Conference on Data Mining (ICDM 2007). IEEE, 2007. http://dx.doi.org/10.1109/icdm.2007.76.

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Guo, Yingjie. "An Intertextual Perspective of the Strategies of Composing Images in American Imagist Poetry and Chinese Tang Poetry." In 2016 International Conference on Humanity, Education and Social Science. Atlantis Press, 2016. http://dx.doi.org/10.2991/ichess-16.2016.34.

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Guo, Yingjie, and Qing Zhao. "On the Intertextual Features of Chinese Poetry and American Poetry in the 1920s Taking Hu Shih and Ezra Pound s Poetic Experiences and Poetry as an Example." In 2014 International Conference on Management, Education and Social Science (ICMESS 2014). Atlantis Press, 2014. http://dx.doi.org/10.2991/icmess-14.2014.10.

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Đurić, Dubravka. "The Language Poetry Experiment and the Transformation of the Canon." In The (Un)usable Pasts in American Studies. Filozofski fakultet u Zagrebu, FF Press, 2018. http://dx.doi.org/10.17234/wpas.2018.3.

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