Relevant bibliographies by topics / Feminist poetry Women poets Feminism and literature

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  2. Dissertations / Theses
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Academic literature on the topic 'Feminist poetry Women poets Feminism and literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Feminist poetry Women poets Feminism and literature"

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Koplowitz-Breier, Anat. "‘Turn it Over and Over’ (Avot 5:22): American Jewish Women’s Poetry on Lot’s Wife." Literature and Theology 34, no. 2 (2020): 206–27. http://dx.doi.org/10.1093/litthe/fraa004.

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Abstract Although mentioned only twice in Genesis (19:17, 26), Lot’s wife has been a topic of much discussion amongst both traditional and modern commentators and exegetes. However, as opposed to the androcentric traditional midrash, the Jewish American women poets, who write midrashic-poetry, re-read the biblical story with a feminine/feminist lens, making what Alicia Ostriker calls ‘revisionist mythmaking.’ In this article, I shall focus on seven poems written from the 1980s through to 2014. I shall endeavor to evince the way(s) in which they make use of the biblical text, dealing with theme
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Raoufzadeh, Narges, Sharzad Mohammadhosein, and Shiva Zaheri Birgani. "Analysis of Love, Death, Rebirth and Patriarchy in Two Contemporary Poetess Forough Farrokhzad and Sylvia Plath’s Selected Poems." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 4 (2019): 56–64. http://dx.doi.org/10.33258/birci.v2i4.607.

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ForoughFarrokhzad and Sylvia Plath’s poems are closely linked to their personal life and their marriage. Their poems are confessional in style. Farrokhzad criticizes Iranian male dominant society in which women are marginalized and haven’t any voice in the society, so seeking their voice and identity in modern literature, especially in modern Persian poetry. Sylvia Plath attempts to resist patriarchy in her society through her poems too. Two poets highlighting and expressing the lack of interest in life and the sole desire to die in most of their poems. Not only poetic imagery and themes like
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Castelao-Gómez, Isabel. "Beat women poets and writers: countercultural urban geographies and feminist avant-garde poetics." Journal of English Studies 14 (December 16, 2016): 47. http://dx.doi.org/10.18172/jes.2816.

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The work of Beat women poets and their contribution to the Beat canon was neglected for decades until the late nineties. This study presents a critical appreciation of early Beat women poets and writers’ impact on contemporary US literature drawing from theoretical tools provided by feminist literary and poetry criticism and gender studies on geography. The aim is to situate this female literary community, in specific the one of late 1950s and 1960s in New York, within the Beat generation and to analyze the characteristics of their cultural and literary phenomena, highlighting two of their mos
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Uniyal, Ranu. "Voices of Resolution and Resistance in Indian Women’s Poetry." Zeitschrift für Anglistik und Amerikanistik 66, no. 1 (2018): 11–17. http://dx.doi.org/10.1515/zaa-2018-0003.

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Abstract Contemporary Indian women’s writing is a challenge to existing male ethos and sexual ideology based on unequal power relations. Earlier domesticity and sexual relations were couched in silence and acceptance; today, they have become an intrinsic part of feminist discourse. Indian women poets converse in a language that threatens the status quo and propose to open up a separate space for those on the margins. The paper examines the essence of power dynamics in contemporary Indian women’s poetry in English. Poetry with its hidden metaphors and lilting images demonstrates an urge to diss
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Pinto, Samantha, and Jewel Pereyra. "The Wake and the Work of Culture: Memorialization Practices in Post-Katrina Black Feminist Poetics." MELUS 44, no. 3 (2019): 1–20. http://dx.doi.org/10.1093/melus/mlz033.

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Abstract Hurricane Katrina has come to represent a nexus of natural, infrastructural, and ethical failures that forced a moment and perhaps an era of public reckoning with the ongoing processes of black disenfranchisement from US state protections and rights. Poetry about Katrina both promises and is asked bear witness to this spectacular, violent show of force and to manage public and political appetites for recognition and remembrance through its ability to merge the material and the abstract in linguistic form. This cultural imperative stands as both opportunity and limit for black artists
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Prihantono, Kahar Dwi. "PUISI “ODE TO PUBIC HAIR” KARYA GWERFUL MECHAIN DAN PUISI “AKU MENCINTAIMU DENGAN SELURUH JEMBUTKU” KARYA SAUT SITUMORANG: SEBUAH TELAAH BANDINGAN." MABASAN 12, no. 1 (2018): 43–63. http://dx.doi.org/10.26499/mab.v12i1.33.

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Penelitian ini mencoba membandingkan puisi “Ode to Pubic Hair” karya Gwerful Mechaindan“ Aku mencintaiMu dengan seluruh jembutKu” karya Saut Situmorang dalam kerangka postmodernisme. Dua puisi tersebut dipilih karena keduanya unik, yakni memasukkan diksi “jembut” dan imajinasi seks dalam karya puisi. Pendekatan yang dipakai adalah pendekatan sastra bandingan Sussan Bassnet, pendekatan pragmatisme puisi Vahid dkk., dan beberapa pendekatan postmodernisme Pilliang dan Craig Calhoun. Hasil penelitian ini menunjukkan bahwa Puisi “Ode to Pubic Hair” dan “Aku mencintaiMu dengan seluruh jembutKu”sama-
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Mozammel Haque, Mohammad. "Sunil Gangopaddhaya’s ‘An Unsent Letter’: A Harrowing Outburst of Long Smothered Wail of a Lacerated Psyche." International Journal of Applied Linguistics and English Literature 9, no. 1 (2020): 24. http://dx.doi.org/10.7575/aiac.ijalel.v.9n.1p.24.

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The statement that the poets are born after their death is universally known. There is hardly any writer who writes the criticism of his writings. They are the critics who criticize their works. It can be said that the writer himself may have only a single idea or message when he produces his piece of writings, but the critics have different views on the same work. Even one critic sometimes innovates miscellaneous ideas and messages from the same poetry, play, novel, short story, fiction, non-fiction etc. Furthermore, a post- colonial critic always tries to find the message of his area of stud
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Helle, A. "The Poetics of Enclosure: American Women Poets from Dickinson to Dove; Marianne Moore, Elizabeth Bishop, and May Swenson: The Feminist Poetics of Self-Restraint; Of Women, Poetry, and Power: Strategies of Address in Dickinson, Miles, Brooks, Lorde, and Angelou." American Literature 78, no. 3 (2006): 645–47. http://dx.doi.org/10.1215/00029831-2006-041.

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Hubel, Teresa. "Tracking obscenities: Dalit women, devadasis, and the linguistically sexual." Journal of Commonwealth Literature 54, no. 1 (2017): 52–69. http://dx.doi.org/10.1177/0021989417717578.

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In his 1993 Dalit Panpaadu, Raj Gauthaman declares that Dalit writing should “outrage and even repel the guardians of caste and class” (qtd. in Holmström, 2008: xii). Writing by Dalit women has been exceptionally successful in achieving this goal, particularly in its representation of the sexuality and sexually-charged language of Dalit women. For instance, in Sangati, Tamil author Bama describes the difficult and deeply moving lives of Dalit women in south India. Although multiply subversive, Sangati is the most outrageous in its exposure of the sexual violence that often underpins the langua
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Pozo-Sánchez, Begoña. "Les hereves de la poesia de Carmelina Sánchez-Cutillas (o sobre la fractura entre generacions literàries)." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 17 (May 31, 2021): 540. http://dx.doi.org/10.7203/scripta.17.20923.

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Resum: L’obra poètica de Carmelina Sánchez-Cutillas ha trobat, al llarg del temps, grosses dificultats a l’hora de ser transmesa. Malgrat l’ocultació sistemàtica de la seua producció i els obstacles per poder accedir-hi, les poetes actuals –en general des de la recerca individual i amb un esforç considerable– han pogut amerar-se de la seua poètica i defensar-la com un referent literari. Per a evidenciar aquest procés de recuperació dels referents femenins, hem realitzat una enquesta a vint poetes del panorama poètic actual al país Valencià. A través de les seues reflexions i aportacions hem po
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Dissertations / Theses on the topic "Feminist poetry Women poets Feminism and literature"

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Retief, Petronella. "Die konstruksie van die vroulike subjek in die oeuvres van enkele Afrikaanse vrouedigters sedert 1970 /." Link to the online version, 2005. http://hdl.handle.net/10019.1/1282.

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Retief, Petronella (Ronel). "Die konstruksie van die vroulike subjek in die oeuvres van enkele Afrikaanse vrouedigters sedert 1970." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/1282.

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Thesis (DLitt (Afrikaans and Dutch))--University of Stellenbosch, 2005.<br>ENGLISH ABSTRACT: The construction of the female subject in the poetry of Afrikaans women poets since 1970 is examined with reference to the oeuvres of Sheila Cussons, Ina Rousseau, Wilma Stockenström and Antjie Krog. The work of three French feminists, namely Julia Kristeva, Hélène Cixous and Luce Irigaray, is selected as the theoretical framework, because of, amongst other reasons, their attention to the structuring role which language plays in the construction of subjectivity. In terms of defining the scope more prec
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Craddock, Jade. "Women poets, feminism and the sonnet in the twentieth and twenty-first centuries : an American narrative." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4158/.

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Initially developed and perfected by male poets, the history of the sonnet has been characterised by androcentrism. Yet from its inception the sonnet has also been adopted by women. In recent years feminist critics have begun to redress the form’s gender imbalance, but most studies of the female-authored sonnet have excluded the twentieth and twenty-first centuries, and thus one of the most important periods in women’s history – the rise of feminism – leading to a flawed narrative of the genre. Repositioning Edna St. Vincent Millay as the starting point in a twentieth-century tradition, this s
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Perry, Katherine Denise. "Gender on paper gender performances in American women's poetry 1650-present /." Auburn, Ala., 2007. http://repo.lib.auburn.edu/2007%20Spring%20Dissertations/PERRY_KATHERINE_13.pdf.

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Drodge, Susan. "The feminist romantic, the revisionary rhetoric of Double negative, Naked poems, and Gyno-text." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25770.pdf.

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Kyser, Tiffany S. "Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2192.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Peggy Zeglin Brand, Ronda C. Henry. Includes vitae. Includes bibliographical references (leaves 79-83).
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Lewis, Staci E. ""In Death Thy Life is Found": An Examination of the Forgotten Poetry of Margaret Fuller." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0327102-153619/unrestricted/Lewis041002.pdf.

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Hawkins, Damaris. ""They say she is veiled": A rhetorical analysis of Judy Grahn's poetry." CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/2941.

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House, Veronica Leigh. "Backward to your sources, sacred rivers: a transatlanitic feminist tradition of mythic revision." Thesis, 2006. http://hdl.handle.net/2152/2504.

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Hiebert, Luann E. "Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetry." 2016. http://hdl.handle.net/1993/31201.

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Contemporary Canadian prairie women poets write about the mother figure to counter maternal suppression and the homogenization of maternal representations in literature. Critics, like Marianne Hirsch and Andrea O’Reilly, insist that mothers tell their own stories, yet many mothers are unable to. Daughter and mother stories, Jo Malin argues, overlap. The mother “becomes a subject, or rather an ‘intersubject’” in the text (2). Literary depictions of daughter-mother or mother-child intersubjectivities, however, are not confined to auto/biographical or fictional narratives. As a genre and potentia
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Books on the topic "Feminist poetry Women poets Feminism and literature"

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Louise Labé: Renaissance poet and feminist. Berg, 1990.

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Feminist criticism of American women poets: An annotated bibliography, 1975-1993. Garland, 1994.

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A new matrix for modernism: A study of the lives and poetry of Charlotte Mew and Anna Wickham. Routledge, 2003.

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Rice, Nelljean McConeghey. A new matrix for modernism: A study of the lives and poetry of Charlotte Mew and Anna Wickham. Routledge, 2003.

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Ferguson, Moira. Eighteenth-century women poets: Nation, class, and gender. State University of New York Press, 1995.

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Erkkila, Betsy. The wicked sisters: Women poets, literary history, and discord. Oxford University Press, 1992.

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Erkkila, Betsy. The Wicked sisters: Women Poets, Literary History and Discord. Oxford University Press, 1994.

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Erkkila, Betsy. The wicked sisters: Women poets, literary history, and discord. Oxford University Press, 1992.

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Gregory, Gill. The life and work of Adelaide Procter: Poetry, feminism, and fathers. Ashgate, 1998.

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Boland, Eavan. Object lessons: The life of the woman and the poet in our time. Carcanet, 1995.

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Book chapters on the topic "Feminist poetry Women poets Feminism and literature"

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DeLucia, JoEllen. "Epilogue: Women Writers in the Age of Ossian." In A Feminine Enlightenment. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748695942.003.0006.

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Women writers’ engagement with the Ossian poems and Enlightenment historiography raises important questions about feminist literary historiography, which has been wrestling with methodological questions and attempting to both develop aesthetic criteria for women’s literature and think beyond women writers’ problematic association with the domestic novel. Women writers’ engagement with Ossianic poetry provides an alternative mode for thinking about women’s literary history; by rewriting and revising Ossian’s poetry in verse and novels and adapting Scottish modes of historiography to literature, women writers shaped the social and aesthetic structures that informed the larger British Empire. In doing so, they argued for the cultural relativity of aesthetic categories and used poetry and gothic and historical novels to map and critique gender’s placement in narratives of imperial and economic development.
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Jaguścik, Justyna. "In Search of Spaces of Their Own: Woolf, Feminism and Women’s Poetry From China." In The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448475.003.0018.

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This chapter discusses the traveling of Woolf's writing, especially A Room of One's Own, into twentieth-century China. It argues, that since 1928, when this text had first been discussed by Xu Zhimo, A Room has remained an important point of reference in the Chinese-language feminist theory and literature. Particularly in post-Mao China, many female authors have been inspired by Woolf's spatial metaphoric and her reflections on female authorship. This chapter proposes close readings of poems and essays by Chinese contemporary female poets, such as Lu Yimin, Wang Xiaoni, Zhai Yongming and Zhang Zhen. It demonstrates that Woolf’s ideas have reverberated throughout works by the most innovative avant-garde female poets of the post-Mao era.
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