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Journal articles on the topic 'Feminist poetry Women poets Feminism and literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Koplowitz-Breier, Anat. "‘Turn it Over and Over’ (Avot 5:22): American Jewish Women’s Poetry on Lot’s Wife." Literature and Theology 34, no. 2 (2020): 206–27. http://dx.doi.org/10.1093/litthe/fraa004.

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Abstract Although mentioned only twice in Genesis (19:17, 26), Lot’s wife has been a topic of much discussion amongst both traditional and modern commentators and exegetes. However, as opposed to the androcentric traditional midrash, the Jewish American women poets, who write midrashic-poetry, re-read the biblical story with a feminine/feminist lens, making what Alicia Ostriker calls ‘revisionist mythmaking.’ In this article, I shall focus on seven poems written from the 1980s through to 2014. I shall endeavor to evince the way(s) in which they make use of the biblical text, dealing with theme

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Raoufzadeh, Narges, Sharzad Mohammadhosein, and Shiva Zaheri Birgani. "Analysis of Love, Death, Rebirth and Patriarchy in Two Contemporary Poetess Forough Farrokhzad and Sylvia Plath’s Selected Poems." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 4 (2019): 56–64. http://dx.doi.org/10.33258/birci.v2i4.607.

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ForoughFarrokhzad and Sylvia Plath’s poems are closely linked to their personal life and their marriage. Their poems are confessional in style. Farrokhzad criticizes Iranian male dominant society in which women are marginalized and haven’t any voice in the society, so seeking their voice and identity in modern literature, especially in modern Persian poetry. Sylvia Plath attempts to resist patriarchy in her society through her poems too. Two poets highlighting and expressing the lack of interest in life and the sole desire to die in most of their poems. Not only poetic imagery and themes like

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Castelao-Gómez, Isabel. "Beat women poets and writers: countercultural urban geographies and feminist avant-garde poetics." Journal of English Studies 14 (December 16, 2016): 47. http://dx.doi.org/10.18172/jes.2816.

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The work of Beat women poets and their contribution to the Beat canon was neglected for decades until the late nineties. This study presents a critical appreciation of early Beat women poets and writers’ impact on contemporary US literature drawing from theoretical tools provided by feminist literary and poetry criticism and gender studies on geography. The aim is to situate this female literary community, in specific the one of late 1950s and 1960s in New York, within the Beat generation and to analyze the characteristics of their cultural and literary phenomena, highlighting two of their mos

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Uniyal, Ranu. "Voices of Resolution and Resistance in Indian Women’s Poetry." Zeitschrift für Anglistik und Amerikanistik 66, no. 1 (2018): 11–17. http://dx.doi.org/10.1515/zaa-2018-0003.

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Abstract Contemporary Indian women’s writing is a challenge to existing male ethos and sexual ideology based on unequal power relations. Earlier domesticity and sexual relations were couched in silence and acceptance; today, they have become an intrinsic part of feminist discourse. Indian women poets converse in a language that threatens the status quo and propose to open up a separate space for those on the margins. The paper examines the essence of power dynamics in contemporary Indian women’s poetry in English. Poetry with its hidden metaphors and lilting images demonstrates an urge to diss

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Pinto, Samantha, and Jewel Pereyra. "The Wake and the Work of Culture: Memorialization Practices in Post-Katrina Black Feminist Poetics." MELUS 44, no. 3 (2019): 1–20. http://dx.doi.org/10.1093/melus/mlz033.

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Abstract Hurricane Katrina has come to represent a nexus of natural, infrastructural, and ethical failures that forced a moment and perhaps an era of public reckoning with the ongoing processes of black disenfranchisement from US state protections and rights. Poetry about Katrina both promises and is asked bear witness to this spectacular, violent show of force and to manage public and political appetites for recognition and remembrance through its ability to merge the material and the abstract in linguistic form. This cultural imperative stands as both opportunity and limit for black artists

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Prihantono, Kahar Dwi. "PUISI “ODE TO PUBIC HAIR” KARYA GWERFUL MECHAIN DAN PUISI “AKU MENCINTAIMU DENGAN SELURUH JEMBUTKU” KARYA SAUT SITUMORANG: SEBUAH TELAAH BANDINGAN." MABASAN 12, no. 1 (2018): 43–63. http://dx.doi.org/10.26499/mab.v12i1.33.

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Penelitian ini mencoba membandingkan puisi “Ode to Pubic Hair” karya Gwerful Mechaindan“ Aku mencintaiMu dengan seluruh jembutKu” karya Saut Situmorang dalam kerangka postmodernisme. Dua puisi tersebut dipilih karena keduanya unik, yakni memasukkan diksi “jembut” dan imajinasi seks dalam karya puisi. Pendekatan yang dipakai adalah pendekatan sastra bandingan Sussan Bassnet, pendekatan pragmatisme puisi Vahid dkk., dan beberapa pendekatan postmodernisme Pilliang dan Craig Calhoun. Hasil penelitian ini menunjukkan bahwa Puisi “Ode to Pubic Hair” dan “Aku mencintaiMu dengan seluruh jembutKu”sama-

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Mozammel Haque, Mohammad. "Sunil Gangopaddhaya’s ‘An Unsent Letter’: A Harrowing Outburst of Long Smothered Wail of a Lacerated Psyche." International Journal of Applied Linguistics and English Literature 9, no. 1 (2020): 24. http://dx.doi.org/10.7575/aiac.ijalel.v.9n.1p.24.

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The statement that the poets are born after their death is universally known. There is hardly any writer who writes the criticism of his writings. They are the critics who criticize their works. It can be said that the writer himself may have only a single idea or message when he produces his piece of writings, but the critics have different views on the same work. Even one critic sometimes innovates miscellaneous ideas and messages from the same poetry, play, novel, short story, fiction, non-fiction etc. Furthermore, a post- colonial critic always tries to find the message of his area of stud

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Helle, A. "The Poetics of Enclosure: American Women Poets from Dickinson to Dove; Marianne Moore, Elizabeth Bishop, and May Swenson: The Feminist Poetics of Self-Restraint; Of Women, Poetry, and Power: Strategies of Address in Dickinson, Miles, Brooks, Lorde, and Angelou." American Literature 78, no. 3 (2006): 645–47. http://dx.doi.org/10.1215/00029831-2006-041.

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Hubel, Teresa. "Tracking obscenities: Dalit women, devadasis, and the linguistically sexual." Journal of Commonwealth Literature 54, no. 1 (2017): 52–69. http://dx.doi.org/10.1177/0021989417717578.

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In his 1993 Dalit Panpaadu, Raj Gauthaman declares that Dalit writing should “outrage and even repel the guardians of caste and class” (qtd. in Holmström, 2008: xii). Writing by Dalit women has been exceptionally successful in achieving this goal, particularly in its representation of the sexuality and sexually-charged language of Dalit women. For instance, in Sangati, Tamil author Bama describes the difficult and deeply moving lives of Dalit women in south India. Although multiply subversive, Sangati is the most outrageous in its exposure of the sexual violence that often underpins the langua

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Pozo-Sánchez, Begoña. "Les hereves de la poesia de Carmelina Sánchez-Cutillas (o sobre la fractura entre generacions literàries)." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 17 (May 31, 2021): 540. http://dx.doi.org/10.7203/scripta.17.20923.

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Resum: L’obra poètica de Carmelina Sánchez-Cutillas ha trobat, al llarg del temps, grosses dificultats a l’hora de ser transmesa. Malgrat l’ocultació sistemàtica de la seua producció i els obstacles per poder accedir-hi, les poetes actuals –en general des de la recerca individual i amb un esforç considerable– han pogut amerar-se de la seua poètica i defensar-la com un referent literari. Per a evidenciar aquest procés de recuperació dels referents femenins, hem realitzat una enquesta a vint poetes del panorama poètic actual al país Valencià. A través de les seues reflexions i aportacions hem po

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Louis, Margot K. "Enlarging the Heart: L. E. L.'s “The Improvisatrice,” Hemans's “Properzia Rossi,” and Barrett Browning's Aurora Leigh." Victorian Literature and Culture 26, no. 1 (1998): 1–17. http://dx.doi.org/10.1017/s1060150300002242.

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Elizabeth barrett browning's relation to her female predecessors was complex, conflicted, and rewarding. In Aurora Leigh we see both the heroine and her creator grow from poets who attempt to prove themselves in traditionally masculine terms, into poets who engage with a feminine tradition of sentimental verse which they resist and criticize but nevertheless find of essential value. Only by viewing the poem against the backdrop of the sentimental tradition can we fully appreciate Barrett Browning's challenge to the cult of privacy and the doctrine of separate spheres, her dual emphasis on poet

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Dubey, Prachi, and Dr Charu Chitra. "Study of Identity Crises of Kamala das in her Autobiography “My Story”." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 8. http://dx.doi.org/10.24113/ijellh.v7i11.10136.

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It is true that only a language is a universally recognized means of speech through which an author strives to pour in the rich pearls of his imagination and the great struggle to find compromise through uncompromising wilderness, making the real tale of true identity literature ,Kamala Das protested against the society's prevailing systems. Her insulted feminine self went on emotional wanderings seeking to discover an identity and liberation expressly for her own and for the entire tradition of women in general. Her compassionate interpretation and description of the Indian woman's problem ge

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Lowe, N. J. "Sulpicia's Syntax." Classical Quarterly 38, no. 1 (1988): 193–205. http://dx.doi.org/10.1017/s0009838800031402.

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In the six remarkable elegidia transmitted in the Tibullan corpus as 3.13–18 (4.7–12) we appear to possess the writings of an educated Roman woman of aristocratic family and high literary connections: a woman, moreover, who participates as an equal in one of the most distinguished artistic salons of the age, and composes poetry in an obstinately male genre on the subject of her own erotic experience, displaying a candour and the exercise of a sexual independence startingly at odds with the ideology of her class. Such a figure is either, depending on one's viewpoint, too good to be true or too

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Smith, Francois. "Murder your darlings: Breytenbach, die dood en die vrou." Tydskrif vir Letterkunde 46, no. 2 (2017): 97–110. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i2.3421.

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The poet Breyten Breytenbach establishes a very specific relation between death and the art of poetry, a relation which is affirmed and elucidated in his literary essays, to such a degree that one could refer to his poetics as a death-conscious aesthetics. This is a position that is not wholly uncontroversial, especially in the light of feminist critique viewing the coupling of creativity and death as a male preoccupation that is almost always pursued to the exclusion and elimination of women. It becomes even more problematic when death is expressly linked to the woman, as Breytenbach often do

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Möller-Sibelius, Anna. "Kärlekens etos i Gösta Ågrens 1960-talslyrik." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 1 (April 3, 2017): 22–37. http://dx.doi.org/10.30665/av.66191.

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The Ethos of Love in Gösta Ågren’s Poems from the 1960s Gösta Ågren is one of the most appreciated poets in contemporary Finland-Swedish literature. Nevertheless, his early works dating back to the 60s have been considered (not least by himself) to be of little interest. The common opinion is that his engagement with left-wing politics impoverished the aesthetic aspects of his poetry; when released from these ideological bonds in the late 1970s he became an important poet. The aim of this article is to call into question the reasons put forth by the negligence of his early poetry. Ågren is one

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Mishra, Indira Acharya. "Voice of Protest in Nepali Poetry by Women." Molung Educational Frontier 10 (December 31, 2020): 51–62. http://dx.doi.org/10.3126/mef.v10i0.34057.

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This article explores feminist voice in selected poems of four Nepali female poets. They are: "Ma Eutā Chyātieko Poshtar" ["I, a Frayed Poster"] by Banira Giri, "Pothī Bāsnu Hudaina" ["A Hen Must not Crow"] by Kunta Sharma,"Ma Strī Arthāt Āimai"["I am a Female or a Woman"] by Seema Aavas and "Tuhāu Tyo Garvalai" ["Abort the Female Foetus"] by Pranika Koyu. In the selected poems they protest patriarchy and subvert patriarchal norms and values that trivialize women. The tone of their poems is sarcastic towards male chauvinism that treats women as a second-class citizen. The poets question and ri

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McKenzie, Gemma. "Freebirthing in the United Kingdom: The Voice Centered Relational Method and the (de)Construction of the I-Poem." International Journal of Qualitative Methods 20 (January 1, 2021): 160940692199328. http://dx.doi.org/10.1177/1609406921993285.

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Freebirth occurs when women intentionally give birth to their baby without midwives or doctors present in countries and eras in which there are maternity services available to assist them. This paper forms part of a wider project on women’s freebirthing experiences in the United Kingdom. Verbatim transcripts created from face-to-face narrative interviews with 16 freebirthing women were analyzed using the Voice Centered Relational Method (VCRM). VCRM is a feminist methodology that consists of four readings of an interview transcript: reading for the plot and the researcher’s response to it; rea

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Jaime, Karen. "Patricia Herrera. Nuyorican Feminist Performance: From the Café to Hip Hop Theater." Modern Drama 64, no. 3 (2021): 378–80. http://dx.doi.org/10.3138/md.64.3.br3.

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Patricia Herrera fills a void in scholarship on the Nuyorican Poets Café. Her focus on women performers ( performeras) and their writing and performance challenges these artists’ marginalization and erasure, while the Nuyorican feminist aesthetic she proposes, as situated within intersectional feminism, underscores the work’s critical intervention in feminist performance theory.

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Somacarrera, Pilar. "‘Barometer Couple’: balance and parallelism in Margaret Atwood’s Power Politics." Language and Literature: International Journal of Stylistics 9, no. 2 (2000): 135–49. http://dx.doi.org/10.1177/096394700000900203.

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Feminist criticism has traditionally interpreted Margaret Atwood’s poetry collection Power Politics (1971) as an account of victimization of women by men, in spite of the author’s complaints about this limitation of the meaning of these texts. Rather than being victims, the subjects of these poems (‘you’/‘I’) constitute an inseparable dyad who inflict pain on each other while they are ineluctably dependent on each other. In this article I use terms from classical rhetoric (isocolon, chiasmus, anadiplosis and epanorthosis) in the analysis of the poems, with a view to explicating the nature of t

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Vinitsky, Ilya. "The First Serbian Female Writer: From the History of Nineteenth-Century Women’s Literature." Slovene 9, no. 1 (2019): 284–327. http://dx.doi.org/10.31168/2305-6754.2019.8.1.11.

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At the end of the nineteenth century the Romantic image of Eustahija Arsić (1776–1843) was introduced to the Serbian national pantheon as the first Serbian woman writer and philosopher of the modern age. This image was based first and foremost on her book “Useful Thoughts on the Four Seasons” which appeared in Budim in 1816 under that author’s name. In the second half of the twentieth century several scholarly studies and a biography were devoted to Arsić. More recently this image has attracted the attention of scholars of women’s literature in South Slavic countries. These scholars note that

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KASTON TANGE, ANDREA. "Constance Naden and the Erotics of Evolution: Mating the Woman of Letters with the Man of Science." Nineteenth-Century Literature 61, no. 2 (2006): 200–240. http://dx.doi.org/10.1525/ncl.2006.61.2.200.

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Many of the poems by Constance Naden (1858-1889) focus on exploring the intersections of poetry and science, an intriguing effort given that at the end of the Victorian period, these were assumed to be opposite enterprises. Even more interesting is the fact that despite cultural assumptions about science being the province of the masculine mind, Naden's work both purposefully asserts the ability of women to engage with science and challenges the Victorian cultural tendency to offer "scientific" justifications for notions of female intellectual inferiority. This essay examines the quartet of po

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Henton, Alice. "“Once Masculines … Now Feminines Awhile”: Gendered Imagery and the Significance of Anne Bradstreet's The Tenth Muse." New England Quarterly 85, no. 2 (2012): 302–25. http://dx.doi.org/10.1162/tneq_a_00187.

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Anne Bradstreet's early poems showcase a poet working within established tropes and traditions to destabilize gender frameworks and posit a poetic landscape dominated by feminine symbols. Rather than creating an alternative to a Puritan identity, Bradstreet creates an alternative Puritan identity, one that lays the groundwork for numerous American women writers.

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MILLER, BONNY H. "Augusta Browne: From Musical Prodigy to Musical Pilgrim in Nineteenth-Century America." Journal of the Society for American Music 8, no. 2 (2014): 189–218. http://dx.doi.org/10.1017/s1752196314000078.

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AbstractAugusta Browne Garrett composed at least two hundred piano pieces, songs, duets, hymns, and sacred settings between her birth in Dublin, Ireland, around 1820, and her death in Washington, D.C., in 1882. Judith Tick celebrated Browne as the “most prolific woman composer in America before 1870” in her landmark study American Women Composers before 1870. Browne, however, cast an enduring shadow as an author as well, publishing two books, a dozen poems, several Protestant morality tracts, and more than sixty music essays, nonfiction pieces, and short stories. By means of her prose publicat

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Altamirano, Nicole. "TAKING BACK THE THREAD: MYTH REVISION IN RODOREDA’S “SECRET” ODYSSEY POEMS." Catalan Review 20, no. 1 (2006): 39–50. http://dx.doi.org/10.3828/catr.20.2.

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While Mercè Rodoreda is frequently recognized as the most famous novelist in Catalan, her poetry remains virtually unexplored. Written after the Civil War led Rodoreda to flee her Catalonian homeland for France in 1939, the poems of Món d’Ulisses do not focus on the eponymous hero’s longing to return home; rather, the poet shifts viewpoint to that of the women Ulysses leaves behind. By enabling them to tell their own version of the Mediterranean epic, concentrating on their private experience of exile, their expressions of absence, anger, and isolation, Rodoreda reevaluates and revises classic

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Zaragoza, Verònica. "Escriure poesia al convent: entre la devoció i l’obediència. Primera aproximació a un manuscrit femení del segle XVIII." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 1, no. 1 (2013): 333. http://dx.doi.org/10.7203/scripta.1.2590.

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Resum: El manuscrit que ens disposem a donar a conèixer és un tresor documental interessantíssim per abordar l’estudi dels usos poètics de les dones d’època moderna als territoris de parla catalana, no només pel nombre de composicions recuperades d’una mateixa autora (un total de 53 poesies espirituals, no catalogades i desconegudes fins ara) sinó perquè es tracta d’un dels pocs autògrafs femenins accessibles per a la recerca. La inexistència de treballs dedicats exclusivament a la poesia femenina d’època moderna al panorama català, ens obliga necessàriament a iniciar el treball amb una primer

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Marais, R. "Vrouwees: perspektiewe in die meer onlangse Afrikaanse poësie en prosa." Literator 9, no. 3 (1988): 29–43. http://dx.doi.org/10.4102/lit.v9i3.853.

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This article investigates the views on woman and womanhood that are expressed in the poetry and prose of several contemporary women writers in Afrikaans. The study is conducted against the background of certain tendencies in feminist movements in Europe, Britain and the United States of America as well as views pronounced in the writings (both literary and feminist) of a number of feminist writers in Europe, Britain and the USA. For the purposes of this investigation a short exposition is given of what feminism entails, as well as of a number of the different views and approaches which it acco

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Micros, Marianne. ""Ryse Up Elisa” – Woman Trapped in a Lay: Spenser's "Aprill"." Renaissance and Reformation 29, no. 2 (2009): 63–73. http://dx.doi.org/10.33137/rr.v29i2.11413.

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In Edmund Spenser's "Aprill," Colin Cloute, by creating and controlling an idealized woman, has silenced the source of his own creative power. However, Colin's lay contains hints that Elisa is neither perfect nor passive: complex natural and mythological allusions reveal her vitality and strength. Spenser allows the woman's voice to undermine the male poet's authority, thus demonstrating the difficult power struggle between masculine and feminine qualities, between art and life, that both limits and frees the poet in his attempt to create art.

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Harrington, Emily. "The Expiration of Commitments in Adelaide Procter's “Homeward Bound”." Victorian Literature and Culture 48, no. 2 (2020): 435–44. http://dx.doi.org/10.1017/s1060150320000042.

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It has been a long time since the poetry of Adelaide Anne Procter, a favorite of Queen Victoria, captured much interest from readers of poetry, whether they be anthology aficionados, scholars, or students. Now considered a minor poet of the period, she was nevertheless a quintessential poet activist of her day, raising money for and working with the Providence Row Night Refuge, editing and contributing to the English Women's Journal alongside the Langham Place Feminists and the Society for the Employment of Women. She published volumes of her own poems, one of which ran to as many as nineteen

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Baturenko, Sergey. "Prerequisites of feminist discourse formation in Russian sociology of the XIX c.: M. I. Mikhailov ." Woman in Russian Society, no. 1 (April 25, 2021): 116–25. http://dx.doi.org/10.21064/winrs.2021.1.10.

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The article considers the ideas of the Russian writer, poet and journalist M. I. Mikhailov, that became intellectual prerequisites for the formation of feminist discourse in Russian sociology of the XIX century. Domestic thinkers have contributed greatly to the emergence in Russia of feminism as a social phenomenon and the theory of feminism in the history of Russian social thought. The specifics of historical and cultural development have influenced the reflection of many issues within the social sciences, including the need to explore the “female issue” in sociology. The author shows that th

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Baturenko, S. A. "Intellectual prerequisites of a feminist discourse’s formation in the history of the Russian sociology." Moscow State University Bulletin. Series 18. Sociology and Political Science 25, no. 4 (2020): 193–208. http://dx.doi.org/10.24290/1029-3736-2019-25-4-193-208.

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The article considers intellectual premises of forming of a feministic discourse in the Russian sociology are considered. The origin perspective in Russia of feminism as social phenomenon and theory of feminism in the history of the Russian social thought begins with them. The developed prerequisites promoted an indication of interest of the first Russian sociologists to this problem. The specifics of historical and cultural development exerted impact on judgment of a set of questions within social sciences including on need of a research of “women’s issue”. Many outstanding sociologists activ

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Fisiak, Tomasz. "Feminist Auto/biography as a Means of Empowering Women: A Case Study of Sylvia Plath’s Bell Jar and Janet Frame’s Faces in the Water." Text Matters, no. 1 (November 23, 2011): 183–97. http://dx.doi.org/10.2478/v10231-011-0014-7.

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Feminism, as a political, social and cultural movement, pays much attention to the importance of text. Text is the carrier of important thoughts, truths, ideas. It becomes a means of empowering women, a support in their fight for free expression, equality, intellectual emancipation. By "text" one should understand not only official documents, manifestos or articles. The term also refers to a wide range of literary products—poetry, novels, diaries. The language of literature enables female authors to omit obstacles and constraints imposed by the phallogocentric world, a world dominated by mascu

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Kuppers, Petra. "Tiresian Journeys." TDR/The Drama Review 52, no. 4 (2008): 174–82. http://dx.doi.org/10.1162/dram.2008.52.4.174.

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Given the media frenzy over Hillary Clinton's unsuccessful presidential bid, and the ensuing questions about the state of feminism, it seems a serendipitous moment to feature two pieces—written by the women who conceived and performed them—that offer very different but complementary takes on agency, identity, and the conflation of the public and private as one's body becomes the locus of the gaze. Petra Kuppers's dramaturgical meditation on her experiences as part of Tiresias, a disability culture performance project, investigates erotics, change, mythology, and identity. A collaboration betwe

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Amaris, Lián. "Beauty and the Street: 72 Hours in Union Square, NYC." TDR/The Drama Review 52, no. 4 (2008): 182–92. http://dx.doi.org/10.1162/dram.2008.52.4.182.

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Given the media frenzy over Hillary Clinton's unsuccessful presidential bid, and the ensuing questions about the state of feminism, it seems a serendipitous moment to feature two pieces—written by the women who conceived and performed them—that offer very different but complementary takes on agency, identity, and the conflation of the public and private as one's body becomes the locus of the gaze. Petra Kuppers's dramaturgical meditation on her experiences as part of Tiresias, a disability culture performance project, investigates erotics, change, mythology, and identity. A collaboration betwe

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Cannamela, Danila. "“I am an atypical mother”: Motherhood and maternal language in Giovanna Cristina Vivinetto’s poetry." Forum Italicum: A Journal of Italian Studies 55, no. 1 (2021): 85–108. http://dx.doi.org/10.1177/0014585821991848.

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In her debut book Dolore minimo, Giovanna Cristina Vivinetto engages in a reflection on motherhood to recount an autobiographical story of gender self-determination and male to female transition. This article explores Vivinetto’s poetry as the retelling of transformative moments in two mother–daughter relationships, which generate a reshaping of life and language. In the book, these two storylines intersect, blur, and even overlap, creating a poetic discourse in which the maternal acts simultaneously as powerful catalyzer and producer of meanings. In discussing how, in Dolore minimo, the relat

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Jenkins, Keith, Gary Farnell, Anne Curry, et al. "Reviews: Rethinking Literary History, the Question of Literature: The Place of the Literary in Contemporary Theory, the Performance of Self: Ritual, Clothing and Identity during the Hundred Years War., Reassessing Tudor Humanism, John Foxe and His World, Voyage Drama and Gender Politics 1589–1642, before Orientalism: London's Theatre of the East, 1576–1626, Royal Subjects: Essays on the Writings of James VI and I, Milton and the Terms of Liberty, the Social Circulation of the Past: English Historical Culture 1500–1730, Literature and Utopian Politics in Seventeenth-Century England, Literature and Religious Culture in Seventeenth-Century England, Flesh in the Age of Reason, Patriotism and Poetry in Eighteenth-Century Britain, English Feminists and Their Opponents in the 1780s: Unsex'd and Proper Females, Mary Wollstonecraft and the Feminist Imagination, Women Peasant Poets in Eighteenth-Century England, Scotland and Germany: Milkmaids on Parnassus, in Praise of Poverty: Hannah More Counters Thomas Paine and the Radical Threat, Romanticism and Animal Rights, Slavery and the Romantic Imagination, Performing Shakespeare in the Age of Empire, Unequal Partners: Charles Dickens, Wilkie Collins and Victorian Authorship, across Time and Continents: A Tribute to Victor G. Kiernan, Shakespeare in the PresentHutcheonLinda and ValdésMario (eds), Rethinking Literary History , Oxford University Press, 2002, pp. xiii + 215, £25.BissellElizabeth Beaumont (ed.), The Question of Literature: The Place of the Literary in Contemporary Theory , Manchester University Press, 2002, pp. xii + 236, £45, £15.99 pb.CraneSusan, The Performance of Self: Ritual, Clothing and Identity During the Hundred Years War . University of Pennsylvania Press, 2002, pp. ix + 269, $49.95, $19.95 pb.WoolfsonJonathan (ed.), Reassessing Tudor Humanism , Palgrave, 2002, pp. xi + 286, £47.50.HighleyChristopher and KingJohn N. (eds), John Foxe and His World , Ashgate, 2002, pp. 297, £55.JowittClaire, Voyage Drama and Gender Politics 1589–1642 , Manchester University Press, 2003, pp. vi + 256, £40.BarbourRichmond, Before Orientalism: London's Theatre of the East, 1576–1626 , Cambridge University Press, 2003, pp. xii + 238, £45.FischlinDaniel and FortierMark (eds), Royal Subjects: Essays on the Writings of James VI and I , Wayne State University Press, 2002, pp. 543, £33.50.ParryGraham and RaymondJoad (eds), Milton and the Terms of Liberty , D. S. Brewer, 2002, pp. xvi + 218, £35.WoolfDaniel, The Social Circulation of the Past: English Historical Culture 1500–1730 , Oxford University Press, 2003, pp. xvii + 421, £55.AppelbaumRobert, Literature and Utopian Politics in Seventeenth-Century England , Cambridge University Press, 2002, pp. xi + 256, £40.BarbourReid, Literature and Religious Culture in Seventeenth-Century England , Cambridge University Press, 2002, pp. viii + 282, £42.50.PorterRoy, Flesh in the Age of Reason , Allen Lane, 2003, pp. xviii + 574, £25.GriffinDustin, Patriotism and Poetry in Eighteenth-Century Britain , Cambridge University Press, 2002, pp. x + 316, £42.50.StaffordWilliam, English Feminists and their Opponents in the 1780s: Unsex'd and Proper Females , Manchester University Press, 2002, pp. 239, £45.TaylorBarbara, Mary Wollstonecraft and the Feminist Imagination , Cambridge University Press, 2003, pp. 331, £16.95 pb.KordSusanne, Women Peasant Poets in Eighteenth-Century England, Scotland and Germany: Milkmaids on Parnassus , Camden House, Boydell and Brewer, 2003, pp. xiii + 325, £50.ScheuermannMona, In Praise of Poverty: Hannah More Counters Thomas Paine and the Radical Threat , University Press of Kentucky Press, 2002 pp. xiv + 255, $36.PerkinsDavid, Romanticism and Animal Rights , Cambridge University Press, 2003, pp. xvi + 190, £40.LeeDebbie, Slavery and the Romantic Imagination , University of Pennsylvania Press, 2002, pp. xiv + 296, $55.FoulkesRichard, Performing Shakespeare in the Age of Empire , Cambridge University Press, 2002, pp. x + 235, £45.NayderLillian, Unequal Partners: Charles Dickens, Wilkie Collins and Victorian Authorship , Cornell University Press, 2002, pp. xiv + 221, £23.50.KaratPrashkat (ed), Across Time and Continents: A Tribute to Victor G. Kiernan , New Delhi, Leftword Books, 2003, pp. vii + 255, 450 rupees/ $9HawkesTerence, Shakespeare in the Present , Routledge, 2002, pp. xi + 164, £16.99 pb." Literature & History 13, no. 2 (2004): 86–116. http://dx.doi.org/10.7227/lh.13.2.5.

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Farzizadeh, Zahra, Fatemeh Yusefi, and Shahriar Giti. "A STUDY OF FEMINIST IDEAS IN THE POETRY OF SOUAD AL-SABAH." Gênero & Direito 8, no. 5 (2019). http://dx.doi.org/10.22478/ufpb.2179-7137.2019v8n5.48680.

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 Abstract: Feminism literally means "women's liberation"," womanism " which is itself divided into different ways. Feminism has sometimes been interpreted as organized movements for women's rights and sometimes for the theory that believes in equality between men and women in political, economic, social and legal terms. With the spread of the feminist movement, much work was written on women, and all of them had a fixed principle that was to remove the inferiority and inequalities that had been permitted to women throughout history. With the spread of such works, feminist literature emer

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Siwach, Simran. "A STUDY OF POEMS THAT EMPHASISES AWARENESS OF DOMESTIC VIOLENCE." INTERNATIONAL JOURNAL OF SCIENTIFIC RESEARCH, May 1, 2021, 36–37. http://dx.doi.org/10.36106/ijsr/4130448.

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The literature permit eloquence to the writers for jot down in the respect of class, race, religion, culture and wealth. Although, it is also a dedication of a literature to elevate the darker side of society in their compositions to spears awareness, motivation, humanity to victims and encouragement to the survivors. Feminism and women's right has been controversial and revolutionary subject in every corner of the world since long. This paper will throw a light on the three poems of the twenty rst century arguing with the issue of domestic violence (also named domestic abuse and family viole

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Bowles-Smith, Emily. "Recovering Love’s Fugitive: Elizabeth Wilmot and the Oscillations between the Sexual and Textual Body in a Libertine Woman’s Manuscript Poetry." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.73.

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Elizabeth Wilmot, Countess of Rochester, is best known to most modern readers as the woman John Wilmot, Earl of Rochester, abducted and later wed. As Samuel Pepys memorably records in his diary entry for 28 May 1665:Thence to my Lady Sandwich’s, where, to my shame, I had not been a great while before. Here, upon my telling her a story of my Lord Rochester’s running away on Friday night last with Mrs Mallet, the great beauty and fortune of the North, who had supped at Whitehall with Mrs Stewart, and was going home to her lodgings with her grandfather, my Lord Haly, by coach; and was at Charing

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Jocson, Jennie V. "A Feminist Reading of Filipino Women Poets." Rupkatha Journal on Interdisciplinary Studies in Humanities 12, no. 6 (2020). http://dx.doi.org/10.21659/rupkatha.v12n6.23.

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This paper draws on ideas from a shared identity of Filipino women writers. While a shift in 21st Century feminist reading, mainly the slant that to think about woman is also to think about gender, has become available for interrogation and re-inscription, the study on Filipino woman as a construct and a subject of self-representation of contemporary Filipino poetry remains scarce. Drawing at how women and their experiences were represented in select poems written by 4 contemporary women poets, this paper explored common patterns of women imaging using textual and thematic analysis, alongside

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Jaillant, Lise. "Diversity and Entrepreneurialism: PN Review, Feminism and the Arts Council of Great Britain, 1973–1990." Twentieth Century British History, August 1, 2021. http://dx.doi.org/10.1093/tcbh/hwab020.

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Abstract This article examines the evolution of PN Review, a leading Manchester-based poetry magazine, in relation to second-wave feminism in the 1970s and 1980s. Largely funded by the Arts Council of Great Britain, the magazine was initially not a welcoming place for female poets and contributors. Women’s poetry was often disparaged, and few women contributed to the magazine. From the early 1980s, however, PN Review started to include more women voices—a transition led by the founding editor Michael Schmidt, who was eager to include forgotten and neglected female poets on his list. This essay

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Mata, Inocência. "Um “local da mulher” fora do tempo: Metamorfoses do feminino na poesia de Jorge Barbosa." Journal of Lusophone Studies 1, no. 2 (2016). http://dx.doi.org/10.21471/jls.v1i2.118.

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At a time (i.e., the years of colonial fascism) when, conditioned by ideological and cultural urgency, literature served “strategic” functions that reached beyond purely textual considerations, the poetry of Jorge Barbosa, much of which came to be known only with the publication of his Obra Poética (2002), persistently conjures up feminine presences to articulate concerns produced by the poet’s “soundings” of the Cape Verdean landscape. Within this signifier, woman, which emerges through various forms of unfolding, are concentrated many of Barbosa’s loci of reflexive interrogation.

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Wolkoff, Gisele Giandoni. "Pondering from Celia de Fréne's Works: Literary Genres and Sexual Gender at Stake." ABEI Journal 20, no. 2 (2019). http://dx.doi.org/10.37389/abei.v20i2.3201.

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How can we go beyond historically constructed gender differences, as we read literary genres in the contemporary Irish context? In order to start finding responses to these questions, we aim at looking into how selves are constructed and identities represented as we read Celia de Fréine’s works. Indeed, concepts of identity in postmodernity, represented selves and literary genres, particularly related to the recent Irish literary context are fundamental points of convergence in the understanding of feminisms and literature today. Therefore, this article intends to show how fixed concepts of ge

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Ilie, Diana. "Matrifilia – scriitura ca limbaj afectiv." Transilvania, December 15, 2020, 101–8. http://dx.doi.org/10.51391/trva.2020.12.13.

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This study aims to depict women’s authorship and their contribution to literature, while taking into consideration the genesis of female identity at the intersection between motherhood and feminism. I intend to do a neo-feminist exploration of the collective volume “Povești cu scriitoare și copii” [Stories with Women Writers and Children], coordinated by Alina Purcaru, an example of writing the self using poetry and affection – in other words, l’écriture féminine. Given the fact that the main goal of this study is the investigation of motherhood, while focusing on specific issues such as the b

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Scholes, Nicola. "The Difficulty of Reading Allen Ginsberg's "Kaddish" Suspiciously." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.394.

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The difficulty of reading Allen Ginsberg's poetry is a recurring theme in criticism of his work and that of other post-WWII "Beat Generation" writers. "Even when a concerted effort is made to illuminate [Beat] literature," laments Nancy M. Grace, "doing so is difficult: the romance of the Beat life threatens to subsume the project" (812). Of course, the Beat life is romantic to the extent that it is romantically regaled. Continual romantic portrayals, such as that of Ginsberg in the recent movie Howl (2010), rekindle the Beat romance for new audiences with chicken-and-egg circularity. I explor

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Mudie, Ella. "Disaster and Renewal: The Praxis of Shock in the Surrealist City Novel." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.587.

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Introduction In the wake of the disaster of World War I, the Surrealists formulated a hostile critique of the novel that identified its limitations in expressing the depth of the mind's faculties and the fragmentation of the psyche after catastrophic events. From this position of crisis, the Surrealists undertook a series of experimental innovations in form, structure, and style in an attempt to renew the genre. This article examines how the praxis of shock is deployed in a number of Surrealist city novels as a conduit for revolt against a society that grew increasingly mechanised in the clima

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Hawkins, Katharine. "Monsters in the Attic: Women’s Rage and the Gothic." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1499.

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The Gothic is not always suited to women’s emancipation, but it is very well suited to women’s anger, and all other instances of what Barbara Creed (3) would refer to as ‘abject’ femininity: excessive, uncanny and uncontained instances that disturb patriarchal norms of womanhood. This article asserts that the conventions of the Gothic genre are well suited to expressions of women’s rage; invoking Sarah Ahmed’s work on the discomforting presence of the kill-joy in order to explore how the often-alienating processes of uncensored female anger coincide with contemporary notions of the Monstrous F

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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d

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Reid Boyd, Elizabeth, Madalena Grobbelaar, Eyal Gringart, Alise Bender, and Rose Williams. "Introducing ‘Intimate Civility’: Towards a New Concept for 21st-Century Relationships." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1491.

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Fig. 1: Photo by Miguel Orós, from unsplash.comFeminism has stalled at the bedroom door. In the post-#metoo era, more than ever, we need intimate civil rights in our relationships to counter the worrisome prevailing trends: Intimate partner violence. Interpersonal abuse. Date rape. Sexual harassment. Online harassment. Bullying. Rage. Sexual Assault. Abusive relationships. Revenge porn. There’s a lot of damage done when we get up close and personal. In the 21st century, we have come far in terms of equality and respect between the genders, so there’s a lot to celebrate. We also note that the A

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