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Relevant bibliographies by topics / Feminist psychoanalysis / Dissertations / Theses

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Dissertations / Theses on the topic 'Feminist psychoanalysis'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Campbell, Janet. "The mother as subject within the writings of psychoanalysis and women's writings." Thesis, University of Sussex, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.238820.

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2

Campbell, Kirsten. "From this one to an other : Jacques Lacan and feminist epistemology." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310442.

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3

Pajaczkowska, Claire. "Before language : the rage at the mother." Thesis, Middlesex University, 1988. http://eprints.mdx.ac.uk/13278/.

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The thesis argues that psychoanalysis is a necessary component of cultural analysis. It is argued that existing syntheses of psychoanalysis and political theories tend to limit the recognition of the relative autonomy of psychic reality by offering accounts of the social determination of subjectivity. The contemporary reappropriation of psychoanalysis by feminist theorists has formulated new explanations of the social position of women as the 'second sex'. The challenge of feminism to traditional theories of culture and society includes questions of how sexual difference informs the transforma

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4

Erikson, Kajsa. "No Need for Penis-Envy : A Feminist Psychoanalytic Reading of The Bell Jar." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-36034.

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This essay analyzes Esther Greenwood’s identity crisis, mental illness, and recovery in Sylvia Plath’s novel The Bell Jar (1963) from a feminist psychoanalytic perspective. The purpose is to understand the cultural and psychological mechanisms behind the main character’s situation. Esther is a talented and hardworking student who dreams of a literary career in 1950’s America. At the age of nineteen, events and realizations launch Esther into an identity crisis that leads to severe depression. Why she falls ill, and the nature of her illness and recovery, are up for interpretation. The thesis o

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5

Batorowicz, Beata Agnieszka, and n/a. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship." Griffith University. Queensland College of Art, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040319.090547.

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The canon of Western art history provides a selection of artists that have supposedly made an 'original' contribution to stylistic innovation within the visual arts. Although a process of selection cannot be avoided, this procedure has resulted in a Eurocentric and patriarchal art canon. For example, the Western art canon consists of certain white male artists who are given exclusive authority and are often referred to as the 'fathers of art'. As the status of a 'father of art' pertains to the highest level of achievement within artistic creativity, I argue that this excellence in creativity i

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6

Batorowicz, Beata Agnieszka. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/367273.

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The canon of Western art history provides a selection of artists that have supposedly made an 'original' contribution to stylistic innovation within the visual arts. Although a process of selection cannot be avoided, this procedure has resulted in a Eurocentric and patriarchal art canon. For example, the Western art canon consists of certain white male artists who are given exclusive authority and are often referred to as the 'fathers of art'. As the status of a 'father of art' pertains to the highest level of achievement within artistic creativity, I argue that this excellence in creativity i

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7

Bruteig, Rune. "Who's afraid of the Fenris-wolf? : projections of a skin self and Nordic mythographic filmmaking (a feminist and psychoanalytical introspective)." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23208.

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Chapter One of this thesis looks at psychoanalytical object relations theory dealing with early childhood, with an aim to outline the shift that has taken place within critical thinking on personal development--from an emphasis on oedipal relations to the auspicious re-exploration of pre-oedipal states. Here the main theme derives from the paradoxical nature of the human skin, whose fluid sensory and communicative qualities profoundly shape our psychological functioning, and thus ultimately our creation of (gendered) knowledge in all its forms.<br>Chapter Two seeks to establish some of the pos

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8

Jennings, Morgan J. ""There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6869.

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In this project, I examine the relationship between female masochism, performance, and spectatorship in Michael Haneke’s film La Pianiste (2001). The film stages a relationship to sexuality that structures the subject’s excruciating negotiations with the other as always mediated by the law, the letter, or the body as instrument, which is allegorized by the protagonist’s occupation as a piano teacher. In my analysis, I identify the ways in which the film paradoxically offers a critique of mediation’s effect on the feminine position while encouraging viewers to confront the possibility that des

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9

Anderson, Elizabeth Joan, and n/a. ""Lest we lose our Eden" : Jessie Kesson and the question of gender." University of Otago. Department of English, 2006. http://adt.otago.ac.nz./public/adt-NZDU20060906.095909.

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My doctoral thesis focuses on the twentieth-century Scottish writer, Jessie Kesson, examining the effects of the cultural construction of gender from a feminist psychoanalytic perspective. Although my primary focus is on the detrimental effects traditional gender roles have on girls and women, recently published studies claiming that 'masculinity' is in a state of crisis are of particular value to my work. The reasons contemporary critics offer for this 'crisis in masculinity' vary widely. There are those who are convinced that women are to blame for abandoning their traditional roles as wiv

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10

Seu, Irene Bruna. "A psychoanalytic feminist inquiry into shame." Thesis, University College London (University of London), 1996. http://discovery.ucl.ac.uk/1317507/.

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This thesis offers an inquiry into shame; in particular a reading of some women's lived experience of shame from a psychoanalytic and feminist perspective. This work also reflects critically on epistemological issues and tensions between the adoption of qualitative methods of research and psychoanalytic, feminist and post-structuralist readings of texts. The thesis starts with an outline of its contents, a reflexive history of the research, and a brief introduction on shame. Chapters one to three review the main body of literature on shame, critically reflecting on how shame is constructed wit

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11

Zafar, Yasmeen. "Feminism, psychoanalysis and postmodernism : bridging the discourses." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42051.

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This paper seeks to analyze the inter-relationship of three theories: feminism, psychoanalysis and postmodernism. It attempts to do this by focussing on the issue of sex crimes; how each theory provides an explanation for the phenomenon of sex crimes. It goes on to examine each theory in more detail, using their position on sex crimes as a starting point to a discussion of their theoretical foundations. It acknowledges the major writers in the field and notices the current trend of analysis to be that of merger between the theories. The paper examines both the feasibility and validit

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Minato, Mauren de Vargas. "MULHERES CONVERSANDO SOBRE SAÚDE: A EXPERIÊNCIA DE PASSAGEM DO TEMPO." Universidade Federal de Santa Maria, 2014. http://repositorio.ufsm.br/handle/1/10340.

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This project aims to understand and analyze the narratives of one of the empowerment women groups of the 4th edition of the extension project "Sexual and reproductive rights: talking about Health", focusing on representations about "the experience of the passage of time" for women in present time. This research is a ramification of a project entitled "Sexual and Reproductive Women s Health: The Group as a Device", linked to the Research Group "Health, Social Minorities and Communication". It is configured as intervention-research, in which one of the researchers acts as mediator/observer in th

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13

Hofmann, Ingrid. "Deadly seductions : femme fatales in 90's film noir." Title page, table of contents and abstract only, 1998. http://web4.library.adelaide.edu.au/theses/09ARM/09armh713.pdf.

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14

Jacobs, Amber. "Theorising matricide : psychoanalysis, feminism and the Oresteian myth." Thesis, Queen Mary, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394372.

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15

Buck, Claire. "Reading the feminine self : H.D./Freud/psychoanalysis." Thesis, University of Kent, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328627.

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16

Silas, Elizabeth J. "THEMES OF AWAKENING IN MAINSTREAM FILMS: FEMALE SUBJECTS AND THE LACANIAN SYMBOLIC." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1133495057.

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Thesis (Master of Arts)--Miami University, Dept. of Mass Communication, 2005.<br>Title from first page of PDF document. Document formatted into pages; contains [1], iv, 63 p. Includes bibliographical references (p. 58-63).

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Drew, Lorna Ellen. "The mysteries of the gothic, psychoanalysis/feminism/the female gothic." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1993. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq23880.pdf.

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18

McIver, Victoria. "Psychoanalytic feminism: a systematic literature review of gender." AUT University, 2010. http://hdl.handle.net/10292/905.

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Using a modified, systematic literature review I will examine issues of subjectivity, gender, and differnce in relation to psychoanalytic feminist theory. Psychoanalytic feminism evolved out of a reaction to classical psychoanalytic theory. In particular, the works of Chodorow (1978), Kristeva, (1977, 1989) and Benjamin (1988) were used. The literature revew will discuss the development of these theoretical perspectives and the understanding of subjectivity, gender and difference in psychoanalytic feminism and the implication this has for clinical practice.

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19

Schmiedel, Stevie. "Contesting the oedipal legacy : Deleuzean vs psychoanalytic feminist critical theory." Thesis, University of Nottingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289082.

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20

Rhodes, Molly Rae. "Doctoring culture : literary intellectuals, psychology and mass culture in the twentieth-century United States /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9809139.

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21

Potgieter, Liske. "Deconstructing Disney's diva: a feminist psychoanalytic critique of the singing princess." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/3379.

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This study contributes to the discourse of the body and the voice in feminist psychoanalysis and psychoanalytic film theory by exploring the currently under-theorised notion of the singing body in particular, as this notion finds manifestation in Disney's Singing Princess. Analyses of musical coding and other filmic tropes follow the trajectory of the Singing Princess across thirteen Disney Princess films - from her first appearance in Snow White and the Seven Dwarfs (1937) through to her most recent manifestation as Elsa in Frozen (2013) - to reveal deeper insight into what she sings, how she

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22

Höglund, Sebastian. "A Lacanian Psychoanalytic Feminist Interpretation of Marie in Louise Erdrich’s Love Medicine." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-26141.

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This thesis is an analysis of Marie’s struggle for empowerment within a patriarchal system in Louise Erdrich’s Love Medicine. The main focus of this thesis is the untangling of Marie’s desire: why does she choose the path that she has taken in life and why is she seemingly unable to feel content? Marie’s life takes place within a patriarchal framework and this paper utilizes feminist theory to delineate this framework and demonstrate its oppressiveness. In order to untangle Marie’s desire, this paper also employs a Lacanian psychoanalytic perspective. The object of Marie’s desire seems to be t

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Gamboa, Solis Flor De Maria. "Towards a New Psychoanalytic Theory of Abandonment : A Feminist Intervention via Myth." Thesis, University of Sussex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504359.

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Carson, Juli (Juli Christine) 1962. "Excavating discursivity : Post-Partum Document in the conceptualist, feminist and psychoanalytic fields." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/9386.

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Thesis (Ph.D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.<br>Includes bibliographical references (v. 2, leaves 441-473).<br>Post-Partum Document, a multi - media artwork made by American artist Mary Kelly from 1973- 1978 , was informed by and contributed to contemporaneous debates in the fields of Conceptualism, feminism, and psychoanalysis throughout the seventies. This dissertation addresses the project's "debate - specificity." The conventional art historical categorization and analysis of an artwork, one based upon its medium specificity, was a mode of modernist c

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Mendonça, Ligia Gama e. Silva Furtado de. "Há mulher na estrutura perversa?" Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5260.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta dissertação propõe-se a discutir a existência de mulheres estruturalmente perversas a partir da teoria psicanalítica, sobretudo através das contribuições indispensáveis de Freud e Lacan. Inicialmente, ao estudar a perversão, há a dificuldade de isolá-la como uma estrutura específica distinguindo-a da psicose e da neurose a partir do ponto de vista fenomenológico devido à manifestação polimorfa-perversa da sexualidade humana. No entanto, uma das questões discutidas ao tratar este tema tão nebuloso é se há mulher na estrutura pe

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26

Walters, Ruth. "Utopias lost : feminism and the problem of masochism." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282969.

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27

Fuentes, Maria Josefina Sota. "As mulheres e seus nomes: Lacan e o feminino." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-16122009-090444/.

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Contrariamente ao feminismo que resume o feminino a uma construção discursiva histórica e procura atualmente desconstruir o dualismo das diferenças sexuais, considerada obrigatória e restritiva, nesta pesquisa procuramos demonstrar que se A mulher não existe, segundo Jacques Lacan, o feminino insiste não como categoria que daria enfim consistência à mulher como gênero, mas como um real que afeta o ser falante e que requer soluções de nomeações diante da foraclusão do significante dA mulher no inconsciente. Na primeira parte, intitulada As mulheres e o feminino na cultura, exploramos os divers

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Mendonça, Ligia Gama e. Silva Furtado de. "Da perversão-polimorfa à estrutura perversa: um estudo sobre a possibilidade de haver mulheres estruturalmente perversas." Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=9010.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta tese é um prolongamento de uma pesquisa em psicanálise sobre perversão e mulheres iniciada no curso de Especialização e estendida no Mestrado. A partir da constante afirmação no campo lacaniano sobre a inexistência de mulheres estruturalmente perversas, traçamos um percurso sobre o estudo da perversão em Freud e Lacan para interrogarmos a possibilidade de haver mulheres perversas. Para isso, no primeiro capítulo, aprofundamo-nos na teoria da sexualidade freudiana, diferenciando perversidade de perversão e delimitando a distinç

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Barbosa, Marina Silvestre. "Devastação feminina: a outra face do amor." Universidade Federal de Alagoas, 2018. http://www.repositorio.ufal.br/handle/riufal/3494.

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There is no limit to the concessions each woman makes to a man, Lacan (1974) stated in Television. It is possible to observe such cases in history, literature, music and psychoanalytic clinic. This has led writers, musicians and psychoanalysts to produce works on the way women love. They use various semblance to disguise the lack of a signifier that designates what it is to be a woman. Love is considered one of those semblances that can buffer the lack of the female signifier. Given this, the question of the importance of love for women is questioned, and consequently we try to identify what l

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Massoura, Kiriaki. "The politics of body and language in the writing of Margaret Atwood." Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/10907/.

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31

Haden, Heather Jean. "The Aesthetics of Unease: Telepresence Art and Hyper-Subjectivity." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429862881.

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32

Pires, Teresa Cortez Pereira Bento. "A mulher na psicanálise: Estudo exploratório." Master's thesis, ISPA - Instituto Universitário, 2012. http://hdl.handle.net/10400.12/2292.

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Dissertação de Mestrado em Psicologia Clínica<br>Algumas teorias convencionais da Psicanálise acerca da mulher têm sido criticadas por serem determinadas por ideologias patriarcais e inadequadas à realidade psíquica das mulheres, recebendo também pouco apoio empírico tanto da Psicologia como de outras áreas. Tendo como base estas teorias psicanalíticas, procurava explorar-se o quanto psicólogos e estudantes de Psicologia concordavam com as mesmas e se tal se encontrava relacionado com aspetos da sua representação pessoal das mulheres. Foi aplicado um questionário com dois instrumentos desenvol

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Nubile, Marisa Vieira Ferraz Cunha. "Uma viagem pelo território das letras: ressonâncias do feminino na escrita numa perspectiva psicanalítica." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-07062011-153248/.

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Este trabalho tem como base os aportes da teoria psicanalítica, em especial daquilo que Lacan desenvolveu acerca do feminino e da escrita. Ao usar esse referencial, buscou-se fazer um rastreamento teórico dos dois conceitos, com o objetivo de articulá-los. Em Psicanálise, desde Freud, a escrita foi pensada como uma metáfora das inscrições psíquicas, portanto, do substrato do inconsciente. O feminino recebeu também um tratamento diferenciado do senso comum, pois, embora anatomia e gênero sejam aspectos que não se podem negligenciar, os últimos aportes a respeito do feminino, para a Psicanálise

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Zana, Augusta Rodrigues de Oliveira. "Identidades e posições nas relações sociais em perspectivas feministas : interrogações à psicanálise a partir de articulações entre materialidade e discurso." Thesis, Université de Paris (2019-....), 2020. https://theses.md.univ-paris-diderot.fr/RODRIGUES_DE_OLIVEIRA_ZANA_Augusta_va2.pdf.

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Que ce soit dans le champ de la psychanalyse ou dans celui des études féministes et queer, différents courants perçoivent l’identité des femmes purement comme une sorte d’unification imaginaire. Cependant, une fois reconnue l’importance de la désessentialisation, nous ne pouvons nier l’existence de vulnérabilités différenciées. À partir de cette tension, notre objectif est de penser la catégorie « femmes » selon l’hypothèse que, s’il n’y a rien d’« authentiquement féminin », mais il y a bien une vulnérabilité différenciée, la catégorie « femmes » ne peut être définie qu’en vertu de l’oppressio

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Tobler, Judith. "Gendered signs of the sacred : contested images of the mother in psychoanalysis, feminism, and Hindu myth." Doctoral thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/13910.

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Bibliography: leaves 333-354.<br>This thesis engages a multi-disciplinary theoretical approach to identifying, analysing, and interpreting discourse relating to the feminine and the maternal found at the intersection of psychoanalysis, feminism, and religion. The study explores embodiment, gender, and the sacred as expressed in symbolic representations of the mother and the institution of motherhood in patriarchy. I have therefore drawn on Freudian and post-Freudian theories, gender analysis, feminist critical analysis, and classical Hindu goddess myth to discern ways in which sacred images of

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Crowell, Mary L. "Facilitating difficult knowledge in the classroom| Intimate transgressive pedagogy from a psychoanalytic and poststructural feminist framework." Thesis, Washington State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3715181.

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<p> This dissertation seeks to address the facilitation of difficult knowledges in the classroom. I employ constructs of poststructural feminism to critique rationalist-only frameworks that limit the forms of knowledge that "count" in the construction of knowledge. In response to these critiques, this dissertation constructs an alternative pedagogical framework from a psychoanalytic and poststructural feminist lens that emphasizes the bordered landscapes of the un/conscious. This approach is named Intimate Transgressive Pedagogy (ITP). Additionally, this dissertation introduces an empirical st

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SoÌˆzalan, HuÌˆrriyet OÌˆzden. "The representation of the female subject in contemporary women's dramatic writing." Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310122.

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MEDEIROS, SERGIO. "BEAUTY AND DEATH: A PSYCHOANALYTIC APPROACH ON AESTHETICS AND THE FEMININE SUBJECT." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6712@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>Construindo a hipótese de que a estética é uma estratégia para mitigar a angústia e consubstanciar o desejo, o autor busca estabelecer seu estatuto para o aparelho psíquico. No campo do sujeito, a estética participaria do nasrcisismo primário, momento em que a constituição do Eu é testemunha por uma imagem que dá materialidade ao sujeito e à presença da alteridade. Desenhar um perímetro para o vazio e poder vê-lo é atribuir sentido à existência e conter a angústia da morte. A estética também serviria à causa do desejo. Das cenas d

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Guignard, Sophie. "Le cœur, l’âme et le corps : Expressions de l’intime féminin dans sept romans du XIXe siècle et de l’extrême contemporain." Doctoral thesis, Uppsala universitet, Romanska språk, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-260215.

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This thesis examines representations of the intimate as experienced by female protagonists, through expressions related to the heart, the soul and the body, in a comparative study of novels by French women writers from the 19th century and the present day. The corpus consists of seven novels : Ourika by Claire de Duras (1822), Lélia by George Sand (1833 & 1839), Monsieur Vénus. Roman matérialiste by Rachilde (1884), Femme nue, femme noire by Calixthe Beyala (2003), Vous parler d’elle by Claire Castillon (2004), Le Cœur cousu by Carole Martinez (2007), and Mon cœur à l’étroit by Marie NDiay

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Sanada, Elizabeth dos Reis. "A mulher e o (não) saber: um estudo psicanalítico sobre os avatares da sexualidade feminina." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-02092006-075830/.

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O presente trabalho busca realizar um estudo psicanalítico sobre os avatares da sexualidade feminina, tendo como ponto central de discussão averiguar os diferentes posicionamentos assumidos pela mulher na tentativa de responder ao mal-estar estrutural que norteia sua constituição, no que tange à falta de um significante capaz de nomeá-la. Assim, em consonância com a estrutura lógica dos três tempos do complexo de Édipo lacaniano, percorreremos o processo de constituição do sujeito feminino, situando-o primeiramente diante da influência do Outro materno, a seguir, em relação ao saber paterno, p

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Nguyen, Catthuan L. "A Joint Reading of the Color Purple and the Awakening: From Feminism to Womanism and the Significance of Authentic Feminine Space." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/87.

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Alice Walker’s The Color Purple and Kate Chopin’s The Awakening fundamentally share the universal feminist yearning for personal freedom and independence within an oppressive, patriarchal society. With regards to the texts’ stylistic differences and disparate social contexts, their heroines seek to ideologically oppose social rules and conventions for women without achieving the same results. This difference lies in the fact that Chopin’s text fosters the traditional feminism embraced by the majority culture, while Walker’s text makes use of womanism. The availability and authenticity of femin

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Theus, Tyler A. "Hitchcock and the Material Politics of Looking: Laura Mulvey, Rear Window, and Psycho." Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/communication_hontheses/3.

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In this essay, I argue that issues of voyeurism and scopophilia raised in Laura Mulvey’s early essay, “Visual Pleasure in Narrative Cinema,” are closely related to the social and economic shifts which occurred during the post-war period. Specifically, I argue that Mulvey’s essay articulates a particular kind of formal technique associated with what she calls “non-narrative scopophilia,” a kind of long-take shot that is utilized to great effect by Alfred Hitchcock in two of his later films, Rear Window (1955) and Psycho (1960). I argue that these shots represent a disruption to the smooth funct

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Souza, Cristiane de Almeida. "Gozo místico: testemunho do feminino." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1260.

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A presente pesquisa objetiva trabalhar as considerações psicanalíticas sobre o feminino, depreendidas da obra de Freud, Lacan e comentadores, por meio da mística. Lacan, em O seminário, livro 20, Mais, ainda, concedeu à mística o estatuto de verdade sobre o feminino e, desse modo, apresentou um caminho a ser percorrido a fim de melhor se poder meio-dizer sobre o que é da ordem do inefável. Para tanto, a pesquisa orienta-se sobre alguns eixos temáticos: 1) apresentar o que é propriamente o feminino para a psicanálise, dissociando-o do sexo biológico e afirmando-o como uma posição subjetiva que

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Proctor, Nancy E. "American women sculptors in Rome in the mid-nineteenth century : feminist and psychoanalytic readings of a displaced canon." Thesis, University of Leeds, 1998. http://etheses.whiterose.ac.uk/894/.

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Henry James's phrase, `white, marmorean flock', has become the defining image for the American women sculptors who worked in Rome in the midnineteenth century at the height of neoclassicism, subsuming their works and histories under the connotations of its words. Instead of simply permitting us to name these sculptors, `white, marmorean flock' raises both a problem of historiography, as a study of the exclusion of the women sculptors from questionable canons, and, more importantly, a problematic of the feminine and subjectivity in the context of artistic Symbolic activity. Nathaniel Hawthorne'

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Lusty, Natalya. "Surrealism, feminism and psychoanalysis : the crisis of representation in the work of Leonora Carrington, Claude Cahun and Cindy Sherman." Thesis, The University of Sydney, 2001. http://hdl.handle.net/2123/1685.

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Cossi, Rafael Kalaf. "A diferença dos sexos: Lacan e o feminismo." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-25072017-090645/.

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Este trabalho investiga o debate estabelecido entre a psicanálise lacaniana e os estudos feministas e de gênero a respeito da diferença dos sexos, assim como os desdobramentos que a teoria da sexuação de Lacan pode trazer para esse tema. Examinamos a obra de autoras do feminismo francês indispensáveis para a pesquisa desta interface, no caso os de Irigaray, Cixous, Montrelay, Kristeva e Wittig tais trabalhos, notadamente edificantes do movimento da escrita feminina, verificamos terem repercutido decisivamente tanto em Lacan quanto nos estudos de gênero contemporâneos. Investigamos a obra de R

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Papadima, Maria. "Debates on child abuse and trauma in psychoanalysis and feminism : the shift from non-trauma to trauma-based psychotherapy discourse." Thesis, University of East London, 2010. http://roar.uel.ac.uk/2609/.

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The aim of this thesis is to explore the currently dominant discourse on child abuse and trauma as it has come to be understood in the last 30 years in British psychoanalysis. This research mainly draws on a psychoanalytic framework, to show how a specific way of conceptualising trauma and child abuse has led to a shift from a non-trauma based psychoanalysis in the UK to a trauma-based one. In order to present the core elements of this discourse, I closely read psychoanalytic (British and French) and second-wave feminist texts that are relevant to this topic, against the background of the wide

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Langford, Wendy. "The subject of love : a study of domination in the heterosexual couple." Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306913.

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Machado, Lucienne de Almeida. "Pagu: a arte no feminino como performance de si." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8311.

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Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-04-06T11:45:23Z No. of bitstreams: 2 Dissertação - Lucienne de Almeida Machado - 2018.pdf: 2302062 bytes, checksum: 0a0e481a20434b9ee6ba163a08693387 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-04-06T12:25:07Z (GMT) No. of bitstreams: 2 Dissertação - Lucienne de Almeida Machado - 2018.pdf: 2302062 bytes, checksum: 0a0e481a20434b9ee6ba163a08693387 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998

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Chiaretti, Paula. "O que quer uma mulher segundo o discurso da revista feminina." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/59/59137/tde-20072016-170040/.

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As revistas femininas surgem como um saber oficial que, de forma objetiva e imparcial, produz um efeito de transparência de sentido e de verdade sobre a mulher. Segundo a Análise do Discurso Pêcheutiana - AD (referencial teórico-metodológico adotado nesta pesquisa), este apagamento do processo de constituição do sentido faz com que o sujeito se reconheça e venha a ocupar o lugar ao qual é chamado no discurso. O sujeito é, nessa perspectiva, uma posição discursiva. Interpelado pela ideologia, o sujeito cria sentidos. Isto porque há uma necessidade de que os sentidos se sedimentem de modo a form

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