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Dissertations / Theses on the topic 'Feminist works'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Tolley, Rebecca. "Review of Sing, Whisper, Shout, Pray! : Feminist Visions for a Just World. Edited by M. Jacqui Alexander, Lisa Albrecht, Sharon Day, and others." Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/etsu-works/5602.

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2

Bitter, James, P. Robertson, A. Healey, and L. Cole. "Reclaiming a Pro-Feminist Orientation in Adlerian Therapy." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etsu-works/6040.

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Adler (1931, 1938) adopted and defended a decidedly pro feminist perspective in Individual Psychology. Without question , he was the first mainstream psychologist of the 20th century to address the alleged inferiority of women and the myth of masculine superiority. During his lifetime, feminism was still in its first wave, its first phase of development. It would be another 50 years before feminism evolved into a psycho therapeutic model. Currently, the emphasis on women's issues in Adlerian therapy depends largely on the practitioner's interest in making women's issues a focus of counseling o

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3

Bruton, Rita Tovar. "A Feminist Rereading of Selected Works by Carlos Morton." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984223/.

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Carlos Morton is a prominent Chicano playwright that has contributed greatly to Chicano theatre, creatively and academically, since in 1970s. This thesis offers a feminist analysis of the gender representation in three of his works: Lilith (1977), La Malinche (1984), and Dreaming on a Sunday in the Alameda (1992). The female characters in these three plays possess a unique agency that allows them to challenge oppressive patriarchal standards imposed on their gender identity. The second chapter explores Morton's Lilith, a play based on a Jewish creation myth. In the play, Lilith possesses agenc

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4

Kung, Wing Sze Kaby. "From feminism to postfeminism : a feminist critique of the works of Hong Ying and Li Bihua." Thesis, SOAS, University of London, 2014. http://eprints.soas.ac.uk/20346/.

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The aim of the thesis is to investigate the development of female consciousness under the impact of Western feminist ideologies in Chinese female writings by examining specific works of Hong Ying and Li Bihua using a feminist and a postfeminist approach. By analysing the earlier and later works of Hong Ying and Li Bihua, one is able to recognise the shifts from feminist to postfeminist ideas that are apparent in the works of the two authors. The thesis is divided into four main sections and will include; the feminist and post-feminist ideologies of the two aforementioned authors' works, the di

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5

Bitter, James, and Amanda Healey. "Reclaiming Pro-Feminist Orientations in Adlerian Psychology and Therapy." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etsu-works/6094.

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6

Komorowska, Katarzyna. "Dreamland Paranoias: Californian Quests for Feminist Order in Thomas Pynchon’s and David Lynch’s Works." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/671078.

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This thesis examines paranoid perception as a tool for the emancipation of women in Thomas Pynchon’s The Crying of Lot 49 and David Lynch’s Mulholland Drive. Both the novel and the film are set in a California which creates favorable conditions for the development of various obsessions and conspiracy theories. These do not have a negative effect, however. Rather, they allow the female protagonists to “project a world” of their own, detached from the patriarchal narratives created to govern their lives and restrict their freedoms. Paranoia as a mode of thinking, employed both as a means of sel

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7

Knutson, Anna V. "Feminist College Students' Writing Knowledge Transfer Across Online and Academic Domains." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/3671.

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8

Wong, Pak Lu. "Exoticism and feminist consciousness in Hsu Ti-shan's literary works /." View Abstract or Full-Text, 2003. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202003%20WONG.

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9

Kinser, Amber E. "Gendered and Feminist Performances in the Social ‘Theater of Food’." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1253.

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10

Gibbs, Amanda (Amanda Susan) Carleton University Dissertation Canadian Studies. ""Memory work": imaginal memory as feminist praxis in the works of selected contemporary Canadian women writers." Ottawa, 1994.

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11

Tillman, Danielle L. "Un-Fairytales: Realism and Black Feminist Rhetoric in the Works of Jessie Fauset." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/91.

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I am baffled each time someone asks me, “Who is Jessie Fauset?” As I delved into critical work written on Fauset, I found her critics dismissed her work because they read them as bad fairytales that showcase the lives of middle-class Blacks. I respectfully disagree. It is true that her novels concentrate on the Black middle-class; they also focus on the realities of Black women, at a time when they were branching out of their homes and starting careers, not out of financial necessity but arising from their desire for working. They establish the start of what Patricia Hill Collins later coined

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12

Liddell, Charlotte Elizabeth. "Brazil's first feminist? : gender and patriotism in the works of Nisla Floresta." Thesis, University of Manchester, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503541.

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13

Telling, Kathryn. "Feminism and the university : the roles of disciplinary field and educational habitus in the lives and works of two feminist intellectuals." Thesis, University of Nottingham, 2013. http://eprints.nottingham.ac.uk/13711/.

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This thesis is an exploration of the production of feminist theory as a material, social, and institutional practice: it aims to understand feminist intellectual production as to some extent circumscribed by historical, biographical, political, and especially academic conditions. Specifically, it compares the intellectual trajectories and scholarly output, feminist and otherwise, of theologian Mary Daly (1928-2010) and philosopher Judith Butler (1956--). The analysis tries to keep three aspects of those lives in mind at once: firstly, the properly intellectual character of the intellectuals’ i

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14

Warren, Diane. "Technologies of fragmentation : subjectivity and subversion in the major works of Djuna Barnes." Thesis, University of Nottingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391411.

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15

Bitter, James. "Reconsidering Narcissism: An Adlerian-Feminist Response to the Articles in the Special Section of the Journal of Individual Psychology." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etsu-works/6049.

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16

Scarborough, Janna L., and Rebekah Byrd. "LGB Identity Development and Skills." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1300.

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17

Moser, Marlene Cecilia. "Postmodern feminist readings of identity in selected works of Judith Thompson, Margaret Hollingsworth and Patricia Gruben." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0010/NQ35260.pdf.

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18

Coutts, Angela Margaret. "Gender and national identity in the works of Hayashi Fumiko (1903-1951) : a Western feminist reading." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366154.

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19

Scheffer, Julia Ann. ""Die Sprache aus dem Bett reiBen" : feminist satire in the works of Elfriede Jelinek and Isolde Schaad /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/6658.

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20

Mtuze, Peter Tshobiso. "A feminist critique of the image of woman in the prose works of selected Xhosa writers (1909 - 1980)." Doctoral thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/23636.

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The study examines, from a feminist point of view, the stereotypic image of woman in Xhosa prose fiction from pre-literate times to the era of written literature (1909 - 1980). Attaching feminist critical theory to conventional literary characterisation gives this pioneering study a human dime,n sion that is bound to rejuvenate traditional critical appredation and highlight the tremendous power of art to reflect or parallel real-life experiences. Consequently, the study transcends the confines of traditional literary criticism. It throws interdisciplinary light on the African feminist dilemma

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21

Coleman, Alex. "Foul Witches and Feminine Power: Gendered Representations of Witchcraft in the Works of Shakespeare and His Contemporaries." Ohio Dominican University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=odu1562624942402741.

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22

Silburn, Jennifer. "Restor(y)ing the South African experience: A materialist feminist critique of the works of contemporary black women playwrights." Thesis, Silburn, Jennifer (1994) Restor(y)ing the South African experience: A materialist feminist critique of the works of contemporary black women playwrights. PhD thesis, Murdoch University, 1994. https://researchrepository.murdoch.edu.au/id/eprint/41573/.

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This thesis deals with the work of three contemporary, black South African playwrights, Gcina Mhlophe, Fatima Dike and Muthal Naidoo, women who have found voices with which to speak in a society that has, to a large extent, rendered many of its populace silent. Despite the repressive circumstances of their condition within the context of apartheid South Africa, these women have reclaimed their right to speak and most importantly have established themselves as powerful story-tellers, as bearers of the cultures of their people. By occupying these crucial spaces of signification as speaking s

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23

Kuhlemann, Alma Bibiana. "Bonded by Reading: An Interrogation of Feminist Praxis in the Works of Marcela Serrano in the Light of Its Reception by a Sample of Women Readers." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243608389.

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Tolley, Rebecca. "Journal of Women’s History." Digital Commons @ East Tennessee State University, 2004. https://dc.etsu.edu/etsu-works/5600.

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The third revised edition (2004) of Annotations, the Alternative Press Center's Guide to the Independent and Critical Press edited by the staff of the Alternative Press Center in collaboration with Marie Jones, M.L.S. is available. Foreword by Robert McChesney. This companion to the Alternative Press Index has been dubbed by librarian Sandy Berman as "the best single way to make the Library Bill of Rights real: providing access to the myriad opinions, movements, and activities that the orthodox, conventional media either distort or ignore." This expanded third edition of Annotations surveys 38

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25

McNeil, Nicene Rebecca. "Representations of Black Autonomy in Selected Works of Black Fiction." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1605789333021661.

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26

Sardella, Alessia <1992&gt. "A Feminist Countergenealogy of Black Female Subjects in Europe - An Analysis of Helen Oyeyemi's works 'Gingerbread' and 'The Icarus Girl'." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20647.

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Feminism has proved to be a resourceful source in the critique of the discourse of ‘identity politics’, which led to much debate. Similarly, blackness has always been a contested ground calling for a unifying definition. This work will analyze two of Helen Oyeyemi's works, 'The Icarus Girl' and 'Gingerbread', focusing on their young black female protagonists, Jess and Perdita, as much as on the mother of the latter, Harriet, the other co-protagonist of the novel. Foregrounding Europe and Britain as the common sociocultural backgrounds, this work will draw ideas and theories around the topics o

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27

Buerkle, C. Wesley. "Just Along for the Ride?: A Father-to-Be Searching for His Role." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/460.

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Book Summary: Essential Breakthroughs: Conversations About Men, Mothers, and Mothering thinks from the nexus of gender, essentialism, and care. The authors creatively blend the philosophical and the personal to collectively argue that while gender is essential to our social and theoretical definitions of care, it is dangerously co-opted into naturalized discourses, which limit particular identities and negate certain forms of care. The perspectives curated in Essential Breakthroughs illuminate how care, as a respected and productive cultural ethic, is neither inherent nor instinctual for any h

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28

White, Breanne. "Gender and Resistance in the Israeli-Palestinian Conflict: The Woman's Voice in theLiterary Works of Sahar Khalifeh and David Grossman." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1373636550.

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29

Harris, Donna L. "Acts of genesis, a feminist look at the changing face of the mother in selected works of science fiction by women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq23330.pdf.

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30

Buerkle, C. Wesley. "Book Review of Love and Money: Queers, Class, and Cultural Production by Lisa Henderson." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/511.

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31

Buerkle, C. Wesley. "Adam Mansplains Everything: White-Hipster Masculinity as Covert Hegemony." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5567.

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The series Adam Ruins Everything (ARE) provides an opportunity to contemplate White, hipster masculinity and its professed progressivism in U.S. culture. As seen in ARE, hipster masculinity claims—in part—to possess an enlightened social politic, challenging sexism, racism, and heterosexism, yet the figuration of the White, cisgender-male hipster we get seemingly adopts feminist positions as means to insulate and expand his own social privilege. Using rhetorical strategies to win debates against cultural hegemony, the hipster of ARE becomes a superior masculinity, a trusted voice to guide and

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32

Elaman, Sevinc. "A feminist dialogic reading of the new woman : marriage, female desire and divorce in the works of Edith Wharton and Halide Edib Adıvar." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/a-feminist-dialogic-reading-of-the-new-womanmarriage-female-desire-and-divorce-in-the-works-of-edith-wharton-and-halide-edib-advar(40c93772-81fa-4c80-af7e-4b3fd6c1ae80).html.

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This thesis examines the depiction of female characters as New Women in a comparative analysis of the fiction of two authors from fin-de-siècle United States of America and late Ottoman/early Republican Turkey: Edith Wharton’s The House of Mirth (1905), The Custom of the Country (1913) and The Age of Innocence (1920), and Halide Edib Adıvar’s Raik’in Annesi (Raik’s Mother, 1909), Handan (Handan, 1912) and Kalp Ağrısı (Heartache, 1924). It argues that these novels can be read as examples of New Woman fiction, with their challenge to conventional fictional treatments of womanhood and their depic

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33

Binks, Gwendolyn Dale. "Taking another look at women and gender in Hemingway's works." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/1969.

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This project supports the contrary argument that Hemingway provided a voice for the post-Victorian woman, a woman exercising her strength within relationships, her sexuality, her femininity, and her freedom from oppression during the twentieth century women's movement.

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34

Barnard, Joni. "Seductive Manoeuvres: an analysis of the use of feminist performance strategies as a means of staging alternative sexualities in two dance theatre works." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/76823.

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Located within the discipline of Performance Studies, this thesis seeks to validate performance and theatre, specifically dance theatre, as legitimate fields of research and enquiry that can enrich the polemics surrounding discourse, representation, the body and identity. Within this thesis I explore and analyse the creative processes and performance strategies used in two dance theatres works: Acty Tang’s Chaste (2007) and my own work entitled Displayed and Framed (2008) and how these strategies support the staging of alternative sexualities. I argue that the staging of alternative sexualitie

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35

Mostert, Linda Ann. "Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/1371.

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According to Lewis Seifert, “Fairy tales are obsessed with femininity … These narratives are concerned above all else with defining what makes women different from men and, more precisely, what is and is not acceptable feminine behaviour” (1996: 175). This study, then, will demonstrate how certain patriarchal ideas associated with fairy tales are disseminated when fairy tale elements are reworked in film, visual art and the novel. The aim of this project, more specifically, is to show how certain stereotypical representations of women endure in works that could be read as feminist appropriatio

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36

Ducharme, Jessica Ashley. "The creative identity of women| An analysis of feminist themes in select chamber music theater works by composer William Osborne for trombonist Abbie Conant." Thesis, The University of Iowa, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3595094.

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<p> This thesis is an analysis and exploration of the feminist themes present in select chamber music theater works by William Osborne for trombonist Abbie Conant. Before analyzing Osborne's compositions, the author provides crucial background information about the lives and experiences of husband and wife and artistic collaborators William Osborne and Abbie Conant. Specifically, the author addresses the sexism that Conant experienced as a trombonist in the Munich Philharmonic. Osborne composed a new genre of works for Conant to perform as an artistic response to the pain both he and Conant ex

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37

Smith, Shelley L. "Recasting Gender: 19th Century Gender Constructions in the Lives and Works of Robert and Clara Schumann." Akron, OH : University of Akron, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1247788301.

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Thesis (M.Mus.)--University of Akron, School of Music, 2009.<br>"August, 2009." Title from electronic thesis title page (viewed 10/7/2009) Advisor, Brooks Toliver; Faculty Reader, George Pope; School Director, William Guegold; Dean of the College, James Lynn; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.

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38

Sison, Jessica Lauren. "ReSisters: an examination of sororal resistance in the works of Christian Rossetti, Wilkie Collins and Margaret Oliphant." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1495.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>English Literature

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39

Aubrey, Amanda Leigh. "The Gastonia Novels and Ecofeminism: Rereading the Works of Fielding Burke Grace Lumpkin and Myra Page." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1355.

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This thesis examines Fielding Burke's Call Home the Heart, Grace Lumpkin's To Make My Bread, and Myra Page's Gathering Storm through the lens of ecofeminism, an interdisciplinary theory that contributes the necessary insight into the link between the abuse of power on personal, political, and economic levels that underlies the human oppression and environmental exploitation experienced by the novels' characters and communities. A resurrection of the Gastonia novels through the framework of ecofeminism will contribute to the scholarly discourse regarding this maturing theory as well as intensif

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40

Dorgan, Kelly A., Sadie P. Hutson, Kathryn L. Duvall, Amber E. Kinser, and Joanne M. Hall. "Connecting Place to Disease and Gender: Cohabitating Morbidities in Narratives of Women Cancer Survivors in Southern Central Appalachia." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/1223.

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Drawing on critical feminist narrative inquiry, we explore illness narratives of women cancer survivors living in Southern Central Appalachia via a daylong story circle (n = 26) and individual interviews (n = 3). In our article, we argue that participants functioned as illness genealogists as a consequence of their central location in families, as well as their location in a place (Southern Central Appalachia) characterized by what we call “cohabitating morbidities.” We coined this term to represent the experiences of women survivors living with multiple, sometimes simultaneously occurring ill

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41

Jones, Marie F. "Academic Libraries as Feminine and Feminist Models of Organization." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1920.

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Because academic libraries are primarily staffed by women and are relatively autonomous entities in colleges and universities, they offer a unique model of workplace gendering and feminism. This qualitative, ethnographic study examined 3 small college libraries in 3 regions of the United States and explored issues of bureaucracy and gendering in these libraries. Feminist challenges to bureaucracy emerged in the areas of hierarchy, division of labor, competition and collaboration, decision-making, and communication. Feminine practice in the libraries reflected private sphere attitudes toward wo

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42

Lane, Kathryn. "Representaciones de Figuras Feministas en la Muestra Despierta!" Scholarship @ Claremont, 2008. http://scholarship.claremont.edu/pitzer_theses/6.

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Elizabeth Waltenburg es una artista contemporánea argentina. En su muestra, despierta!, las obras en óleo sobre tela representan a mujeres, niños y animales en fondos extraños y deprimidos. Ella utilize simbolismo de animales y figuras femeninas para discutir el feminismo actual. Ella trabaja en un tiempo complicado por el feminismo, el postfeminismo, la critica de ambos, y un sistema de comunicación global. Su trabajo marca una tendencia hecho por la confusión de todos estos movimientos. Esta tesis discute su trabajo en el contexto de la historia de representaciones de mujeres, de niños y de

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Holmes, Janel L. "The Color of Memory: Reimagining the Antebellum South in Works by James McBride Through the use of Free Indirect Discourse." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4220.

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This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, b

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44

Bitter, James, and Pat Robertson. "Integrating Feminism With Multicultural Counseling." Digital Commons @ East Tennessee State University, 1995. https://dc.etsu.edu/etsu-works/6080.

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Bitter, James. "Integrating Feminism in Multicultural Counseling Sessions." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etsu-works/6131.

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46

Sandell, Karen Sue. "Different voices: Articulating feminist social work." Case Western Reserve University School of Graduate Studies / OhioLINK, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=case1056639436.

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47

Coholic, Diana School of Social Work UNSW. "Exploring spirituality in feminist practices - emerging knowledge for social work." Awarded by:University of New South Wales. School of Social Work, 2001. http://handle.unsw.edu.au/1959.4/17873.

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This research study investigates self-identified feminist social workers??? conceptualizations of spirituality, how spirituality influences their practices, and their ideas about the effects of spiritually influenced practice. There is increasing interest in exploring and considering spirituality across social work approaches, accompanied by a strong demand for empirical research and the development of knowledge in this area. The past few years in particular have witnessed an expanding social work literature that discusses the incorporation of spirituality into practice. In this thesis spiritu

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48

Battista, Katherine. "Women's work : feminist artists in 1970s London." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498626.

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49

Troxell, Nicole D. "Feminist Perspectives on Liberation and Exploitation: A Phenomenological Study of Performance." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/614.

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This paper describes the experiences of exploitation and liberation for neo burlesque performers using feminist theory as the context for analysis. The project had the following goals: to identify using phenomenology, the essence of new burlesque participant experiences, to analyze those experiences using feminist theories of exploitation and liberation regarding sex work, to compare burlesque to stripping, and to compare new burlesque to classic burlesque for understanding how burlesque is different today. To obtain these goals, participant observations were done of neo burlesque shows

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50

Yonamine, Noriko. "Words and action : a feminist theory of pornography." Thesis, University of York, 2005. http://etheses.whiterose.ac.uk/10971/.

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