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Books on the topic 'Feminist writer'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Lischke, Ute. Lily Braun, 1865-1916: German writer, feminist, socialist. Camden House, 2000.

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2

Ocampo, Victoria. Victoria Ocampo: Writer, feminist, woman of the world. University of New Mexico Press, 1999.

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3

Knapp, Bettina Liebowitz. Judith Gautier: Writer, orientalist, musicologist, feminist : a literary biography. Hamilton Books, 2005.

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4

Tribute to the first Armenian feminist writer Serpouhi Dussap. 2nd ed. [Chirak Printing Press], 2000.

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5

Kottiswari, W. S. Postmodern feminist writers. Sarup & Sons, 2008.

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6

Hobart, Lois. Dream of sor Juana: A full length play about the famous feminist and writer of seventeenth-century Mexico, sor Juana Ines de la Cruz. L. Hobart, 1985.

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7

Jeffs, Sandy. Flying bookies: International feminist writers. 6th International Feminist Book Fair, 1994.

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8

Devine, Harriet. Mary Wollstonecraft : writer. Harvester Wheatsheaf, 1994.

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9

Chinese women writers and the feminist imagination. Routledge, 2005.

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10

Mary Wollstonecraft: Writer. Harvester Wheatsheaf, 1994.

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11

McConnell, Sheri'. Feminine writes: Women, wisdom & writing. National Association of Women Writers, 2002.

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12

Barbara, Christian. Black feminist criticism: Perspectives on Black women writers. Teachers College Press, 1997.

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13

Barbara, Christian. Black feminist criticism: Perspectives on Black women writers. Pergamon Press, 1985.

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14

Allen, Grant. The type-writer girl. Broadview Press, 2004.

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15

Fayyāḍ, Muná. The road to feminism: Arab women writers. Office of Women in International Development, Michigan State University, 1987.

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16

Fayad, Mona. The road to feminism: Arab women writers. Michigan State University, 1987.

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17

Feminism and contemporary women writers: Rethinking subjectivity. Routledge, 2008.

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18

Jump, Harriet Devine. Mary Wollstonecraft, writer. Harvester Wheatsheaf, 1994.

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19

Francophone women writers: Feminisms, postcolonialisms, cross-cultures. Lexington Books, 2011.

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20

Against the horizon: Feminism and postwar Austrian women writers. Greenwood Press, 1988.

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21

Rudinsky, Norma. Incipient feminists: Women writers in the Slovak national revival. Slavica Publishers, 1991.

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22

Catharine Trotter: An early modern writer in the vanguard of feminism. Ashgate, 2002.

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23

Hunter, Lynette. Outsider notes: Feminist approaches to nation state ideology, writes/readers and publishing. Talonbooks, 1996.

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24

Clardy, Andrea. Words to the wise: A writer's guide to feminist and lesbian periodicals & publishers. 3rd ed. Firebrand Books, 1990.

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25

Clardy, Andrea. Words to the wise: A writer's guide to feminist and lesbian periodicals & publishers. 3rd ed. Firebrand Books, 1990.

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26

Clardy, Andrea. Words to the wise: A writer's guide to feminist and lesbian periodicals & publishers. 4th ed. Firebrand Books, 1993.

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27

Clardy, Andrea. Words to the wise: A writer's guide to feminist and lesbian periodicals & publishers. 4th ed. Firebrand Books, 1993.

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28

Reading the body politic: Feminist criticism and Latin American women writers. University of Minnesota Press, 1993.

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29

Everly, Kathryn A. Catalan women writers and artists: Revisionist views from a feminist space. Bucknell University Press, 2002.

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30

Catalan women writers and artists: Revisionist views from a feminist space. Bucknell University Press, 2003.

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31

Elizabeth Craven: Writer, Feminist and European. Vernon Press, 2018.

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32

Judith Gautier: Writer, Orientalist, Musicologist, Feminist. Hamilton Books, 2004.

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33

Elizabeth Craven: Writer, Feminist and European. Vernon Press, 2017.

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34

McDonald, Louise. Clemence Dane: Forgotten Feminist Writer of the Inter-War Years. Taylor & Francis Group, 2020.

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35

Clemence Dane: Forgotten Feminist Writer of the Inter-War Years. Taylor & Francis Group, 2020.

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36

McDonald, Louise. Clemence Dane: Forgotten Feminist Writer of the Inter-War Years. Taylor & Francis Group, 2020.

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37

McDonald, Louise. Clemence Dane: Forgotten Feminist Writer of the Inter-War Years. Taylor & Francis Group, 2020.

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38

The Way of the Woman Writer (Haworth Innovations in Feminist Studies) (Haworth Innovations in Feminist Studies). 2nd ed. Haworth Press, 2003.

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39

Roseman, Janet Lynn. The Way of the Woman Writer (Haworth Innovations in Feminist Studies) (Haworth Innovations in Feminist Studies). 2nd ed. Haworth Press, 2003.

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40

Spiers, Emily. North American Pop-Feminism in the Post-Digital Era. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820871.003.0004.

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This chapter begins with a discussion of digital feminisms in relation to the most recent pop-feminist guides published in North America, which reflect upon the union between pop-culture and feminism and question whether feminism really has succeeded in permeating pop-culture, and, if so, at what cost. The author then discusses a corpus of autofictions written by queer and feminist writers engaging with the same issues of self-hood and agency in neoliberal postfeminism examined by pop-feminists. She returns to the question raised in Chapter 2 about the relationship between the economics of production and the critical cultural product, between the transgressive riot-grrrl gesture and its appropriation by commercial forces, between the desire to reach new audiences and the normatizing forces of the mainstream, and between the normalization of queer and feminist protest culture and the hedonistic embrace of transgressive behaviours, products, and practices in heteronormative North American pop-culture.

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41

Feminist Writers Edition 1. (Feminist Writers). St. James Press, 1996.

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42

Feminist writers. St. James Press, 1996.

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43

Steinert, Laura. Maria Susanna Cummins' "The Lamplighter": A revisioning of a sentimental writer of the nineteenth-century United States as rhetor, social critic, and feminist. 1995.

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44

Jones, Gwyneth. Joanna Russ. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042638.001.0001.

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Joanna Russ (1937-2011) was an outstanding writer, critic, and theorist of science fiction at a time when female writers were marginal to the genre, and very few women, perhaps only Judith Merril and Joanna herself, had significant influence on the field. In her university teaching and in her writing she championed the integration of new social models and higher literary standards into genre works. In her review columns for the Magazine of Fantasy and Science Fiction she dissected the masters of the New Wave with appreciation, wit, and incisive intelligence. Her experimental novel The Female Man (1975) is an essential seventies Feminist text, still relevant today; her groundbreaking academic articles are recognized as foundation studies in feminist and science fiction literary scholarship. Drawing on Jeanne Cortiel’s lesbian feminist appraisal of Russ, Demand My Writing (1999), Farah Mendelsohn’s essay collection On Joanna Russ (2009), and a wide range of contemporary sources, this book aims to give context to her career in the America of her times, from the Cold War domestic revival through the 1960s decade of protest and the Second Wave feminism of the 1970s and 1980s, into the twenty-first century, examining her novels, her remarkable short fiction, her critical and autobiographical works, her role in the science fiction community, and her contributions to feminist debate.

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45

I to I: Life Writing by Kentucky Feminists (KENTUCKY FEMINIST WRITERS SERIES, 3rd). Western Kentucky University, 2004.

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46

(Editor), Elizabeth Oakes, and Jane Olmsted (Editor), eds. Telling Stories (Kentucky Feminist Writers). Western Kentucky University, 2001.

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47

Atack, Margaret, Alison S. Fell, Diana Holmes, and Imogen Long, eds. Making Waves. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620429.001.0001.

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French feminisms were central to the theory and culture of Second Wave feminism as an international movement, and 1975 was a key year for the women’s movement in France. Forty years on, this book offers a critical review of the political activism and the cultural creativity of that moment, from the perspective of both preceding and subsequent ‘waves’ of feminism. It explores the importance and the legacies of 1975, and their strengths and limitations as new questions and new conjunctures have come into play. Edited and written by an international collective of feminist scholars, the book represents both a critical re-evaluation of a vital moment in women’s cultural and political history - and a new analysis of the relationship between Second Wave agendas and contemporary feminist politics and culture.

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48

LA Vinia Delois Jennings (Afterword), ed. A Short Walk (Classic Feminist Writers). The Feminist Press, 2006.

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49

Chakravarty, Radha. Feminism and Contemporary Women Writers. Routledge India, 2014. http://dx.doi.org/10.4324/9781315816210.

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50

Trites, Roberta Seelinger. Twenty-First-Century Feminisms in Children's and Adolescent Literature. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496813800.001.0001.

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Twenty-First Century Feminisms in Children’s and Adolescent Literature employs methodologies from material feminism to demonstrate how feminist thinking has influenced literature for the young in the last two decades. Material feminism provides people with ways of thinking about the interactions among discourse, embodiment, technology, the environment, cognition, and the ethics of caring. This book thus applies the principles behind material feminism and interrelated manifestations of feminism (such as Critical Race Theory and ecofeminism) to texts written for the young to demonstrate how shifting cultural perceptions of feminism affect what is happening both in publishing for the young and in the academic study of children’s and adolescent literature. The work begins with a specific focus on how language and the material interact before moving to an examination of race as an intersectionally-lived material phenomenon and a social construction. How embodied individuals interact with the environment is explored through ecofeminism and the dystopic; how people interact with each other involves romance, sexuality, and feminist ethics. In other words, the structure of the book moves from examinations of the individual to examinations of the individual in social groups, the individual and the environment, and the individual within relationships. Overall, the goal of this work is to interrogate how material feminism can expand our understanding of materiality, maturation, and gender—especially girlhood—as represented in narratives for preadolescents and adolescents.

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