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Dissertations / Theses on the topic 'Feminist writers'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

McGrath, Fiona. "The new women writers : creating feminist literary voices and identities." Thesis, Ulster University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706465.

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This thesis examines the work of a group of prolific New Woman writers of the fin-de-siecle. Mona Caird, George Egerton, Charlotte Perkins Gilman, Sarah Grand, Menie Muriel Dowie and Netta Syrett made a dramatic impact on their Anglo-American reading publics, both for their daring fiction and for their non-fiction prose, which rased issues of eugenics, education, employment, gender roles, marriage and female sexuality. Yet these prominent women were all but forgotten by the early decades of the twentieth century. Such rapid demise of New Woman fiction is often taken as evidence of its aestheti

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2

Bretag, Tracey. "Subversive mothers : contemporary women writers challenge motherhood ideology /." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09ARM/09armb844.pdf.

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3

Carrière, Marie J. "Poetics of the other, five feminist writers from English Canada and Quebec." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/NQ45662.pdf.

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4

Allen, Diane F. "MFK Fisher : food and feminist identity /." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/AllenDF2004.pdf.

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5

Crawford, Amy S. "Re-charting the present: feminist revision of canonical narratives by contemporary women writers." Thesis, Anglia Ruskin University, 2015. https://arro.anglia.ac.uk/id/eprint/582051/1/Amy%20Crawford%20final%20thesis.pdf.

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In this thesis, I explore the textual strategy of feminist revision employed by contemporary women writers. After investigating Jean Rhys’s Wide Sargasso Sea as a prototype of feminist revision, I focus specifically on Angela Carter’s “The Bloody Chamber” as a revision of Charles Perrault’s “Bluebeard,” Michèle Roberts’s The Book of Mrs Noah as a revision of the Old Testament Flood narrative, Margaret Atwood’s The Penelopiad as a revision of Homer’s Odyssey and the Troy narratives, and Ursula K. Le Guin’s Lavinia as a revision of Vergil’s Aeneid. Through investigating the historical and litera

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6

Crawford, Amy S. "Re-charting the present : feminist revision of canonical narratives by contemporary women writers." Thesis, Anglia Ruskin University, 2015. http://arro.anglia.ac.uk/582051/.

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In this thesis, I explore the textual strategy of feminist revision employed by contemporary women writers. After investigating Jean Rhys’s Wide Sargasso Sea as a prototype of feminist revision, I focus specifically on Angela Carter’s “The Bloody Chamber” as a revision of Charles Perrault’s “Bluebeard,” Michèle Roberts’s The Book of Mrs Noah as a revision of the Old Testament Flood narrative, Margaret Atwood’s The Penelopiad as a revision of Homer’s Odyssey and the Troy narratives, and Ursula K. Le Guin’s Lavinia as a revision of Vergil’s Aeneid. Through investigating the historical and litera

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7

Macfarlane, Karen E. "The politics of self-narration : contemporary Canadian women writers, feminist theory and metafictional strategies." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/NQ44504.pdf.

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8

Chabwera, Elinettie Kwanjana. "Writing black womanhood : feminist writing by four contemporary African and black diaspora women writers." Thesis, University of Leeds, 2004. http://etheses.whiterose.ac.uk/7186/.

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This thesis explores the concept of black womanhood and female identity in Africa and its diaspora. It examines questions of black womanhood in relation to cultural concepts of black women. It analyses the ways black women perceive and represent themselves and how they articulate their self-perceptions within and outside the traditional cultures of their societies. The problems of black women foregrounded in most postcolonial black women's texts reflect their marginal and oppressed position. The study will explore the textual voice, social and political agency, and how black women's experience

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9

Monteith, Sharon. "White writers advancing sisterhood : black and white women's friendships in contemporary Southern fictions." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339614.

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10

Gibbs, Amanda (Amanda Susan) Carleton University Dissertation Canadian Studies. ""Memory work": imaginal memory as feminist praxis in the works of selected contemporary Canadian women writers." Ottawa, 1994.

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11

Welser, Tracie Anne. "Fantastic Visions: On the Necessity of Feminist Utopian Narrative." [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001166.

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12

Fox, Heather A. "Arranging Stories: The Implications of Narrative Decision in Short Story Collections by Southern Women Writers, 1894-1944." Scholar Commons, 2017. https://scholarcommons.usf.edu/etd/7254.

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Southern writer Ellen Glasgow once told an audience that “the longer one lives in this world of hazard and disaster, the more reckless one should become . . . in the matter of words.” Between the 1880s and the 1940s, opportunities for southern women writers like Glasgow increased dramatically, first bolstered by readership demands for southern stories in northern periodicals and followed by their acceptance into the southern literary canon during the 1920s-30s Southern Renaissance movement. And yet, it remained difficult for southern women writers to be reckless with words. Confined by magazin

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13

Igbaria, Khaled. "Laylá Ba‘albakī and feminism throughout her fiction." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/17974.

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A number of Lebanese women writers of the period of 1950s and 1960s have received considerable attention by scholars. This is not the case, however, for Laylá Ba‘albakī, whom the field has failed to address in any substantive manner. In not paying sufficient attention to Laylá Ba‘albakī, the field has failed to appreciate the distinctly feminist dimension of her work. To date, most scholars have only repeated commonly held views about her and her fiction. By addressing Ba‘albakī’s biography and fiction, this thesis hopes to contribute to a fuller understanding of Lebanese women writers of 1950

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14

Lo, Keng-chi, and 盧勁馳. "Politicizing female subjectivity: performativity and sublimation in leftist writers Yang Mo, Xiao Hong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48199503.

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The thesis deals with the concept of feminine sublimation among Chinese feminist writings and theory. Previous feminist readings of literary works of Chinese female writers tended to confuse the Freudian concept of sublimation with “aestheticized politics” and utopian desire. These feminist readings have concentrated on articulating an authentic subject beyond power relations. I would however, redefine the concept of feminine sublimation as a theoretical trope to articulate the possible emergence of female subjectivity within specific power relations. Although gender performativity has b

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15

Ucar, Ozbirinci Purnur G. "Mythmaking In Progress: Plays By Women On Female Writers And Literary Characters." Phd thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/2/12608981/index.pdf.

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This thesis analyzes the process of women&rsquo<br>s mythmaking in the plays written by female playwrights. Through writing the lives of female writers and rewriting the literary characters, which have been created by male writers, the women playwrights assume the role of a mythmaker. A mythmaker possesses the power to use the &lsquo<br>word,&rsquo<br>thereby possesses the power to control &lsquo<br>reality.&rsquo<br>However, for centuries, women have been debarred from generating their own myths, naming their own experiences, and controlling their own &lsquo<br>realities.&rsquo<br>Male mythma

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16

Bretag, Tracey. "Mum's the word : feminist theory and the representation of motherhood in three novels by contemporary Australian women writers /." Title page and contents only, 1994. http://web4.library.adelaide.edu.au/theses/09AR/09arb844.pdf.

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17

Mtuze, Peter Tshobiso. "A feminist critique of the image of woman in the prose works of selected Xhosa writers (1909 - 1980)." Doctoral thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/23636.

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The study examines, from a feminist point of view, the stereotypic image of woman in Xhosa prose fiction from pre-literate times to the era of written literature (1909 - 1980). Attaching feminist critical theory to conventional literary characterisation gives this pioneering study a human dime,n sion that is bound to rejuvenate traditional critical appredation and highlight the tremendous power of art to reflect or parallel real-life experiences. Consequently, the study transcends the confines of traditional literary criticism. It throws interdisciplinary light on the African feminist dilemma

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18

Chaudary, Fariha. "Hiding and seeking identity : the female figure in the novels of Pakistani female writers in English : a feminist approach." Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/17563/.

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Pakistani female writers in English continue to highlight the struggles of women within patriarchal Pakistani society. The emphasis of my research project has been to explore and analyse the struggle and resistance of female figures against patriarchal structures as presented through the fiction of my chosen female writers. I have analysed the works of Pakistani Anglophone women writers, Bapsi Sidhwa and Qaisra Shahraz. The thesis concludes with the analysis of a novel by a contemporary Urdu Pakistani female writer, Umera Ahmad. Analysing an Urdu feminist writing along with feminist writing in

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19

Hale, Julie Elizabeth. "Creating the Appalachian Woman: An Anthology of Appalachian Women Writers, 1865-1884." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/990.

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This anthology of nineteenth-century women’s regional fiction, written in the mode of canon revision, explores how persistent stereotypes of Appalachian women originated. These stereotypes are not merely identified but are also considered in the context of women’s studies. Works by the following six authors are included: Elizabeth Appleton, Rebecca Harding Davis, Frances Hodgson Burnett, Constance Fenimore Woolson, Sherwood Bonner, and Mary Noailles Murfree. Topics addressed include nineteenth-century women as authors, the influence of northern literary magazines on regional writing, the image

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20

ALQutami, Mais Yusuf. "Feminist resistance in contemporary American women writers of color unsettling images of the veil and the house in Western culture /." Open access to IUP's electronic theses and dissertations, 2009. http://hdl.handle.net/2069/177.

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21

Udel, Lisa J. "REVISING STRATEGIES THE LITERATURE AND POLITICS OF NATIVE WOMEN'S ACTIVISM." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin990625725.

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22

Jahed, Yasaman. "Simin Daneshvar's Savushun: Examining Gender Under Patriarchy." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/462.

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The author covers issues of gender and Iranian national identity as reflected in Iran’s first published woman novelist, Simin Daneshvar. Her novel, Savushun, is the first novel to be published by an Iranianwoman in 1969. The novel depicts Iran at the start of the country’s governmental factions in 1941 when Reza Shah Pahlavi overthrew years of Iranian dynasty and established a monarchy. This thesis explores how the novel is a vital part of Iran’s historical literature as well as essential to the present day discussion of gender and politics, especially for women within the patriarchal paradigm

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23

Peteet, Julia Clare. "Andalusia." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07192006-143237/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Jack Boozer, committee chair; Shirlene Holmes, Marian Meyers, committee members. Electronic text (138 p.) : digital, PDF file. Description based on contents viewed June 19, 2007. Includes bibliographical references (p. 28-30).

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24

Bosch, Marta (Bosch Vilarrubias). "Post-9/11 Representations of Arab Men by Arab American Women Writers: Affirmation and Resistance." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/392705.

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This dissertation provides an analysis of the representation of Arab American men in post-9/11 writings by Arab American women. This thesis contributes a new inquiry regarding Arab American literature in joining the subject of literature written by women and the study of Arab American masculinities. It delves into the construction (from both outsider and insider perspectives) of Arab American masculinities, at the same time as it expounds on the history of Arab (American) feminisms, placing Arab American women writers in a privileged space of contestation and critique in their fight against bo

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25

Sloggett, Maria. ""Multicultural" writers and the feminine subject /." Title page and preface only, 1992. http://web4.library.adelaide.edu.au/theses/09AR/09ars6343.pdf.

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26

Montás, Lucía M. "LA CIUDAD DE LAS LETRADAS: REESCRIBIENDO SANTO DOMINGO EN LA NARRATIVA FEMENINA URBANA DOMINICANA DEL NUEVO MILENIO." UKnowledge, 2018. https://uknowledge.uky.edu/hisp_etds/36.

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In the last few decades, Dominican female writers have contributed significantly to the literary representation of the city of Santo Domingo and urban life. This dissertation studies how these female writers produce a cultural paradigm for criticizing the urban crisis in the Dominican Republic that at times is at odds with much narrative written by men and with key concepts in Urban Theory that are taken for granted. The authors I study, Ángela Hernández, Emilia Pereyra, Emelda Ramos, Aurora Arias and Rita Indiana Hernández, understand the city and redefine the urban model by expressing their

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27

Hill, Chyna Y. "A Rainbow in the Clouds: Planting Spiritual Reconciliation in Mama’s Southern Garden." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2016. http://digitalcommons.auctr.edu/cauetds/48.

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Through a content analysis of the maternal relationships in Maya Angelou’s I Know Why the Caged Bird Sings and Alice Walker’s In Search of Our Mothers Gardens, the author evaluates how southern black women writers construct black motherhood. This study is based on the premise that Eurocentric paradigms of motherhood confine black mothers to controlling images that continue to criminalize, distort, and devalue black motherhood. The researcher finds that the institution of black motherhood exists independently of Eurocentric paradigms. The conclusions drawn from these findings suggest that black

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28

McIlvanney, S. J. "Gendering mimesis : realism and feminism in the works of Annie Ernaux and Claire Etcherelli." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282021.

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29

Hartshorn, Sarah-Louise. "Le couple : male-female relations and the viability of the heterosexual couple in the work of Marie Cardinal." Thesis, University of Leeds, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275575.

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30

Montgomery, Kaylor Layne. "A Woman Trapped: Representations of Female Sexual Agency in Early Modern Literature." University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1523228037122741.

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31

Hurst, Isobel. "Victorian women writers and the classics : the feminine of Homer /." Oxford : Oxford university press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40935892j.

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32

Powell, Sara. "Women Writers in Revolution: Feminism in Germaine de Staël and Ding Ling." TopSCHOLAR®, 1994. http://digitalcommons.wku.edu/theses/948.

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In this essay, the concern is feminism in the writings of the two revolutionary women, Germaine de Stael, who lived and wrote during the French revolutionary era, and Ding Ling, who lived and wrote during the Chinese Communist revolutionary era. The main theme of the essay is to determine whether the feminism in their work is of a similar nature despite the vast differences in the times and places in which they each lived. Concomitantly, the theme is also an attempt to discover through such similarities if feminism is of a universal nature. Through biographical sketches and analysis of selecte

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33

Guignard, Sophie. "Le cœur, l’âme et le corps : Expressions de l’intime féminin dans sept romans du XIXe siècle et de l’extrême contemporain." Doctoral thesis, Uppsala universitet, Romanska språk, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-260215.

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This thesis examines representations of the intimate as experienced by female protagonists, through expressions related to the heart, the soul and the body, in a comparative study of novels by French women writers from the 19th century and the present day. The corpus consists of seven novels : Ourika by Claire de Duras (1822), Lélia by George Sand (1833 & 1839), Monsieur Vénus. Roman matérialiste by Rachilde (1884), Femme nue, femme noire by Calixthe Beyala (2003), Vous parler d’elle by Claire Castillon (2004), Le Cœur cousu by Carole Martinez (2007), and Mon cœur à l’étroit by Marie NDiay

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34

Hodgson-Blackburn, Jacqueline. "Beyond mourning and melancholia : depression in the work of five contemporary North American women writers." Thesis, Sheffield Hallam University, 1999. http://shura.shu.ac.uk/19804/.

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This dissertation is an investigation into the representation of mourning and melancholia in the work of Elizabeth Smart, Evelyn Lau, Siri Hustvedt, Sarah Sheard and Kathryn Harrison. The thesis addresses women's historic exclusion from the discourse of melancholia from a feminist perspective. It will consider the political and theoretical implications of women's absence from this discursive field by focusing on the cultural legacy of their devalorised status. Freud's essay, 'Mourning and Melancholia', first published in 1917, is cited as an important conceptual model exercising considerable i

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35

Kellett, Janine. "A study of working women in selected postwar texts by French women writers." Thesis, University of Glasgow, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325394.

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36

Steenkamp, Lize-Maree. "Place, space and patriarchal femininities in selected contemporary novels by African women writers." University of the Western Cape, 2019. http://hdl.handle.net/11394/6639.

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Philosophiae Doctor - PhD<br>In much feminist literature, women’s spaces are analysed as constructive and supportive sites that may offer respite from patriarchy. However, women’s spaces are not inherently emancipatory. Through the socio-spatial dispersal of patriarchal power, places and spaces varying in scale – nations, cities, rural towns, private-public places and the home – can construct women who further the interests of men. Specifically, homosocial spaces, spaces where women interact with other women, can produce femininities that oppress other women by actively advancing patriarchal c

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37

Emanuel, Elizabeth F. "An examination of embodied female identity in contemporary crime fiction by women writers." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/98017/5/Elizabeth%20Emanuel%20Exegesis.pdf.

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This practice-based dissertation explores issues relating to women's identity and embodiment within the framework of the crime fiction novel and contends that the genre offers women writers the opportunity to question, undermine, and redirect existing values related to the construction of the female image.

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38

Prevedello, Michela. "Feminisms and postfeminisms : Italian women writers in the 1970s and the new millennium." Thesis, University of Bristol, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.743002.

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39

Milatovic, Maja. "Reclaimed genealogies : reconsidering the ancestor figure in African American women writers' neo-slave narratives." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10656.

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This thesis examines the ancestor figure in African American women writers’ neoslave narratives. Drawing on black feminist, critical race and whiteness studies and trauma theory, the thesis closely reads neo-slave narratives by Margaret Walker, Octavia Butler, Gayl Jones, Toni Morrison and Phyllis Alesia Perry. The thesis aims to reconsider the ancestor figure by extending the definition of the ancestor as predecessor to include additional figurative and literal means used to invoke the ancestral past of enslavement. The thesis argues that the diverse ancestral figures in these novels demonstr

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40

McCann, Brandy R. "Reading Alfred C. Kinsey: Sexuality and Discourse in Mid-Century America." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/32179.

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This project concerns various 20th-century rhetorical strategies for sexual liberation. First, I examine the work of Alfred C. Kinsey through the theories of Louis Althusser and Michel Foucault. In the second chapter I look at Kinseyâ s Female volume and argue that he uses the mid-century concern for marriage as a strategy for sexual liberation. Next, I trace the ways in which four female, post-Kinsey writers use Kinsey (explicitly or implicitly) for their own particular strategies for sexual liberation. Finally, my conclusion asks how we can develop an effective strategy for this new cen

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41

Marshall, Sharon Margaret. "The Aeneid and the illusory authoress : truth, fiction and feminism in Hélisenne de Crenne’s Eneydes." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3249.

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In 1541, writing under the pseudonym Hélisenne de Crenne, the French noblewoman Marguerite Briet produced a translation of the first four books of Virgil’s Aeneid that remains largely unknown. As a female author, Hélisenne provides a sixteenth-century woman’s perspective on the Aeneid, an on classical literature more generally, and the uniqueness of her translation in this respect makes her work extremely significant, particularly given the relatively recent interest in women and other marginal voices within the field of classics. This thesis contributes to an understanding of the need for a h

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42

Ainsworth, Diann Elizabeth Smith. ""Strangely tangled threads" American women writers negotiating naturalism, 1850-1900 /." Fort Worth, Tex. : Texas Christian University, 2007. http://etd.tcu.edu/etdfiles/available/etd-12072007-113413/unrestricted/ainsworth.pdf.

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43

Gray, Lena W. "A woman('s) writer? : Some issues in feminist reading of the work of Rosamond Lehmann." Thesis, University of Strathclyde, 1995. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21233.

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44

Tsai, Shu-Fen. "Ruth Adam (1907-1977), novelist, journalist, broadcaster, biographer, social historian : a representative English feminist writer?" Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262721.

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45

Dworak, Almut-Isabella Erica. "Presentations of sickness and health in novels and selected journals by German women writers : (1771 to 1820)." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324747.

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46

Sosa, Ricardo Antonio. "ANÁLISIS DEL PODER Y LA SEXUALIDAD EN LOS CUENTOS DE MARVEL MORENO." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1334021389.

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47

Hurst, Isobel. "The feminine of Homer : classical influences on women writers from Mary Shelley to Vera Brittain." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275748.

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48

Arimbi, Diah Ariani Women's &amp Gender Studies UNSW. "Reading the writings of contemporary Indonesian Muslim women writers: representation, identity and religion of Muslim women in Indonesian fictions." Awarded by:University of New South Wales. Women's and Gender Studies, 2006. http://handle.unsw.edu.au/1959.4/25498.

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Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within

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49

Jackson, Laura Ann. "Representations of the hysteric in contemporary women's writing in French." Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8944.

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This thesis explores how the celebratory figure of the hysteric as imagined by proponents of écriture féminine is developed and complicated in more recent representations of hysterical female bodies in contemporary women’s writing in French. With the aim of understanding the evolution of the hysteric from a traditionally negative embodiment of patriarchal parameters of femininity to a potentially revolutionary female figure, this thesis undertakes single-chapter studies of the most telling contemporary representations of hysterical bodies. The first chapter focuses on the physicality of Lorett

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50

Wheeler, Collette. "Re-reading women's patronage : the Cavendish/Talbot/Ogle Circle." Thesis, Brunel University, 2018. http://bura.brunel.ac.uk/handle/2438/17592.

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