Relevant bibliographies by topics / Femmage

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Femmage'

Author: Grafiati
Published: 19 February 2023

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Journal articles on the topic "Femmage"

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Arol, Neslihan. "Henrike Iglesias’s GRRRRRL as Femmage on Stage: A Killjoy Utopia?" Forum Modernes Theater 32, no. 1 (2021): 85–98. http://dx.doi.org/10.1353/fmt.2021.0007.

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Benveniste, Annie, Jules Falquet, and Catherine Quiminal. "En femmage à Véronique De Rudder, Nicole-Claude Mathieu et Colette Guillaumin, précurseures de la dénaturalisation de la race et du sexe." Journal des anthropologues, no. 150-151 (November 15, 2017): 25–42. http://dx.doi.org/10.4000/jda.6737.

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Bojanović, Kristina. "Agir-femme / parler-femme: About language and by language of sexual difference." Genero, no. 22 (2018): 59–70. http://dx.doi.org/10.5937/genero1822059b.

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Schwartz, Andi. "Soft Femme Theory: Femme Internet Aesthetics and the Politics of “Softness”." Social Media + Society 6, no. 4 (October 2020): 205630512097836. http://dx.doi.org/10.1177/2056305120978366.

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Twenty years ago, the figure of the femme appeared on a book cover wielding a knife; more recently, the femme has appeared on Instagram crying in a Polly Pocket skirt. Online, femme is increasingly called “tender,” “radically vulnerable,” and “soft.” In this article, I examine soft femme digital culture on Instagram, and argue that the discourse of “softness” is used to articulate belonging and to resist neoliberal, masculinist logics. Through an analysis of Instagram images and interviews with femmes, I develop an understanding of softness as a combination of emotionality, vulnerability, relationality, and hyperfemininity. I argue that soft femme is an aesthetic form and a theoretical position that expands the category of femme to be more inclusive of diverse subjects. Soft femme theory fills the gaps in femme theory left by critiques of existing femme identity theory that centers performance, irony, and the figure of the hard femme. Through the discourse of softness, femme becomes something one can be like, rather than something one just looks like.
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Rothblum, Esther D. "The complexity of Butch and Femme among sexual minority women in the 21st century." Psychology of Sexualities Review 1, no. 1 (2010): 29–42. http://dx.doi.org/10.53841/bpssex.2010.1.1.29.

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Sixty-four sexual minority women (22 femme, 21 butch, and 21 who identified as both or neither) were asked open-ended questions about butch and femme. The sample ranged from those who considered butch/femme to be core aspects of their identity to those who found the terms meaningless or outdated. Many women mentioned appearance and/or masculinity/femininity when describing butch and femme. Women were equally divided about whether butch/femme was important to them, and also whether or not it was related to sexual activity. Few women divided housework or childcare according to butch/femme roles. Participants often stated that bisexual women were likely to be femme, yet few bisexual women in this sample identified as either butch or femme. Concepts of butch (or ‘stud’) and femme were perceived as more common in the African American and Latina communities and less so in Native American communities.
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Renard-Casevitz, France-Marie. "Sel : femme gemme, femme condiment." Journal de la Société des Américanistes 78, no. 2 (1992): 133–49. http://dx.doi.org/10.3406/jsa.1992.1461.

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Monzani, Stefano. "Naître femme, n’être « que » femme ?" Filigrane: Écoutes psychothérapiques 28, no. 2 (2019): 71. http://dx.doi.org/10.7202/1069695ar.

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Santoro, Giuliana. "Auguri e figlie femmine." Babylonia Journal of Language Education 3 (December 20, 2021): 88–89. http://dx.doi.org/10.55393/babylonia.v3i.129.

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Per prepararsi adeguatamente al cinquantesimo anniversario dell’introduzione del diritto di voto e di eleggibilità delle donne, il 7 febbraio 2021, la nipote di due donne ammesse alle urne nel 1971 passa al vaglio il suo modo di esprimersi e di pensare per verificare se la parità di genere, mezzo secolo più tardi, è presente anche nella lingua che parliamo tutti i giorni.
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Hasanah, Ferli. "REPRESENTASI FEMME FATALE DALAM NOVEL CANTIK ITU LUKA KARYA EKA KURNIAWAN." Jurnal POETIKA 5, no. 1 (July 31, 2017): 14. http://dx.doi.org/10.22146/poetika.25446.

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ABSTRAKPenelitian ini bertujuan untuk memaparkan karakteristik-karakteristik femme Fatale yang terdapat dalam novel Cantik Itu Luka. Melalui tokoh-tokoh perempuan yang berbeda, ciri-ciri tersebut dapat ditemukan. Dengan menggunakan konsep femme fatale dari Yvonne Tasker dan Edwards, lima tokoh perempuan, yaitu Dewi Ayu, Alamanda, Adinda, Maya Dewi, dan Si Cantik dapat dikategorikan sebagai femme fatale. Citra ini diperkuat juga dengan membandingkan ciri-ciri tersebut pada citra tokoh perempuan yang berbudi luhur. Simpulan akhir mengungkapkan bahwa pada diri tokoh-tokoh perempuan tersebut terdapat ambiguitas antara protagonis dan antagonis, femme fatale dan perempuan berbudi luhur. Dengan demikian dapat dikatakan bahwa ada citra baru perempuan yang dibangun oleh dekonstruksi seksualitas pada novel ini.Kata kunci : femme fatale, perempuan, seksualitasABSTRACTThis study aims to describe the characteristics of femme Fatale contained in the novel Cantik Itu Luka. Through different female characters, these characteristics can be found. Using the femme fatale concept of Yvonne Tasker and Edwards, five female characters, Dewi Ayu, Alamanda, Adinda, Maya Dewi, and Si Cantik, can be categorized as femme fatale. This image is also strengthened by comparing such characteristics in the image of a virtuous woman. The final conclusion reveals that in the female characters there is and ambiguity between the protagonist and the antagonist, the femme fatale and the virtuous woman. Thus it can be said that there is a new image of women built by the deconstruction of sexuality in this novelKeywods: femme fatale, woman, seksuality
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Hasanah, Ferli. "REPRESENTASI FEMME FATALE DALAM NOVEL CANTIK ITU LUKA KARYA EKA KURNIAWAN." Poetika 5, no. 1 (July 31, 2017): 14. http://dx.doi.org/10.22146/poetika.v5i1.25446.

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ABSTRAKPenelitian ini bertujuan untuk memaparkan karakteristik-karakteristik femme Fatale yang terdapat dalam novel Cantik Itu Luka. Melalui tokoh-tokoh perempuan yang berbeda, ciri-ciri tersebut dapat ditemukan. Dengan menggunakan konsep femme fatale dari Yvonne Tasker dan Edwards, lima tokoh perempuan, yaitu Dewi Ayu, Alamanda, Adinda, Maya Dewi, dan Si Cantik dapat dikategorikan sebagai femme fatale. Citra ini diperkuat juga dengan membandingkan ciri-ciri tersebut pada citra tokoh perempuan yang berbudi luhur. Simpulan akhir mengungkapkan bahwa pada diri tokoh-tokoh perempuan tersebut terdapat ambiguitas antara protagonis dan antagonis, femme fatale dan perempuan berbudi luhur. Dengan demikian dapat dikatakan bahwa ada citra baru perempuan yang dibangun oleh dekonstruksi seksualitas pada novel ini.Kata kunci : femme fatale, perempuan, seksualitasABSTRACTThis study aims to describe the characteristics of femme Fatale contained in the novel Cantik Itu Luka. Through different female characters, these characteristics can be found. Using the femme fatale concept of Yvonne Tasker and Edwards, five female characters, Dewi Ayu, Alamanda, Adinda, Maya Dewi, and Si Cantik, can be categorized as femme fatale. This image is also strengthened by comparing such characteristics in the image of a virtuous woman. The final conclusion reveals that in the female characters there is and ambiguity between the protagonist and the antagonist, the femme fatale and the virtuous woman. Thus it can be said that there is a new image of women built by the deconstruction of sexuality in this novelKeywods: femme fatale, woman, seksuality
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Dissertations / Theses on the topic "Femmage"

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Crawford, Fiona. "When you go looking for me, I am not there : description by absence." Thesis, Federation University Australia, 2020. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/176302.

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When women don’t have access to public voices, their stories may be told through symbols and sewing, publicly viewed but understood only by an audience of intimates. My research builds upon my May 2016 residency in Assisi, Italy, and explores description through absence. Punto Assisi, an embroidery tradition predating the Renaissance, is still practised by women of Assisi. Uniquely, the subject matter is empty of detail. The negative space in Punto Assisi work can be seen as echoing the absence of information about the makers. Invisible and indispensable, women and their work have provided the fabric of human society throughout history, yet the names and faces of female artists and artisans are rarely documented. This embroidery style resonated with my interest in women's work and how ubiquitous and anonymous it is. Based on the concept of drawing with thread to manifest content, I explore description through absence, and honour the unknown makers of this art. Studio practice revealed insight into materiality, imagery, form design and palette. The haptic process of sewing gave insight into a universality of the experience of making, a connection crossing time, place and culture. The experience of the maker is highly individual and takes place in diverse contexts. The maker and their experience may be unknown, except to self, however the outcome, the product or the artwork may be indexical of a place, time or the maker, known or unknown. As such, unknown women makers have a presence in their works. The negative space in the uncoloured linen yields a presence and materiality that allows us to engage with what isn’t there. Absence is made material. Materiality, memory, narrative, and identity are themes emerging from this project. In my contemporary application of the style constraints yielded creative freedom. In absence, I found description.
Master of Arts (Visual and Performing Arts) (Research)
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Deslauriers, Camille. "Femme-boa (nouvelles) /." Thèse, Sherbrooke : Université de Sherbrooke, 2003. http://savoirs.usherbrooke.ca/handle/11143/2731.

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Bonnet, Claire. "FEMME: extinct stereotypes." Thesis, Konstfack, Grafisk design & illustration, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6950.

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My research is about stereotypes of women. Responding to scepticism towardsfeminist movements, my degree project aims to challenge the power structure of today’s Western society. How does visual communication play a big role in creating and/or reproducing inequalities? I have created a retro-futuristic exhibition, placed in an imaginary museum. In a utopian world based in 2050, the exhibition femme: extinct stereotypes, aims to show, explain and deconstruct how women were portrayed around 2020; how society and (pop)culture were deforming humans into stereotypical women.I have created a speculative scenario through different objects and artifacts displaying the expectations and instructions on how women should or should not behave. By showcasing the past and its conventions, this retro-futuristic exhibition questions their normality and rationality.
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Lemke, Clare R. "Femme Feelings: Mapping Affective Affinities between Femme and Third Wave Feminists." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1306179604.

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Lévy, Noëlle. "La femme sans vergogne : ou la femme impudique dans les textes médiévaux." Paris 4, 2001. http://www.theses.fr/2001PA040101.

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Expérience fondamentale de l'humanité déchue, la pudeur devient, dans les textes médiévaux, une question essentielle et féminine. L'étude du lexique latin puis français de la pudeur et de l'impudeur permet d'appréhender ces concepts et leur évolution. En outre, il existe un " code des bonnes manières et de la pudeur " médiévales qu'il convient d'étudier. Enfin, l'observation des figures littéraires de l'impudeur permet de mettre en exergue les notions essentielles d'ostentation, de transgression, et de désordre, et de montrer le lien que la question de la pudeur féminine entretient avec le pouvoir et l'ordre masculins
In medieval texts, modesty - a fundamental experience of mankind fallen from grace - becomes an essential and feminine question. Study of the Latin and then French medieval glossary of modesty and immodesty enables these concepts and their evolution to be grasped. Then, the "code of good manners and modesty" drawn up in the Middle Ages is studied. Finally, study of the literary figures highlights the essential notions of ostentation, transgression and disorder, and the link between feminine modesty and male power and order
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BENOIT, FLORENCE. "Femme medecin, realite d'aujourd'hui." Toulouse 3, 1994. http://www.theses.fr/1994TOU31051.

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Léger, Sylvie. "Thérèse Huber, femme-écrivain." Besançon, 1996. http://www.theses.fr/1996BESA1026.

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Après un état de la recherche et une confrontation avec la critique, la biographie de Thérèse Huber est présentée dans ses grandes lignes. L'œuvre est ensuite abordée sous trois aspects différents : dans un premier temps, il est plus particulièrement question de la dimension historique, du rôle et des incidences de la révolution française dans le premier roman de l'auteur. «Die famille seldorf». Le thème de l'éducation est ensuite observé dans les textes du corpus : relevé, étude comparative, évolution sur la période de production littéraire de l'auteur, persistance de l'attachement à certains concepts et principes pédagogiques et situation dans le contexte pédagogique de l'époque. Enfin, les textes du corpus sont scrupuleusement analysés et toutes les occurrences ayant trait à la nature et au paysage qui ont été relevées et analysées, permettent des observations et des réflexions touchant au symbole, à la valeur littéraire des textes, à la persistance ou à l'évolution de certains, en conclusion et par recoupement, l'œuvre est replacée dans sa filiation avec les lumières rationalistes, bibliographie et source des illustrations
After a confrontation with the research and the critic, T. Huber's biography is developped in its greatest points. The work is studied under three aspects. The historical dimension comes first, with the analysis of the place and the part given to the french revolution in the novel «die familie seldorf». Then, the education is studied in the texts and the analysis of the references allows to situate the work in the pedagogical context of the 18th century. At least, all the references to nature and the landscapes in the texts are scrupulously listed and observed and it comes to conclusions and reflexions about the symbols, the evolution or persistance of several motifs or characters, the importance of nature, and the different parts accorded to it in t. Huber's literary universe. In conclusion, each part of the analysis allows to replace the work in the heritage of the rationalist tradition of the age of enlightenment
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CAVAILLE, BENASSI CHRISTINE. "Nerval et la femme." Reims, 1992. http://www.theses.fr/1992REIMM019.

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Hippocrate, Bourbon Florence. "Nature de la femme /." Paris : les Belles lettres, 2008. http://catalogue.bnf.fr/ark:/12148/cb41333929p.

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Terrein, Isabelle. "Gina Kaus : femme de lettres, égérie et émigrée : une femme dans le siècle." Lille 3, 2005. http://www.theses.fr/2005LIL30036.

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Gina Kaus (1893-1985), une femme de lettres autrichienne de l'entre-deux-guerres, a joui d'une certaine notoriété en tant qu'auteur de pièces de théâtre, de courts récits et de romans, pour la plupart des best-sellers traduits en plusieurs langues et adaptés au cinéma. Tout au long de sa vie, elle a cotôyé des écrivains aussi prestigieux que Franz Blei, Karl Kraus, Alfred Adler, Friedrich Torberg ou Bertold Brecht. Femme de caractère, émancipée, elle fut une des égéries des cafés littéraires viennois et berlinois de l'époque. Comme pour beaucoup d'écrivains juifs, l'Anschluss provoqua une "rupture" dans la vie et la carrière de Gina Kaus : l'exil la conduisit d'abord en France, puis aux Etats-Unis, en Californie, où elle s'installa définitivement. En dépit de nombreuses difficultés d'adaptation, elle travailla avec un certain succès pour le cinéma hollywoodien. Hormis ses mémoires en 1979, elle ne publia plus aucune œuvre et fut peu à peu oubliée du grand public
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Books on the topic "Femmage"

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Lidströmer, Ljubi. Femmage a Tizian. [Stockholm]: Edition Galerie Ann Westin, 1995.

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Smart, Sally. Sally Smart: The unhomely body series ; femmage, shadows and symptoms series. North Melbourne, Australia: Sally Smart, 1999.

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Lomonaco, Francesco. Delle femmine. Rionero in Vulture: Calice, 2002.

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Femme désirée, femme désirante. Paris: Payot, 2006.

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Beyala, Calixthe. Femme nue, femme noire. Paris: Albin Michel, 2003.

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Courteau, Bernard. Femme. Montréal: Éditions Émile-Nelligan, 1989.

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Beyala, Calixthe. Femme nue, femme noire: Roman. Paris: Albin Michel, 2003.

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Kramer, Bussel Rachel, ed. Glamour girls: Femme-femme erotica. New York: Alice Stree Editions-Harrington Park Press, 2006.

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Hugolin. Si femme savait! Si femme voulait!: Femme contre intempérance. [Montréal?: s.n.], 1995.

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Matilde, Amorosi, ed. Totò, femmene e malafemmene. Milano: Rizzoli, 2003.

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Book chapters on the topic "Femmage"

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Bährle-Rapp, Marina. "femme." In Springer Lexikon Kosmetik und Körperpflege, 202. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_3935.

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Hilmes, Carola. "Femme fatale." In Handbuch Populäre Kultur, 172–77. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05001-4_32.

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Sharpley-Whiting, T. Denean. "Femme Négritude." In Transnational Blackness, 205–14. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230615397_15.

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McCann, Hannah. "Feeling femme." In Queering Femininity, 117–37. 1 Edition. | New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315179742-7.

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Helsel, Philip Browning, Curtis W. Hart, Jill L. McNish, Todd DuBose, Philip Browning Helsel, John Ryan Haule, Annette Peterson, et al. "Femme Fatale." In Encyclopedia of Psychology and Religion, 329. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_1010.

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Roustom, Kareem. "Michel Legrand ScoresUne femme est une femme." In A Companion to Jean-Luc Godard, 71–88. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118586815.ch5.

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Brightwell, Laura, and Allison Taylor. "Why femme stories matter: Constructing femme theory through historical femme life writing." In Feminizing Theory, 18–35. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199045-2.

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Funk, Julika. "„Butch & Femme“." In Ikonen des Begehrens, 41–63. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-04268-2_3.

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McCann, Hannah. "The invisible femme." In Queering Femininity, 81–101. 1 Edition. | New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315179742-5.

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McCann, Hannah. "The feminist femme." In Queering Femininity, 103–15. 1 Edition. | New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315179742-6.

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Conference papers on the topic "Femmage"

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Kelley, Jamie, Rupali Parekh, Michela Rose, Timothy A. Davis, Lucas McDaniel, Rachel Drews, and Yu-Ting Chiu. "Femme avec une Fleur." In the 45th annual southeast regional conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1233341.1233459.

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Paillé, Ch, F. Godia, J. Albiol, and Ch Lasseur. "A Preparation for Bioregenerative Life Support Systems: The FEMME Experiment." In International Conference On Environmental Systems. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2000. http://dx.doi.org/10.4271/2000-01-2381.

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Cavanaugh, Lindsay. "Dream-Mapping in Education: An Anticolonial, Antiracist, Femme, Crip Research Imaginary." In 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1889680.

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Ezzeldin, Hend Hamed. "Re-articulating the Femme Fatale Archetype: Snow white and the Evil Queen." In 4th World Conference on Research in Social Sciences. Acavent, 2022. http://dx.doi.org/10.33422/4th.socialsciencesconf.2022.06.200.

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Doronina, Ksenia Nikolaevna, and Diana Vladimirovna Minets. "Concept «La femme fatale» and means of its representation in Dostoevsky’s texts." In 6th International Research and Practical Conference. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-115374.

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Genck, Michelle. "Too Exotic to Enchant? How the Femme Fatale was sent on Retreat." In The Asian Conference on Cultural Studies 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2187-4751.2020.2.

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González Hernández, Ana Teresa. "La femme au colt 45: un parcours dans imaginaire aquatique de Marie Redonnet." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3111.

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Sous l’apparence d’une écriture dépouillée et d’une narration dénudée, Marie Redonnet, écrivaine contemporaine, nous présente un univers fictionnel peuplé de personnages –féminins pour la plupart- démunis et solitaires, soumis aux grandes tensions sociales, ancrés dans un cadre spatio-temporel flou, et fréquemment plongés dans un état d’abandon existentiel, de stagnation, auquel vient contribuer la présence d’une composante clé de l’imaginaire redonnetien: l’élément aquatique. Chez Redonnet, les différentes variantes de l’eau: océans, mers, fleuves, lacs, cascades, marécages, etc, deviennent de véritables métaphores récurrentes, voire obsédantes, riches de signification. Prenant comme point de départ de notre parcours la trilogie: Splendid Hôtel, Forever Valley et Rose Mélie Rose, publiée entre 1986 et 1987, nous nous proposons d’analyser, dans un premier temps, le rôle et la signification de la présence récurrente de la thématique de l’eau dans cette trilogie. Nous dresserons, ensuite, le tableau des différentes manifestations de l’eau et des divers aspects de la symbolique aquatique dans son dernier roman: La femme au colt 45, paru en 2016. Dans ce roman, utilisant une langue épurée et minimaliste, proche du langage dramaturgique, Marie Redonnet nous pose la problématique de la précarité des réfugiés, et des sans-papiers, de la méchanceté humaine, des difficultés pour recommencer une nouvelle vie ailleurs, de « l’autre côté du fleuve », à travers l’expérience vitale de Lora Sander, une comédienne qui fuit la dictature de son pays. L’étude dans ce dernier roman de la présence de l’eau, sous toutes ses manifestations, ainsi que la signification des différents élements qui lui sont associés, nous permettra de nous interroger sur l’évolution du traitement de l’imaginaire aquatique dans la création littéraire de M. Redonnet.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3111
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Senyonga, Mary. "Queering Critical Race Theory in Education: The Black Fat Queer Femme Body and Embodiment." In 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1442833.

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"A Femme Fatale Exposed: An anlylitical reading of Thomas Adès and Philip Hensher’s Powder Her Face." In The 2nd World Conference on Humanities and Social Sciences. Francis Academic Press, 2018. http://dx.doi.org/10.25236/wchss.2017.10.

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Lojo Tizón, Mª del Carmen. "El imaginario del agua en Rachilde (1860-1953)." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2952.

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Abstract:
Rachilde, escritora francesa que desarrolló su carrera literaria desde finales del siglo XIX hasta mediados del siglo XX, introduce de manera recurrente elementos acuáticos en sus novelas. La mare aux grenouilles, estanque situado muy cerca de la casa donde la escritora nació, es crucial para la formación del imaginario del agua en Rachilde, y muy a menudo este está presente en su producción literaria. En el prefacio de su obra À mort (1886), la escritora narra las pesadillas que sufría durante la adolescencia en las que un ahogado salía de dicho estanque e iba a su encuentro. En su novela autobiografíca Les Rageac (1921), Rachilde cuenta cómo su madre ahoga a sus mascotas en el mismo estanque. En consecuencia, Rachilde desarrolla una temprana asociación entre el agua y la muerte, debido a las primeras y negativas experiencias que mantiene con el universo acuático. Además, Rachilde perteneció a la corriente decadente de finales del siglo XIX, por lo que el agua siempre representa la impureza, el mal y la destrucción en las novelas publicadas durante tal periodo. Durante la Decadencia, la máxima representación del mal es la femme fatale. La femme fatale es la figura por excelencia del imaginario rachildiano, y en la obra de Rachilde existe una estrecha relación entre el agua y la mujer. Prueba de ello es La Tour d’Amour, novela publicada en 1899. En dicha novela, Rachilde lleva a cabo una personificación del mar que invierte la asociación tradicional mer/mère, pues en el caso de Rachilde, el mar se convierte en símbolo de la no maternidad. En conclusión, el agua nunca es para Rachilde fuente de vida, sino fuente de destrucción y muerte.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2952
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Reports on the topic "Femmage"

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von Balthasar, Hans Urs. De la haute dignité de la femme. Saint John Publications, 2022. http://dx.doi.org/10.56154/rw.

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Lozano Sampedro, María Teresa. Pour une typologie de la marginalité dans les romans de Delly : la fonction de la femme. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.09.

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Reddy-Best. You're Too Pretty To Be Gay. Activism on the Body through Representations and Negotiations of Queer Femme Invisibility. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1231.

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Renard, Isabelle. La Representation de la Femme Aristocrate en Periode Post-revolutionnaire: Balzac Moraliste Chretien et Apologiste de la Passion. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7020.

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