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1

Lidströmer, Ljubi. Femmage a Tizian. Edition Galerie Ann Westin, 1995.

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2

Smart, Sally. Sally Smart: The unhomely body series ; femmage, shadows and symptoms series. Sally Smart, 1999.

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3

Lomonaco, Francesco. Delle femmine. Calice, 2002.

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4

Gallery, Brentwood, ed. Miriam Schapiro: Femmages, 1971-1985. Brentwood Gallery, 1985.

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5

Beyala, Calixthe. Femme nue, femme noire. Albin Michel, 2003.

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6

Courteau, Bernard. Femme. Éditions Émile-Nelligan, 1989.

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7

Kramer, Bussel Rachel, ed. Glamour girls: Femme-femme erotica. Alice Stree Editions-Harrington Park Press, 2006.

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8

Beyala, Calixthe. Femme nue, femme noire: Roman. Albin Michel, 2003.

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9

Hugolin. Si femme savait! Si femme voulait!: Femme contre intempérance. s.n.], 1995.

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10

Ivanos, Ciani, Ledda Elena, Associazione "L'oleandro", and Fondazione Il Vittoriale degli Italiani., eds. Femmine e muse dannunziane. A. Ferrara, 1992.

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11

Matilde, Amorosi, ed. Totò, femmene e malafemmene. Rizzoli, 2003.

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12

Shipman, Pat. Femme Fatale. HarperCollins, 2007.

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13

Bureau, Ginette. Femme-- enfin! Éditions Logiques, 1994.

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14

Gray, Nathalie. Femme Metal. Ellora's Cave Pub., 2005.

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15

Vautier, Maguy. Femme touarègue. Harmattan, 2005.

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16

Miriam, Stoppard, Younger-Lewis Catherine, Sélection du Reader's Digest (Canada), and Association médicale canadienne, eds. Être femme. Sélection du Reader's Digest (Canada), 1995.

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17

Manuela, Soares, Grahn Judy 1940-, and Donnelly Nisa, eds. Butch/femme. Crown, 1995.

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18

Jean, Secchi, ed. Femme touarègue. L'Harmattan, 2005.

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19

Ernaux, Annie. Une femme. Gallimard, 1989.

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20

Femmine. Produzioni Nero, 2020.

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21

Femmee/Woman... CPG Distribution, 2005.

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22

Sappho. Sappho Femme-A-Femme. Media press, 1988.

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23

Arango, Katrina. Lick: Femme/Femme Erotica. Lulu Press, Inc., 2011.

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24

De femme a femme. EXLEY, 2000.

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25

Femme désirée, femme désirante. Payot, 2006.

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26

Borde, Constance, and Sheila Malovany-Chevallier. The Life of a Sentence. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190608811.003.0014.

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When translating The Second Sex—published in 2009 and 2010—the translators had to find the right translation for the word femme, a word with multiple meanings and connotations. For the iconic sentence, On ne nait pas femme: on le devient, a translation was chosen that omits the indefinite article “a” (used in the 1953 translation): One is not born, but becomes, woman. While the antecedent for the pronoun le in the French is femme, it refers to a state of being, the essence of woman. The dropping of the indefinite article “a” indicates generality and not specificity. Much engaging discussion ha
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27

Chateaux-Martin, Aurélie. Femme. Independently Published, 2021.

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28

Harris, Laura, and Elizabeth Crocker, eds. Femme. Routledge, 2014. http://dx.doi.org/10.4324/9780203949214.

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29

Blasco, Laura. Femme. Ediciones Dokusou, 2019.

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30

Vannii, Tomas. Femme. Independently Published, 2021.

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31

Michelet, Jules. Femme. Independently Published, 2020.

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32

Lemonnier, Camille. Femme. Independently Published, 2017.

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33

Leblanc, Maurice. Femme. Independently Published, 2018.

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34

Leblanc, Maurice. Femme. Independently Published, 2017.

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35

Leblanc, Maurice, and Arthur Manderley. Femme. Independently Published, 2019.

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36

Bach, Mette. Femme. James Lorimer & Company Ltd., Publishers, 2016.

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37

Chateaux-Martin, Aurélie. Femme. Independently Published, 2018.

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38

Angier, Natalie. Femme ! Pocket, 2002.

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39

Bach, Mette. Femme. James Lorimer & Company Ltd., Publishers, 2015.

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40

Femme. James Lorimer & Company Ltd., Publishers, 2015.

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41

Femme. FLP Media Group, 2020.

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42

Femme. CreateSpace Independent Publishing Platform, 2016.

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43

Femme. Independently Published, 2020.

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44

Femme ! Robert Laffont, 2000.

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45

Straayer, Chris. Femme Fatale or Lesbian Femme. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0016.

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This chapter analyzes the neo-noir Bound (1996). It shows how the splitting of sex from gender liberates generic conventions in the service of protagonists who, enacting a lesbian romance in film noir, avail themselves of generic formulas to double-cross the villains. Analyzing the creative capacity of noir gender “to turn cartwheels on both male and female characters within a system of sexual difference,” the chapter shows how Bound—self-consciously playing on the debated identities of butch, femme, and feminine—generates different-sex erotics through same-gender protagonists. Through such pl
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46

Femme un jour, femme toujours. Robert Laffont, 1997.

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47

IKOKO, Fanny. Femme de Vision, Femme D'influence. Independently Published, 2018.

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48

Bussel, Rachel Kramer. Glamour Girls: Femme/femme Erotica. Harrington Park Press, 2006.

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49

L' isola delle femmine. Einaudi, 1991.

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50

La femmme sacrée. Editions G.P., 1985.

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