Relevant bibliographies by topics / Ferré, Léo, Brel, Jacques

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Academic literature on the topic 'Ferré, Léo, Brel, Jacques'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Ferré, Léo, Brel, Jacques"

1

Tinker, Chris. "Jacques Brel is Alive and Well." French Cultural Studies 16, no. 2 (June 2005): 179–90. http://dx.doi.org/10.1177/0957155805053706.

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Meakin, David, and Thomas Weick. "Die Rezeption des Werkes von Jacques Brel." Modern Language Review 89, no. 1 (January 1994): 229. http://dx.doi.org/10.2307/3733213.

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Greff, Éric. "Un blue-bot à l’Erea Jacques Brel." La nouvelle revue de l adaptation et de la scolarisation N° 81, no. 1 (2018): 281. http://dx.doi.org/10.3917/nresi.081.0281.

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Odendaal, B., and N. Morgan. "’n Verslag oor die vertaling van dertien Jacques Brel-chansons in Afrikaans." Literator 30, no. 2 (July 16, 2009): 1–26. http://dx.doi.org/10.4102/lit.v30i2.76.

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A report on the translation of thirteen Jacques Brel chansons into Afrikaans The authors of this article also translated the thirteen Jacques Brel chansons in question into Afrikaans. A brief explanation of the generic nature of the French chanson and an evaluation of Brel’s stature as a twentieth-century chanson writer are followed by background details and a description of the translation process involved. Since literary quality is a particular characteristic of chanson lyrics, several paragraphs are dedicated to a discussion of the poetic nature of Brel’s songs.
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Odendaal, B., and N. Morgan. "“Le plat pays” (Jacques Brel) poëties besing in Afrikaans – aantekeninge oor ikonisiteit in die oorspronklike en vertaalde chansontekste." Literator 30, no. 3 (July 16, 2009): 29–48. http://dx.doi.org/10.4102/lit.v30i3.86.

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“Le plat pays” (Jacques Brel) poetically praised in Afrikaans – notes on iconicity in the original and translated chanson texts The authors of this article translated the well-known chanson about Flanders, “Le plat pays”, into Afrikaans as part of an extensive and ongoing Jacques Brel translation project initiated in 2005. In this analysis of both the original and translated “Le plat pays” lyrics, the marked poetic qualities of Brel’s chanson are laid bare, as are some semantic differences – and the implications for the analysis thereof – between source (original) and target (translated) texts.
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Thomas, Catherine. "Jacques Brel, artiste intermédial : le cas de "L'Éclusier"." Revue belge de philologie et d'histoire 92, no. 3 (2014): 829–45. http://dx.doi.org/10.3406/rbph.2014.8637.

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7

Auer, Sylvie. "Bruno Hongre et Paul Lidsky, L’Univers poétique de Jacques Brel." Textyles, no. 15 (March 1, 1999): 268–69. http://dx.doi.org/10.4000/textyles.1367.

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Tordeurs, D., P. Janne, N. Zdanowicz, and Ch Reynaert. "De Jacques Brel à Donald Winnicott… : la quête et l'enfant." L'Évolution Psychiatrique 66, no. 2 (April 2001): 357–63. http://dx.doi.org/10.1016/s0014-3855(01)90066-0.

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Fernández, Fruela. "Scott Walker sings Jacques Brel: Translation, authorship and the circulation of music." Translation Studies 8, no. 3 (February 13, 2015): 269–83. http://dx.doi.org/10.1080/14781700.2015.1011220.

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Hawkins, P. "Georges Brassens and Jacques Brel: Personal and Social Narratives in Post-War French Chanson." French Studies 62, no. 1 (January 1, 2008): 105–6. http://dx.doi.org/10.1093/fs/knm246.

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Dissertations / Theses on the topic "Ferré, Léo, Brel, Jacques"

1

Cordier, Adeline. "The mediating of chanson : French identity and the myth Brel-Brassens-Ferré." Thesis, University of Stirling, 2008. http://hdl.handle.net/1893/955.

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Jacques Brel, Georges Brassens and Léo Ferré are three emblematic figures of post-war French song, who have been seen by critics, journalists, and the public, as the epitome of chanson, and more generally of ‘Frenchness’. The starting point of this study is the observation that the legacy of the systematic association of Brel, Brassens, and Ferré – crystallised in Cristiani’s 1969 interview and in Jean-Pierre Leloir’s photograph of the interview – has enjoyed a prosperity which seems disproportionate to the actual relevance of the comparison between the three artists. In 1969, the three singers were significant figures of French song, but they were not the only ones. Bringing them together was therefore a promise of media success, but it was in no way expected to start a legend; and yet, the myth of the interview has today taken over its reality, to the extent that the Comédie Française is presently, almost thirty years later, turning it into a play which was staged in May 2008. The photograph of the three singers smoking and drinking around a table is, today, and for a vast majority of people, the only thing that they know about the famous interview, if not about the singers. The lack of obvious grounds to justify the exclusivity of the trio suggests that there is more to it than a musical trinity. By taking into consideration the oral dimension of song, the socio-cultural context in which the trio emerged, and the mediation of their celebrity, this study aims to identify the factors of cultural and national identity that have held together the myth of the trio since its creation. Besides shedding new light on the significance of the three artists individually, this study proposes to demonstrate that each singer embodies qualities with which the French people likes to be associated, and that the trio Brel-Brassens-Ferré can therefore be seen as an arbitrary sketch of a certain ‘Frenchness’. In particular, this thesis focuses on the trio illustrating the popular representation of a key issue of French national identity: the paradoxical aspiration to both revolution and the status quo. By taking the cultural icon ‘Brel-Brassens-Ferré’ as a case study through which to address questions of popular and national identity, this study contributes to cultural studies in two different ways. Firstly, through theorising the implications of the oral dimension of songs, it demonstrates the necessity of taking into consideration factors such as performance, the media, and the socio-historical context, when studying artists as societal phenomena. Secondly, it evidences the importance of the study of forms of popular culture, such as iconic singers or music, when investigating the ways in which a society perceives its own national identity.
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2

Weiss, Michaela. "Das authentische Dreiminutenkunstwerk : Léo Ferré und Jacques Brel - Chanson zwischen Poesie und Engagement /." Heidelberg : Winter, 2003. http://catalogue.bnf.fr/ark:/12148/cb38993373n.

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3

Creuse, Christiane. "Essai d'analyse sémiolinguistique d'un corpus de chansons de Jacques Brel." Paris 10, 1985. http://www.theses.fr/1985PA100104.

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Hirschi, Stéphane. "Lyrisme et rhétorique dans l'oeuvre de Jacques Brel : essai de cantologie appliquée." Paris 4, 1992. http://www.theses.fr/1992PA040102.

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Envisager la chanson comme un genre esthétique à part entière appelle à s'affranchir des facilités de pensée assises sur le primat du texte ou de la musique. L'aboutissement de certaines oeuvres chantées depuis l'avénement du disque amène à tenter d'appréhenser l'articulation de ces deux dimensions,textuelle et musicale,dans le cadre d'une performance orale,c'est-à-dire fondamentalement éphémère,mais néanmoins éternisée par la magie de l'enregistrement. Pour illustrer ce projet d'une démarche cantologique,l'étude stylistique,au sens large,de l'oeuvre de Jacques Brel permet de s'interroger sur le dialogue complexe des paroles et de la musique,et d'y découvrir leur convergence dans l'instauration d'un univers onirique visant à suspendre la temporalité. Un défi à la mort,tirant sa virulence de la précarité même de ses images attachées au silence par la voix du chanteur et des intruments qui l'accompagnent. Une telle création inscrit Brel dans la double lignée des poètes lyriques et du mythe de l'adieu au lettres,destiné à mieux laisser résonner la dynamique de l'imaginaire libérée par le chant
To consider the song as a specific esthetic genre means to from oneself of easy ways of thinking built upon the text or the music's preeminence. .
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FAVIERE, JEAN MARIE. "Constance et evolution dans l'oeuvre de jacques brel. Etude de statistiques lexicales." Nice, 1999. http://www.theses.fr/1999NICE2012.

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Ce travail permet de tester avec brel le degre d'evolution lexicale d'une oeuvre. Nous avons decoupe notre corpus de 175 chansons en 9 periodes, qui couvrent les annees de la production brelienne (1953 a 1977). Nous avons utilise un logiciel informatique {hyperbase, d'e. Brunet). Une evolution d'ensemble est perceptible, mais il n'y a pas de fracture nette. On le verifie rapidement en recourant au test de l'accroissement lexical : les periodes qui ressortent sont alors la derniere (1977) et, a un moindre degre, la periode 6 (1963-1964). La modestie de notre corpus (un peu plus de 45 000 occurrences, correspondant a un peu moins de 5000 formes) nous permet une etude du vocabulaire organise dans des categories thematiques ou grammaticales. Les evolutions sont plurielles, complexes, parfois contradictoires, mais ne permettent presque jamais d'evacuer les periodes du debut : brel developpe ce qui etait deja en germe dans sa production d'origine. Nous presentons ce qu'on pourrait appeler notre << radiographie >> des chansons de brel en deux volumes ; l'un considere la nature et les hommes, l'autre traite de la fuite du temps et de l'art. Selon la methode preconisee par ch. Muller, nous avons procede a des comparaisons internes (les tranches chronologiques servent a reperer les constances et les evolutions) et a des comparaisons externes (avec des auteurs comme verhaeren ou rimbaud, avec des groupes d'auteurs, et avec l'ensemble des productions poetiques du vingtieme siecle).
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Bourguet, Jeanne Sophie Verucchi. "Illustration par l'oeuvre poétique de Jacques Brel des phénomènes inconscients qui sous-tendent le lien amoureux." Paris 5, 1990. http://www.theses.fr/1990PA05H038.

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Etude visant a illistrer, par l'oeuvre de jacques brel, differents concepts theorico-cliniques sur la constitution et l'evolution du lien amoureux chez l'homme, dans une approche psychanalytique et systemique. Cette recherche centree sur les "conditions determinant l'amour" (freud s. ) essaie de demontrer que c'est par la forme plutot que par le fond que poesie et sciebce different lorsqu'elles cherchent a exprimer "la maniere dont les hommes font leur choix d'objet et accordent les exigences de leurs fantasmes avec la realite" (freud s. ). C'est par une mise en parallele du discours poetique (de brel) et du discours psychanalytique (d'une cinquantaine d'auteurs) que sont abordees la relation mere-fils puis la relation amoureuse heterosexuelle telle qu'elle se noue et evolue generalement chez l'homme
The purpose of this study is to illustrate, by the work of jacques brel, various theoretical and clinical concepts concerning the establishment and evolutions of man's love relations, but with a psychoanalytic and systemic approach. This research focused on the "conditions determining love" (s. Freud) tries to prove that it is in the form rather than in the substance that poetry and science differ when they try to express "the manner in which men choose their objects and match the demands of their fantasies with reality" (s. Freud). It is by placing the poetic language of brel on a parallel with psychoanalytic language (taken from some fifty authors) that mother and son relations are approached, and then the heterosexual love relation as it generally builds up and develops in man
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Collignon, Mireille. "Regard sur la chanson française : le monde de Jacques Brel en 123 chansons." Paris 4, 1995. http://www.theses.fr/1994PA040297.

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Traiter de la chanson de Jacques Brel m'amène à aborder la chanson en tant que genre, en tenant compte toujours de ses particularités et de ses limites. Elle m'amène aussi à traiter de tous les domaines que recouvre le travail d'un auteur-compositeur-interprète. Elle m'amène enfin à considérer le cas particulier que représente la démarche créatrice de Brel. Ce cas particulier faisant de la chanson le lieu d'une polyphonie discursive dont tous les éléments sont indissociables, j'ai cherché à dégager dans chacune des phases de la création les caractéristiques d'un langage pour y trouver, plus que le reflet, le lieu de réalisation des "deux ou trois fantasmes" ayant constamment orienté les choix de l'artiste et de l'homme
Dealing with Jacques Brel's songs necessarily leads to deal with the special nature and the limits of this popular genre. It also leads to regarding every direction that can take the work of Brel as a music and lyrics composer as well as a singer. It finally leads, unavoidably, to consider Brel's creative impulse and process in particular. As the specificities of this process reveal the song as the place for an indivisible discursive polyphony, I shall try and find out how, through each stage of the creation work, Brel's language turns to be, more than a reflection, a place where the "two or three fantasies" which guide the man and the artist in his choices can come true
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FRAYSSE, PIERRE. "Art et addictions : images de l'alcool dans la chanson francaise : l'exemple de j. brel et g. brassens." Toulouse 3, 1991. http://www.theses.fr/1991TOU31547.

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FOTI, MARKUS A. "Essais d imagologie : reflexions sur le stereotype culturel a partir d exemples litteraires francais et francophones contemporains." Nice, 1997. http://www.theses.fr/1998NICE2007.

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Definir les etrangers est une entreprise pleine de risques. Quand elle observe l'autre, la culture regardante s'empare de ce qui lui semble utile, et fait abstraction de ce qui n'est pas conforme a sa propre conception du monde. D'ou la naissance du stereotype culturel, repere le plus basic, mais aussi le plus reducteur, pour celui qui observe les cultures etrangeres. Cette these vise d'abord a analyser la facon dont les stereotypes culturels, voire raciaux, sont exploites dans quelques textes modernes. L'etude d'ouvrages populaires permet de cerner leur traitement dans l'imaginaire populaire, avec un minimum de modifications apportees au stereotype fige tel qu'il circule dans la societe. Dans un deuxieme temps, nous avons essaye de definir en quelle mesure le stereotype culturel fondait la perception de l'autre dans certains ouvrages d'auteurs dont la vision du monde est a priori plus nuancee et complexe. Nous voulions definir la facon dont ceux-ci s'affranchissent d'une pensee stereotypee afin de laisser apparaitre l'autre dans toute sa complexite. Les textes etudies progressent ainsi des plus simples aux plus complexes, en meme temps que nous nous eloignons de l'imaginaire populaire, au profit de l'imaginaire personnel des auteurs suivants: 1) asterix, bande dessinee de rene goscinny et albert uderzo, 29 volumes depuis 1961. 2) les carnets du major thompson, roman de pierre daninos, 1954. 3) le caporal casse-pompon, chanson de jacques brel, 1961. 4) siegfried et le limousin, roman de jean giraudoux, 1922. 5) le hussard sur le toit (1951) roman, et voyage en italie (1954), recit de voyage, de jean giono. 6) desert (1980), le chercheur d'or (1985) et onitsha (1991) romans de j. M. G. Le clezio
Attempting to define other cultures is a risky enterprise. When looking at the other, the observing culture seizes upon anything that seems useful to it, and ignores anything that does not fit in with its particular world view. Thus, a stereotype is born to serve as the simplest - and the most simplistic - point of reference. The aim of this thesis is to analyse the way that cultural and/or racial stereotypes are treated in some modern french texts. The way other cultures are perceived in the popular imagination is revealed through the study of popular texts, which keep original contributions on the part of the author to a minimum. Secondly, the way in which authors who are considered more subtle or "literary" integrate or exploit cultural stereotypes in their work is examined. What techniques do they use to allow the other's culture to escape the immobility and the simplification inherent in stereotyping? thus, the selected texts become progressively more complex as we distance ourselves from the popular imagination, and enter the personal imaginations of the following authors: 1) asterix, comic books by rene goscinny and albert uderzo, 29 volumes since 1961. 2) les carnets du major thompson, a novel by pierre daninos, 1954. 3) le caporal casse-pompon, a song by jacques brel, 1961. 4) siegfried et le limousin, a novel by jean giraudoux, 1922. 5) le hussard sur le toit (1951), a novel, and voyage en italie (1954), a travel narrative, by jean giono. 6) desert (1980), le chercheur d'or (1985) and onitsha (1991), novels by j. M. G. Le clezio
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Books on the topic "Ferré, Léo, Brel, Jacques"

1

Tinker, Christopher George. The songs of Leo Ferre, Georges Brassens and Jacques Brel: A study of personal and social narratives. Birmingham: University of Birmingham, 1999.

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Das authentische Dreiminutenkunstwerk: Léo Ferré und Jacques Brel, Chanson zwischen Poesie und Engagement. Heidelberg: Winter, 2003.

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Entretiens avec trois géants de la chanson française: Léo Ferré, Georges Brassens, Jacques Brel. Montréal, Québec: Hurtubise HMH, 2005.

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El-Fers, Mohamed. Jacques Brel. [Roeselare]: Roularta Books, 2003.

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Jacques, Brel, and Vassal Jacques 1947-, eds. Jacques Brel. Paris: Seghers, 1987.

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Baton, Patrick. Jacques Brel. Bruxelles: Editions Labor, 1990.

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Clayson, Alan. Jacques Brel. Chessington: Castle Communications, 1996.

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Jacques Brel: Une vie. Paris: France Loisirs, 1985.

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Jacques Brel: Une vie. Paris: R. Laffont, 1998.

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Vassal, Jacques. Jacques Brel: Vivre debout. Paris: Hors collection, 2003.

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Book chapters on the topic "Ferré, Léo, Brel, Jacques"

1

Wild, Gerhard. "Brel, Jacques." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2881-1.

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Rössig, Wolfgang. "Brel, Jacques: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2882-1.

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"BREL, JACQUES." In Music in the 20th Century (3 Vol Set), 84. Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-58.

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Hawkins, Peter. "Jacques Brel: the dramatic synthesis." In Chanson, 137–49. Routledge, 2017. http://dx.doi.org/10.4324/9781315095875-12.

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