Relevant bibliographies by topics / Festival art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Festival art'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Festival art"

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Czarnecki, Mark. "To Serve the Art." Canadian Theatre Review 45 (December 1985): 6–11. http://dx.doi.org/10.3138/ctr.45.001.

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1 / What is the “quintessential” theatre festival? To find the answer we must first eliminate operations that call themselves “festivals” but which clearly are not. In Canada, the three largest “festivals” – Stratford, Shaw, and Charlottetown – are not festivals but summer theatres operating on a repertory basis. Their self-imposed programming mandates, high ticket prices, and locations define them as tourist industries. Nor is the Blyth Festival a true festival; although its mandate Is populist and its roots are communal, it mounts a summer season using resources from a national talent pool a
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Sarale, Agnès, Hironori Yagi, Menelaos Gkartzios, and Keishi Ogawa. "ART FESTIVALS AND RURAL REVITALIZATION: ORGANIZING THE OKU-NOTO TRIENNALE IN JAPAN." Journal of Asian Rural Studies 4, no. 1 (2020): 23. http://dx.doi.org/10.20956/jars.v4i1.1662.

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Organizing rural art festivals is considered an effective intervention in support of rural revitalization in the face of aging and population decline in Japan. Several studies have identified the impacts of art festivals on economic and social rural development internationally. Little research, however, has focused on the management process of such festivals. The objective of this paper is to identify and examine the management processes crucial to an arts festival’s success, especially in terms of preparation, organization and community outreach. We focus on the first edition of the Oku-Noto
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S, Selvakumaran. "In Diaspora Countries - Tamil Culture and Arts." Indian Journal of Multilingual Research and Development 1, no. 1 (2020): 7–15. http://dx.doi.org/10.34256/ijmrd2012.

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Unable to cope with the brutal Sinhala aggression against Tamils ​​in Eelam, the Eelam Tamils ​​emigrated to foreign lands in an attempt to uplift their language, art, literature and culture in the countries where they had settled for survival. As a result, they established Tamil schools in the countries where they lived and celebrated the festivals of the Tamils ​​such as Pongal festival and Deepavali festival, the spiritual festival of Murugan Kavadi dance festivel. During these festivals, the Tamil arts such as drama, silambam, oyil and kummi are performed with great diligence. In that sens
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Ohiienko, Iryna. "Ethnic Festivals of the Mid to Late 20th – Early 21st Century as a Component of the Folklore Culture of Bulgaria." Materìali do ukraïnsʹkoï etnologìï, no. 20 (23) (December 20, 2021): 139–50. http://dx.doi.org/10.15407/mue2021.20.139.

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The article is dedicated to the study of folklore festival culture in Bulgaria in the mid to late 20th – early 21st century. The characteristic features of the folklore festival culture of Bulgaria are considered, the main functions of the folklore festivals are determined, a number of well-known international, national and local ethnic folklore festivals taking place in different cities and villages of Bulgaria are classified. The first ethnofestivals in Bulgaria are described, such as the Festival of Folk Art and Animal Husbandry in Rozhen, the Festival of Folk Art in Koprivshtitsa, the Inte
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Nevolov, Vasily, and Valeriy Patsunov. "Ukrainian Theater Art in the Context of the European International Theater Festivals." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art Current Archives Announcements About 1, no. 2 (2018): 94–103. https://doi.org/10.31866/2616-759x.2.2018.153232.

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The purpose of the study is to identify the effectiveness of the interaction between Ukrainian and European theatrical art on the experience of international theatrical festivals in Ukraine and in Europe, the Ukrainian theaters’ participation in international theatrical festivals, studying the influence of this experience on the festival movement in Ukraine, and also on the intensification of the integration process Ukrainian theatrical art into the European cultural space in the context of Ukraine’s European choice. Research methods.  A comparative method of research has been
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Bakas, Fiona Eva, Nancy Duxbury, Paula Cristina Remoaldo, and Olga Matos. "The social utility of small-scale art festivals with creative tourism in Portugal." International Journal of Event and Festival Management 10, no. 3 (2019): 248–66. http://dx.doi.org/10.1108/ijefm-02-2019-0009.

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PurposeThe purpose of this paper is to address the gaps in research on strategic planning for the social impacts of small-scale events in rural areas and small cities. This is achieved by investigating the social utility inferred by small-scale art festivals with a creative tourism element in terms of increasing social capital and positive social change, from an event stakeholder perspective.Design/methodology/approachThe identified gap in knowledge is addressed by using interviews and fieldnotes from participant observation to co-create meaning with the organizers of four small-scale art fest
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Zhao, Ziqi. "Musical Festival as a Modern Art Project." International Journal of Education and Humanities 17, no. 2 (2024): 186–214. https://doi.org/10.54097/a9xyey21.

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Studying the organization of music festivals is not just an immersion into the world of music, but a comprehensive approach that provides valuable knowledge and skills applicable in different areas of life. Organizing a festival is a large-scale project that requires the ability to plan, coordinate, manage resources (financial, human, technical) and risks. Organizing a festival involves attracting an audience, creating brand awareness of the festival, managing advertising - these are tasks that require deep knowledge of marketing tools. Interaction with artists, volunteers, technical staff, sp
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Ayuni, Astari, and Agusti Efi. "MANAJEMEN FESTIVAL SENI PERTUNJUKAN PEKAN NAN TUMPAH DI PROVINSI SUMATERA BARAT." Gorga : Jurnal Seni Rupa 9, no. 1 (2020): 100. http://dx.doi.org/10.24114/gr.v9i1.18100.

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AbstrakPenelitian ini dilatarbelakangi oleh minimnya festival seni di Provinsi Sumatera Barat yang bertahan hingga beberapa kali pelaksaan dalam satu dekade terakhir. Hal ini disebabkan oleh beberapa faktor, diantaranya; tidak adanya manajemen dalam pengelolaan festival, sehingga terkesan terburu-buru dan tidak maksimal dalam pelaksanaanya. Diantara banyak festival seni yang pernah ada, terdapat satu festival seni yang berhasil bertahan hingga saat ini, ialah festival seni Pekan Nan Tumpah. Festival seni Pekan Nan Tumpah adalah festival seni yang diselenggarakan setiap dua tahun sekali oleh Ko
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., Jaeni. "The Festival of Kromong Mountain as a Glorification of the Value of the Natural, Social, Economic, and Cultural Arts in Cirebon, West Java, Indonesia." International Journal of Innovative Science and Research Technology 5, no. 6 (2019): 17–24. http://dx.doi.org/10.38124/ijisrt19dec182.

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The Mountain Kromong Festival was conceived by researchers as an annual activity aimed at communicating art in realizing cultural engineering in a society that was contaminated with industrial culture. This festival is held right in the Gempol District of Cirebon , West Java, Indonesia to reassemble the cultural traditions of the mountain/huma community, which so far have covered the lives of industrial communities. Maintaining this form of festival is tantamount to maintaining value, so the value of the Mountain Kromong festival is always directed at the value of environmental glorification,
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Pieprzak, Katarzyna. "Art in the Streets: Modern Art, Museum Practice and the Urban Environment in Contemporary Morocco." Review of Middle East Studies 42, no. 1-2 (2008): 48–54. http://dx.doi.org/10.1017/s0026318400051518.

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Every summer, cultural festivals take place all over Morocco, and streets in towns and cities become animated scenes for the articulation of Moroccan contemporary culture. So animated, heterogeneous and pluralistic has this festival scene become that the semiofficial newspaper for the Islamist PJD party has called these street festivals “vectors of decadence” and performing-artist union officials have declared that they feel threatened by the “foreign invasion” of internationally-based diaspora groups. Recently, in a critique of these attitudes, the magazine Telquel reported that they are “sic
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Dissertations / Theses on the topic "Festival art"

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Parentelli, Lorenza <1995&gt. "Acieloaperto festival: organizzazione e produzione di un festival di musica leggera." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20118.

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L'elaborato si propone di analizzare il festival di musica leggera Acieloaperto. Nel primo capitolo vengono esposti i concetti di evento, evento culturale e festival; nel secondo capitolo si analizzano il territorio e il contesto in cui il festival ha luogo; nel terzo capitolo viene analizzata la storia dell'associazione Retropop Live che organizza il festival e il suo operato sul territorio della zona di Forlì-Cesena, in particolare anche la sua forma giuridica di Associazione Culturale APS; nel terzo capitolo si analizzano la rassegna, in particolare organizzazione, produzione e proposta cu
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Le, Grange Rene. "Effective planning and organisation of a student theatre festival." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-08112004-100939.

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Ceotto, Elisa <1988&gt. "Organizzazione di un festival cinematografico: il caso Far East Film Festival." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3337.

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Questa tesi analizza il Far East Film Festival di Udine, festival del cinema asiatico popolare, che a partire dal 1998 è diventato punto di riferimento per la cultura cinematografica asiatica in Europa. Nella prima parte viene fatta un’analisi dei festival cinematografi: un breve cenno storico, la loro organizzazione, l’ambiente in cui operano e il loro ruolo nella creazione del valore. La seconda parte è dedicata al Far East Film Festival: la sua organizzazione, il suo impatto sul territorio e il suo pubblico.
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Niero, Elena <1992&gt. "I festival cinematografici come catalizzatori turistici. Il caso dell'International Film Festival di Rotterdam." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10520.

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Questa tesi presenterà i festival cinematografici come veri e propri promotori turistici di una località e si focalizzerà su un caso di particolare successo quale l’International Film Festival di Rotterdam. La prima parte della tesi illustrerà una panoramica delle diverse tipologie di festival cinematografici esistenti. Verranno elencate le caratteristiche necessarie per l’organizzazione di un festival cinematografico, le motivazioni di base che spingono alla creazione di un film festival, le modalità di progettazione (in particolare gli aspetti organizzativi, economici e sociali), i processi
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Rowley, Ben. "Festival or carnival? : the 2002 Adelaide Festival of the Arts and cultural activism /." Title page/ table of contents only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arr8838.pdf.

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Altieri, Arturo <1996&gt. "Management di un film festival. Caso studio: Festival Nazionale del Cinema e della Televisione di Benevento." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21374.

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Il presente lavoro ha lo scopo di fornire un quadro generale del fenomeno dei film festival, con particolare attenzione al suo radicamento sul territorio nazionale, osservandolo con maggiore dettaglio dalla prospettiva del project management. Si ripercorre dapprima la storia dei festival del cinema, indagando gli avvenimenti che li hanno portati a raggiungere il loro assetto contemporaneo, e si elencano le caratteristiche specifiche di questa tipologia di evento culturale. In seguito si analizzano gli aspetti strutturale e gestionale di tali eventi, per poi approfondire, richiamando la teoria
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Brunelli, Alessia <1994&gt. "UMBRIA FILM FESTIVAL: Analisi dell’evento culturale." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19183.

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Con questo elaborato si ha lo scopo di analizzare l’evento culturale dell’Umbria Film Festival, sotto l’aspetto storico, tecnico-amministrativo e socio-economico. Partendo dal primo capitolo si propone una panoramica dei film festival italiani, focalizzandosi successivamente sul contesto umbro e l’origine del festival. Dal secondo si analizza l’evento sotto il profilo tecnico organizzativo e successivamente sull’aspetto economico amministrativo, delineando i punti salienti che permettono la realizzazione del festival e della sua programmazione, e di come questo influisca sul territorio di appa
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Sciortino, Roberta <1995&gt. "TEATRO E COSCIENZA ECOLOGICA: IL RUOLO DEI FESTIVAL TEATRALI DI SOSTENIBILITÀ AMBIENTALE IN ITALIA. ANALISI DELL’EARTHINK FESTIVAL." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18800.

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Il presente elaborato si propone di indagare lo sviluppo della coscienza ecologica in Italia attraverso l'industria dello spettacolo dal vivo, in particolare attraverso le proposte culturali dei festival di teatro nati negli ultimi anni. Partendo da una panoramica sulla nascita dei movimenti ambientalisti e lo sviluppo dell'ecologia, la tesi si sofferma in seguito su spettacoli, iniziative e festival teatrali che si occupano di avvicinare la società ai temi più attuali che riguardano il cambiamento climatico e in generale la crisi ecologica che stiamo vivendo. In ultimo vi è l'analisi di un
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Rogers, Mark Christopher. "Art and public festival in Renaissance Florence studies in relationships /." Full text available online (restricted access), 1996. http://images.lib.monash.edu.au/ts/theses/Rogers.pdf.

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Castro, Jennifer de. "Le Festival de Cannes et la promotion du cinéma (1946-1972) : le 7ème art, un objet culturel protéiforme au service du prestige national." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA015.

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Cette thèse propose une approche historique et culturelle du Festival de Cannes, en mettant l'accent sur son rôle, contrasté, dans la promotion du cinéma en France de 1946 à 1972. Quelle(s) image(s) ses organisateurs entendent-ils donner du cinéma et quelle image contribue à en construire la publicisation de la manifestation dans les différents médias de l'époque (télévision, actualités cinématographiques et presse spécialisée) ? Il s'agit donc de savoir comment été perçu le cinéma après la Seconde Guerre mondiale par l'intermédiaire du Festival de Cannes, d'évaluer comment le Festival a cherc
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Books on the topic "Festival art"

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Biri︠u︡kova, Dasha. Festivalʹ Videofocus: Videofocus Festival. Gosudarstvennyĭ t︠s︡entr sovremennogo iskusstva, 2013.

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Non me ne vado (Association). Partenope Art Festival. Edizioni Daphne Museum, 2020.

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Mulloy, Beth. Festival '92. The Centre, 1992.

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Mulloy, Beth. Festival '92. The Centre, 1992.

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Whitney Museum of American Art, ed. Christian Marclay: Festival. Whitney Museum of American Art ; New Haven [Conn.] : Distributed by Yale University Press, 2010.

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Burska, Bogna. Prototypowanie przestrzeni i relacji: Artloop Festival = Prototyping spaces and relations: Artloop Festival. Państwowa Galeria Sztuki w Sopocie, 2017.

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Libraries, Ohio State University, ed. The Festival of cartoon art. Ohio State University Libraries, 1986.

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go-go, Grrrl Zines a. Shezam: Art & activism festival zine. The collective, 2003.

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Home, Stewart. The Festival of Plagiarism. Sabotage, 1989.

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Miller, Eileen. The Edinburgh International Festival, 1947-1996. Scolar Press, 1996.

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Book chapters on the topic "Festival art"

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Illés, Zsófia Szonja, and Maria Nita. "Ritualized Art: Cultural Innovation and Greening at Festivals and Protestivals." In Festival Cultures. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88392-8_6.

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Mitroff, Donna D., and Ian I. Mitroff. "The Bass Violin Festival." In Fables and the Art of Leadership. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137003096_12.

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Mitroff, Donna D., and Ian I. Mitroff. "The Bass Violin Festival Revisited." In Fables and the Art of Leadership. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137003096_21.

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Scheibler, Ingrid. "Art as Festival: Transcending the Self Through the Work of Art." In Life the Play of Life on the Stage of the World in Fine Arts, Stage-Play, and Literature. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0826-6_14.

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Qu, Meng, and Carolin Funck. "Rural art festival revitalizing a Japanese declining tourism island." In Cultural Sustainability, Tourism and Development. Routledge, 2021. http://dx.doi.org/10.4324/9780367201777-6.

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Grabar, Oleg. "Geometry and Ideology: The Festival of Islam and the Study of Islamic Art*." In Islamic Art and Beyond. Routledge, 2024. http://dx.doi.org/10.4324/9781003554424-6.

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Rooney, Adrienne. "Cartographies of Kinship in the Caribbean Festival of Arts." In The Routledge Companion to African Diaspora Art History. Routledge, 2024. http://dx.doi.org/10.4324/9781003295129-25.

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Li, Mingwei, Jianxing Cai, Yuhua Xu, Hong Wang, and Jiayu Wang. "Enhancing Cultural Heritage through Festival Tourism: The Synergy between Dali Piano Art Festival and Yunnan Wamao." In Atlantis Highlights in Intelligent Systems. Atlantis Press International BV, 2025. https://doi.org/10.2991/978-94-6463-744-1_16.

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Sobers-Khan, Nur. "The Islam in Europe Exhibition and the World of Islam Festival." In Deconstructing the Myths of Islamic Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003170525-6.

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Klein, Ricardo, and Caitlin Bruce. "Paris. Paris/Aubervilliers. In Situ Art Festival: Urban Art as Transitional Form for Urban Development." In Sociology of the Arts. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-76374-8_4.

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Conference papers on the topic "Festival art"

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Liu, Shih-Ta, and Su-Chu Hsu. "The Application of IoT Cross-Media Q&A System in an Astronomy and Art Festival." In 2024 International Conference on Consumer Electronics - Taiwan (ICCE-Taiwan). IEEE, 2024. http://dx.doi.org/10.1109/icce-taiwan62264.2024.10674091.

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Pile, Santa, Oleg Lesota, Silvan David Peter, Christina Humer, and Martin Di Gasser. "Spin-Wave Voices: Sonification of Nanoscale Spin Waves as an Engagement and Research Tool." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.024.

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Magnonics is an emerging research field that addresses the use of spin waves (magnons), purely magnetic waves, for information transport and processing. Spin waves are a potential replacement for electric current in novel computational devices that would make them more compact and energy effcient. The field is yet little known, even among physicists. Additionally, with the development of new measuring techniques and computational physics, the obtained magnetic data becomes more complex, in some cases including 3D vector fields and time-resolution. This work presents an approach to the audio-vi
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Yamaguchi, Lina. "Japan media arts festival." In ACM SIGGRAPH 2008 art gallery. ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400467.

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Linda, Kronman, and Zingerle Andreas. "Re: Dakar arts festival." In SIGGRAPH Asia 2012 Art Gallery. ACM Press, 2012. http://dx.doi.org/10.1145/2413076.2413095.

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Khalil-Butucioc, Dorina. "Stimulating dramaturgy in the Republic of Moldova: from art education to theater festivals." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.22.

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Starting with the 90s, realizing the need to support and promote the new national drama, at the Writers’ Union was set up a Drama Section, AMTAP introduced the Dramaturgy and Screenwriting specialty, the Ministry of Cultures and UNITEM initiated a National Drama Competition. In this context, Dramaturgy Workshops were created at the „Luceafărul” and „M. Eminescu” Theaters, at the Center for Contemporary Dramaturgy (CDC) (2012—2013), at the School of Contemporary Dramaturgy of the Center for Cultural Projects „Arta Azi” (2017, 2018, 2020); Dramaturgy camps were organized at the „Codru” Sanatoriu
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Bohong, Deng. "Gemdale Lake City-art." In ACM SIGGRAPH 2013 Computer Animation Festival. ACM Press, 2013. http://dx.doi.org/10.1145/2503541.2503570.

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Ricci, Nicolas, and Marine Agogué. "Drivers for Resilience in Cultural Organizations: lessons from the Montreal festivals in the face of the COVID-19 pandemic." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-24-short-ricci-et-al-drivers-for-resilience.

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SHORT PAPER. Crises such as the COVID-19 pandemic represent appropriate moments to innovate. Many organizations in the cultural sector have thus proposed numerous changes in their activities trying to develop new forms of symbiosis, bringing back the notion of resilience. Beyond its buzz word aspect, resilience has essentially been associated with a set of organizational capacities to adapt and innovate in the face of a disruption in the cultural environment, leaving little consideration to question the main drivers of resilience in cultural organizations. We propose then to study the adaptati
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Branagan, Linda. "Introduction---computer animation festival." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. ACM Press, 1996. http://dx.doi.org/10.1145/253607.253910.

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Sulanjari, Bambang, Mohamad Jazuli, Tjetjep Rohendi Rohidi, and Agus cahyono. "Children’s Puppeteers Festival: Between Conservation and Art Education." In 6th International Conference on Science, Education and Technology (ISET 2020). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211125.057.

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Yuan, Min. "China's Earth Art Festival - Where is the way?" In Proceedings of the 3rd International Conference on Innovation Design and Digital Technology, ICIDDT 2023, November 3–5, 2023, Zhenjiang, China. EAI, 2024. http://dx.doi.org/10.4108/eai.3-11-2023.2342232.

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Reports on the topic "Festival art"

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Cortés-Selva, L., M. Jurado-Martín, and L. Ostrovskaya. European Jewels: Camerimage, the uniqueness of a festival devoted to the art of cinematography. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1272en.

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Rogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, 2024. http://dx.doi.org/10.23889/sureport.66346.

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Based on our previous research (Rogers et al 2021) we noticed a difference between how artists think the arts relate to society, and how young people imagine this relationship. Young people wanted to see (and connected most strongly to) art works that more immediately engaged with the pressing social issues of Cambodia, many of which are political – including climate change, the expression of identity and human rights (e.g. LGBTQ identity), corruption and scams, and democracy. However, artists, particularly in the performing arts and music sectors, must walk a tightrope in making works that ad
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Kazhenava, Zlata, Eva Navickaitė, and Mehmet Recai Uygur. estivals as Arenas of Political and Cultural Influence: Integrating Brand Engagement with National Identity and Consumer Experience. Vilnius Business College, 2024. https://doi.org/10.57005/ab.2024.4.6.

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This article discusses the use of festivals more specifically as marketing tools for a brand or company and how such cultural and political events can influence the perception and behaviour of the consumers. The study looks at marketing of festivals in Lithuania and seeks to measure the effectiveness of this type of marketing by assessing the consumption and purchase behaviour as well as the attention to the brand by local and foreign festival participants. Important questions were how such brands have strategically exploited the cultural importance of these festivals in wonderfully connecting
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Cortés-Selva, L., M. Jurado-Martín, and L. Ostrovskaya. Camerimage, un festival único dedicado al arte de la fotografía cinematográfica. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1272.

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Ingram, Charlie, Michaella Gummerum, and Yaniv Hanoch. Towards an ‘FR’ Model for Reducing Crime and Anti-Social Behaviour at Live Events and Festivals. Coventry University, 2025. https://doi.org/10.18552/cdare/2025/0001.

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This report explores the impact of policy interventions and social/cultural factors on crowd behaviour at Reading Festival from 2000 to 2024, examining how crime and antisocial behaviour have evolved over time. While measures such as eviction policies, safeguarding, fire bans, and inclusivity campaigns like #LookOutForEachother have had positive effects, perceived gaps remain in security enforcement and drug prevention. Social and environmental factors, including media portrayals and festival culture shifts, have also played a role in changing attendee behaviour.
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Solis Vega, Pablo, Jorge Carrión Castro, Eliana Prada, et al. Carnavales y festivales: tendencias y estrategias digitales: arte, cultura y nuevas tecnologías en América Latina y el Caribe. Banco Interamericano de Desarrollo, 2022. http://dx.doi.org/10.18235/0004302.

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El presente estudio identifica las principales transformaciones e innovaciones que se generaron en los carnavales y festivales de América Latina y el Caribe a raíz de la crisis sanitaria por la COVID-19. Hace énfasis en los nuevos modelos de negocio que se presentan en el ámbito digital y propone estrategias para detonar su desarrollo en la virtualidad, incentivar la reactivación económica y el desarrollo sostenible del sector.
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Ryan, Mark David, Greg Hearn, Marion McCutcheon, Stuart Cunningham, and Katherine Kirkwood. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Busselton. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.207597.

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Located a two-and-a-half hour drive south of Perth, Busselton is one of the largest and fastest growing regional centres in WA, a lifestyle services hub and the gateway to the internationally renowned wine region and popular tourist destination of Margaret River. Promoted by the City of Busselton council as the ‘Events Capital of WA’, Busselton has a strong festival and events economy that fuels local creative and arts production, supported by demographic shifts and population growth that is resulting in more creatives living and working in the city.
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Petrie, Christopher, Katija Aladin, and Ryan Rydzewski. Learning Forerunners Across America. HundrED, 2020. http://dx.doi.org/10.58261/dkxx4294.

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In partnership with Remake Learning and The Grable Foundation, this Learning Forerunners Across America report identifies and highlights 16 innovations that power the most promising learning ecosystems throughout the United States. This release coincides with the national launch of Remake Learning Days Across America in 16 cities, a yearlong festival kicks off on October 13, 2020. The innovations presented here focus on big-picture, system-level, impactful solutions at scale that are operating across multiple schools and/or institutions. You’ll see there are many inspiring examples: from conne
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Kenes, Bulent. Boogaloo Bois: Violent Anti-Establishment Extremists in Festive Hawaiian Shirts. European Center for Populism Studies (ECPS), 2021. http://dx.doi.org/10.55271/op0006.

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As a pro-Second Amendment movement, the Boogaloo Boys are easily recognizable because of their Hawaiian-themed Aloha shirts and masks along with their semiautomatic weapons. Having the basic characteristics of anti-establishment far-right populists and seeing the outbreak of violence as something like a party, typically accelerationist Boogaloo Boys use these Hawaiian shirts to hide their intention to trigger a civil war to overthrow what they regard as a corrupt establishment in the US.
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You might also be interested in the extended bibliographies on the topic 'Festival art' for particular source types:
Journal articles Dissertations / Theses Books
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