Relevant bibliographies by topics / Festival des architectures vives

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Academic literature on the topic 'Festival des architectures vives'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Festival des architectures vives"

1

GHERCHANOC, Florence. "Se vêtir pour les dieux. Costumes de fête, beauté et performance rituelle en Grèce ancienne." Archimède. Archéologie et histoire ancienne Archimède n° 9 (December 2022): 99–116. http://dx.doi.org/10.47245/archimede.0009.ds1.15.

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Résumé En croisant textes littéraires et épigraphiques à une documentation iconographique, l’article précise les caractéristiques récurrentes d’un costume rituel. Celui-ci, qualifié parfois de kosmos, est constitué d’étoffes fines fabriquées avec technicité, alliant des couleurs vives et éclatantes et des dessins aussi bien géométriques que figuratifs. La présence comme l’absence d’un tel luxe vestimentaire jouent, ainsi, un rôle fondamental au regard de la simplicité ou de l’ostentation attendues lors des opérations rituelles ; la richesse vestimentaire varie également en fonction de la divin
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GHERCHANOC, Florence. "Se vêtir pour les dieux. Costumes de fête, beauté et performance rituelle en Grèce ancienne." Archimède. Archéologie et histoire ancienne Archimède n° 9 (December 2022): 99–116. http://dx.doi.org/10.47245/archimede.0009.ds1.07.

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Résumé En croisant textes littéraires et épigraphiques à une documentation iconographique, l’article précise les caractéristiques récurrentes d’un costume rituel. Celui-ci, qualifié parfois de kosmos, est constitué d’étoffes fines fabriquées avec technicité, alliant des couleurs vives et éclatantes et des dessins aussi bien géométriques que figuratifs. La présence comme l’absence d’un tel luxe vestimentaire jouent, ainsi, un rôle fondamental au regard de la simplicité ou de l’ostentation attendues lors des opérations rituelles ; la richesse vestimentaire varie également en fonction de la divin
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3

Inisan, Victor. "Architectures des festivals in situ : les territoires recomposés du Lyncéus Festival, d’Un festival à Villerville et des Effusions." Horizons/Théâtre, no. 15 (September 1, 2022): 140–53. http://dx.doi.org/10.4000/ht.3914.

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4

Esclapez, Christine. "El festival Architectures Contemporaines: un dispositivo “participativo” o ¿Cómo “re-figurar” el espacio de los cuerpos en la ciudad?" Panambí. Revista de Investigaciones Artísticas, no. 4 (June 30, 2017): 33. http://dx.doi.org/10.22370/panambi.2017.4.831.

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Con el fin de responder a la problemática de las interacciones entre música, sociedad y procesos de subjetivación, se elabora una postura teórica a partir de una situación artística singular. El objetivo de esta contribución es doble. (1) Dar cuenta de una experiencia artística “participativa” conducida hace diez años atrás en el área de Música y Ciencias de la música de la Universidad Aix-Marseille: el festival universitario de jóvenes propuestas artísticas Architectures Contemporaines, creado en el año 2008. (2) Conectar esta situación artística y musical a la problemática de la “re-figuraci
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5

Charitonidou, Marianna. "Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s." Arts 10, no. 1 (2021): 14. http://dx.doi.org/10.3390/arts10010014.

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The article examines a group of exhibitions that took place in the late seventies and early eighties and are useful for grasping what was at stake regarding the debates on the tensions between modernist and post-modernist architecture. Among the exhibitions that are examined are Europa-America: Architettura urbana, alternative suburbane, curated by Vittorio Gregotti for the Biennale di Venezia in 1976; La Presenza del passato, curated by Paolo Portoghesi for the Biennale di Venezia in 1980; the French version of La presenza del passato—Présence de l’histoire, l’après modernisme—held in the fra
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Moore, John E. "Architectures of Festival in Early Modern Europe: Fashioning and Re-Fashioning Urban and Courtly Space. J. R. Mulryne, Krista De Jonge, Pieter Martens, and R. L. M. Morris, eds. European Festival Studies: 1450–1700. London: Routledge, 2018. xxiv + 336 pp. $150." Renaissance Quarterly 72, no. 2 (2019): 595–96. http://dx.doi.org/10.1017/rqx.2019.134.

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7

Murakami, Suminao. "Trends in Disaster Management Measures in Post World War II in Japan." Journal of Disaster Research 1, no. 1 (2006): 73–94. http://dx.doi.org/10.20965/jdr.2006.p0073.

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This review presents historical transformation on urban planning approaches in the Tokyo metropolitan area. Urban areas in Japan have always been threated by urban conflagrations due to the high number of wooden structures. The Tokyo metropolitan area which was previously known as Edo until the Meiji Revolution in 1864. Dramatic changes in power was successful but few urban structure reformation occurred, and Tokyo was damaged by urban conflagrations in the Meiji, Taisho, and Showa Eras. The fervent wishes of Japanese urban planners centered on construction of fireproof urban areas. Such wishe
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8

O’Donnell, Darren. "Home Tours." Canadian Theatre Review 126 (March 2006): 62–63. http://dx.doi.org/10.3138/ctr.126.012.

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Mammalian Diving Reflex’s Social Acupuncture wing induces encounters between strangers in public galleries and theatres. The inaugural project, The Talking Creature, involved inviting audience/participants to a predetermined spot, dispersing, and approaching random strangers to invite them back for an unstructured, unagendaed conversation about whatever (see O’Donnell). It was like a spontaneous cocktail party in the middle of a street, park or gallery populated by people who, for the most part, didn’t know each other. Home Tours extended this dynamic into the homes of strangers by inviting au
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9

Scantlebury, Alethea. "Black Fellas and Rainbow Fellas: Convergence of Cultures at the Aquarius Arts and Lifestyle Festival, Nimbin, 1973." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.923.

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All history of this area and the general talk and all of that is that 1973 was a turning point and the Aquarius Festival is credited with having turned this region around in so many ways, but I think that is a myth ... and I have to honour the truth; and the truth is that old Dicke Donelly came and did a Welcome to Country the night before the festival. (Joseph in Joseph and Hanley)In 1973 the Australian Union of Students (AUS) held the Aquarius Arts and Lifestyle Festival in a small, rural New South Wales town called Nimbin. The festival was seen as the peak expression of Australian countercu
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10

Fraile-Garrido, Patricia, and Inés Martín-Robles. "Transient Transformations: Memory and Identity Lessons from Kumbh Mela." Ra. Revista de Arquitectura, October 14, 2024, 96–109. http://dx.doi.org/10.15581/014.26.96-109.

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The Kumbh Mela, held every twelve years at the confluence of the Ganga and Yamuna rivers in Prayagraj, India, is the largest religious gathering and ephemeral city in the world. This article explores the physical and social dimensions of the festival, drawing parallels with other temporary architectures and paying particular attention to the role of memory. The physical structure of the city, organized into a flexible grid, accommodates millions of pilgrims while preserving spaces for the community and its collective identity. The material memory of the site, layered with historical and spirit
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Books on the topic "Festival des architectures vives"

1

Borne, Emmanuelle. Architectures vives: Viva architecture! Archipress & Associés, 2022.

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France) Festival des architectures vives (3rd 2008 Montpellier. Festival des architectures vives à Montpellier. Champ Libre, 2008.

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Daufresne, Jean-Claude. Ftes Paris au XXe sicle: Architectures phmres de 1919 1989. Mardaga, 1998.

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(Association), A.-Pack, ed. A-Pack ... présente des architectures vives: 26 installations architecturales du canal Saint-Martin au bassin de la Villette, Paris. Archibooks, 2005.

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Festival des Architectures Vives - 10 ans. Association Champ Libre, 2015.

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Festival des architectures vives à Montpellier: [ephémères curiosités]. Champ Libre Association, 2009.

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Festival des architectures vives à Montpellier: Jeux de cour. Champ Libre, 2007.

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8

Mulryne, J. R., R. L. M. Morris, Pieter Martens, and Krista De Jonge. Architectures of Festival in Early Modern Europe: Fashioning and Re-Fashioning Urban and Courtly Space. Taylor & Francis Group, 2017.

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Mulryne, J. R., R. L. M. Morris, Pieter Martens, and Krista De Jonge. Architectures of Festival in Early Modern Europe: Fashioning and Re-Fashioning Urban and Courtly Space. Taylor & Francis Group, 2017.

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Architectures of Festival in Early Modern Europe: Fashioning and Re-Fashioning Urban and Courtly Space. Taylor & Francis Group, 2022.

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Book chapters on the topic "Festival des architectures vives"

1

Frost, Christian, Ray Lucas, and Jemma Browne. "Introduction: Festive architectures." In Architecture, Festival and the City. Routledge, 2018. http://dx.doi.org/10.4324/9780429432125-1.

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Mulryne, J. R. "Introduction: making space for festival." In Architectures of Festival in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-1.

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Canova-Green, Marie-Claude. "Transformed gardens." In Architectures of Festival in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-10.

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Mattei, Francesca. "Ephemeral and permanent architecture during the age of Ercole I d’Este in Ferrara (1471–1505)." In Architectures of Festival in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-11.

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Bedenbender, Katharina. "‘Ascendendo et descendendo aequaliter’." In Architectures of Festival in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-12.

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Sandbichler, Veronika. "Permanent places for festivals at the Habsburg court in Innsbruck." In Architectures of Festival in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-13.

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Sommer-Mathis, Andrea. "La Favorita festeggiante." In Architectures of Festival in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-14.

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Lemaigre-Gaffier, Pauline. "Between props and sets." In Architectures of Festival in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-15.

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Snickare, Mårten. "A productive conflict." In Architectures of Festival in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-2.

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Cooper, Richard. "A new sack of Rome?" In Architectures of Festival in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-3.

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