Relevant bibliographies by topics / Festival of Music and the Arts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Festival of Music and the Arts'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Festival of Music and the Arts"

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Gluck, Robert. "The Shiraz Arts Festival: Western Avant-Garde Arts in 1970s Iran." Leonardo 40, no. 1 (2007): 20–28. http://dx.doi.org/10.1162/leon.2007.40.1.20.

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Iran in the 1970s was host to an array of electronic music and avant-garde arts. In the decade prior to the Islamic revolution, the Shiraz Arts Festival provided a showcase for composers, performers, dancers and theater directors from Iran and abroad, among them Iannis Xenakis, Peter Brook, John Cage, Gordon Mumma, David Tudor, Karlheinz Stockhausen and Merce Cunningham. A significant arts center, which was to include electronic music and recording studios, was planned as an outgrowth of the festival. While the complex politics of the Shah's regime and the approaching revolution brought these
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RENIHAN, COLLEEN. "Pitching Opera: Innovating New Music Theater at Banff and Stratford, 1970–1990." Journal of the Society for American Music 14, no. 1 (2020): 33–50. http://dx.doi.org/10.1017/s1752196319000531.

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AbstractThe Banff Summer Festival of the Arts and the Stratford Summer Music Festival have been unrecognized sites of operatic innovation in Canada. Indeed, the flourishing of what might be termed “new music theater” in Canada is imbricated with the history of these two festivals. Archival research reveals that the inventive, often revolutionary, approaches to music theater honed at Stratford and Banff from 1970–1990 ultimately defined the course of Canadian new music theatre in the decades that followed. Founded in 1953 as a Shakespeare festival, the Stratford Festival eventually became renow
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BRUCHER, KATHERINE. "Grant Park Music Festival and Music in Chicago's “Front Yard”." Journal of the Society for American Music 14, no. 1 (2020): 10–32. http://dx.doi.org/10.1017/s175219631900052x.

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AbstractChicago's Grant Park Music Festival, a free classical music series, provides a case study for exploring how music festivals contribute to the musical life of cities. Each summer, the Grant Park Music Festival Orchestra and Choir perform dozens of free performances at the Jay Pritzker Pavilion in Millennium Park and in residential neighborhoods. In 1935, James C. Petrillo, head of the Chicago local of the American Federation of Musicians, initiated the festival, then called Grant Park Concerts, to employ musicians during the Great Depression with funds from the federal Works Progress Ad
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Brennan, Matt, Jo Collinson Scott, Angela Connelly, and Gemma Lawrence. "Do music festival communities address environmental sustainability and how? A Scottish case study." Popular Music 38, no. 2 (2019): 252–75. http://dx.doi.org/10.1017/s0261143019000035.

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AbstractThis article discusses the findings of an Arts and Humanities Research Council project researching how music festival communities in Scotland can address issues of environmental sustainability and climate change. It investigates how music festival communities are constructed with a focus on what role, if any, they might play in responding to the global challenge of environmental sustainability. Using music festivals in Scotland as a case study, we employed a variety of research methods to interrogate different constituents in music festival communities about their views and behaviours
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Luonila, Mervi, and Maarit Kinnunen. "Future of the arts festivals: do the views of managers and attendees match?" International Journal of Event and Festival Management 11, no. 1 (2019): 105–26. http://dx.doi.org/10.1108/ijefm-04-2019-0028.

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Purpose To make sense of the relationship between the festival attendance and the aims in arts festival management, the purpose of this paper is to explore the key characteristics for success and analyze the perceptions of the future in arts festival productions. Design/methodology/approach This qualitative study uses interviews with festival managers and empathy-based stories (MEBS) written by members of festival audience. Discourse analysis is employed for answering the questions: What are the characteristics of a successful festival, and what could ruin it? Findings The paper highlights the
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Zhao, Ziqi. "Musical Festival as a Modern Art Project." International Journal of Education and Humanities 17, no. 2 (2024): 186–214. https://doi.org/10.54097/a9xyey21.

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Studying the organization of music festivals is not just an immersion into the world of music, but a comprehensive approach that provides valuable knowledge and skills applicable in different areas of life. Organizing a festival is a large-scale project that requires the ability to plan, coordinate, manage resources (financial, human, technical) and risks. Organizing a festival involves attracting an audience, creating brand awareness of the festival, managing advertising - these are tasks that require deep knowledge of marketing tools. Interaction with artists, volunteers, technical staff, sp
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van Zyl, Cine. "Positioning maps: a conjoint analysis tool for festival or event application." International Journal of Tourism Cities 3, no. 4 (2017): 424–41. http://dx.doi.org/10.1108/ijtc-06-2017-0034.

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Purpose The purpose of this paper is threefold: first, to describe a novel tool (conjoint analysis (CA)) for application by explaining the theory behind it; second, how the tool was developed; and third, how it can be used to ensure an optimal festival/event offering. In this way, the research needed on the individual behavioural and psychological factors of the events-tourism sector are addressed. Design/methodology/approach Planned events in this case the three largest arts festivals in South Africa (SA) (in Potchefstroom – Festival A, Grahamstown – Festival B and Oudtshoorn – Festival C) we
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Moore, Enya, and Bernadette Quinn. "Maintaining Connections during the Pandemic: Rural Arts Festivals and Digital Practices." Tourism and Hospitality 4, no. 4 (2023): 499–513. http://dx.doi.org/10.3390/tourhosp4040031.

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During the COVID lockdowns of 2020/21, the transmission of live or recorded concerts grew exponentially as festival makers embraced digital technologies to a greater degree. Investigating how this digital pivot interrupted festival-making practices is now important given that online and hybrid modes will potentially be used in conjunction with in-person events in the future. This task has relevance for rural areas where digital infrastructures can be under-developed. Yet, place-based, community-organised festivals can play a significant role in sustaining local communities. In this context, we
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Rachmawanti, Ranti. "Digital Kultur: Music and Cultural Festivals Platform of Performing Arts in Digital Era." Tonika: Jurnal Penelitian dan Pengkajian Seni 5, no. 2 (2022): 166–77. http://dx.doi.org/10.37368/tonika.v5i2.448.

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This article discusses the results of research on the development of the Digital Kultur application as a platform for organizing cultural festivals. The purpose of this research is to find out the development indicators that can be used in applications. Digital Kultur is an invention in the form of an application made for organizing various cultural festivals in Indonesia. It is designed to be one of the solutions to address technological challenges in the world of music and performing arts. Digital Kultur has made it easy for participants to compete, perform and express their abilities in mus
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Larasti, Anindya Kenyo. "Environmental Impacts Management of the Coachella Valley Music and Arts Festival." Tourisma: Jurnal Pariwisata 2, no. 2 (2020): 56. http://dx.doi.org/10.22146/gamajts.v2i2.56851.

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The sustainability of music festivals is an urgent issue that must be discussed. Without careful consideration of environmental impacts, the short-term economic gain becomes a long-term fiasco. Coachella, the second-largest music festival in the US and the highest-grossing festival in the world, is possible to harm the environment. It provides pressure by bringing a hundred thousands of people at the same time and place. If the festival damages the environment, it will be costly and taking a long time to preserve the ecosystem. Therefore, it is crucial to assess the management of environmental
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Dissertations / Theses on the topic "Festival of Music and the Arts"

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ABDALA, Lorena Pompei. "Estéticas da existência: a moda nos Festivais de Rock (Goiânia Noise Festival e Lollapalooza Music Festival-2008/2009)." Universidade Federal de Goiás, 2010. http://repositorio.bc.ufg.br/tede/handle/tde/2830.

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Made available in DSpace on 2014-07-29T16:28:01Z (GMT). No. of bitstreams: 1 ESTETICAS DA EXISTENCIA PART 1.pdf: 220939 bytes, checksum: 22ef569adbc52795342cfe83a7ff729d (MD5) Previous issue date: 2010-04-13<br>This dissertation deals about the care of the self as a mediator of the construction of identities, which legitimize the existence of the socio-cultural subjects. Through the visual narratives produced in the scenario of rock festivals, were traced the relationship of fashion as a tool for the construction of identity. The fashion, understood as a social and cultural practice operates
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Zabrovskaya, Yulia, and Monika Pavilonyte. "Revenue determinants of music festivals : A case of pop/rock, jazz and classical music festivals in Scandinavia." Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-13771.

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We have chosen several types of festival (rock/pop, classic and jazz) in Scandinavian region (Sweden, Denmark and Finland), selected the biggest music events in each of the regions and marked the main factors affecting the revenue of the festival, why some of festivals occurring every year and some just have lack of visitors, as we suppose. Purpose is to define the main factors which influence revenues of festivals of classic, rock/pop and jazz genre. Methodology is to determine these factors. Quantitative analysis was used in order to collect necessary data. Organizers of festivals in Sweden,
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Duerksen, Jessica Anne. "“It’s festival time again”: Sounding Tensions with/in an A/R/Tographical Inquiry into Participation in Competition Music Festivals." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32989.

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Reflecting on my musical past, my annual participation in competition music festivals in solo and ensemble categories at the local and provincial levels shaped my music education as well as my development as a music educator. I inquire into how re/visiting moments of tension in my lived experiences as a participant in competition music festivals can facilitate my current praxis as artist, researcher and teacher. My inquiry is informed by understandings of a/r/tography as an arts-based educational research methodology. I inquire into these sites of music-making drawing on a theoretical framewor
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Hautzinger, Daniel. ""Music-making in a Joyous Sense": Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts." Oberlin College Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1462805190.

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Fass, Sunni Michelle. "The 2005 Lotus World Music and Arts Festival processes of production and the construction of spatial liminality /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3215204.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1142. Adviser: Ruth M. Stone. "Title from dissertation home page (viewed June 18, 2007)."
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Silva, Jane Susan. "The growth, development and impact of the Grahamstown Festival of the Arts with special reference to music." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002322.

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The Grahamstown Festival has become a huge and complex annual celebration of the arts, transforming the small Eastern Cape city for ten days every year. However this event had very modest beginnings, as did music and festivals in the city of Grahamstown. From its early days Grahamstown showed strong signs of becoming an important cultural centre, presenting numerous musical concerts from 1812, the festival tradition in the city beginning in 1887. The modern arts festival, initiated in 1971, had a chequered history during the early and mid 1970's, weathering economic recession, petrol restricti
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Bentley, Danielle Sarah. "Restrung new chamber festival : an exploration of contemporary string practice." Thesis, Queensland University of Technology, 2011. https://eprints.qut.edu.au/49582/1/Danielle_Bentley_Thesis.pdf.

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The Restrung New Chamber Festival was a practice-led research project which explored the intricacies of musical relationships. Specifically, it investigated the nature of contemporary string practice, with "New music" at its core. For the purposes of this project, "New music" will be defined in terms of representing a "global sonorous space" (Nancy 2007:12), which Hulse describes as "a spectacular comingling of styles and an unprecedented explosion of creative possibilities" (Hulse n.d.:2). Approaches to staging such an event are contextualised through a comparative analysis with relevant Aust
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Yip, Lam Christine, and 葉琳. "The performances of J.S. Bach's music in the Hong Kong Arts Festival: a case study of Bach reception in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31214836.

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Reeve, Zoë Rose Louise Patricia. "Staged authenticities an exploration of the representations of AmaXhosa culture within the main programme of the National Arts Festival, 2009." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002378.

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This thesis investigates the presentation of AmaXhosa traditional dancing and music on the stages of the National Arts Festival (NAF), Main Programme, of South Africa in 2009. Four productions featuring AmaXhosa traditional dancing and music, as well as a fine art exhibition, are analysed to determine how the AmaXhosa culture is being portrayed, what is considered authentic and how these productions may affect the memory of the AmaXhosa nation. In an attempt to understand the position of these productions within the NAF the South African cultural context as well as the NAF is examined. The pos
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Groulx, Timothy J. "An Examination of the Influence of Band Director Teaching Style and Personality on Ratings at Concert and Marching Band Events." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1650.

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This descriptive correlational study examined the relationship between high school band directors' teaching style and personality and their ratings in marching and concert band festivals using the Five-Factor Model of personality and Gumm's Music Teaching Style Inventory. The sample (N=176) consisted of 46% of all high school band directors in Florida. Criterion variables included marching and concert festival ratings, state concert band ratings, Florida Marching Band Coalition marching competition scores, frequency of attendance of these last two events, and the balance between marching and c
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Books on the topic "Festival of Music and the Arts"

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Jenni, Wake-Walker, ed. Time & concord: Aldeburgh festival recollections. Autograph Books, 1997.

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Wien, Künstlerhaus, ed. Sound:frame, Festival 2008: Festival zur Visualisierung von elektronischer Musik. Künstlerhaus Wien, 2008.

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Luckhurst, Nigel. A photographer at the Aldeburgh Festival. Alastair Press, 1990.

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George-Warren, Holly. Bonnaroo: What, which, this, that, the other. Abrams Image, 2012.

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Price, Richard. Evolvement of the arts festival: a case study of the Swansea Frestival of Music and the Arts. Swansea Institute of Higher Education, 1997.

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Festival, der Berliner Gesellschaft für Neue Musik (1998 Berlin Germany). Minimalisms, minimalisms: Rezeptionsformen der 90er Jahre : Festival der Berliner Gesellschaft für Neue Musik 1998, Berlin 1998. Cantz, 1998.

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1992), Aldeburgh Festival (45th. Forty-fifth Aldeburgh Festival of music and the arts: 11-28 June 1992. Aldeburgh Foundation, 1992.

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1989), Aldeburgh Festival (42th. Forty-second Aldeburgh Festival of music and the arts: 9-25 June 1989. Aldeburgh Foundation, 1989.

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Dominican Republic) Festival Antropológico de Culturas Afroamericanas (10th 2003? Santo Domingo. X Festival Antropológico de Culturas Afroamericanas: Una década. Centro Cultural de España, 2004.

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Jachia, Paolo. Nonostante Sanremo: 1958-2008, arte e canzone al Festival. Coniglio, 2009.

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Book chapters on the topic "Festival of Music and the Arts"

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Odo Polzer, Berno, and Christian Grüny. "“Don’t Expect the Wrong Things from Institutions.”—Berno Odo Polzer Interviewed by Christian Grüny." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_13.

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AbstractIn an interview with Christian Grüny, Polzer discusses the politics of time and listening. His approach as artistic director of the MaerzMusik festival at the Berliner Festspiele focussed on situating contemporary music and sound practices within an interdisciplinary and sociopolitical landscape, investing a unique level of care into the relation between musical programming and its contextualisation. To this end, Polzer emphasises fostering forms of collectivity and communality as the site of production of musical meaning, while also checking the often-hyperbolic claims that arts insti
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Piekut, Benjamin. "Black Music’s Institutional Critique." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_6.

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AbstractTo consider institutional critique within the music field requires some alteration of its fundamental terms, because music had developed a second aesthetic system surrounding Black art and had institutionalised it much earlier than modern or contemporary art had. This de-universalisation of the European fine arts has consequences for the theory of critique. Black music’s governing institutions in the 1960s were the recording label, the night club, the summer festival, and the mass periodical, and artists such as Charles Mingus, Bill Dixon, Rahsaan Roland Kirk, Ornette Coleman, Don Cher
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Daskalopoulou, Athanasia, and Alexandros Skandalis. "Music Festivals and the Everyday Nature of Extraordinary Experiences." In Marketing the Arts, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003021766-9.

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Nelson, Peter. "30. The UPIC System of Iannis Xenakis." In Meta-Xenakis. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0390.32.

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Drawing on the author’s experience of working with Les Ateliers UPIC between the presentation of the UPIC computer music system at the Huddersfield Festival of Contemporary Music in 1987, and its residency at the International Computer Music Conference (ICMC) 1990, this paper will reflect on the technological, educational, social, and organizational milieu of UPIC during the period of its formation as both a material equipment, and a cultural project. As well as interrogating historical anecdote, this chapter attempts to contextualize UPIC within a set of cues taken from recent work in science
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Swartjes, Britt, and Femke Vandenberg. "Festival atmospheres." In Remaking Culture and Music Spaces. Routledge, 2022. http://dx.doi.org/10.4324/9781003254805-3.

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Kolokytha, Olga. "Festival Management Practices." In Managing the Arts and Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781003108641-12.

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Jenkins, Ian, and Robert Bristow. "Iceland Airwaves Music Festival, a Green Festival?" In Festival and Event Tourism. CABI, 2022. http://dx.doi.org/10.1079/9781789248685.0006.

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Liu, Andy. "The Phrygian Music Festival." In Mathematical Puzzle Tales from Mount Olympus. A K Peters/CRC Press, 2022. http://dx.doi.org/10.1201/9781003362845-17.

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Woodward, Ian, and Britt Swartjes. "Making music festival atmospheres." In Consuming Atmospheres. Routledge, 2023. http://dx.doi.org/10.4324/9781003288510-4.

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Doherty, Matt. "Festival Production Management." In Production Management in Live Music. Focal Press, 2021. http://dx.doi.org/10.4324/9781003231349-14.

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Conference papers on the topic "Festival of Music and the Arts"

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Fărcășel, Ligia. "ROMANIAN MUSIC FESTIVAL — A DIFFERENT KIND OF CLASSROOM. STUDY WITH APPLICATION TO THE 24TH EDITION, OCTOBER 14-20, 2022." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.15.

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The Romanian Music Festival has been held in Iaşi since 1973, being organized by the Moldova Iaşi Philharmonic and the George Enescu National University of Arts — as the two institutions are currently called. With a break of approximately two decades after the Revolution, the festival resumed its activity in 2007, constituting a suitable framework for launching the works of Romanian composers, but also an impetus for future professional musicians, current students, to get involved in the local and national musical life. The 24th edition of the festival, the Academic Section offered the partici
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Radovanović, Bojana. "Social and Cultural Engagement of Dragutin Gostuški." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.381r.

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Even before he gradually faded out his compositional and scientific activities in the 1960s and the beginning of the 1970s, Dr Dragutin Gostuški, composer, musicologist, music critic, and an important figure of Serbian and Yugoslav culture in general, was very active in different cultural and social activities of the broadest spectrum. His interest in music and aesthetics, as well as his position as a social commentator and a favourite intellectual, which he built over the years, went hand in hand with participating in different local and international professional bodies, commissions, and boa
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Nedelcut, Amalia. "ASSESSING THE IMPACT OF MANAGERIAL ACTIONS IN THE CASE OF A TRADITIONAL ROMANIAN MUSIC FESTIVAL." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s07.002.

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Simion, Aurelia. "Promoting the creations of Bessarabian composers within the Romanian music festival." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.14.

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The purpose of this article is to review the most important events within the Romanian Music Festival (FMR) in which creations of composers from the Republic of Moldova were included. At the same time, it is aimed at highlighting the importance of promoting the Moldovan interpretative art in the Romanian space, also recorded in the chronicles that appeared after the musical events, which are proof of the interest of both Romanian musicologists and the Iași public.
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Mardari, Elena. "Vlad Burlea – portrait of creation." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.05.

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Vlad Burlea is a prominent personality of the local musical culture. He is prodigiously active in the field of musical creation, signing works of great artistic value. He is involved in the musical life of the Republic, both by organizing various events, concerts, and directly participating in them. He manifests himself prodigiously in the sphere of musical pedagogy, educating generations of young musicians within the Ștefan Neaga Center of Excellence in Artistic Education and the Academy of Music, Theater and Fine Arts. The works of composer Vlad Burlea are successfully performed in concert h
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Bieg, Kory. "Watney Solid +/- Void." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intlp.2016.18.

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Watney Solid +/- Void is an art installation for SXSW, the premier music, film, and technology festival in Austin, TX. The design process began with a catalogue of nearly 150 forms. After several iterations and further development of three schemes, a single form was selected.
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Nedelcut, Nelida. "CONSUMER RESEARCH ON THE PROMOTION OF ROMANIAN MUSIC IN DEDICATED FESTIVALS." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/15/s05.027.

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Pyper, Brett, and Kgomotso Moshugi. "From Cosmopolitanism to Cosmology and Back Again: Co-Curating a Practice-Centred South African Jazz Collective, 2020-2022." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35885.

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Since 2005 as a researcher, and since the early 1990s as an organiser who worked in Pretoria as South Africa transitioned towards democracy, Brett Pyper has had the privilege of knowing a community of practice that occupies a distinct, under- recognised position in the country’s internationally famous jazz culture. Known variously as jazz appreciation societies, social clubs or stokvels (mutual aid associations), these township-based collectives played no small part, during the long night of apartheid, in preserving and developing the vibrant, cosmopolitan African cultures that were suppressed
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Xing, Rong. "Aesthetic Reflection of Neutral Tone of National Mode in Accordion Music Composition Taking Dai People’s Water-splashing Festival as an Example." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.149.

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Yamaguchi, Lina. "Japan media arts festival." In ACM SIGGRAPH 2008 art gallery. ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400467.

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Reports on the topic "Festival of Music and the Arts"

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Rogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, 2024. http://dx.doi.org/10.23889/sureport.66346.

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Based on our previous research (Rogers et al 2021) we noticed a difference between how artists think the arts relate to society, and how young people imagine this relationship. Young people wanted to see (and connected most strongly to) art works that more immediately engaged with the pressing social issues of Cambodia, many of which are political – including climate change, the expression of identity and human rights (e.g. LGBTQ identity), corruption and scams, and democracy. However, artists, particularly in the performing arts and music sectors, must walk a tightrope in making works that ad
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act
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Turner, Tom, and Nancy Hodges. Exploring Outdoor Lifestyle Brands within the Americana Music Festival Marketplace. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-395.

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Divita, Lorynn. "I Just Thought It Looked Cool": Cultural Appropriation by Music Festival Attendees. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1481.

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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There a
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Ryan, Mark David, Greg Hearn, Marion McCutcheon, Stuart Cunningham, and Katherine Kirkwood. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Busselton. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.207597.

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Located a two-and-a-half hour drive south of Perth, Busselton is one of the largest and fastest growing regional centres in WA, a lifestyle services hub and the gateway to the internationally renowned wine region and popular tourist destination of Margaret River. Promoted by the City of Busselton council as the ‘Events Capital of WA’, Busselton has a strong festival and events economy that fuels local creative and arts production, supported by demographic shifts and population growth that is resulting in more creatives living and working in the city.
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Hearn, Greg, Mark Ryan, Marion McCutcheon, and Stuart Cunningham. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Fremantle. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.216570.

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Fremantle is a small port city of only 29,000 people (36,000 if East Fremantle is included) that has vibrant and diversified creative industries and is geographically close to WA’s capital city Perth. Fremantle has a kind of New Orleans cultural DNA, where live music is cheap and affordable. Fremantle has a unique socio‐ cultural fabric that has contributed to the city’s large arts community and its reputation as an energetic creative city.
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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia.
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Nyman, Matt, Nancy Staus, and Martin Storksdieck. Science and Art Teaching Practices for Oregon Elementary Teachers: Results of a Landscape Survey. Oregon State University, 2023. http://dx.doi.org/10.5399/osu/1163.

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An Evaluation Report for the Oregon Department of Education. In collaboration with classroom teachers and WRAP personnel we developed and implemented a survey to collect baseline data on the science and arts teaching practices for ALL elementary teachers. This included “regular” classroom teachers (those teachers with an assigned physical classroom and set of students), art teachers, music teachers, PE teachers and other educators or administrators. In December 2022 we recruited three (3) elementary teachers to assist us in survey development, in particular framing questions around frequency o
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