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Dissertations / Theses on the topic 'Festival of Music and the Arts'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

ABDALA, Lorena Pompei. "Estéticas da existência: a moda nos Festivais de Rock (Goiânia Noise Festival e Lollapalooza Music Festival-2008/2009)." Universidade Federal de Goiás, 2010. http://repositorio.bc.ufg.br/tede/handle/tde/2830.

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Made available in DSpace on 2014-07-29T16:28:01Z (GMT). No. of bitstreams: 1 ESTETICAS DA EXISTENCIA PART 1.pdf: 220939 bytes, checksum: 22ef569adbc52795342cfe83a7ff729d (MD5) Previous issue date: 2010-04-13<br>This dissertation deals about the care of the self as a mediator of the construction of identities, which legitimize the existence of the socio-cultural subjects. Through the visual narratives produced in the scenario of rock festivals, were traced the relationship of fashion as a tool for the construction of identity. The fashion, understood as a social and cultural practice operates

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Zabrovskaya, Yulia, and Monika Pavilonyte. "Revenue determinants of music festivals : A case of pop/rock, jazz and classical music festivals in Scandinavia." Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-13771.

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We have chosen several types of festival (rock/pop, classic and jazz) in Scandinavian region (Sweden, Denmark and Finland), selected the biggest music events in each of the regions and marked the main factors affecting the revenue of the festival, why some of festivals occurring every year and some just have lack of visitors, as we suppose. Purpose is to define the main factors which influence revenues of festivals of classic, rock/pop and jazz genre. Methodology is to determine these factors. Quantitative analysis was used in order to collect necessary data. Organizers of festivals in Sweden,

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Duerksen, Jessica Anne. "“It’s festival time again”: Sounding Tensions with/in an A/R/Tographical Inquiry into Participation in Competition Music Festivals." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32989.

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Reflecting on my musical past, my annual participation in competition music festivals in solo and ensemble categories at the local and provincial levels shaped my music education as well as my development as a music educator. I inquire into how re/visiting moments of tension in my lived experiences as a participant in competition music festivals can facilitate my current praxis as artist, researcher and teacher. My inquiry is informed by understandings of a/r/tography as an arts-based educational research methodology. I inquire into these sites of music-making drawing on a theoretical framewor

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Hautzinger, Daniel. ""Music-making in a Joyous Sense": Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts." Oberlin College Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1462805190.

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Fass, Sunni Michelle. "The 2005 Lotus World Music and Arts Festival processes of production and the construction of spatial liminality /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3215204.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1142. Adviser: Ruth M. Stone. "Title from dissertation home page (viewed June 18, 2007)."

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Silva, Jane Susan. "The growth, development and impact of the Grahamstown Festival of the Arts with special reference to music." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002322.

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The Grahamstown Festival has become a huge and complex annual celebration of the arts, transforming the small Eastern Cape city for ten days every year. However this event had very modest beginnings, as did music and festivals in the city of Grahamstown. From its early days Grahamstown showed strong signs of becoming an important cultural centre, presenting numerous musical concerts from 1812, the festival tradition in the city beginning in 1887. The modern arts festival, initiated in 1971, had a chequered history during the early and mid 1970's, weathering economic recession, petrol restricti

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Bentley, Danielle Sarah. "Restrung new chamber festival : an exploration of contemporary string practice." Thesis, Queensland University of Technology, 2011. https://eprints.qut.edu.au/49582/1/Danielle_Bentley_Thesis.pdf.

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The Restrung New Chamber Festival was a practice-led research project which explored the intricacies of musical relationships. Specifically, it investigated the nature of contemporary string practice, with "New music" at its core. For the purposes of this project, "New music" will be defined in terms of representing a "global sonorous space" (Nancy 2007:12), which Hulse describes as "a spectacular comingling of styles and an unprecedented explosion of creative possibilities" (Hulse n.d.:2). Approaches to staging such an event are contextualised through a comparative analysis with relevant Aust

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Yip, Lam Christine, and 葉琳. "The performances of J.S. Bach's music in the Hong Kong Arts Festival: a case study of Bach reception in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31214836.

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Reeve, Zoë Rose Louise Patricia. "Staged authenticities an exploration of the representations of AmaXhosa culture within the main programme of the National Arts Festival, 2009." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002378.

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This thesis investigates the presentation of AmaXhosa traditional dancing and music on the stages of the National Arts Festival (NAF), Main Programme, of South Africa in 2009. Four productions featuring AmaXhosa traditional dancing and music, as well as a fine art exhibition, are analysed to determine how the AmaXhosa culture is being portrayed, what is considered authentic and how these productions may affect the memory of the AmaXhosa nation. In an attempt to understand the position of these productions within the NAF the South African cultural context as well as the NAF is examined. The pos

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Groulx, Timothy J. "An Examination of the Influence of Band Director Teaching Style and Personality on Ratings at Concert and Marching Band Events." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1650.

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This descriptive correlational study examined the relationship between high school band directors' teaching style and personality and their ratings in marching and concert band festivals using the Five-Factor Model of personality and Gumm's Music Teaching Style Inventory. The sample (N=176) consisted of 46% of all high school band directors in Florida. Criterion variables included marching and concert festival ratings, state concert band ratings, Florida Marching Band Coalition marching competition scores, frequency of attendance of these last two events, and the balance between marching and c

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Boato, Giulia <1991&gt. ""Music Makes You Move". I festival e gli eventi musicali come attivatori turistici." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12133.

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La tesi prende in considerazione il fenomeno del turismo musicale e il contributo che i concerti e i festival musicali possono apportare alla valorizzazione e alla promozione dei territori che li ospitano. L'elaborato si focalizza in particolare sulle manifestazioni di musica leggera che si svolgono in Italia, non tralasciando le manifestazioni jazz, i più importanti festival inglesi e l'importanza della lirica per il turismo italiano.

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Pavlů, Kristýna. "Marketing hudebního festivalu Dvořákova Praha." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-124594.

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This thesis focuses on marketing activities of the classical music festival Dvořák's Prague. Its goal is to analyze the advertising and other marketing activities of Dvořák's Prague in detail. On these bases recommendations on how to increase the knowledge of the festival will be proposed. The thesis is divided into two parts. In the first part the thesis focuses on theoretical points related to marketing ín general and to the arts, which are the subject of the festival. Then the concept of the market research is defined, its process and methods. In the second part, theoretical points are appl

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Lees, Jennifer Anne. "Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941 /." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20051109.114852/index.html.

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Thesis (Ph.D.) (Communication & Media) -- University of Western Sydney, 2003.<br>A thesis submitted in requirement for the degree of Doctor of Philosophy - Communication & Media, University of Western Sydney, 2003. Bibliography : leaves 350-372.

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Siqueira, Andrea Siomara de. "Música e vida social: sentidos do festival de inverno de Campos de Jordão para músicos da comunidade local." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-15122009-124333/.

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O objeto dessa pesquisa é o processo de significação construído acerca do Festival Internacional de Inverno de Campos do Jordão nas vivências sociais de músicos da comunidade local. Sabemos que o festival é um evento artístico e cultural que envolve diferentes instituições e pessoas, e pode ser estudado por diversos ângulos. Aqui nos interessa observá-lo a partir de um estudo psicossocial com os seguintes objetivos: 1. Compreender as significações do evento neste público específico; 2. Refletir sobre as relações estabelecidas entre os sujeitos e o Festival. A Psicologia Social da Arte contribu

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Ndzuta, Akhona Amanda. "South African Festivals in the United States: An Expression of Policies, Power and Networks." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1554903391508711.

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Steinberg, Ella Nora Parks. "“Take a solo”: An analysis of gender participation and interaction at school jazz festivals." Scholarly Commons, 2001. https://scholarlycommons.pacific.edu/uop_etds/2469.

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This study documented participation at school jazz festivals according to gender and instrument and explored interaction patterns between clinicians and students to determine if participation patterns in jazz education resemble those in math and science, where females have been found to be underrepresented in high-level courses. This study analyzed data collected at two middle and high school jazz festivals with male and female students participating in stage performances and in post-performance clinics. Out of a total student population of 556 performers, males were found to represent a dispr

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Du, Toit-Pearce Minette. "Eisteddfod in Suid-Afrika met spesifieke verwysing na die Paarl Vallei Eisteddfod." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2945.

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Thesis (MMus (Music))--University of Stellenbosch, 2009.<br>The purpose of this thesis is twofold. In the first instance, it is to document the origins and history of the eisteddfod in general, and more specifically, in South Africa. In the second instance, this thesis will attempt to describe the meaning and role of the eisteddfod in South Africa. This will be achieved with the help of a case study, which will require that a local eisteddfod be researched and discussed. As a result of involvement with eisteddfods over a period of twenty-five years (first as a participant and later as a teache

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Ancín, Itziar. "The Kabir Project. Bangalore and Mumbai (India)." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23290.

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The Kabir Project (K.P.) was born in Bangalore, India, in 2002, after the Gujarat pogrom, which occurred in the same year. In the context of increasing divisions in Indian society, defined by religion, social class, caste and gender, this research explores how this initiative, through live concerts and documentary films, spreads the folk music traditions of the 15th century mystic poet Kabir along with his messages of unity and understanding between confronted identity groups. This study presents the context of violence between Muslims and Hindus since the Indian Partition and the reasons for

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Lees, Jennifer Anne. "Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/714.

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This thesis documents the early history of the City of Sydney Eisteddfod from its beginning in 1933 until it recessed in 1941 for the duration of the Pacific War. Eisteddfods had long been commonplace in Australia, but this competition began for political rather than cultural reasons in 1932, when organisers of the Harbour Bridge celebrations decided that since the spectacular edifice had made Sydney an icon on the world map, the city needed to cultivate a more sophisticated image. In observing events that led to its establishment, the project looks at the technological revolution of the 1920s

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McIver, Sharon. "WaveShapeConversion : the land as reverent in the dance culture and music of Aotearoa : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Cultural Studies in the University of Canterbury /." Thesis, University of Canterbury. Culture, Literature and Society, 2007. http://hdl.handle.net/10092/1635.

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This thesis is the result of more than ten years involvement with outdoor dance events in Aotearoa, with a specific focus on Te Wai Pounamu (South Island) and Otautahi (Christchurch). Two symbiotic themes are explored here – that of the significance of the landscape in inspiring a conversion to tribal-based spirituality at the events, and the role of the music in ‘painting’ a picture of Aotearoa in sound, with an emphasis on those musicians heard in the outdoor dance zones. With no major publications or studies specific to Aotearoa to reference, a framework based on global post-rave culture ha

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Parentelli, Lorenza <1995&gt. "Acieloaperto festival: organizzazione e produzione di un festival di musica leggera." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20118.

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L'elaborato si propone di analizzare il festival di musica leggera Acieloaperto. Nel primo capitolo vengono esposti i concetti di evento, evento culturale e festival; nel secondo capitolo si analizzano il territorio e il contesto in cui il festival ha luogo; nel terzo capitolo viene analizzata la storia dell'associazione Retropop Live che organizza il festival e il suo operato sul territorio della zona di Forlì-Cesena, in particolare anche la sua forma giuridica di Associazione Culturale APS; nel terzo capitolo si analizzano la rassegna, in particolare organizzazione, produzione e proposta cu

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Middlebrooks, Justin M. Mr. "The Intersection Between Politics, Culture, and Spirituality: An Interdisciplinary Investigation of Performance Art Activism and Contemporary Societal Problems." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1333397676.

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Bachir-Loopuyt, Talia. "Une musique du monde faite en Allemagne ? : les compétitions Creole et l'idéal d'une société plurielle dans l'Allemagne d'aujourd'hui." Phd thesis, Ecole des Hautes Etudes en Sciences Sociales (EHESS), 2013. http://tel.archives-ouvertes.fr/tel-00927409.

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Ce travail vise à rendre compte des relations entre création musicale, politiques de la diversité et mondialisation dans l'Allemagne d'aujourd'hui en partant d'un cas : creole, un cycle de compétitions organisé selon un principe fédéral, qui donne lieu à des festivals dans différentes villes et débouche tous les deux ans sur un prix récompensant trois ensembles de " musiques du monde d'Allemagne ". Selon les textes des programmes, cette manifestation est censée illustrer la créolisation du monde et les connexions émergeant entre différentes cultures et genres musicaux présents en Allemagne. Lo

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Anderton, Christopher Booth. "(Re)Constructing music festival places." Thesis, Swansea University, 2007. http://ssudl.solent.ac.uk/1560/.

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The British music festival market is remarkable in its size, breadth and longevity. In recent years, a considerable growth has been seen in the numbers of greenfield music festivals: those rock, pop and folk music events which are held outdoors, across a weekend, and offer on-site camping accommodation. These represent the annual (re)construction of a temporary ‘village’, and may accommodate anywhere from a few thousands to tens of thousands of festival-goers. They offer excellent promotional opportunities for their organisers, sponsors and hosts, and have become important leisure and tourist

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Cuneo, Zoe. "Faux/Real Festival of Arts." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/aa_rpts/199.

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The purpose of this internship report is to analyze the Faux/Real Festival of Arts in regards to my Arts Administration learning experiences. In addition, I will describe my internship involvement with Faux/Real and examine the success of its first year. This report also contains my S.W.O.T. analysis of the festival, highlighting its strengths, weaknesses, opportunities, and threats. Finally, I assert best practices for festival management and programming, and offer recommendations to Faux/Real on how they could incorporate those practices that they have not already implemented to strengthen t

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Bidgood, Lee, and Los Ambajadores. "Performance At Corazon Latino Festival." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1054.

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Thank you for coming to celebrate the vibrant Latino culture in an evening jam-packed with fun family activities, delicious food, free dancing lessons, and live entertainment. For this year's festival, we highlighted the beautiful connection between the Latino and Appalachian communities here in our area, making this festival like no other! This year's festival included: Corazón Sano – Awareness and prevention of health issues, such as blood pressure and glucose screening, healthy living, and self-care management Arte – Exposure to the Latino roots and culture in the art exhibit, Ni de Aquí ni

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Bidgood, Lee, and Great Smokey Mountain Bluegrass Band. "Performance at Blue Plum festival." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1071.

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Bidgood, Lee, and Great Smokey Mountain Bluegrass Band. "Performance at Old Oak Festival." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1064.

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Bidgood, Lee, and ETSU Mandolin Orchestra. "Performance at Corazon Latino Festival." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/3258.

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Bidgood, Lee, and Banjo Romantika Band. "Performance at Bluegrass and Bayou festival." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1058.

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Bidgood, Lee, and Great Smoky Mountain Bluegrass Band. "Performance at Ruritan Club Bluegrass Festival." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1062.

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Roberts, Parker Kathryn. "Music and Festival Culture in Shakespearean Comedy." Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23379.

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This thesis argues that Saturnalian festival practice is central to the representation of both vernacular and rhetorical forms of music in Elizabethan and Jacobean dramatic texts. Since the early twentieth century, scholarly attention has largely focused on the representation of elaborate and rhetorical courtly styles of music in early modern theatre. As such, there has yet to be a study of music in stage drama where vernacular culture is the primary focus. This thesis examines the influence of vernacular music that arises from Saturnalian festival culture in six comedies written by Shakespear

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Moss, Jonathan Matthew Henderson. "A phenomenological exploration of music festival experience." Thesis, Sheffield Hallam University, 2018. http://shura.shu.ac.uk/21509/.

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The study provides an in-depth exploration of music festival experience. The research was positioned in the field of experience and this provided the research with a phenomenological lens. Reflecting on the theories of phenomenological anthropology (Jackson, 1996; Andrews 2006, 2009) and the anthropology of experience (Bruner, 1986, Turner, 1986) this research justified a contrasting epistemic perspective and phenomenological psychology was used to investigate the ideographic experiences of the attendees. This enabled an understanding of how music festival experience effected the lifeworld of

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Batchelder, Xela Ann Pollock. "The world's largest arts festival, The Edinburgh Festival Fringe mechanics, myth and management /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149104422.

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Bidgood, Lee, and ETSU Old Time Band. "Performance at Rhythm and Roots Reunion Festival." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1078.

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Bernardi, Donatella. "Arts festival as a global cultural product." Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/41785.

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In this thesis, I address ephemeras - namely temporary displays in the form of festivals and exhibitions belonging to the field of contemporary art. The most appropriate criterion with which to select and discuss the ephemera, i.e., the data in which I analyse in this thesis, is the notion of the 'event'. 'Event' is a philosophical concept, and therefore does not belong to artistic or aesthetic categories. However, two main characteristics are particularly relevant in considering it, and these are also pertinent to the field of art. Firstly, the tandem contingency and necessity. Secondly, the

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Rowley, Ben. "Festival or carnival? : the 2002 Adelaide Festival of the Arts and cultural activism /." Title page/ table of contents only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arr8838.pdf.

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Batchelder, Xela. "The world's largest arts festival, The Edinburgh Festival Fringe: mechanics, myth and management." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1149104422.

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Dall'Oca, Francesca <1994&gt. ""Organizzazione e produzione del Villafranca Festival 2017. Un castello rivive con la musica."." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13940.

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Questo elaborato tratta l’organizzazione e l’impatto di un festival musicale che ha sede a Villafranca di Verona. Si tratta del Villafranca Festival, un festival che si svolge nel mese di luglio in un luogo alquanto suggestivo: il Castello Scaligero di Villafranca. Questo festival è organizzato da Eventi s.r.l., azienda veronese che si occupa dell’organizzazione di concerti e spettacoli a Verona e provincia ed a Mantova. L’altro soggetto promotore del Villafranca Festival è il comune di Villafranca, il quale crede fortemente in questo progetto, il quale è diventato ormai una realtà consolidat

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Garth, Alan, and edu au jillj@deakin edu au mikewood@deakin edu au kimg@deakin. "A Study of an Australian Rural Music Festival." Deakin University. School of Australian and International Studies, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20040617.152028.

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A social and cultural study of the development of the Port Fairy Folk Festival within the context of the current revival of folk music in Australia. The folk music movement is a social and cultural phenomenon, as well as a musical event.

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Rajathurai, Yogandran. "Hindu Caste Music in the Malaysian Thaipusam Festival." Thesis, University of Canterbury. School of Music, 2007. http://hdl.handle.net/10092/997.

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Thaipusam, is an annual festival beginning on a full moon day between January 14 and February 14. This festival is celebrated in Malaysia, Singapore, Indonesia, India, Sri Lanka, Mauritius and South Africa. It is celebrated by all Hindu castes, from the highest Brahmin to the lowest Dalit. An important feature of Thaipsam is the kavadi ritual. This follows the myth of Surapadma, the demon, who eventually became Lord Maruga's honest devotee, Idumban. This conversion is represented by purification ceremonies, around which the festival focuses, and in which participants enter a state of tra

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Zubeck, Stella. "Not Fade Away : Enriching Music Festival Audience Experience." Research Showcase @ CMU, 2014. http://repository.cmu.edu/theses/77.

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The modern music festival is a site of interaction between up to hundreds of thousands of people, artists, vendors, musicians and technologies. Audiences travel thousands of miles and invest huge amounts of time, energy and money to attend them. Despite the increasing commercial demand for music festivals and the budding recognition of their social value to festivalgoers, humancentered design methods have not been applied to explore ways to increase the value of music festival experiences for audiences. The purpose of this project was twofold. First, I planned to develop a nuanced human-center

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Olson, Ted. "The National Storytelling Festival: Words, Music, and Memories." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1126.

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Excerpt: A Other acclaimed masters of the spoken word scheduled to appear at this year’s Festival include David Novak, Minton Sparks, Joseph Bruchac, Milbre Burch, and Jackson Gillman. Each year the Festival seeks to represent storytelling from a range of cultural traditions, and this year is no exception. Rev. Robert Jones and Diane Ferlatte will present stories and music relating African American experience, while Festival attendees may also see and hear performances by Yiddish storyteller Shonaleigh, Chinese American storyteller and musician Charlie Chin, and Brazilian performance artist An

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Jackson, Caroline. "The lived experience of the popular music festival-goer." Thesis, Bournemouth University, 2014. http://eprints.bournemouth.ac.uk/22419/.

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This study provides an in-depth understanding of the lived experience of people that attended a popular music festival in the UK. The research is grounded in the philosophical roots of both experience and descriptive phenomenology. Phenomenological research is about “going back to people’s specific experiences and letting the concepts come from there” (Todres and Holloway 2010, p183). The research used Giorgi’s descriptive phenomenological method (1985, 2009). Giorgi’s method is based on the early twentieth century philosopher Husserl’s scientific approach to developing phenomenology. Giorgi (

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Stadler, Raphaela. "Appreciating Relational Knowledge Management within the Queensland Music festival." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/365339.

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Effective knowledge management can provide a competitive advantage for festival organisations. Conventional knowledge management approaches to event and festival studies have identified documenting and storing knowledge in databases, checklists and evaluation reports. Drawing upon new insights in the knowledge management literature, I focus on the relational and practice-based dimension of knowledge management and apply an Appreciative Inquiry approach. In this thesis, I argue that relational knowledge management is storied, embodied and practised by organisational members throughout the entir

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Attala, Jennifer. "Performing the Festival : a study of the Edinburgh International Festival in the twenty-first century." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3839/.

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In the global marketplace of the twenty-first century a proliferation of festivals, or festivalisation, has produced an increasingly pressurised and politicized environment for international arts festivals. Through a case study of the Edinburgh International Festival the thesis explores what strategies the Festival is adopting to maintain its lead position in this increasingly competitive international landscape. It examines recent cultural policy development in Scotland and the UK exploring how creative industry theory promotes the argument for ‘investment’ in cultural festivals as economic d

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Creek, Brooke Elaine. "Tennessee Williams/New Orleans Literary Festival: An Internship Report." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/aa_rpts/179.

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The purpose of this internship report is to examine the daily activities, organizational structure, and festival planning of the Tennessee Williams/New Orleans Literary Festival (TW/NOLF). The report includes my assigned duties and tasks, the organization’s strengths and weaknesses, best business practices, and detailed recommendations for improvement. The internship consisted of 480 hours, working closely with the Director of Literary Programs and Development, J.R. Ramakrishnan. The organization’s main focus during the year is to construct and produce their annual festival. iv

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Phillip, Lyndon A. "The Caribana Festival, continuity, change, crisis and an alternative music." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39221.pdf.

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Wakholi, Peter. "Negotiating cultural identity through the arts: The African Cultural Memory Youth Arts festival (ACMYAF)." Thesis, Wakholi, Peter (2012) Negotiating cultural identity through the arts: The African Cultural Memory Youth Arts festival (ACMYAF). PhD thesis, Murdoch University, 2012. https://researchrepository.murdoch.edu.au/id/eprint/7601/.

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Negotiating Cultural Identity through the Arts: The African Cultural Memory Youth Arts Festival (ACMYAF) examines ways in which African cultural memory, and the extent to which the arts based approaches benefited the cultural identity socialisation experiences of young people of African migrant descent. Arts were used to explore the identities of a group of youth of African descent, as a means to developing understanding of the issues relating to their bicultural socialisation and ways in which Arts-based strategies could be used to address them towards bicultural competence. Bicultural compet

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Motale, Matebello Dieketseng Bethsheba. "The social impact of arts festivals : a case of the ABSA Klein Karoo National Arts Festival / M.D.B. Motale." Thesis, North-West University, 2008. http://hdl.handle.net/10394/1774.

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