Academic literature on the topic 'Festival Records'

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Journal articles on the topic "Festival Records"

1

Gusāns, Ingars. "DEVELOPMENT OF MUSIC FESTIVALS IN LATGALE." Via Latgalica, no. 5 (December 31, 2013): 105. http://dx.doi.org/10.17770/latg2013.5.1638.

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The topic of this article is to illustrate the contribution of festivals to Latgalian culture. The article gives an overview on the development of the festivals: Latgales Televīzijas Mūzikas festivāls, ”Osvalds”, ”Muzykys Skrytuļs” and Latgales Mūzikas festivāls. The article is based on interviews with the festival organizers, available press materials, internet resources and the author’s personal observations both as a listener and a participant of the described festivals. Festivals are mentioned in chronological order. Latgales Televīzijas Mūzikas festivāls was the festival that started adve
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2

Voigt, Lisa. "The Archive and the Festival." Journal of Festive Studies 1, no. 1 (2019): 27–35. http://dx.doi.org/10.33823/jfs.2019.1.1.32.

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This article offers a brief overview and assessment of the opportunities and challenges that written, visual, and digital records hold for the study of early modern festivals, using Diana Taylor’s terminology of the “archive” and the “repertoire” and examples from colonial Latin American and early modern Iberian festivals as points of departure. While archival records are far from transparent records of the events, they can help to illuminate the multiple, sometimes conflicting agendas behind both the festivals and their pictorial or textual representation. Digital archives promise to make ear
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3

Pioš, Katarzyna, Karolina Skoczylas, and Teresa BrzeziñSka-Wójcik. "The Current Condition and Possibilities of Development of Festival Tourism in the Lublin Region." Polish Journal of Sport and Tourism 21, no. 2 (2014): 119–26. http://dx.doi.org/10.2478/pjst-2014-0012.

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Abstract Introduction. The number, range, and diversity of events with a character of festivals have been growing in the Lublin Region over the last several years. The events are organised by various entities and institutions. Information about them is largely dispersed. No study has been conducted so far determining the spatial distribution of festivals at the regional scale, and analysing their offer in the context of possibilities of development of festival tourism. Therefore, a study in the scope was undertaken with consideration of the cultural conditionings of some of the events. Materia
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4

Erdoğan Işkorkutan, Sinem. "Chasing Documents at the Ottoman Archive: An Imperial Circumcision Festival Under Scrutiny." Medieval History Journal 22, no. 1 (2019): 156–81. http://dx.doi.org/10.1177/0971945819841528.

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In 1720, the Ottoman court staged a grand public circumcision in Istanbul, with festivities lasting for three weeks. Although this imperial festival, celebrated in two separate sites, has been attracting the interest of Ottoman scholars for five decades, previous researchers have only accessed the event through narrative and pictorial sources, which provide information solely on the morphology of the festival and some of its rites. Recently, however, comprehensive research in the Ottoman archives has unearthed the most extensive archival source concerning an Ottoman festival that historians ha
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5

Luther, Matt, Fergus Gardiner, Shane Lenson, et al. "An Effective Risk Minimization Strategy Applied to an Outdoor Music Festival: A Multi-Agency Approach." Prehospital and Disaster Medicine 33, no. 2 (2018): 220–24. http://dx.doi.org/10.1017/s1049023x18000195.

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Specific Event Identifiersa. Event type: Outdoor music festival.b. Event onset date: December 3, 2016.c. Location of event: Regatta Point, Commonwealth Park.d. Geographical coordinates: Canberra, Australian Capital Territory (ACT), Australia (-35.289002, 149.131957, 600m).e. Dates and times of observation in latitude, longitude, and elevation: December 3, 2016, 11:00-23:00.f. Response type: Event medical support.AbstractIntroductionYoung adult patrons are vulnerable to risk-taking behavior, including drug taking, at outdoor music festivals. Therefore, the aim of this field report is to discuss
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6

Mun, Ji-Hui, and Woo-Kwon Chang. "A Study on the Management of the Chunhyang Festival Records." Journal of the Korean BIBLIA Society for library and Information Science 25, no. 1 (2014): 397–420. http://dx.doi.org/10.14699/kbiblia.2014.25.1.397.

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7

Kamour, A., R. Yardley, J. Stuart, and M. Longshaw. "The Experience of a District General Hospital with a Large Outdoor Music Festival in England." Acute Medicine Journal 16, no. 2 (2017): 65–68. http://dx.doi.org/10.52964/amja.0657.

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Objectives: To assess the impact of the Parklife annual music festival on the local hospital, North Manchester General. Methods: Data was obtained retrospectively by analysis of emergency department records during the weekend of Parklife 2015. Results: 32 patients were identified, 56% reported taking drugs. 34% were admitted for overnight observation. 4 patients presented with methaemoglobinaemia following oral ingestion of amyl nitrate. One patient had a methaemoglobin fraction of 90.6%, which is amongst the most extreme recorded in literature. Conclusion: Music festivals can impose a burden
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8

Ghosh, Rajoshree. "The Dynamics of a Mughal Court Festival." Indian Historical Review 44, no. 2 (2017): 198–211. http://dx.doi.org/10.1177/0376983617726469.

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The celebration of Nauroz, being one of the most well-defined events of the Mughal Court, finds ample space in their records. Yet, its story was not just about grandeur and magnificence, but touches several aspects of what made and sustained the empire. Building on the multiple identities of the festival, which emerges from a brief overview of its antecedents, this article examines the ways in which the sources have presented each of the emperors to have negotiated with it. However, it is on stringing them together and noting the changing nature of references that the layers begin to reveal th
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9

Nicolls, Sarah. "‘New Blood’: 130701, 15th Anniversary Showcase, Brighton Festival." Tempo 70, no. 278 (2016): 88–89. http://dx.doi.org/10.1017/s0040298216000425.

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The Spire, St Mark's chapel, is an artist-led creation space in Brighton. Normally it's a blank space without heating or equipment but for the night of 10 May it is fantastically dressed up with lights, pictures and a projection saying ‘landmark post-classical recordings’. This is a label showcase for 130701, an offshoot of FatCat Records set up by Dave Howell in 2001. Hauschka, one of the label's longstanding artists who has opened up his imaginative and playful inside-piano playing to commercial audiences, and the label's willingness to support live experimental music are the reasons I'm her
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10

Yazawa, Kazuyuki, Yukihiro Kamijo, Ryuichi Sakai, Masahiko Ohashi, and Mafumi Owa. "Medical Care for a Mass Gathering: The Suwa Onbashira Festival." Prehospital and Disaster Medicine 22, no. 5 (2007): 431–35. http://dx.doi.org/10.1017/s1049023x00005161.

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AbstractIntroduction:The Suwa Onbashira Festival is held every six years and draws approximately one million spectators from across Japan. Men ride the Onbashira pillars (logs) down steep slopes.At each festival, several people are crushed under the heavy log. During the 2004 festival, for the first time, a medical care system that coordinated a medical team, an emergency medical service, related agencies, and local hospitals was constructed.Objective:The aims of this study were to characterize the spectrum of injuries and illness and to evaluate the medical care system of this festival.Method
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