Relevant bibliographies by topics / Festivals

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Festivals'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Festivals"

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Muylaert Mager, Juliana, and Ana Maria Mauad. "EM CARTAZ: festivais de cinema de arquivo – preservação e público." Revista Observatório 3, no. 2 (2017): 283. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n2p283.

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Nas últimas décadas, observa-se o surgimento de festivais dedicados ao cinema de arquivo. No Brasil, foi criado em 2002, pelo Arquivo Nacional, o Recine – Festival Internacional de Cinema de Arquivo, evento que foi substituído pelo Arquivo em Cartaz em 2015. O fenômeno dos festivais se relaciona com o tratamento do patrimônio audiovisual ao longo do século XX e XXI, sendo inseparável da trajetória das instituições arquivísticas. Neste artigo, pretende-se, por meio da análise dos dois festivais, discutir como esses eventos trabalham a tensão entre exibir e preservar, duas das principais funções
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Gusāns, Ingars. "DEVELOPMENT OF MUSIC FESTIVALS IN LATGALE." Via Latgalica, no. 5 (December 31, 2013): 105. http://dx.doi.org/10.17770/latg2013.5.1638.

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The topic of this article is to illustrate the contribution of festivals to Latgalian culture. The article gives an overview on the development of the festivals: Latgales Televīzijas Mūzikas festivāls, ”Osvalds”, ”Muzykys Skrytuļs” and Latgales Mūzikas festivāls. The article is based on interviews with the festival organizers, available press materials, internet resources and the author’s personal observations both as a listener and a participant of the described festivals. Festivals are mentioned in chronological order. Latgales Televīzijas Mūzikas festivāls was the festival that started adve
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Theresa, Addai, and Ofosu Ameyaw Henry. "HISTORICAL BACKGROUND AND SOCIOECONOMIC SIGNIFICANCE OF MODERN GHANAIAN FESTIVALS: THE CASE OF KWAHU EASTER." International Journal for Research Trends and Innovation 9, no. 1 (2024): 40–48. https://doi.org/10.5281/zenodo.10464289.

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Festivals represent significant sociocultural and economic events in many societies. In Ghana, traditional festivals have evolved to take on more modern dimensions. The Kwahu Easter festival in Ghana's Eastern Region exemplifies these dynamics. Once a religious event, it has become a major tourist attraction driven by secular entertainment activities. This study explored the festival's history, identified its socioeconomic Significance, and examined associated tensions using mixed methods. Qualitative interviews and archival research traced the festival's origins to missionary and colonial-era
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Shin, Jin Ok, Euitay Jung, and Ji Sung Song. "A Study on the Design for Constructing Place Identity in Non-Place Asset-Dependent Festivals : Focusing on the Ansan Street Arts Festival." Korea Institute of Design Research Society 10, no. 2 (2025): 659–71. https://doi.org/10.46248/kidrs.2025.2.659.

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This study explores marketing strategies for content-driven festivals independent of local place assets, focusing on the Ansan Street Arts Festival. Based on a literature review, survey, and interviews, the study examines the festival’s connection to urban identity. Results show weak perceived links due to limited spatial continuity and symbolic presence. Strategies such as content specialization, regional collaboration, and public design are proposed. The study concludes that such festivals can contribute to urban branding and identity.
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Ibe, Ibe Ogbobuike, and Rukayat Hassan Abiola. "Socio-cultural significance of contemporary urban Nigerian festivals: a study of Port Harcourt <i>Bole</i> Festival." International Journal of Current Research in the Humanities 28, no. 1 (2025): 258–68. https://doi.org/10.4314/ijcrh.v28i1.18.

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Festivals are performative dimensions of cultural practice that strengthen bonds of cohesion in societies. The Port Harcourt Bole Festival is an urban event in Rivers State, Nigeria, which celebrates the local delicacy Bole (roasted plantain) and its cultural significance. Street festivals like the “Bole Festival,” are a powerful tool for building and strengthening urban community bonds, promoting social inclusion and celebrating the vibrancy and diversity of urban life. This study examines the festival's socio-cultural importance within the context of contemporary urban Nigerian festival agai
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Karmacsi, Zoltán, and Enikő Sass. "The linguistic landscape of festival tourism in Transcarpathia." Acta Academiae Beregsasiensis, Philologica II, no. 1 (2023): 139–60. http://dx.doi.org/10.58423/2786-6726/2023-1-139-160.

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In addition to natural, historical and cultural attractions, there are an increasing number of places in Transcarpathia where tourists can enjoy organised programmes. In the big cities and smaller towns, festivals and festival-like events take place from the second half of January until mid-December. The area inhabited by Hungarians also organises a significant number of festivals and festival-like events every year. Many of these are known throughout Ukraine and even more widely. Among the festivals in the region, folk art and folklore festivals are the most popular, while gastronomic festiva
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Ohiienko, Iryna. "Ethnic Festivals of the Mid to Late 20th – Early 21st Century as a Component of the Folklore Culture of Bulgaria." Materìali do ukraïnsʹkoï etnologìï, no. 20 (23) (December 20, 2021): 139–50. http://dx.doi.org/10.15407/mue2021.20.139.

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The article is dedicated to the study of folklore festival culture in Bulgaria in the mid to late 20th – early 21st century. The characteristic features of the folklore festival culture of Bulgaria are considered, the main functions of the folklore festivals are determined, a number of well-known international, national and local ethnic folklore festivals taking place in different cities and villages of Bulgaria are classified. The first ethnofestivals in Bulgaria are described, such as the Festival of Folk Art and Animal Husbandry in Rozhen, the Festival of Folk Art in Koprivshtitsa, the Inte
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Reynaud, Bérénice. "‘Festival of festivals’." Afterimage 14, no. 5 (1986): 3–4. http://dx.doi.org/10.1525/aft.1986.14.5.3.

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Reynaud, Bérénice. "‘Festival of festivals’." Afterimage 14, no. 5 (1986): 3–4. http://dx.doi.org/10.1525/aft.1986.14.5.3.

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Ossowska, Luiza, Dorota Janiszewska, Gregory Kwiatkowski, and Dariusz Kloskowski. "The Impact of Local Food Festivals on Rural Areas’ Development." Sustainability 15, no. 2 (2023): 1447. http://dx.doi.org/10.3390/su15021447.

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The importance of food festivals in the functioning of local rural areas is manifested in the construction of a sense of community and place. However, each stakeholder group perceives the impact of such festivals differently. The literature lacks a comprehensive approach to this issue. The main aim of this research is, thus, to identify how particular groups of stakeholders perceive the impact of a local food festival on the development of a rural area. The research was conducted at a small local food festival in Poland in July 2020. Individual groups of stakeholders (organizers, vendors and v
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Dissertations / Theses on the topic "Festivals"

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Hamáčková, Soňa. "Kultúrny turizmus a folklórne festivaly." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-202100.

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The thesis deals with the analysis of cultural tourism and folklore festivals. Its goal is to characterize cultural tourism and festivals and to evaluate their position in the Czech republic and Slovakia. One part of the thesis deals with the analysis of Folklore Festival Východná and International Folklore Festival Strážnice. In conclusion the SWOT analysis of folklore festivals is conducted, festivals are compared, and measures for the next development are suggested.
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Richards, Evan E. "The 33rd Alaska Folk Festival : a short documentary /." Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/RichardsEE2008.pdf.

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Sørbo, Ingelin. "Festival + sted = ? : Vinjerock - en festivals påvirkning på stedsidentitet og stedsutvikling." Thesis, Norges teknisk-naturvitenskapelige universitet, Geografisk institutt, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-17027.

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Festivaler har blitt en viktig del av opplevelsesøkonomien og stedene de er lokalisert. Denne oppgaven er et case-studie av musikkfestivalen Vinjerock i Vang kommune, og fokuserer på hva slags innvirkninger festivalen har på stedsidentitet og stedsutvikling. Oppgavens empiriske grunnlag baseres på kvalitative intervju med syv aktører fra Vang og Valdres-regionen som er involvert i Vinjerock på ulike måter. Oppgaven består av en todelt analyse: den første delen av analysen fokuserer på festival, sted og stedsidentitet, mens den andre delen av analysen i hovedsak fokuserer på stedsutvikling og e
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Petitinga, Carolina Santos. "Festival de verão de Salvador: significado para o turismo, a música independente, a economia e o marketing da cidade." Programa de Pós-Graduação em Cultura e Sociedade da UFBA, 2008. http://www.repositorio.ufba.br/ri/handle/ri/10605.

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145f.<br>Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-05-08T17:20:26Z No. of bitstreams: 1 dissert_Carolina Petitinga.pdf: 1727969 bytes, checksum: 191042735ef5a4122a27f0953b682794 (MD5)<br>Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-05-08T19:03:38Z (GMT) No. of bitstreams: 1 dissert_Carolina Petitinga.pdf: 1727969 bytes, checksum: 191042735ef5a4122a27f0953b682794 (MD5)<br>Made available in DSpace on 2013-05-08T19:03:38Z (GMT). No. of bitstreams: 1 dissert_Carolina Petitinga.pdf: 1727969 bytes, checksum: 191042735ef5a4122a27f0953b682794 (MD5) Pr
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Simmons-Carroll, Kathryn B. "French Quarter Festivals, Inc.: A Year of Festivals (Internship Report)." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/aa_rpts/169.

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This report accounts my time spent as an intern with French Quarter Festivals, Inc. from March 2013 through August 2014. FQFI, a nonprofit 501(c)(3) organization in New Orleans, Louisiana, began with French Quarter Festival in 1984 and now produces three festivals each year. This paper seeks to discuss how the organization has changed over time, examine the structure of FQFI in its current state, and make recommendations for FQFI as they continue to “promote the Vieux Carré and the City of New Orleans through high quality special events and activities that showcase the culture and heritage of
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Osterholt, Emily. "French Quarter Festivals, Inc.: An Analysis of Festival Operations (Internship Academic Report)." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/aa_rpts/195.

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French Quarter Festivals, Inc. is a nonprofit organization that annually produces three festivals in the New Orleans area with the intention of promoting the Vieux Carré and the culture of the city. My internship began near the beginning of preparations for the 2015French Quarter Festival and concluded just after the event had passed. While the organization is very successful and French Quarter Festival has grown to be the largest free music festival in the United States, there remains room for improvement and growth within the organization. The following report serves as a case study of the o
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Kahuno, Maryanne Njeri. "Constructing identity through festivals: The case of Lamu Cultural Festival in Kenya." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/62642.

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Cultural festivals have become a prominent topic of research because of their socio-economic value. However, thus far, limited research has been conducted on the more profound issue of the possible contribution of festivals towards constructing a cultural identity. The aim of this study was therefore to determine the role that one particular festival, the Lamu Cultural Festival, plays in constructing cultural identity, particularly when people from different cultural backgrounds are involved. Lamu in Kenya was chosen as the study area, due to its rich and unique cultural heritage, with the mai
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Ludvigsson, Josefine. "Festivalernas Intåg : Korröfestivalen – en bordunstämmas resa genom festivaliseringen." Thesis, Växjö University, School of Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2382.

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<p>Title: Festivalernas Intåg – Korröfestivalen- en bordunstämmas resa genom festivaliseringen</p><p>The Korrö festival- The establishment of a Swedish Folk Music Festival.</p><p>This thesis describes how folk music festivals have been escalating during the past few and how they have influenced Swedish folk music. To reach my results I have been studying one festival in particular which is the Korrö Folk Music Festival. This event started in the mid-eighties as a small happening that attracted almost exclusively musicians that were a part of the bordooon movement. The bordoon movement gathered
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Marchini, Ben. "Festivals and sustainability : reducing energy related greenhouse gas emissions at music festivals." Thesis, De Montfort University, 2013. http://hdl.handle.net/2086/8840.

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This thesis investigates the potential to reduce greenhouse gas emissions relating to electrical power provision at UK music festivals. It has been carried out in partnership with a number of UK festival organisers and power providers. The thesis provides a literature review of sustainable event management and the associated electrical power provision, before then investigating the existing methodologies for quantifying greenhouse gas emissions at festivals. This review identified a lack of data regarding energy demand at events other than total fuel demand. While energy data does not improve
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Manasa, Kallyarath Madhooj, and Sunil Anagha. "Cultural festivals of India." Thesis, Sumy State University, 2019. https://essuir.sumdu.edu.ua/handle/123456789/77250.

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India, also known as the Republic of India, is a country in South Asia. It is the seventh-largest country by area and with more than 1.3 billion people. It is the second-most populous country and the most populous democracy in the world. There are 29 states and 7 union territories in this country.
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Books on the topic "Festivals"

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Valkonen, Kaija. Festival fever: Finland festivals. Otava Pub. Co., 1994.

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Ostrowska, Dorota, and Tamara L. Falicov. Shaping Film Festivals in a Changing World. Amsterdam University Press, 2025. https://doi.org/10.5117/9789463725576.

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This volume is a collective attempt on the part of a community of academics, film festival curators, and archivists to come to terms with practical and intellectual challenges of the pandemic and post-pandemic realities affecting cultures of film festivals. The collection draws contours of critical inquiry orienting current film festival research and practice to explore new directions in archiving and decolonizing practices and big data analysis in the post-Covid-19 context and beyond. The four-part study gathers the voices of academics and practitioners who engage in a dialogue to articulate
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Biri︠u︡kova, Dasha. Festivalʹ Videofocus: Videofocus Festival. Gosudarstvennyĭ t︠s︡entr sovremennogo iskusstva, 2013.

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Birch, Beverley. Festivals. Silver Burdett Co., 1986.

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Gilbert, Jean. Festivals. Oxford University Press, 1988.

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Monaghan, Heather. Festivals. Technology Teaching Systems Ltd., 1995.

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1934-, Bennett Jill, ed. Festivals. Scholastic, 1994.

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McNinch, Marjorie G. Festivals. Cedar Tree Press, 1996.

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Huggins-Cooper, Lynn. Festivals. Wayland, 2007.

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Limbu, Para. Festivals. Rupa & Co., 1996.

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Book chapters on the topic "Festivals"

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Sendra, Estrella, and Robin Steedman. "From Africa to London to the World: Film Africa’s Leading Role in the Circulation of African Cinemas." In Framing Film Festivals. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-88590-7_6.

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Abstract Film Africa is currently the largest festival and meeting point in the UK celebrating the best of African cinema. This chapter probes the festival’s goals and how its practices shape the circulation of African cinema in London and beyond. We begin with an exploration of the festival’s understanding of “Africa” in dialogue with the festival location. We suggest that the festival adopts an expansive definition, encompassing the continent, diaspora, and those of African heritage. We show that curating Africa in this way serves as a way of acknowledging, embracing, and celebrating the ric
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de Valck, Marijke, and Ger Zielinski. "Greening Film Festivals." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_16.

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AbstractIn this chapter we seize the momentum of the pandemic crisis and its disruption of the film festival world to consider festivals’ stake in the climate and ecological crisis. We will delineate three layers of concern that need to be considered holistically when taking on the challenge of greening film festivals. The first layer tackles the context of festival operations, namely, all arrangements and preparations required to organize festival events. The second layer addresses the emergent discourse of environmentalist media studies, which urges festival scholars to consider critically t
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Petty, Sheila, and Estrella Sendra. "“Act in Your Location, Think with the World”: Constructing Audience “Afterlives” at Three North American-Based African Film Festivals." In Framing Film Festivals. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-88590-7_8.

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Abstract This chapter focuses on three African film festivals/programs located in Canada and Mexico. Beginning with an examination of the longest-running African film festival in Canada—Vues d’Afrique—in Montreal, the chapter also explores a relatively new festival in Winnipeg—African Movie Festival in Manitoba, and finally a very recent initiative in Mexico to bring African films to Afro-Mexican communities. The chapter explores selected “afterlife” events of the festivals that are organized to build year-round sustained audience bases and community impact through Bill Reid’s notion of artwor
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Burgess, Diane, and Kirsten Stevens. "Locating Buzz and Liveness: The Role of Geoblocking and Co-presence in Virtual Film Festivals." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_4.

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AbstractThe sudden and near-complete move of festivals into the online space in 2020 complicated our understanding of the “there” and “then” involved in film festival participation. Experiencing festivals in lockdown (often from domestic spaces), “taking part” in these virtual events had the potential to dramatically expand the points of access. Although this approach was taken early with the YouTube-based We Are One global film festival, for the vast majority of single-festival-run online events access was limited to specific geographic areas through geoblocking technology. This chapter exami
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Damiens, Antoine. "Festivals, Covid-19, and the Crisis of Archiving." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_15.

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AbstractBuilding upon my experience working with festival archives, this chapter examines some of the challenges with archiving festivals in times of pandemic. It argues that festival organizers, scholars, and amateur historians must collect and preserve a maximum of documents on festivals’ responses to the pandemic: while we collectively are living through a historical moment (an unprecedented crisis), there is a real possibility that the festivals organized in Covid times may not be properly archived. In particular, I look at some of the reasons why festivals are rarely properly archived and
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Scullion, Scott. "Festivals." In A Companion to Greek Religion. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996911.ch13.

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Murray, Margaret A. "Festivals." In Index Of Names & Titles Of The Old Kingdom. Routledge, 2021. http://dx.doi.org/10.4324/9781315788739-7.

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Connock, Alex. "Festivals." In Media Management and Live Experience. Routledge, 2024. http://dx.doi.org/10.4324/9781003435167-16.

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Rademacher, Wiebke. "Festivals." In Forum Musikvermittlung - Perspektiven aus Forschung und Praxis. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839462614-021.

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Falconer, Karl. "Festivals." In Starting a Theatre Company. Focal Press, 2023. http://dx.doi.org/10.4324/9781003281726-11.

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Conference papers on the topic "Festivals"

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Berger Valente, Ann, and Fabiana Lorenzi. "PROMOTING EDUCATIONAL INNOVATION THROUGH FESTIVALS OF INVENTION AND CREATIVITY." In 17th annual International Conference of Education, Research and Innovation. IATED, 2024. https://doi.org/10.21125/iceri.2024.2233.

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Dhanalakshmy, Dhanya M., and Ritwik Murali. "Can Technical Festivals Help in Attaining Undergraduate Engineering Programme Outcomes?" In 2024 IEEE International Conference on Teaching, Assessment and Learning for Engineering (TALE). IEEE, 2024. https://doi.org/10.1109/tale62452.2024.10834350.

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Adjorlu, Ali, August Brandt Juul, Malte Bach Hansen, Mikkel Julius Hansen, Peter Ousager Andersen, and Sophie Vindal Larsen. "DecibelDefender: Using Virtual Reality for Promoting Sustainable Hearing Habits at Concerts and Festivals." In 2025 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). IEEE, 2025. https://doi.org/10.1109/vrw66409.2025.00395.

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Thongrom, Pimpika. "The effect of Music Festivals on Perceived Destination Images." In INNODOCT 2019. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10179.

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Music festival is one of the special event. It is a unique cultural event which continuously held on a particular place and time. It has been confirmed that music festivals can attract people to visit the destinations for instance Glastonbury, and the Fuji Rock. Various researches have explored the potential of festivals in forming destination image. It has not been yet explored a link between the music festivals and image formation of thedestination. The research aim is to examine the effect of music festivals on the perceived images of destinations. The objectives are to explore music festiv
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COMAN, Ecaterina, Vlad BATRANU-PINTEA, Radu TUDORICA, Ovidiu TODERICI, and Alexandra GIRBEA. "PROMOTING CITIES THROUGH FESTIVALS." In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s09.41.

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Promoting cities only through historical heritage is no longer topical, especially for the new generations. The differentiation and promotion of a city can be achieved by organizing festivals, which could attract a constant number of tourists annually. The article wants to examine the characteristics of a festival that gives it the power to be popular and to evolve each year to attract more and more tourists. We needed to see what people cherish the most about these festivals and what values a festival needs to have to have the same success. A content analysis of internet posts and comments le
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VÎLCU, Marcela. "The festival as a form of organizing didactic activities." In Educația din perspectiva conceptului Clasei Viitorului: Culegere de articole [ale conferinţei internaţionale]. Ion Creangă Pedagogical State University, 2023. https://doi.org/10.46727/c.cv-2023.p74-78.

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In contemporary times, festivals have burgeoned into one of the most prevalent mechanisms for orchestrating cultural and artistic events. Music festivals, theatre festivals, film festivals, dance festivals, folklore festivals, and an array of other genres are organized both on the international and national stage. Notably, festivals have also found their place within the realm of education, with cultural and artistic occasions frequently serving as platforms for students to exhibit their creative proficiencies. Concurrently, modern pedagogical practices, rooted in the constructivist educationa
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Marić-Stanković, Anđelina, Marija Bratić, Danijel Pavlović, and Slobodan Čerović. "The role of music festivals in the development of cultural tourism: A case study of Southern Serbia." In Zbornik radova – VI Kongres geografa Srbije sa medunarodnim ucešcem. University of Belgrade - Faculty of Geography, Belgrade, 2024. https://doi.org/10.5937/kongef24080m.

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This paper analyzes the role of internal stakeholders in the development of music festivals as a basis for structuring cultural tourism in Southern Serbia. Internal stakeholders, including festival organizers, local authorities, tourist organizations and agencies, as well as other relevant actors, play a crucial role in promoting and implementing festivals, contributing to the creation of tourist offerings that attract visitors and stimulate economic development of the region. The research methodology is based on a qualitative approach, namely interviewing internal stakeholders directly involv
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Mitrović, Srđan, Suzana Marković, and Josipa Mijoč. "Segmenting Wine Festival Visitors Based on Their Visit Experience." In 6th International Scientific Conference – EMAN 2022 – Economics and Management: How to Cope With Disrupted Times. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2022. http://dx.doi.org/10.31410/eman.s.p.2022.145.

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Wine tourism experiences can be offered in many ways, such as visiting wine festivals. They can provide a wide range of experiences that differ from day-to-day living and could be viewed as lifestyle tourism expe­riences. The goal of the research was to segment wine festival visitors and describe them within the experience economy context. Data was collected using a structured questionnaire at wine festivals in Croatia. Research hy­potheses were tested using cluster analysis and ANOVA. Segmentation re­sults show four significantly different groups of wine festival visitors (busi­ness visitors,
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Fischer, Andre. "New transmedia design for traditional film festivals." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.121.

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The disruptive transformations process in the audiovisual sector were unexpectedly accelerated after the covid-19 pandemic. This caused a rearrangement in the chain of the distribution, exhibition and circulation, thus restructuring the whole design of film festivals, once considered the launching point of this entire industry and strongly based on specific physical locations. Streaming has become the main way in which image and sound content are distributed. Entertainment became multiplatform and interactive, changing the way in which narratives are structured, and these contents are produced
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Shea, Brendan Sullivan, and Neal Lucas Hitch. "School’s Out: Exploring Learning By Doing Methods In On-Site Design Build Architecture Workshops." In 2022 AIA/ACSA Intersections Research Conference. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.aia.inter.22.18.

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The paper details current endeavors by the authors to explore and expand notions of sustainable design through two design-build festivals hosted during the summer of 2022 that each re-engaged historical architectural sites in ecologically diverse contexts. The paper first outlines the history of design-build pedagogies in the United States, from the founding of some of the country’s first colleges of design to contemporary manifestations of festival architecture as seen in pop-culture contexts. Next, the authors detail how this history impacts the site, structure, and organization of the two r
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Reports on the topic "Festivals"

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Kazhenava, Zlata, Eva Navickaitė, and Mehmet Recai Uygur. estivals as Arenas of Political and Cultural Influence: Integrating Brand Engagement with National Identity and Consumer Experience. Vilnius Business College, 2024. https://doi.org/10.57005/ab.2024.4.6.

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This article discusses the use of festivals more specifically as marketing tools for a brand or company and how such cultural and political events can influence the perception and behaviour of the consumers. The study looks at marketing of festivals in Lithuania and seeks to measure the effectiveness of this type of marketing by assessing the consumption and purchase behaviour as well as the attention to the brand by local and foreign festival participants. Important questions were how such brands have strategically exploited the cultural importance of these festivals in wonderfully connecting
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Montero, Eduardo, and Dean Yang. Religious Festivals and Economic Development: Evidence from Catholic Saint Day Festivals in Mexico. National Bureau of Economic Research, 2021. http://dx.doi.org/10.3386/w28821.

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Green, Ben, and Catherine Strong. The climate crisis is crushing Australian festivals. Edited by Reece Hooker. Monash University, 2024. http://dx.doi.org/10.54377/45fe-19ae.

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Duffy, Michelle, and Judith Mair. Changing the climate of festivals starts small. Edited by Reece Hooker. Monash University, 2024. http://dx.doi.org/10.54377/c7e6-737e.

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Padania, Sameer Padania. The role of media festivals in strengthening independent media. International Media Support (IMS), 2023. http://dx.doi.org/10.15868/socialsector.42479.

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Turner, Tom, and Nancy Hodges. Americana Music Festivals: An Ethnographic Exploration of the Experiential Consumptionscape. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-25.

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Stettler, Stephanie. Sustainable Event Management of Music Festivals: An Event Organizer Perspective. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.257.

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Ingram, Charlie, Michaella Gummerum, and Yaniv Hanoch. Towards an ‘FR’ Model for Reducing Crime and Anti-Social Behaviour at Live Events and Festivals. Coventry University, 2025. https://doi.org/10.18552/cdare/2025/0001.

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This report explores the impact of policy interventions and social/cultural factors on crowd behaviour at Reading Festival from 2000 to 2024, examining how crime and antisocial behaviour have evolved over time. While measures such as eviction policies, safeguarding, fire bans, and inclusivity campaigns like #LookOutForEachother have had positive effects, perceived gaps remain in security enforcement and drug prevention. Social and environmental factors, including media portrayals and festival culture shifts, have also played a role in changing attendee behaviour.
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Ruff, Morgen. Instant Canons: Film Festivals, Film Criticism, and the Internet in the Early Twenty-First Century. Portland State University Library, 2012. http://dx.doi.org/10.15760/honors.13.

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