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Journal articles on the topic 'Festivals'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Muylaert Mager, Juliana, and Ana Maria Mauad. "EM CARTAZ: festivais de cinema de arquivo – preservação e público." Revista Observatório 3, no. 2 (2017): 283. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n2p283.

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Nas últimas décadas, observa-se o surgimento de festivais dedicados ao cinema de arquivo. No Brasil, foi criado em 2002, pelo Arquivo Nacional, o Recine – Festival Internacional de Cinema de Arquivo, evento que foi substituído pelo Arquivo em Cartaz em 2015. O fenômeno dos festivais se relaciona com o tratamento do patrimônio audiovisual ao longo do século XX e XXI, sendo inseparável da trajetória das instituições arquivísticas. Neste artigo, pretende-se, por meio da análise dos dois festivais, discutir como esses eventos trabalham a tensão entre exibir e preservar, duas das principais funções

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Gusāns, Ingars. "DEVELOPMENT OF MUSIC FESTIVALS IN LATGALE." Via Latgalica, no. 5 (December 31, 2013): 105. http://dx.doi.org/10.17770/latg2013.5.1638.

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The topic of this article is to illustrate the contribution of festivals to Latgalian culture. The article gives an overview on the development of the festivals: Latgales Televīzijas Mūzikas festivāls, ”Osvalds”, ”Muzykys Skrytuļs” and Latgales Mūzikas festivāls. The article is based on interviews with the festival organizers, available press materials, internet resources and the author’s personal observations both as a listener and a participant of the described festivals. Festivals are mentioned in chronological order. Latgales Televīzijas Mūzikas festivāls was the festival that started adve

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Theresa, Addai, and Ofosu Ameyaw Henry. "HISTORICAL BACKGROUND AND SOCIOECONOMIC SIGNIFICANCE OF MODERN GHANAIAN FESTIVALS: THE CASE OF KWAHU EASTER." International Journal for Research Trends and Innovation 9, no. 1 (2024): 40–48. https://doi.org/10.5281/zenodo.10464289.

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Festivals represent significant sociocultural and economic events in many societies. In Ghana, traditional festivals have evolved to take on more modern dimensions. The Kwahu Easter festival in Ghana's Eastern Region exemplifies these dynamics. Once a religious event, it has become a major tourist attraction driven by secular entertainment activities. This study explored the festival's history, identified its socioeconomic Significance, and examined associated tensions using mixed methods. Qualitative interviews and archival research traced the festival's origins to missionary and colonial-era

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Shin, Jin Ok, Euitay Jung, and Ji Sung Song. "A Study on the Design for Constructing Place Identity in Non-Place Asset-Dependent Festivals : Focusing on the Ansan Street Arts Festival." Korea Institute of Design Research Society 10, no. 2 (2025): 659–71. https://doi.org/10.46248/kidrs.2025.2.659.

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This study explores marketing strategies for content-driven festivals independent of local place assets, focusing on the Ansan Street Arts Festival. Based on a literature review, survey, and interviews, the study examines the festival’s connection to urban identity. Results show weak perceived links due to limited spatial continuity and symbolic presence. Strategies such as content specialization, regional collaboration, and public design are proposed. The study concludes that such festivals can contribute to urban branding and identity.

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Ibe, Ibe Ogbobuike, and Rukayat Hassan Abiola. "Socio-cultural significance of contemporary urban Nigerian festivals: a study of Port Harcourt <i>Bole</i> Festival." International Journal of Current Research in the Humanities 28, no. 1 (2025): 258–68. https://doi.org/10.4314/ijcrh.v28i1.18.

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Festivals are performative dimensions of cultural practice that strengthen bonds of cohesion in societies. The Port Harcourt Bole Festival is an urban event in Rivers State, Nigeria, which celebrates the local delicacy Bole (roasted plantain) and its cultural significance. Street festivals like the “Bole Festival,” are a powerful tool for building and strengthening urban community bonds, promoting social inclusion and celebrating the vibrancy and diversity of urban life. This study examines the festival's socio-cultural importance within the context of contemporary urban Nigerian festival agai

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Karmacsi, Zoltán, and Enikő Sass. "The linguistic landscape of festival tourism in Transcarpathia." Acta Academiae Beregsasiensis, Philologica II, no. 1 (2023): 139–60. http://dx.doi.org/10.58423/2786-6726/2023-1-139-160.

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In addition to natural, historical and cultural attractions, there are an increasing number of places in Transcarpathia where tourists can enjoy organised programmes. In the big cities and smaller towns, festivals and festival-like events take place from the second half of January until mid-December. The area inhabited by Hungarians also organises a significant number of festivals and festival-like events every year. Many of these are known throughout Ukraine and even more widely. Among the festivals in the region, folk art and folklore festivals are the most popular, while gastronomic festiva

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Ohiienko, Iryna. "Ethnic Festivals of the Mid to Late 20th – Early 21st Century as a Component of the Folklore Culture of Bulgaria." Materìali do ukraïnsʹkoï etnologìï, no. 20 (23) (December 20, 2021): 139–50. http://dx.doi.org/10.15407/mue2021.20.139.

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The article is dedicated to the study of folklore festival culture in Bulgaria in the mid to late 20th – early 21st century. The characteristic features of the folklore festival culture of Bulgaria are considered, the main functions of the folklore festivals are determined, a number of well-known international, national and local ethnic folklore festivals taking place in different cities and villages of Bulgaria are classified. The first ethnofestivals in Bulgaria are described, such as the Festival of Folk Art and Animal Husbandry in Rozhen, the Festival of Folk Art in Koprivshtitsa, the Inte

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8

Reynaud, Bérénice. "‘Festival of festivals’." Afterimage 14, no. 5 (1986): 3–4. http://dx.doi.org/10.1525/aft.1986.14.5.3.

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Reynaud, Bérénice. "‘Festival of festivals’." Afterimage 14, no. 5 (1986): 3–4. http://dx.doi.org/10.1525/aft.1986.14.5.3.

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10

Ossowska, Luiza, Dorota Janiszewska, Gregory Kwiatkowski, and Dariusz Kloskowski. "The Impact of Local Food Festivals on Rural Areas’ Development." Sustainability 15, no. 2 (2023): 1447. http://dx.doi.org/10.3390/su15021447.

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The importance of food festivals in the functioning of local rural areas is manifested in the construction of a sense of community and place. However, each stakeholder group perceives the impact of such festivals differently. The literature lacks a comprehensive approach to this issue. The main aim of this research is, thus, to identify how particular groups of stakeholders perceive the impact of a local food festival on the development of a rural area. The research was conducted at a small local food festival in Poland in July 2020. Individual groups of stakeholders (organizers, vendors and v

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Sungjin Yang, Sungjin Yang, and Seolwoo Park Seolwoo Park. "Evaluating the Economic Value of Local Culture and Arts Festival Entrance Fee to using Contingent Valuation Method." GLOBAL BUSINESS FINANCE REVIEW 29, no. 4 (2024): 70–79. http://dx.doi.org/10.17549/gbfr.2024.29.4.70.

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Purpose: Global cultural and arts festivals are often cited to enhance the image of a region and stimulate its economy. However, research and discussions regarding these global cultural and arts festivals have mainly focused on their outcomes and strategies for activation, with limited emphasis on evaluating the intrinsic value of the fes-tivals themselves, particularly their economic value. The aim of this study is to define global cultural and arts festivals and propose methods for estimating their economic value. Design/methodology/approach: This study employed the Contingent Valuation Meth

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Teeuwen, Mark. "Kyoto’s Gion Festival in Late Classical and Medieval Times: Actors, Legends, and Meanings." Religions 13, no. 6 (2022): 545. http://dx.doi.org/10.3390/rel13060545.

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Kyoto’s Gion festival has arguably the best-documented history of all festivals (sairei) in Japan, and studies of its development have heavily influenced our understanding of festivals in general. Yet we must expect that our knowledge of this history is partial at most. Extant archives on its late classical and medieval history derive from a narrow group of festival actors, and are therefore intrinsically biased. This article looks at current reconstructions of the festival’s origin and development, addressing primarily the following questions: Which groups of actors are the historical record

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MALL, ANDREW. "Music Festivals, Ephemeral Places, and Scenes: Interdependence at Cornerstone Festival." Journal of the Society for American Music 14, no. 1 (2020): 51–69. http://dx.doi.org/10.1017/s1752196319000543.

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AbstractCornerstone was an annual four-day-long Christian rock festival in Illinois that ran from 1984 until 2012, first in Chicago's northern suburbs and then on a former farm in the rural western part of the state. Most attendees camped on-site, and many arrived one or two days early when the campgrounds opened before official programming started. Like many contemporary multi-day festivals in relatively rural or remote locations, Cornerstone's festival grounds and campsites functioned as a temporary village. For many attendees, music festivals have supplanted local scenes as loci of face-to-

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S, Selvakumaran. "In Diaspora Countries - Tamil Culture and Arts." Indian Journal of Multilingual Research and Development 1, no. 1 (2020): 7–15. http://dx.doi.org/10.34256/ijmrd2012.

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Unable to cope with the brutal Sinhala aggression against Tamils in Eelam, the Eelam Tamils emigrated to foreign lands in an attempt to uplift their language, art, literature and culture in the countries where they had settled for survival. As a result, they established Tamil schools in the countries where they lived and celebrated the festivals of the Tamils such as Pongal festival and Deepavali festival, the spiritual festival of Murugan Kavadi dance festivel. During these festivals, the Tamil arts such as drama, silambam, oyil and kummi are performed with great diligence. In that sens

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McCrone, David. "Treading Angels: Edinburgh and its Festivals." Scottish Affairs 28, no. 3 (2019): 290–317. http://dx.doi.org/10.3366/scot.2019.0285.

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How did Edinburgh become ‘festival city’? Despite appearances, it was not always so, and it acquired the accolade by happenstance; in the view of one observer, a ‘strange amalgam of cultural banditry, civic enterprise and idealism’. The official Festival's survival was down to the City Council, and it was funded almost entirely by public bodies. This was the central structure around which The Fringe developed, and The Traverse prospered, along with smaller festivals and events to become Festival City. The story sheds considerable light on how Edinburgh ‘works’, its strengths and weaknesses com

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Cheyroux, Emilie. "Small Film Festivals Surviving the COVID-19 Pandemic." Journal of Festive Studies 4, no. 1 (2023): 47–65. http://dx.doi.org/10.33823/jfs.2022.4.1.132.

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The COVID-19 pandemic was a major challenge for film festival organizers, who had to resort to online platforms to showcase films they had selected. While virtual film festivals did not offer the same experience, being deprived of the opportunity to gather people in a festive atmosphere, they provided a fairly accessible solution that enabled audiences to watch films they would have missed otherwise. Even major and economically stable festivals, such as South by Southwest (SXSW), decided to cancel; and not all film festivals embraced the opportunities provided by online platforms. Responses to

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Xie, Heshen. "Western-Centrism and the Global Queer Film Festival Circuit." Journal of Festive Studies 4, no. 1 (2023): 83–100. http://dx.doi.org/10.33823/jfs.2022.4.1.105.

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Since they emerged in the late 1970s, queer film festivals have turned into a global cultural activity. A complex worldwide network of queer film festivals has also formed. This article establishes the framework of the global queer film festival circuit to examine the hegemonic relationships it produces. The global queer film festival circuit comprises top-tier film festivals and second-tier queer film festivals. As the first queer-themed film festival in Asia, the Hong Kong Lesbian and Gay Film Festival (HKLGFF) is situated in a subordinate and passive position. Aiming to emphasize the unbala

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MOHANTY, Rojalin, and Ansuman SAMAL. "An Empirical Study on Developing the Tourism Potentials of Fairs and Festivals in Odisha in India." Theoretical and Practical Research in Economic Fields 14, no. 2 (2023): 335. http://dx.doi.org/10.14505/tpref.v14.2(28).13.

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Numerous studies on the appeal of tourist sites have been done. However, little study has been conducted on festival attractiveness and its effect on place attachment. This study adopted a mixed-methods strategy to examine the festivals in Odisha. Travel and tourism have become essential economic activities throughout the world in this globalization market. Festivals have recently grown in number, variety, and popularity, making them one of the strongest parts of the tourism industry. During tourism activities, tourists pay close attention to how attractive something is. The festival’s appeal

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Munshi, Alaknanda. "The Importance of Religious Festivals to Promote Cultural Heritage in Turkey and India." Al-Adabiya: Jurnal Kebudayaan dan Keagamaan 17, no. 1 (2022): 41–50. http://dx.doi.org/10.37680/adabiya.v17i1.1336.

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Celebrating religious festivals is a public expression of beliefs that strengthens the believer's relationship with God. Different religions, such as Christianity, Judaism, and Islam, regard celebration as one of the ceremonies that believers are mandated or urged to practice. Religious festivals can boost spirituality among believers and boost the local economy by generating revenue, supporting existing businesses, and encouraging new enterprises to start up. Religious festivals can boost their image and focus as a cultural destination by engaging in promotional activities. This study aims to

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Quintal, Vanessa, Michael Lwin, Ian Phau, and Abhinav Sood. "Festival Personality and How It Influences Visitor Attitude and Intention." Event Management 24, no. 6 (2020): 665–84. http://dx.doi.org/10.3727/152599519x15506259856543.

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This study explores festival personality for its impacts on visitor attitude and intention toward festivals. Two distinct and popular festivals held at a botanic park in Western Australia were selected for the research. A total of 481 local and international visitors participated in the self-administered, pen-and-paper and online surveys. The Excitement personality attribute was unique to the Chili Festival, whereas the Cheerfulness personality attribute was unique to the Tulip Festival. Both festivals embodied the Imagination personality attribute, suggesting the place in which a festival is

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Qureshi, Bilal. "Elsewhere: The Last Circus." Film Quarterly 74, no. 1 (2020): 84–87. http://dx.doi.org/10.1525/fq.2020.74.1.84.

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FQ columnist Bilal Qureshi reports from his first visit to the documentary film festival True/False in Columbia, Missouri. Overcoming his initial trepidation—both at the prospect of traveling just as the coronavirus was gathering steam and at the festival's regional location—Qureshi finds himself falling in love with film festivals all over again. Yet the contact high of the collective experience provided by the festival, with its freedom to collide with films and audiences through impromptu gatherings and celebrations, takes on a heightened poignancy in this moment of COVID-19. While noting t

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de Carvalho, João Malho Ferreira Ribeiro, Nuno Gustavo, and Victor Afonso. "A case study for a transformational festival creation in Lourinhã, Portugal." European Journal of Tourism, Hospitality and Recreation 12, no. 1 (2022): 46–60. http://dx.doi.org/10.2478/ejthr-2022-0003.

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Abstract This research aims to evaluate, select, and validate strategic alternatives for implementing a transformational festival proposal in the municipality of Lourinhã, Portugal. The methodological model investigates the historical context, the classical festival themes, and the transformational festival’s characterisation through literature review and an exploratory interview with a major British stakeholder; the market potential through randomised inquiries representative of the Portuguese population; the contextual strategic assessment through a focus group with local stakeholders; and v

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Nyandoro, Mercy. "Influence of Cultural Festivals on Local Economic Development in Zimbabwe." International Journal of Sociology 8, no. 3 (2024): 48–59. http://dx.doi.org/10.47604/ijs.2833.

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Purpose: The aim of the study was to analyze the influence of cultural festivals on local economic development in Zimbabwe. Methodology: This study adopted a desk methodology. A desk study research design is commonly known as secondary data collection. This is basically collecting data from existing resources preferably because of its low cost advantage as compared to a field research. Our current study looked into already published studies and reports as the data was easily accessed through online journals and libraries. Findings: Cultural festivals in Zimbabwe boost local economic developmen

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Bakas, Fiona Eva, Nancy Duxbury, Paula Cristina Remoaldo, and Olga Matos. "The social utility of small-scale art festivals with creative tourism in Portugal." International Journal of Event and Festival Management 10, no. 3 (2019): 248–66. http://dx.doi.org/10.1108/ijefm-02-2019-0009.

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PurposeThe purpose of this paper is to address the gaps in research on strategic planning for the social impacts of small-scale events in rural areas and small cities. This is achieved by investigating the social utility inferred by small-scale art festivals with a creative tourism element in terms of increasing social capital and positive social change, from an event stakeholder perspective.Design/methodology/approachThe identified gap in knowledge is addressed by using interviews and fieldnotes from participant observation to co-create meaning with the organizers of four small-scale art fest

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Luna, Ande M., Josefina T. Dizon, Jaysi T. Corpuz, Myra A. Flordeliza, and Patrick John S. Espiritu. "Beyond Covid-19: The Future of Festivals in Calabarzon, Philippines." International Journal of Professional Business Review 8, no. 5 (2023): e01395. http://dx.doi.org/10.26668/businessreview/2023.v8i5.1395.

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Purpose: This study aims to determine or forecast the willingness of regular participants of festivals to attend or join events festivals in the post-COVID-19 scenario. Specifically, it aimed to 1.) identify the perceived future of festivals in the post-pandemic scenario and if people are still willing to participate in or join in any of the festival's events, and 2.) discuss the role of festivals in the post-pandemic scenario. Theoretical framework: The researchers employed the stakeholder theory technique to predict the future of the festival's events. A stakeholder is "any group or person w

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Nhan, Do Thi Thanh, and Nguyen Dinh Thao. "Music in the Festival of Vietnamese People (Thanh Hoa) - Issues." Journal of Humanities and Education Development 4, no. 3 (2022): 106–12. http://dx.doi.org/10.22161/jhed.4.3.12.

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The article focuses on studying music in festivals of Vietnamese people in Thanh Hoa. Through the collected material, the authors have synthesized, explored the cultural aspects of the composition and analyzed the music. The result of the research is to find out the meaning of music in contributing to the festival's appearance and to find out the operating rules and basic characteristics of music. From there, several discussions are given to preserve and promote music in the festival to achieve higher efficiency in life. The research results are the judgments about the culture and music consti

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Shabana, Amin, Harmonis Harmonis, Zahwa Indira, and Mutia Andini. "Post-Reform Cinema Public Space on Detik.com News Portal." Komunikator 14, no. 1 (2022): 30–41. http://dx.doi.org/10.18196/jkm.14398.

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Film festivals are public cultural spheres that arose quickly after the fall of the New Order. The rise of film festival activities was covered by the Indonesian mass media, particularly online media. Detik.com is an example of online media that is currently a public reference, including witnessing the development of film festivals in post-reformation Indonesia. The primary goal of this research is to examine the representation of the public sphere in a film festival article written by Detik.com. This study chose an explanatory qualitative approach based on media framing theory. From its incep

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Sarale, Agnès, Hironori Yagi, Menelaos Gkartzios, and Keishi Ogawa. "ART FESTIVALS AND RURAL REVITALIZATION: ORGANIZING THE OKU-NOTO TRIENNALE IN JAPAN." Journal of Asian Rural Studies 4, no. 1 (2020): 23. http://dx.doi.org/10.20956/jars.v4i1.1662.

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Organizing rural art festivals is considered an effective intervention in support of rural revitalization in the face of aging and population decline in Japan. Several studies have identified the impacts of art festivals on economic and social rural development internationally. Little research, however, has focused on the management process of such festivals. The objective of this paper is to identify and examine the management processes crucial to an arts festival’s success, especially in terms of preparation, organization and community outreach. We focus on the first edition of the Oku-Noto

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Malygina, O., N. Yu. Belyakova, and I. B. Kvitko. "Developing strategy of wine festival promotion." Service and Tourism: Current Challenges 17, no. 1 (2023): 74–91. https://doi.org/10.5281/zenodo.7979767.

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<em>The purpose of this paper is to determine how wine festival criteria impact on their promotion, and to develop practical recommendations and a strategy for wine festivals both during and after the COVID-19 pandemic. Design/methodology/approach – Qualitative data from 29 wine festival websites were gathered. Content analysis was used to establish criteria that affect promotion of wine festivals. Crosstabs were used to check whether established wine festival criteria affect a festival’s decision to disclose a participating wineries list as part of a marketing effort. The Alignmen

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Wiehe, Ben. "When science makes us who we are: known and speculative impacts of science festivals." Journal of Science Communication 13, no. 04 (2014): C02. http://dx.doi.org/10.22323/2.13040302.

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Science festivals (or just “festivals”) are currently ascendant in the United States with more than 40 new initiatives emerging in just the past 5 years, but their story is not so easily told. The schedule of any one individual festival may contain a staggering array of events, and each festival is different both from year to year, and from other festivals. One multi-festival evaluation points to potential strengths of the format, as well as the importance of the participation of STEM practitioners. Collaboration and social identity formation are considered as powerful festival impacts, and po

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Gao, Ge, and Kyunghoon Han. "Challenges and Future Development Study on EDM Festivals in China: Focus on the Belgium ‘Tomorrowland’ EDM Festival and Comparative Analysis." Korean Society of Culture and Convergence 45, no. 12 (2023): 1033–46. http://dx.doi.org/10.33645/cnc.2023.12.45.12.1033.

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This paper aims to improve the domestic EDM festival market and serve as a reference of other studies. To this end, conducted a comprehensive comparison and analysis between domestic and internal EDM festivals. “ISY” in China one of the largest EDM festivals is described in this thesis to represent the festivals in China. “Tomorrowland” from Belgium which is one of the top 3 EDM festivals around the world is used as the overseas example case. In this thesis, basic information about the performing artists, cultural diversity, social and business values, and other factors of the EDM festivals ar

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Kesgin, Muhammet, Rajendran Murthy, and Rick Lagiewski. "Profiling food festivals by type, name and descriptive content: a population level study." British Food Journal 124, no. 2 (2021): 530–49. http://dx.doi.org/10.1108/bfj-04-2021-0412.

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PurposeThis research aims to classify and describe food festivals and examine the patterns in food festival naming and festival descriptions in online media.Design/methodology/approachThis research represents the first population-level empirical examination of food festivals in the United States using a purpose-built dataset (N = 2,626). Methodology includes text mining to examine food festival communications.FindingsFood festival size varies across local and regional spheres within the country. Food festivals employ geographical (place-, destination-based) associations in their names. Food fe

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Stander, Jan Hendrik (Manna), Luke Alan Sandham, and Gustav Visser. "The Geographies of Artists and Stall holders at Afrikaans Arts Festivals, South Africa." African Journal of Hospitality, Tourism and Leisure 10, no. 10(5) (2021): 1630–44. http://dx.doi.org/10.46222/ajhtl.19770720.183.

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South African arts festivals have been the subject of considerable research, with a focus on the economics, attendee patterns and impacts on local communities. Importantly, numerous role-players (stall holders, artists, festival attendees, amongst others) contribute to the diversity, origin and character of these arts festivals. Despite this, little is known of their mobility, spatiality and geographies. To this end, artists and stall holders across five large Afrikaans Language Arts festivals were interviewed to establish their itineraries, travel behaviours, festival involvement and cultural

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Zhang, Jing, and Guangquan Dai. "Political Trust and Festival Attachment: Influencing Residents’ Engagement in Traditional Festivals." Behavioral Sciences 13, no. 9 (2023): 741. http://dx.doi.org/10.3390/bs13090741.

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Traditional festivals hold immense cultural and tourism value, but striking a balance between preservation and adaptation in the face of globalization is challenging. This study focuses on the Hmong New Year, the largest traditional festival in a prominent Hmong settlement in China. Through mixed research methods, it examines the impact of festival attachment and political trust on residents’ attitudes toward festival tourism development. The results reveal the significant influence of festival attachment on residents’ perception and judgment of festival tourism, with political trust playing a

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Van Belle, David. "“Festivalizing” Performance: Community and Aesthetics through the Lens of Three Festival Experiences." Canadian Theatre Review 138 (March 2009): 7–12. http://dx.doi.org/10.3138/ctr.138.001.

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Although the history of Canadian theatre has been greatly shaped by the existence of the long-established Stratford and Shaw Festivals, a new creative energy is coming from a crop of alternatives to them. These newer festivals are an increasingly important part of the Canadian performance landscape, in part precipitated by a renaissance in performance-creation work by independent artists and performance collectives who eschew the “season and theatre building” model of performance. Instead, these creators favour fluid creation methodologies and presentation arrangements that are well suited to

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Kim, Dong-Han, Jun-Jae Lee, and Hyo-Yeun Park. "Assessing Economic Value of Local Festivals for Sustainable Development: A Case of Yeongju Korean Seonbi Culture Festival." Sustainability 13, no. 23 (2021): 13297. http://dx.doi.org/10.3390/su132313297.

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Diversity of financial resources is important to increase the sustainability of festivals. This is because even if one of the festival’s resources is stopped by external variables, the festival can be continued with other resources. Local festivals often suffer from low levels of economic independence as a primary concern for their economic sustainability. To solve the aforementioned real-world problem, this study investigated the determinants of festival goers’ willingness to pay for the development fund for the local festival. By using the CVM method, this study initially hypothesized four f

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Ramsey, J. Ross, and Todd Boyette. "“Science Festival” may not mean what we think it means: an analysis of how researchers and practitioners use this term." Journal of Science Communication 20, no. 07 (2021): A01. http://dx.doi.org/10.22323/2.20070201.

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The modern science festival movement has grown significantly since the Edinburgh International Science Festival launched in 1989. Hundreds of science festivals now occur annually and vary widely. This article examines how the term “science festival” is used within research and practice. We find that most research articles fail to describe the science festivals they study. A subsequent analysis of festival websites and other publicly available information confirms the wide variability of science festival formats, which suggests the need for descriptive information about science festivals in sch

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van Zyl, Cine. "Positioning maps: a conjoint analysis tool for festival or event application." International Journal of Tourism Cities 3, no. 4 (2017): 424–41. http://dx.doi.org/10.1108/ijtc-06-2017-0034.

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Purpose The purpose of this paper is threefold: first, to describe a novel tool (conjoint analysis (CA)) for application by explaining the theory behind it; second, how the tool was developed; and third, how it can be used to ensure an optimal festival/event offering. In this way, the research needed on the individual behavioural and psychological factors of the events-tourism sector are addressed. Design/methodology/approach Planned events in this case the three largest arts festivals in South Africa (SA) (in Potchefstroom – Festival A, Grahamstown – Festival B and Oudtshoorn – Festival C) we

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Zhang, Susu, and Vuthipong Roadkasamsri. "The soft power of kites: Leveraging the Yangjiabu Kite Festival as a model for international cultural diplomacy." Journal of Infrastructure, Policy and Development 9, no. 1 (2025): 6099. https://doi.org/10.24294/jipd6099.

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The Yangjiabu Kite Festival, originating over 2000 years ago in Shandong Province, China, stands as a testament to the enduring cultural heritage and artistic traditions of kite flying. This research explores the historical origins, cultural symbolism, festival format, community engagement, and international exposure of the Yangjiabu Kite Festival, shedding light on its evolution and impact over time. Findings reveal the festival’s deep roots in ancient Chinese traditions, its role as a platform for showcasing cultural diversity and craftsmanship, and its significance in promoting tourism, cul

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Krstić, Marija. "All Roads Lead to Guča: Modes of Representing Serbia and Serbs during the Guča Trumpet Festival." Issues in Ethnology and Anthropology 7, no. 2 (2016): 447–70. http://dx.doi.org/10.21301/eap.v7i2.7.

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In this paper I research famous Serbian music event, the Dragačevo Trumpet Festival, better known as the Guča festival, by analysing on line photographs about the festival. The Dragačevo Trumpet Festival is one of the most famous music festivals in Serbia and one of the most famous brass band festivals in the world. Since 1961, it is annually held in the village of Guča in western Serbia. From 1962, the participants from other parts of Serbia came to Guča, while in 1963 for the first time the Roma players participated. From that time on, Roma remained among the best trumpeters at the competiti

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Lisiecka-Muniak, Małgorzata. "Educational Offer at Polish Film Festivals Directed at Film Industry Representatives." Panoptikum, no. 18 (December 29, 2017): 216–26. http://dx.doi.org/10.26881/pan.2017.18.13.

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The article considers industry workshops organised during film festivals and festivals dedicated to the film profession in Poland. It puts forward the fact that during film festivals not only screenings, contact between a filmmaker and a viewer are important, but also workshops and industry meetings dedicated to artists. This kind of education seems to be needed because after graduating from film school it is a possibility to develop one’s own skills and to update knowledge about the profession. The author also concentrates on Polish film festivals fully dedicated to the film profession, such

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Al-Azzam, Mu'ath Hesham, Ahmad Edwin Mohamed, and Khong Chiu Lim. "THE RELATIONSHIP BETWEEN FESTIVAL ATTACHMENT AND ARAB TOURISTS' REVISIT INTENTION: A CONCEPTUAL MODEL." Journal of Tourism, Hospitality and Environment Management 7, no. 27 (2022): 19–38. http://dx.doi.org/10.35631/jthem.727002.

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While there is a large body of literature on revisit intention to festivals, there is surprisingly little knowledge about it in the context of the Arab world. This research aims to develop a conceptual framework that focuses on the relationship between festival attachment and revisit intentions to festivals. The concept of festival attachment in the current research is borrowed from the concept of place attachment, referring to the same bonds that form between tourists and a tourist place that can also be developed or forged between tourists and a festival. Tourists have an opportunity to deve

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M. Van Winkle, Christine, Amanda Cairns, Kelly J. MacKay, and Elizabeth A. Halpenny. "Mobile device use at festivals: opportunities for value creation." International Journal of Event and Festival Management 7, no. 3 (2016): 201–18. http://dx.doi.org/10.1108/ijefm-04-2016-0025.

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Purpose The purpose of this paper is to understand mobile device (MD) use in a festival context. Festivals offer a range of opportunities and activities to use a MD making this context ideal for understanding digital experiences during leisure. The guiding research question asked how do festival attendees use MDs at festivals. The Typology of Human Capability (THC) provided a framework to enhance the understanding of digital experiences at festivals. Design/methodology/approach This research involved six festival case studies where semi-structured interviews were conducted with attendees on-si

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Tsaur, Sheng-Hshiung, Yao-Chin Wang, Chyong-Ru Liu, and Wen-Shiung Huang. "Festival attachment: antecedents and effects on place attachment and place loyalty." International Journal of Event and Festival Management 10, no. 1 (2019): 17–33. http://dx.doi.org/10.1108/ijefm-02-2018-0014.

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PurposeThe purpose of this paper is to propose the mechanism of festival attachment and examine how it serves as a significant predictor of place attachment and place loyalty.Design/methodology/approachThrough on-site survey with convenience sampling, 465 visitors were surveyed at the Pingxi Sky Lantern Festival, which is one of the most famous Taiwanese festivals. Structural equation modeling is used to examine the proposed research model.FindingsEmpirical results of this study reveal that “hedonism” is the most important antecedent for improving festival attachment, followed by novelty seeki

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Dodds, Rachel, Michelle Novotny, and Sylvie Harper. "Shaping our perception of reality: sustainability communication by Canadian festivals." International Journal of Event and Festival Management 11, no. 4 (2020): 473–92. http://dx.doi.org/10.1108/ijefm-03-2020-0012.

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PurposeThe purpose of this paper is to determine the extent of online communication by festivals regarding their sustainability practices using Cultivation Theory as the framework to determine perceived value creation.Design/methodology/approachA mixed method approach was utilized to achieve data triangulation through a content analysis of websites, content analysis of social media sites as well as interviews.FindingsFindings indicated that 64% of festivals did not communicate any sustainable practices through their websites and only 6% communicated via social media. The most common sustainabi

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Bonesho, Catherine E. "The Terror of Time: The Festival of Dionysus and Saturnalia in Jewish Responses to Foreign Rule." Journal for the Study of Judaism 51, no. 2 (2020): 151–78. http://dx.doi.org/10.1163/15700631-bja10002.

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Abstract Proper observance of festivals is a major concern in early Jewish literature, but the festivals of the gentiles also figure prominently in this period. Two such festivals are the Greek Festival of Dionysus, described in Second Maccabees, and the Roman festival of Saturnalia, described in the Palestinian Talmud. I show the varied ways in which the authors of these texts, members of different groups, with different textual practices, and living centuries apart, problematize foreign holidays in their responses to imperial rule. Though the polemic against gentiles is heightened in both te

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Saayman, M., M. Douglas, and S. De Klerk. "Attributes of Entreprenuers at an Arts Festival." Southern African Journal of Entrepreneurship and Small Business Management 2, no. 1 (2009): 17. http://dx.doi.org/10.4102/sajesbm.v2i1.16.

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<p>The purpose of this article is to determine the attributes of entrepreneurs at festivals, in this case an arts festival. The reason for choosing an arts festival is that the largest festivals (judged by number of visitors and income generated) hosted in South Africa annually are arts festivals. A literature review revealed that this type of study had not previously been conducted in South Africa. In order to generate proper data, a survey was conducted of all small businesses that were trading at one of South Africa’s largest arts festivals, namely the Aardklop National Arts Festival,

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Dychkovskyy, Stepan, and Sergii Ivanov. "Festival Tourism as Part of International Tourism and a Factor in the Development of Cultural Tourism." Informacijos mokslai 89 (June 5, 2020): 73–82. http://dx.doi.org/10.15388/im.2020.89.41.

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The article examines that cultural tourism, by developing festival tours, is able to generate significant tourist flows not only by itself, but also it is a necessary complement to any other tourist product. The purpose. The aim is to analyze the scientific literature on intercultural research and the development of international tourist festivals. Results. The identification and discussion of the three main discourses of festival research made it possible to determine the role and impact of festivals in society and culture, the features of festival tourism and festival management. Classical d

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Persson, Magnus. "Litteraturfestivalen som offentlighet." Tidskrift för litteraturvetenskap 49, no. 4 (2019): 79–87. http://dx.doi.org/10.54797/tfl.v49i4.6547.

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The Literature Festival as a Public Sphere Literary festivals are becoming increasingly popular. They can, for instance, be dedicated to regional or world literature, a single author or a genre, literature in general or a specific theme. Despite their growing importance as public spheres, where an intense production and distribution of literary value take place, little scholarly attention has been paid to them. A common denominator for many festivals is that they have strong connections to the market, the state, and the broader cultural sphere of society. In this article I approach liter

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Lee, Daisy, Peggy M. L. Ng, and Tai Ming Wut. "Virtual Reality in Festivals: A Systematic Literature Review and Implications for Consumer Research." Emerging Science Journal 6, no. 5 (2022): 1153–66. http://dx.doi.org/10.28991/esj-2022-06-05-016.

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Technological advancements in virtual reality have influenced festivalgoers, performers, and festival organizers. Due to the COVID-19 pandemic, organizers of cultural and tourism festivals have sought to deliver festivals online using virtual reality to provide an immersive experience from home. However, despite growing interest in virtual reality for festivals, there is no current systematic review to synthesize knowledge from academic papers within the festival context. This paper aims to provide a structured understanding of extant virtual reality research regarding festivals by using a sys

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