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Journal articles on the topic 'Fetish Image'

Author: Grafiati

Published: 20 February 2023

Last updated: 31 July 2025

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1

Kehl, Maria Rita. "A publicidade e o mestre do gozo." Comunicação Mídia e Consumo 1, no. 2 (2008): 77–91. http://dx.doi.org/10.18568/cmc.v1i2.14.

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O mundo capitalista, em sua fase consumista, é organizado pelo fetiche. O que já estava em Marx, com o conceito de fetiche da mercadoria, passa a incluir a dimensão freudiana do fetiche, que diz respeito às modalidades perversas de gozo. A publicidade acrescenta às mercadorias o fetiche da imagem e da marca, que se oferecem à identificação de todos, independentemente do poder aquisitivo. Neste mundo, os publicitários seriam os mestres do gozo, cujo poder se assemelha ao fascínio que os perversos exercem sobre os neuróticos comuns.  Abstrat: The capitalistic world, in its cons

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Kim, Jung Ho. "Joseph Losey and Impulse Image in Naturalist Cinema." Institute of Art & Design Research 26, no. 2 (2023): 41–49. http://dx.doi.org/10.59386/jadr.2023.26.2.41.

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Naturalist cinema contain the Impulse Image. Since the I mpulse Image has the properties of Action Image and Af fection Image, Naturalism refers simultaneously to four c o-ordinates: Originary World/Derivied Milieu; Impulses/ Modes of Behavior. For Deleuze, There were three great masters of naturalism in cinema: Stroheim, Bunuel, and Losey. Losey’s naturalism is characterized by violence, pr edators and prey, Servility, fetish, reversal against the sel f, salvation, and a landscape that simultaneously captures the original world and the derived world.

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Radermacher, Martin. "From ‘Fetish’ to ‘Aura’: The Charisma of Objects?" Journal of Religion in Europe 12, no. 2 (2019): 166–90. http://dx.doi.org/10.1163/18748929-01202004.

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In the history of religions, material artifacts have often played an important role as mediations of the ‘sacred.’ They were and are worshipped, venerated, and sometimes destroyed for their assumed supernatural powers. The article reviews theoretical concepts that engage with the charismatic capacities of objects (‘fetish,’ ‘cultic image,’ and ‘aura’) and discusses literature about ‘charismatic objects.’ It deals with the question of what kind of charisma objects may have and suggests that the term ‘charisma,’ when defined in a specific way, is a useful concept to describe and compare specific

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Penney, Tom. "Bodies under Glass: Gay Dating APPS and the Affect-Image." Media International Australia 153, no. 1 (2014): 107–17. http://dx.doi.org/10.1177/1329878x1415300113.

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There is a rise in the popularity of gay dating apps for smartphones that depict bodies under the glass of screens. The application Grindr is one such system, as well as Hornet, Scruff, Jack'd and many others. Recent literature draws attention to how Grindr perpetuates reductive stereotypes fetishised and consumed by a narcissistic homosexual market. Through Gilles Deleuze's concept of affection-image, I think through how images of bodies on these apps are transmitting or receiving affect. I then discuss some of my own artwork in light of this inquiry, in which I particularly consider the role

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Prstačić, Miroslav. "Museum of Charms and Fetish Objects in Nigeria." Collegium antropologicum 46, no. 2 (2022): 159–72. http://dx.doi.org/10.5671/ca.46.2.11.

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On the assumption, upon which perception may be considered as an associative integration of available memory pictures or archetypes as universal thought forms, the deep ecological, cross-cultural and holistic approach is conceived for two complementary areas of research: 1) contemplations about the anthropological traits of imagination, symbolic meanings of museum objects, culture, archetype image symbols and induced associations; 2) meditation on the notion of man in the language and culture of Igbo people in Nigeria, and group visual art expression. These contents are discussed with referenc

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Read, Jason. "The Fetish is Always Actual, Revolution is Always Virtual: From Noology to Noopolitics." Deleuze Studies 3, Suppl (2009): 78–101. http://dx.doi.org/10.3366/e1750224109000725.

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By most accounts Deleuze's engagement with Marx begins with the two volumes of Capitalism and Schizophrenia he co-authored with Félix Guattari. However, Deleuze's Difference and Repetition alludes to a connection between Deleuze's critique of common sense and Marx's theory of fetishism, suggesting a connection between the critique of the image of thought and the critique of capital. By tracing this connection from its emergence in the early texts on noology, or the image of thought, to the development in the critique of state thought in A Thousand Plateaus, it can be argued that what initially

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Terranova, Charissa. "The Image of the Skin Fetish: The Automobile in the Work of Richard Prince." International Journal of the Image 1, no. 2 (2011): 109–18. http://dx.doi.org/10.18848/2154-8560/cgp/v01i02/44193.

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Badmaev, A. A. "Sable in the traditional culture of the Buryats." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 2(61) (June 15, 2023): 151–56. http://dx.doi.org/10.20874/2071-0437-2023-61-2-12.

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The work is aimed at identifying the image of the sable in the traditional worldview and rituals of the Buryats. The chronological boundaries of the study are determined by the time of functioning and translation of the com-plex of traditional beliefs and rituals among the Buryats — the end of the 19th — middle of the 20th century. Geo-graphically, the study is focused on the Baikal region, which encompasses the ethnic Buryatia. Linguistic, folklore and ethnographic sources have been used for this research. Comparison-collation and structural-semiotic meth-ods have been used to explore the res

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Truglio, Maria Rosa. "Should Shipwrecks Be Sweet?" Romanic Review 113, no. 2 (2022): 260–81. http://dx.doi.org/10.1215/00358118-9812514.

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Abstract Demand for books about current events in Italy has yielded scores of children’s books in the past three decades that treat the topic of immigration. The goals of eliciting empathy in children and explaining to them complex historical and contemporary events can be challenged by the perceived need to shield children from traumatizing scenes. This essay examines four recent children’s books published in Italy that dramatize immigration from Africa. Authors Maria Attanasio, Erminia Dell’Oro, Dino Ticli, and Francesco D’Adamo allude to canonical Western literature (such as Pinocchio and C

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Sudarmanto, Joni Agung, and Pujiyanto Pujiyanto. "Fetish of sneakers and youth lifestyle simulation representation in Indonesia." Aisthesis. Pratiche, linguaggi e saperi dell’estetico 16, no. 1 (2023): 159–68. http://dx.doi.org/10.36253/aisthesis-14033.

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One of the prestige of young people’s identity today is through fashion. Fashion has even become a “religion” that binds the identity of the individual who wears it. The Sneaker, a form of fashion, also has a big role; even now, it has become a commodity and prestige with a fetish nuance. Therefore, this study aims to identify how the sneaker fetish becomes a space for simulating the lives of young people in Indonesia. Furthermore, this study also examines the problem of the representation of youth-lifestyle simulations in Indonesia. This research uses a qualitative case study approach to play

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Ramsenthaler, Susanne. "GLOWING EVIDENCE: PHOTOGRAMS – THE DARK SIDE OF PHOTOGRAPHY / SPINDINTIS AKIVAIZDUMAS: FOTOGRAMOS – TAMSIOJI FOTOGRAFIJOS PUSĖ." CREATIVITY STUDIES 5, no. 1 (2012): 32–41. http://dx.doi.org/10.3846/20297475.2012.660548.

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Our ability to instantly read photographs is based on our sense of vision operating at a distance. Within the field of photographic processes however, co exists a very different representation: that of imprint and touch – namely the photogram. The decipherability of photographs to us is almost immediate but photograms work on a different level. They encapsulate the meeting of material and light-sensitive surface and incorporate the mark of authenticity, while producing an image which may not be immediately “read”. This paper constitutes a metaphysical inquiry into the perception and ontology o

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G.S., Popova. "THE SPIRITUAL FOUNDATION OF HUNTING CULTURE: TRADITIONAL AND MODERN AMONG THE INDIGENOUS PEOPLES OF YAKUTIA." “Educational bulletin “Consciousness” 24, no. 5 (2022): 26–37. http://dx.doi.org/10.26787/nydha-2686-6846-2022-24-5-26-37.

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Abstract. Comprehension of the image and naming of the spirit of hunt - known as Baai Barylah Bayanai - has high value nowadays. The spirit has an archetypal nature. Hunting today is losing its main function, gradually turning into a social attribute of a modern man. But hunting still has pedagogical potential. The goal of the research is to find out the attitude of the indigenous peoples of Yakutia to this image–phenomenon. A comparison is made between traditional and modern societies. The methods include theoretical analysis, comparison and logical analysis, interdisciplinary approach, socio

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Haksar, Nandita. "Irom Sharmila’s Struggle against Military Repression: A Critique." ANTYAJAA: Indian Journal of Women and Social Change 1, no. 2 (2016): 169–81. http://dx.doi.org/10.1177/2455632716681112.

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This article argues that although Irom Sharmila’s 16-year-old fast from November 2000 to August 2016 has earned her the status of an icon of non-violent protest, yet she did not seek these appellations; her only aim was to put moral pressure on the government to repeal the Armed Forces (Special Powers) Act, 1958. The article seeks to assess the efficacy of Irom Sharmila’s protest and how far it has helped or hindered in mobilizing public opinion against the Act. It propounds that the publicity around Irom Sharmila put her on a pedestal and trapped her in her own image, made invisible entire hi

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Rosegrant, John. "Contributions to Psychohistory: X. Fetish Symbols in Playboy Centerfolds." Psychological Reports 59, no. 2 (1986): 623–31. http://dx.doi.org/10.2466/pr0.1986.59.2.623.

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Playboy centerfolds were assumed to represent cultural images of women. Greater numbers of fetish symbols were strongly associated with greater anatomical femaleness in centerfolds, supporting the psychoanalytic hypothesis that fetishes devalue women to alleviate the anxiety aroused by anatomical femaleness. A learning theory explanation of fetishes was not supported. Anatomical femaleness of models, measured by bust, hip, and waist size, decreased, in that from 1959 to 1970 models became decreasingly voluptuous, then using a second measure of anatomical femaleness, increased, in that from 197

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Xavier, Marlon. "SUBJECTIVITY UNDER CONSUMERISM: THE TOTALIZATION OF THE SUBJECT AS A COMMODITY." Psicologia & Sociedade 28, no. 2 (2016): 207–16. http://dx.doi.org/10.1590/1807-03102016v28n2p207.

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Abstract This theoretical work discusses consumerism's processes of subjectivation and their psychological consequences. Its regime is studied through its social imaginary and its totalitarian character: the discourse of advertising, as a global hegemon, absorbs all forms of discourse and signification, thereby actualizing capitalism's telos - the colonization of the Lebenswelt under a great imperative: everything must become a commodity, especially the subject. A process of totalization of subjectivity occurs under a commodification logic centered on the representation: every image must be tr

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Cenatiempo, Dantzel. "Ways of Seeing, Ways of Being Seen." French Historical Studies 46, no. 3 (2023): 427–55. http://dx.doi.org/10.1215/00161071-10454853.

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Abstract This article explores how Josephine Baker leveraged post–World War I European primitivism to subvert her mostly white male audience's voyeuristic gaze. Baker's youthful experiences with early twentieth-century American minstrelsy fostered many techniques, from cross-dressing to whiteface, that proved useful for navigating her sudden fame in Jazz Age Paris. In particular, Baker's subversive parody of her rival Mistinguett in La joie de Paris in 1932 demonstrates how skin color, despite becoming both fetish and fashion during the interwar period, still fell into colonial hierarchies. Ba

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Bello, Musthapa Adebayo. "The Spiritual Consultancy (Jalbu/Jalabi) in the Religious Culture of Yoruba Muslims, Nigeria." Al-Adabiya: Jurnal Kebudayaan dan Keagamaan 17, no. 1 (2022): 51–65. http://dx.doi.org/10.37680/adabiya.v17i1.1508.

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Spiritual consultancy (Jalbu, locally referred to as Jalabi) has been the major vocation of traditional Muslim scholars in Yoruba land, Nigeria, apart from teaching and preaching. This is accentuated by the religious culture of permissiveness which allows cross-religious interaction and sharing amongst the adherents of the three religious traditions competing for patronage in this part of the country, thereby corrupting the pristine values of Islam. Understanding this conundrum, this ethnographic work, which employs both qualitative and quantitative methods, seeks to interrogate the practice o

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Biswas, Banani. "Patterns of Male/Erotic Fantasy in Coover’s “The Babysitter”." Asian Journal of Humanity, Art and Literature 5, no. 1 (2018): 9–18. http://dx.doi.org/10.18034/ajhal.v5i1.328.

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The paper aims at studying the patterns of the male fantasy in Robert Coover’s erotically charged short story, “The Babysitter”. The story centres on the image of a Babysitter stepping into a bathtub for having a shower while the phone in the living room rings, driving her out of the tub to answer it by the time the towel wrapping her pulls off giving a view of her naked body. In a rapid succession of one hundred and seven fragmented paragraphs, this image vividly recurs in and rolls up through the fantasies to fantasies of its male characters, blurring and overlapping these, creating fresh ne

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Khokonov, Murat A., and Roman P. Lissev. "On the Issue of Interdisciplinary Study of the Traditional Circassian Festival of Sozeresh." IZVESTIYA VUZOV SEVERO-KAVKAZSKII REGION SOCIAL SCIENCE, no. 2 (June 26, 2024): 19–26. http://dx.doi.org/10.18522/2687-0770-2024-2-19-26.

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The article discusses issues related to the interdisciplinary study of the traditional Circassian winter holiday Sozeresh. The main historiographical versions and information are given, which describe the plot and compositional features of the rite. Attention is paid to its ideological components, where traditional ideas about the world order, its patterns, and cycles are transmitted through certain sequences of traditional actions and through a system of a number of cultural symbols. The question is raised about the need for further cultural and special ethnographic analysis of the functional

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Rocha, Rose De Melo, and Daniel B. Portugal. "Sedução, sonhos, fantasma: a erótica das visualidades." Revista FAMECOS 19, no. 1 (2012): 280. http://dx.doi.org/10.15448/1980-3729.2012.1.11359.

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e imagens separando-as em três ordens: fantasmas, gramática e magia. Após analisá-las brevemente, traz-se à tona a centralidade das afecções em tais vinculações e a importância da noção de fetiche. Na fúria das teorias contra o fetichismo não seria possível detectar a própria potência erótica das imagens? ****************************************** ABSTRACT The article reflects about the forms of bonding between humans and images. It divides those forms in three orders: phantoms, grammar and magic. After analyzing them, it highlights the centrality of affections in such forms of bonding and the

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Spivey, Nigel. "Art and Archaeology." Greece and Rome 60, no. 1 (2013): 176–79. http://dx.doi.org/10.1017/s0017383512000344.

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The front cover of John Bintliff's Complete Archaeology of Greece is interesting. There is the Parthenon: as most of its sculptures have gone, the aspect is post-Elgin. But it stands amid an assortment of post-classical buildings: one can see a small mosque within the cella, a large barrack-like building between the temple and the Erechtheum, and in the foreground an assortment of stone-built houses – so this probably pre-dates Greek independence and certainly pre-dates the nineteenth-century ‘cleansing’ of all Byzantine, Frankish, and Ottoman remains from the Athenian Akropolis (in fact the v

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de Fren, Allison. "Technofetishism and the Uncanny Desires of A.S.F.R. (alt.sex.fetish.robots)." Science Fiction Studies 36, Part 3 (2009): 404–40. https://doi.org/10.1525/sfs.36.3.0404.

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This essay interrogates the visual landscape of technofetishism, particularly in relation to the machine woman, using as a springboard a little-known internet community of technosexuals who collectively refer to their fetish for artificial bodies as A.S.F.R. (alt.sex.fetish.robots). Although A.S.F.R. was made possible by the advent of virtual communities, its fetishistic interests have historical antecedents that were documented in the early literature of sexology. Against their classifications of similar fetishistic practices as variations of necrophilia, as well as subsequent Freudian interp

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Бадмаев, Андрей Андреевич. "IMAGE AND SYMBOLISM OF THE WOLF IN THE WORLDVIEW AND RITUAL OF THE BURYATS." Tomsk Journal of Linguistics and Anthropology, no. 2(32) (October 14, 2021): 93–101. http://dx.doi.org/10.23951/2307-6119-2021-2-93-101.

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В современности духовное наследие народов России, включая их традиционную картину мира, является объектом общественного и научного интереса. В этом ключе представляется важным реконструкция народных воззрений о животном мире. Целью работы является выявление значений волка в мифологических суждениях бурят и включенности этого дикого животного в их обрядность. Источниками для исследования послужили различные этнографические, фольклорные и лингвистические материалы. В работе использован в качестве основного структурно-семиотический метод. Анализ показывает, что у бурят сформировался неоднозначный

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Csobó, Péter György. "Music – Recording – Aura: Marginal Notes on the Debate between Adorno and Benjamin and on Adorno's Fragmentary Theory of the Gramophone Record." Studia Musicologica 65, no. 1-2 (2024): 117–28. http://dx.doi.org/10.1556/6.2024.00008.

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AbstractThere is hardly another Frankfurt School treatise on art theory today which is as much discussed and quoted as Walter Benjamin's notable “artwork”-study. This text has become a mandatory reading; however, it has been largely overlooked by musicologists. Benjamin developed his theory in connection with the visual arts: it is only the image that carries the aura, traveling through time and space and is saturated with historical substance. Benjamin remained seemingly uncertain about the place and role of the sound (and the music) in the historical process of losing the aura. Among the thr

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Brett, Rachel. "The provocative aesthetic of Guy Bourdin." Fashion, Style & Popular Culture 8, no. 2 (2021): 211–24. http://dx.doi.org/10.1386/fspc_00080_1.

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Fashion and photography are inter-related subjects within a pedagogical discourse incorporating sociological and psychoanalytical approaches. This article will focus on the radical work of Guy Bourdin, firstly considering the technical themes within his work. The article will then progress to reflect on gender and the fetish elements in the photography by thinking through Judith Butler’s theory of performativity. Elaborating on the concept of the fetish, I will then discuss modernity and analyse Bourdin’s images as a product of, and comment on modernity applying Walter Benjamin’s ideas on fash

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yang, nel. "Arousal and Elicitation: Photographic Performativity in FinDom." Master, Vol. 5, no. 2 (2020): 70–77. http://dx.doi.org/10.47659/m9.070.art.

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Financial domination (findom) is a fetish practice in which a submissive derives erotic pleasure from sending money to a dominant or a cashmaster. Cashmasters produce photographs meant to elicit this desire in cashslaves, essentially arousing the desire to send money. This essay approaches this emergent genre of seemingly self-promotional photography as a genre of photographic performativity (Levin 2009). Rather than the desire to capture or represent (Batchen 1999), these images evidence a choreography of photographic performativity including both masters (as makers) and slaves (as viewers).

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Saxton, Libby. "Make Believe: Marie-José Mondzain and Cinema's Christian Economy." Paragraph 42, no. 3 (2019): 301–15. http://dx.doi.org/10.3366/para.2019.0308.

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This article seeks to highlight the relevance of Marie-José Mondzain's trailblazing writings on Byzantine image theory and its modern legacy, with particular reference to Image, icône, économie (Image, Icon, Economy, 1996) and Homo spectator (2007), to the revived debate about belief in cinema. Like André Bazin's and Christian Metz's classical accounts of this subject, Xavier Giannoli's film L'Apparition (The Apparition; 2018) grants a privileged role to a holy shroud and other visual fetishes; it also deals, like Mondzain, with their relations to invisible authority. I argue that Mondzain's w

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Malewski, Tadeusz, Ewa Ropelewska, Andrzej Skwiercz, Anastasiia Lutsiuk, and Anita Zapałowska. "A Novel Tool for Biodiversity Studies: Earthworm Classification via NGS and Neural Networks." Applied Sciences 15, no. 12 (2025): 6597. https://doi.org/10.3390/app15126597.

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Earthworms are important in agriculture in the process of soil fertilization and influence its physicochemical properties. The taxonomic classification of earthworms using morphological characteristics requires experts, is difficult, and can require specimen dissection to extract detailed anatomical studies. Molecular techniques are time-consuming and expensive. The objective of this study was to distinguish earthworms belonging to different genera, Eisenia, Dendrobaena, and Lumbricus, using an innovative approach involving machine learning models built based on image texture parameters from i

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Butanaev, V. Ya. "Family-Tribal Fetishes of the Turks of Hongoray." Archaeology and Ethnography 18, no. 5 (2019): 154–65. http://dx.doi.org/10.25205/1818-7919-2019-18-5-154-165.

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Purpose. The author analyses a traditional cult of fetishism, which used to be common in the traditional life of turks of Hongoray (Khakassia) and others nations of Sayan-Altai region. The scientific novelty is in systematizing the materials available belonging to different ethnic groups of the Khakass (the Kachints, Sagai, Kyzyls, Beltyrs). Results. Functional particularities of the Khakass fetishes “tös” described used to protect clan and family health and served as patrons of cattle breeding and hunting. The author discovers many previously unknown signs and describes their ancient roots. R

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Jørgensen, Hans Henrik Lohfert, Pernille Leth-Espensen, and Laura Katrine Skinnebach. "Dukken som animeret billede – mellem idolatri og idollatry, mellem dukkekult og dukkekærlighed." Periskop – Forum for kunsthistorisk debat, no. 27 (June 15, 2022): 58–79. http://dx.doi.org/10.7146/periskop.v2022i27.133729.

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ABSTRACT In 2020, the annual seminar at Art History in Aarhus was dedicated to a category of images usually absent from art historical research: dolls and puppets. The premise of the seminar was that through their animation, dolls or puppets are a universal, albeit historical, kind of image across all visual and anthropological cultures. A doll may be defined as an interactive, animated, representational figure, tangible and usually anthropomorphic. Dolls and puppets are closely related to other three-dimensional images, such as statues, sculptures, fetishes, and idols, but they have bee

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Shames, David. "Consumption from the Avant-Garde to the Silver Screen." Exchanges: The Interdisciplinary Research Journal 7, no. 2 (2020): 96–114. http://dx.doi.org/10.31273/eirj.v7i2.466.

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In Oswald de Andrade’s ‘Manifesto Antropófago’ of 1928, he explicitly calls for Brazilian and Latin American artists to resist the vestiges of colonial cultural politics by appropriating the cannibal trope and unabashedly plundering and consuming the European cultural tradition to radically rewrite cultural discourse. While Andrade’s Manifesto has been used as a critical lens to examine the Latin American avant-gardes, as well as other modes of post-colonial cultural production, it has not been as widely used as a theoretical apparatus for examining the question of commodity production and con

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Mocombe, Paul C. "Multipolarism and Neoliberal Globalization." Journal of Research in Philosophy and History 6, no. 4 (2023): p1. http://dx.doi.org/10.22158/jrph.v6n4p1.

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In this article, I argue that in the age of neoliberal (postindustrial) globalization identity politics, the reification and commodification of (serial) identity practices, cultures, and “all of the accoutrements of the economy of spectacle and the manufacturing of images and fetish desires,” on the one hand, and the continuous atomization of the human subject in (neo) liberalism on the other are mechanisms for creating surplus-value and continuing capitalism’s domination over the world in the era of climate change. These two dialectical practices are offset by an emerging call for a multipola

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R., Vijaya Kumar Reddy* Dr. Uppu Ravi Babu &. K.Prudvi Raju. "AN APPROACH TO MONITOR FETUS GROWTH AND ITS WEIGHT ESTIMATION USING ULTRASOUND." INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY 6, no. 8 (2017): 263–66. https://doi.org/10.5281/zenodo.843930.

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Analysis the growth of a fetus is essential and most important at pregnancy time. For this, we have to consider the fetal biometric measurements. Normally to check the growth of a fetus we used to measure weight of the fetal. The weight estimation is done by using ultrasound image where gynaecologist proper observation required and image quality. And the accuracy of the weight estimation of the fetal during scanning process depends upon fetal biometric parameters like Biparietal diameter (BPD), Head circumference (HC) Crown Rump Length (CRL), Femur length (FL), Humerus Length (HL) and abdomina

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Feliciano, M. A. R., W. R. R. Vicente, T. F. Motheo, L. C. Padilha, and C. G. Candioto. "Detecção ultrassonográfica do ovário fetal em loba-guará (Chrysocyon brachyurus): relato de caso." Arquivo Brasileiro de Medicina Veterinária e Zootecnia 62, no. 1 (2010): 100–106. http://dx.doi.org/10.1590/s0102-09352010000100014.

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Identificaram-se, por ultrassonografia, os ovários fetais e o sexo dos fetos em uma loba-guará. Ao exame ultrassonográfico, foi possível identificar estruturas fetais e realizar medidas (relação entre diâmetro cranial e abdominal dos fetos) que indicavam idade fetal de 59 dias. Observaram-se: estruturas torácicas e abdominais formadas, diafragma, membros, estruturas do crânio definidas, coluna vertebral, medula, costelas, batimentos cardíacos normais, movimentação fetal, câmaras e valvas cardíacas, grandes vasos, rins, peristaltismo intestinal e ovários fetais. O exame ultrassonográfico foi ef

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Botti, Mariana Meloni Vieira. "Fotografia e fetiche: um olhar sobre a imagem da mulher." Cadernos Pagu, no. 21 (2003): 103–31. http://dx.doi.org/10.1590/s0104-83332003000200006.

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Este artigo investiga a imagem da mulher fetichizada, socialmente construída enquanto objeto de desejo. Através da análise de imagens dos fotógrafos Elmer Batters, Eric Kroll e Cristiano, buscando decodificar alguns elementos simbólicos do universo do fetiche, e interpretar a construção de seus significados a partir de questões de gênero.

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Shou, Tianyi. "Racialized Flânerie, Commodity Fetish, and Empire’s Cosmopolitan Glamour in Lao She and Jean Rhys." Twentieth Century Literature 71, no. 1 (2025): 29–58. https://doi.org/10.1215/0041462x-11686154.

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This essay compares the migrant’s urban strolls in two interwar novels: Chinese author Lao She’s Mr. Ma and Son (二馬 Er Ma, 1931) and Anglophone Caribbean writer Jean Rhys’s Good Morning, Midnight (1939). Analyzing “racialized flaneurs” as those whose mobility in the metropolis is entangled with the metropole’s consumption of exotic racial images, the essay observes the diasporic lives of Chinese antique shop owner Ma Zereng and the white creole tourist Sasha Jansen at the intersection of racialization and economic exchange. By bringing together a novel told from outside imperial whiteness and

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Nascimento, Kelly Cristina do, Renata Cristina Beltrão de Lima, Flávia Alves Delgado, and Betânia Mata Ribeiro Gomes. "Lingerie, high heels, lipstick, alcohol and tobacco: paraphilias and fetishes and the Mental Health of Sex Workers." Concilium 23, no. 21 (2023): 122–33. http://dx.doi.org/10.53660/clm-2401-23s20.

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Law No. 10,216 (National Mental Health Policy) reports on the rights and protection of people suffering from mental disorders. Objective: to report the perceptions of female sex workers about their mental health in light of the Mandala of Knowledge. Results: 1st moment: Who are we – participants make their self-introduction. 2nd moment: Getting to know the Mandala - explanation of what Popular Health Education is. 3rd moment: Our daily mental health - presentation of images with the main CMDs. 4th moment: How can I help myself? – the sex workers brought their stories about each image present i

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Fontenelle, Isleide Arruda. "Ilusões de modernidade: o fetiche da marca McDonald's no Brasil." Psicologia & Sociedade 18, no. 2 (2006): 38–46. http://dx.doi.org/10.1590/s0102-71822006000200006.

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Objetiva-se apresentar e discutir as relações atuais entre imagem e entretenimento a partir de pesquisas realizadas sobre a construção da imagem de marca McDonald's e sobre as modernas técnicas de marketing. Visando compreender porque nos tornamos consumidores de imagens, procurou-se recuperar, a partir da própria historia do McDonald's, os acontecimentos econômicos, sociais, culturais, políticos, que teriam nos transformado em uma sociedade na qual "estar na imagem é existir". Embora trágica em seu sentido de fundo, essa perda da forma nos é compensada por imagens de diversão e felicidade que

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Araujo Júnior, Edward, Hélio Antonio Guimarães Filho, Cláudio Rodrigues Pires, Luciano Marcondes Machado Nardozza, and Antonio Fernandes Moron. "Aplicações da ultra-sonografia tridimensional na avaliação do cerebelo fetal." Radiologia Brasileira 40, no. 3 (2007): 201–6. http://dx.doi.org/10.1590/s0100-39842007000300013.

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Nos últimos anos a ultra-sonografia tridimensional tem-se tornado um método de imagem de grande importância no diagnóstico em obstetrícia. Um de seus benefícios seria a maior sensibilidade, em relação ao ultra-som bidimensional, no diagnóstico de algumas malformações fetais. As potenciais aplicações desse novo método seriam uma maior acurácia na medida do volume de órgãos fetais, a possibilidade de rever volumes na ausência da paciente, a possibilidade de utilizar diferentes planos para avaliar determinada estrutura anatômica e a capacidade de transmissão de volumes para centros de referência.

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Iakovleva, Elena L. "Catholicism in Andy Warhol’s Pop Art Style." Sphere of culture 4, no. 4 (2023): 83–93. https://doi.org/10.48164/2713-301x_2023_14_83.

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According to modern art historians, the life and work of the outstanding representative of American avant-garde A. Warhol are imbued with secret religious motifs. Turning to the biography and works of the artist, the author of the current study proves that Andy concealed his confessional affiliation from others, which was helped by the aesthetics of pop art. In his creative work, which plays the role of prayer practice, he presented Catholicism to the public in a transformed form, i.e. through the images and things of the consumer society. The idea of the temporality of life lay behind the ban

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Григорий Валериевич, Токарев. "Отражение процесса самоидентификации личности эталонами русской лингвокультуры". Tomsk state pedagogical university bulletin, № 6(236) (15 листопада 2024): 26–35. http://dx.doi.org/10.23951/1609-624x-2024-6-26-35.

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Исследуется определение особенностей самоидентификации, то есть самопонимания, эталонами русской лингвокультуры. Для достижения поставленной цели использован ономасиологический, компонентный, концептуальный анализ, приемы лингвокультурологической интерпретации. Эталон − знак культуры, выражающий в вербальной форме стереотипные представления о стандартах свойств и качеств человека. Доказано, что эталоны являются основным средством самоидентификации субъекта культуры. Они объективируют разные аспекты внутреннего мира человека, его внешности, социального взаимодействия. Установлено, что эталон яв

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Sousa, Ramayana Lira de, and Alessandra Soares Brandão. "LET THE PUNISHMENT FIT THE VIEWER: UMA MASO-CRÍTICA DOS FILMES DE MARIA BEATTY." Revista Crítica Cultural 9, no. 2 (2014): 241. http://dx.doi.org/10.19177/rcc.v9e22014241-248.

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A pornografia tem sido tradicionalmente vista como uma das expressões mais perfeitas da opressão falocêntrica. Esta proposta busca desafiar essa percepção ao questionar a posição da espectadora lésbica diante dos filmes pornô de tintas masoquistas dirigidos pela americana Maria Beatty. Pensando o contrato masoquista a partir de Deleuze, queremos apontar nessas obras a desacelaração da imagem-movimento que resulta do trabalho do fetiche, de tal forma que a imagem pornográfica se aproxima da imagem-tempo. A economia sexual dos filmes de Beatty está menos relacionada às reminiscências pré-Édipo t

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Araujo Júnior, Edward, Sebastião Marques Zanforlin Filho, Cláudio Rodrigues Pires, Hélio Antônio Guimarães Filho, Luciano Marcondes Machado Nardozza, and Antonio Fernandes Moron. "Spatio-temporal image correlation (STIC): nova técnica para avaliação do coração fetal." Radiologia Brasileira 39, no. 5 (2006): 373–77. http://dx.doi.org/10.1590/s0100-39842006000500014.

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As malformações cardíacas são as mais freqüentes anomalias congênitas ao nascimento, entretanto, a sua detecção pré-natal pela ultra-sonografia convencional permanece baixa. As ultra-sonografias de terceira e quarta dimensões surgiram no início da década de 90, apresentando grandes aplicações em obstetrícia, principalmente nos casos de diagnósticos duvidosos à ultra-sonografia bidimensional. O spatio-temporal image correlation (STIC) representa grande avanço na área de ultra-som de quarta dimensão; constitui-se em um software acoplado ao aparelho Voluson 730 Expert, que permite a aquisição vol

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Viviana, Mancini. "Annie Ernaux: corpo e oggetto in transizione." Aura 4, no. 1 (2023): 55–80. https://doi.org/10.5281/zenodo.7726020.

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In Annie Ernaux’s works, the story, narrated from multiple points of view, becomes the object of a two-dimensionality intrinsic to the complex relationship that has always linked body and object, human and material. If, in fact, the human, bodily dimension predominates, in Ernaux’s writing the objects are not relegated to a simple background function, but collaborate in the creation of a general picture which, through ekphrasis and actual images, conveys the idea of a physical, emotional, personal and social change. By paying attention to the role of the body and its use in the aut

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Holt, Amy-Ruth, and Karen Pechilis. "Contemporary Images of Hindu Bhakti: Identity and Visuality." Journal of Hindu Studies 12, no. 2 (2019): 129–41. http://dx.doi.org/10.1093/jhs/hiz007.

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Abstract Historians writing on modernity often remark on the power of the visual, appealing to Walter Benjamin's influential observation that ‘modernity under late capitalism is dominated, and haunted, by dream-images and commodified visual fetishes’ (Benjamin 1968; Levin 1993, p.23; Ramaswamy 2003, p.xiii). Yet, studies of bhakti commonly focus on the literature and biographies of the bhakti saints instead of its visual dimensions in art, material culture, and performance. In this special issue, scholars of religion and art history writing on diverse visual cultures, communities, and geograph

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Ferreira, Larissa Caldas Heringer, Ana Clara Calixto Migliavacca, Gabrielle Almeida Rocha, Maria Luísa de Moura Ferreira Coelho, and Márcio José Rosa Requeijo. "HIDRONEFROSE PERINATAL: DIAGNÓSTICO POR EXAME DE IMAGEM." Revista Ibero-Americana de Humanidades, Ciências e Educação 10, no. 11 (2024): 739–49. http://dx.doi.org/10.51891/rease.v10i11.16316.

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A hidronefrose neonatal é uma complicação urinária que resulta do acúmulo de urina nas vias urinárias altas, levando à dilatação da pelve renal, e pode ser causada por estenose, tumores ou malformações congênitas. Sua detecção precoce é crucial para prevenir complicações renais permanentes e promover intervenções adequadas. Este estudo realizou uma revisão da literatura sobre a importância da ultrassonografia e outros exames de imagem na identificação de hidronefrose neonatal. A pesquisa foi realizada entre 2 e 3 de setembro de 2024, utilizando bases de dados como BVS, PubMed e Google Acadêmic

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Ravetto-Biagioli, Kriss, and Martine Beugnet. "Vertiginous Hauntings: The Ghosts of Vertigo." Film-Philosophy 23, no. 3 (2019): 227–46. http://dx.doi.org/10.3366/film.2019.0114.

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While the initial reception of Alfred Hitchcock's Vertigo (1958) was unspectacular, it made its presence felt in a host of other films – from Chris Marker's Sans Soleil (1983), to Brian De Palma's Obsession (1976), and David Lynch's Mulholland Dr. (1999). What seemed to have eluded the critics at the time is that Vertigo is a film about being haunted: by illusive images, turbulent emotions, motion and memory, the sound and feeling of falling into the past, into a nightmare. But it is also a shrewdly reflexive film that haunts filmmakers, critics, and artists alike, raising fundamental question

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Oliveira, Alessandra Nunes de, Jetur Lima de Castro, Cecília Abrahão Nascimento Santi, and Liliane Silva do Nascimento. "Cartuns e Caretas objetificação, representação visual e informacional da mulher em uma revista de humor no início do século XX no Brasil." Páginas a&b Arquivos & Bibliotecas, no. 15 (2021): 186–208. http://dx.doi.org/10.21747/21836671/pag15a11.

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This research discusses the objectification relations, visual and informational representation of the woman identified in the cartoons found in Careta, a humor magazine in the beginning of the 20thcentury, in Brazil. The relationship between humor and the image of women is problematized through the cartoons in the columns of the Caretamagazine, which created discursive deformations of what would be the feminist movement through graphic humor, that is, through comic phrases and drawings. Based on the magazine's documentary narrative raised through the cartoons, it presents some discursive and v

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Sales, Tainah Simões, and Juliana Diniz Campos. "A Carência de Efetiva Participação da Sociedade Civil nas Audiências Públicas no Âmbito do Controle Concentrado de Constitucionalidade Brasileiro." Conpedi Law Review 3, no. 1 (2017): 216. http://dx.doi.org/10.26668/2448-3931_conpedilawreview/2017.v3i1.3688.

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o artigo visa à análise das audiências públicas em sede de controle concentrado no Supremo Tribunal Federal a partir da promulgação da Constituição Federal de 1988. Mediante pesquisa bibliográfica, descritiva, pura, quantitativa e qualitativa, busca-se verificar se estas são instrumentos democráticos de fato ou se são apenas mecanismos de pretensão democrática. Neste trabalho, verificou-se que, diante da necessidade da imagem de um Poder Judiciário legítimo e democrático, corroborada pela crise no sistema representativo, criou-se este fetiche de que as audiências públicas correspondem a uma ef

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Sales, Tainah Simões, and Juliana Diniz Campos. "A Carência de Efetiva Participação da Sociedade Civil nas Audiências Públicas no Âmbito do Controle Concentrado de Constitucionalidade Brasileiro." Conpedi Law Review 3, no. 1 (2017): 216. http://dx.doi.org/10.26668/2448-3931_conpedilawreview/2017.v3i1.422.

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o artigo visa à análise das audiências públicas em sede de controle concentrado no Supremo Tribunal Federal a partir da promulgação da Constituição Federal de 1988. Mediante pesquisa bibliográfica, descritiva, pura, quantitativa e qualitativa, busca-se verificar se estas são instrumentos democráticos de fato ou se são apenas mecanismos de pretensão democrática. Neste trabalho, verificou-se que, diante da necessidade da imagem de um Poder Judiciário legítimo e democrático, corroborada pela crise no sistema representativo, criou-se este fetiche de que as audiências públicas correspondem a uma ef

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