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1

Kunjukrishnan, R., A. Pawlak, and Lily R. Varan. "The Clinical and Forensic Psychiatric Issues of Retifism." Canadian Journal of Psychiatry 33, no. 9 (1988): 819–25. http://dx.doi.org/10.1177/070674378803300907.

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The literature on the etiological theories, clinical manifestations and treatment of retifism (foot fetishism) and fetishisms in general are briefly reviewed. The case of a 27 year old married male foot-fetishist is presented with emphasis on the psychosexual development leading to the specific sexual deviation. The specific behavioural treatment consisted of covert aversive conditioning using self-reports of sexual urges and psychophysiological monitoring as objective measures of therapeutic change. The theoretical basis for the therapeutic response is discussed.
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2

Cluley, Robert. "Sexual fetishism in organizations: The case of journal list fetishism." Organization 21, no. 3 (2014): 314–28. http://dx.doi.org/10.1177/1350508413519763.

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Organizations can encourage their members to over-value means above ends. A case in point is the tendency among academics to over-value standardized ranking lists for academic journals at the expense of high quality research. To make sense of such seemingly perverse object choices, organizational researchers have turned to the concept of fetishism. However, organizational researchers have yet to consider how these fetishes are organized as sexual object choices—a strange omission given the expansive empirical and theoretical literature exploring fetishism as a sexual practice. Drawing a distin
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3

Sumarsono, Irwan. "Fetishism Reflected in Sam Mendes’s American Beauty." World Journal of English Language 12, no. 5 (2022): 102. http://dx.doi.org/10.5430/wjel.v12n5p102.

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This study described the fetishism of the main character in Sam Mendes’ American Beauty by using psychoanalytical analysis. The analysis was focused on the fetishism conducted by the main character, Lester. The main data was taken from the work entitled American Beauty, while the supporting ones were derived from some related books, English journals, and other sources on the internet. Data were collected, categorized, and analyzed before they were presented in a discussion. The writer used descriptive-analytic techniques to analyze the collected data, and the analysis was focused on the factor
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4

Wyngaard, Amy S. "The Fetish in/as Text: Rétif de la Bretonne and the Development of Modern Sexual Science and French Literary Studies, 1887–1934." PMLA/Publications of the Modern Language Association of America 121, no. 3 (2006): 662–86. http://dx.doi.org/10.1632/003081206x142814.

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This essay examines the role of Rétif's writings in the development of the concept of erotic fetishism and in the formation of the French literary canon in the late nineteenth and early twentieth centuries. Rétif explored foot and shoe fetishisms more than a century before the phenomena were medically recognized, anticipating the modern psychosexual use of the term fetishism and making important contributions to the invention of the theoretical concept. Rétif's works were accorded a privileged place in early pathologies of fetishism, which provoked a series of polemics among German and French
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5

Smith, Robert, Sara Nadin, and Sally Jones. "Beyond the dolls house?" Qualitative Market Research: An International Journal 22, no. 5 (2019): 745–65. http://dx.doi.org/10.1108/qmr-01-2017-0035.

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Purpose This paper aims to examine the concepts of gendered, entrepreneurial identity and fetishism through an analysis of images of Barbie entrepreneur. It draws on the literature of entrepreneurial identity and fetishism to examine how such identity is socially constructed from childhood and how exposure to such dolls can shape and influence perceptions of entrepreneurial identity. Design/methodology/approach Using semiotic analysis the authors conduct a visual analysis of the Barbie to make observations and inferences on gendered entrepreneurial identity and fetishism from the dolls and art
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6

Sarris, Fotios. "Fetishism in The Spoils of Poynton." Nineteenth-Century Literature 51, no. 1 (1996): 53–83. http://dx.doi.org/10.2307/2933840.

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Henry James's The Spoils of Poynton is, as the author describes it in his preface to the novel, "a story of cabinets and chairs and tables" and, more specifically, of the conflict over their possession. The attitudes of the Brigstocks, Fleda Vetch, and Mrs. Gereth toward the "spoils" manifest different forms of fetishism thath can be interpreted in both Marxian and Freudian terms, as well as in terms of Pierre Bourdieu's more recent theory of "political fetishishm." One of the implications of the struggle for possession of the "spoils" is that value and meaning do not somehow passively and obj
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7

CROSBY, C. "From Metonymy to Fetishism." Novel: A Forum on Fiction 39, no. 3 (2006): 421–24. http://dx.doi.org/10.1215/ddnov.039030421.

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8

Kuldova, Tereza. "Fetishism and the problem of disavowal." Qualitative Market Research: An International Journal 22, no. 5 (2019): 766–80. http://dx.doi.org/10.1108/qmr-12-2016-0125.

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Purpose Fetishism has been often linked to misrecognition and false belief, to one being “ideologically duped” so to speak. But could we think that fetishism may be precisely the very opposite? The purpose of this paper is to explore the potential of this at first sight counterintuitive notion. It locates the problem of fetishism at the crux of the problem of disavowal and argues that one needs to distinguish between a disavowal – marked by cynical knowledge – and fetishistic disavowal, which can be understood as a subcategory of the same belief structure of ideology. Design/methodology/approa
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9

Campbell, Charles. "Simulation, Fetishism and World Domination." Critical Survey 33, no. 3-4 (2021): 16–27. http://dx.doi.org/10.3167/cs.2021.33030404.

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According to Jean Baudrillard, in a totally functional world people become irrational and subjective, given to projecting their fantasies of power into the efficiency of the system, a state of ‘spectacular alienation’. I argue that Americans as a society have accommodated themselves to such a system to the detriment of their ability to make sense in their public discourse. Baudrillard finds pathology in the system of objects as it determines social relations. In one symptom, people may obsess over a fetish object. For American society, the magical mechanical object is the gun. I show evidence
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10

Sarris, Fotios. "Fetishism in The Spoils of Poynton." Nineteenth-Century Literature 51, no. 1 (1996): 53–83. http://dx.doi.org/10.1525/ncl.1996.51.1.99p0205r.

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11

Starosta, Guido. "The Role and Place of ‘Commodity Fetishism’ in Marx’s Systematic-dialectical Exposition in Capital." Historical Materialism 25, no. 3 (2017): 101–39. http://dx.doi.org/10.1163/1569206x-12341540.

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AbstractThis article aims to contribute to the literature on Marx’s systematic-dialectical method through a critical reading and discussion of the significance and presentational ‘architecture’ of the section on commodity fetishism in the dialectical sequence of form-determinations inCapital. In order to undertake this task, the paper firstly explores the content and expositional structure of the first three sections of Chapter 1 ofCapital. This sets the stage for a methodologically-minded close examination of Marx’s presentation of the fetish character of the commodity, which shows that there
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12

Lee, Yoon Sun. "MAKING WHAT WILL SUFFICE: CARLYLE’S FETISHISM." Victorian Literature and Culture 29, no. 1 (2001): 173–93. http://dx.doi.org/10.1017/s1060150301291116.

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CARLYLE AS FETISHIST: this oldest of charges against Carlyle holds the key to his new importance as cultural critic. Carlyle’s earliest reviewers singled out for disapproval the indiscriminate admiration Carlyle seemed to feel for idols chosen according to an obscure logic of personal need or affinity. In the Quarterly Review of September 1840, for example, William Sewell1 complains:
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13

Arrojo, Rosemary. "Literature as Fetishism: some Consequences for a Theory of Translation." Meta 41, no. 2 (2002): 208–16. http://dx.doi.org/10.7202/001907ar.

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Abstract This article looks at different attempts to define literary and poetic texts and the claim of untranslatability with regard to these. It studies the relationship between author, reader and text and concludes that every act of translation, and reading, implies the innate unpredictability of human relationships constantly driven by the desire to transform all things we create into some form of autobiography.
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14

Telets, Yu V. "PSYCHOLOGICAL-HEDONISTIC REFLECTION OF SEXUAL FETISHISM IN MODERN UKRAINIAN LITERATURE." Lviv Philological Journal, no. 10 (2021): 135–41. http://dx.doi.org/10.32447/2663-340x-2021-10.21.

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15

N. Wise, Ram Chandran Kalyanam, Thomas. "Amputee Fetishism and Genital Mutilation: Case Report and Literature Review." Journal of Sex & Marital Therapy 26, no. 4 (2000): 339–44. http://dx.doi.org/10.1080/009262300438742.

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16

Schor, Naomi. "Female Fetishism: The Case of George Sand." Poetics Today 6, no. 1/2 (1985): 301. http://dx.doi.org/10.2307/1772136.

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17

Alter, M. E. "A Perilous Performance: Aestheticizing Fetishism in Trilby." Genre 39, no. 1 (2006): 1–18. http://dx.doi.org/10.1215/00166928-39-1-1.

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18

Henderson, Andrea. "Burney's The Wanderer and Early-Nineteenth-Century Commodity Fetishism." Nineteenth-Century Literature 57, no. 1 (2002): 1–30. http://dx.doi.org/10.1525/ncl.2002.57.1.1.

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This essay explores a particular moment in the history of commodity fetishism by means of an examination of Frances Burney's The Wanderer (1814). The novel, which is explicitly concerned with the social changes facing early-nineteenth-century England, reveals that at this historical moment the commodity inspired emotions of a particular kind: it was idealized and perceived as attractively individualized, aloof, exotic, and changeable, and it elicited a passionate and sometimes even painful form of desire. In The Wanderer Burney explores the human repercussions of this new way of engaging with
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19

Mulhern, Francis. "Critical Considerations on the Fetishism of Commodities." ELH 74, no. 2 (2007): 479–92. http://dx.doi.org/10.1353/elh.2007.0016.

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20

Giannini, A. James, Andrew E. Slaby, Gale Colapietro, Steven M. Melemis, and Rachel K. Bowman. "Sexualization of the Female Foot as a Response to Sexually Transmitted Epidemics: A Preliminary Study." Psychological Reports 83, no. 2 (1998): 491–98. http://dx.doi.org/10.2466/pr0.1998.83.2.491.

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The authors reviewed historical literature and hypothesized a relationship between epidemics of sexually transmitted diseases and foot fetishism. They tested this hypothesis by quantifying foot-fetish depictions in the mass-circulation pornographic literature during a 30-yr. interval. An exponential increase was noted during the period of the current AIDS epidemic. The authors offer reasons for this possible relationship.
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21

Salami, Ali, and Reza Dadafarid. "DOMINATION, SERVITUDE AND COMMODITY FETISHISM IN HAROLD PINTER’S THE HOMECOMING." Folia linguistica et litteraria XIII, no. 40 (2022): 143–57. http://dx.doi.org/10.31902/fll.40.2022.7.

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The struggle for domination clearly persists in The Homecoming as it does in almost all of Pinter’s works. Because of the vague atmosphere, enigmatic characters, and dark, tragicomic dialogue and action, a single decisive meaning for the play cannot be identified. Many character analyses have been carried out on the play, frequently focusing on Ruth and her decision at the end. Moreover, critics have sought to read the play in the light of psychoanalysis, centering on the characters’ past and complexes. By adding a sociopolitical dimension to purely realistic or symbolic readings, this article
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22

Hawkes, David. "Idolatry and Commodity Fetishism in the Antitheatrical Controversy." Studies in English Literature, 1500-1900 39, no. 2 (1999): 255. http://dx.doi.org/10.2307/1556165.

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23

Kennedy, Peter. "Book Review Article Market Socialism As Market Fetishism." Critique 31, no. 1 (2003): 165–72. http://dx.doi.org/10.1080/03017600309469473.

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24

Felber, Lynette. "THE LITERARY PORTRAIT AS CENTERFOLD: FETISHISM IN MARY ELIZABETH BRADDON'SLADY AUDLEY'S SECRET." Victorian Literature and Culture 35, no. 2 (2007): 471–88. http://dx.doi.org/10.1017/s1060150307051583.

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FROM “MY LAST DUCHESS”toThe Picture of Dorian Gray, portraits are ubiquitous in Victorian literature – lurking behind velvet curtains or stowed in locked attics, their canvases turned to the wall. The literary portrait, a variation on the copious nineteenth-century description typical of the Victorian novel, provides a verbal representation of physical appearance that most conspicuously functions to establish character. Literary portraits work vicariously, asking readers to conceptualize imaginatively what the characters actually see, requiring that they visualize a painting – see it in their
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25

Lee, Josephine. "Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism." Modern Drama 44, no. 1 (2001): 72–90. http://dx.doi.org/10.3138/md.44.1.72.

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26

Boer, Roland. "That Hideous Pagan Idol: Marx, Fetishism and Graven Images." Critique 38, no. 1 (2010): 93–116. http://dx.doi.org/10.1080/03017600903454413.

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27

Shahan, Cyrus. "Decadent Fetishism in Ulrike Ottinger'sJohanna d’Arc of Mongolia." Seminar: A Journal of Germanic Studies 45, no. 2 (2009): 174–88. http://dx.doi.org/10.3138/seminar.45.2.174.

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28

Logan, Peter Melville. "FETISHISM AND FREEDOM IN MATTHEW ARNOLD'S CULTURAL THEORY." Victorian Literature and Culture 31, no. 02 (2003): 555–74. http://dx.doi.org/10.1017/s1060150303000287.

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29

O’Rourke, Stephanie. "Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism." European Romantic Review 34, no. 4 (2023): 475–78. http://dx.doi.org/10.1080/10509585.2023.2225822.

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30

Hamdi, Saber. "Of ‘Household Gods’ and Devils: Fetishism in The Old Curiosity Shop." Anglia 137, no. 3 (2019): 411–33. http://dx.doi.org/10.1515/ang-2019-0037.

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Abstract Shifting the focus of attention from Nell to Trent opens new possibilities of reading Dickens’s The Old Curiosity Shop. Rather than telling the story of a little child’s journey towards death, the novel is about an old man’s failure to mourn that takes on the aspect of fetishistic disavowal. Trent is a split subject whose phantasmal formations open an abyss between knowledge and belief. His grappling with loss makes him crave for money, a projection which finds its ultimate embodiment in the character of Quilp. Dickens integrates this scenario into a symbolic web centred on the topos
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31

Apter, Emily. "Fore-skin and After-image: Photographic Fetishism in Tournier’s Fiction." L'Esprit Créateur 29, no. 1 (1989): 72–82. http://dx.doi.org/10.1353/esp.1989.0048.

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32

Kennedy, David. "The World Cup football: a case study in commodity fetishism." Critique 50, no. 4 (2022): 727–38. http://dx.doi.org/10.1080/03017605.2023.2199582.

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33

Johnston, Ruth D. "Narrative Diversion in Shirley, or the Perversion of Fetishism." Victorian Literature and Culture 23 (March 1995): 89. http://dx.doi.org/10.1017/s1060150300004113.

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34

Ellinghausen, Laurie, and David Hawkes. "Idols of the Marketplace: Idolatry and Commodity Fetishism in English Literature, 1580-1680." Sixteenth Century Journal 34, no. 2 (2003): 556. http://dx.doi.org/10.2307/20061479.

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35

Knoppers, Laura Lunger, and David Hawkes. "Idols of the Marketplace: Idolatry and Commodity Fetishism in English Literature, 1580-1680." Albion: A Quarterly Journal Concerned with British Studies 35, no. 1 (2003): 114. http://dx.doi.org/10.2307/4054534.

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36

Reid, J. "PETER MELVILLE LOGAN. Victorian Fetishism: Intellectuals and Primitives." Review of English Studies 61, no. 252 (2010): 828–30. http://dx.doi.org/10.1093/res/hgq078.

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37

Apter, Emily. "Fetishism and Visual Seduction in Mary Kelly's "Interim"." October 58 (1991): 97. http://dx.doi.org/10.2307/778800.

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38

Ada, Erika. "Ways of Representing Accumulation: The Archive and the Collection in Jonathan Safran Foer’s Everything is Illuminated and John Fowles’ the Collector." Romanian Journal of English Studies 10, no. 1 (2013): 192–98. http://dx.doi.org/10.2478/rjes-2013-0017.

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Abstract The paper explores the desire of accumulating in our contemporary society by analysing two processes: that of archiving and that of collecting; and how these are represented in literature, in novels such as Everything is Illuminated, which deals with the preservation of memory through the archive; and The Collector, which brings a different perspective on the act of collecting, namely, the relationship between collecting, possession and fetishism.
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39

Semenza, Greg M. Colón. "Milton's “Mangl'd Body”: Fetishism, Idolatry, and the Critical Heritage since 1652." Milton Studies 51 (January 1, 2010): 165–203. http://dx.doi.org/10.2307/26396006.

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40

Davidson, Guy. "Ornamental Identity: Commodity Fetishism, Masculinity, and Sexuality in The Golden Bowl." Henry James Review 28, no. 1 (2007): 26–42. http://dx.doi.org/10.1353/hjr.2007.0002.

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41

Lutz, John. "That Texas Disease: Commodity Fetishism and Psychic Deprivation in The Hamlet." Lit: Literature Interpretation Theory 13, no. 1 (2002): 69–90. http://dx.doi.org/10.1080/10436920210417.

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42

McClure, John. "Fetishism and Imagination: Dickens, Melville, Conrad. David Simpson." Modern Philology 82, no. 4 (1985): 439–42. http://dx.doi.org/10.1086/391419.

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43

Kuzniar, Alice. "Hesitancy and Hovering: Irony, Camp, and Fetishism inMädchen in Uniform." Seminar: A Journal of Germanic Studies 55, no. 2 (2019): 94–109. http://dx.doi.org/10.3138/seminar.55.2.1.

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44

BRESNICK, ADAM. "Absolute fetishism: genius and identification in Balzac's ‘Unknown Masterpiece’." Paragraph 17, no. 2 (1994): 134–52. http://dx.doi.org/10.3366/para.1994.17.2.134.

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45

Tidwell, P. L. "'Academic Campfire Stories: Thoreau, Ecocriticism and the Fetishism of Nature'." Interdisciplinary Studies in Literature and Environment 2, no. 1 (1994): 53–64. http://dx.doi.org/10.1093/isle/2.1.53.

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46

Lombardi, Elena. "Scar Narrative — Sore Narrative: The Liquidation of Realism in D’Annunzio's Giovanni Episcopo and L'Innocente." Quaderni d'italianistica 27, no. 2 (2006): 107–38. http://dx.doi.org/10.33137/q.i..v27i2.8581.

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In the years 1880-1894, D'Annunzio actively took part in the debate on the future of the novel and in the transition between realism and decadence. This article argues that D'Annunzio's "battle of realism" is fought between two texts, Giovanni Episcopo and L'Innocente, closely composed in 1891, and that it can be best brought to light by comparing the two novels against a psychoanalytical ghost text common to both in which two different events take place: castration in Giovanni Episcopo and fetishism (as argued by Barbara Spackman) in L'Innocente.
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47

Bourget, D., and John Bradford. "Fire Fetishism, Diagnostic and Clinical Implications: A Review of Two Cases*." Canadian Journal of Psychiatry 32, no. 6 (1987): 459–62. http://dx.doi.org/10.1177/070674378703200612.

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From the 19th century and early writings on the subject, psychosexual factors have been reported to play a role in pyromania. After a brief review of the literature on firesetting and pyromania, two cases of arsonists are presented in which fire appears to be part of a fetish. Full sexual behaviours assessments were completed, therefore providing objective findings. Both subjects were treated for the sexual deviation associated with the acts of arson and showed significant changes in their sexual functioning. This paper deals with the issues of identification and management of such conditions.
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48

Freedgood, Elaine. "Realism, Fetishism, and Genocide: "Negro Head" Tobacco in and around "Great Expectations"." NOVEL: A Forum on Fiction 36, no. 1 (2002): 26. http://dx.doi.org/10.2307/1346113.

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49

Powrie, P. "Review: Obscure Objects of Desire: Surrealism, Fetishism, and Politics." French Studies 58, no. 4 (2004): 572. http://dx.doi.org/10.1093/fs/58.4.572.

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50

Mazzoni, Cristina. "Looking Fat: Ironizing Fetishism in Marchesa Colombi's Un matrimonio in provincia." Quaderni d'italianistica 18, no. 2 (1997): 273–82. http://dx.doi.org/10.33137/q.i..v18i2.9694.

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