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Journal articles on the topic 'Feuilletonist'

Author: Grafiati

Published: 11 March 2023

Last updated: 31 July 2025

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1

Mazurov, A. E. "Feuilletons by F. V. Volkhovsky (Ivan Brut) in the “Siberian newspaper”." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 78–89. http://dx.doi.org/10.25205/2410-7883-2020-2-78-89.

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F. V. Volkhovsky lived in Tomsk since 1881. Almost immediately he began to actively cooperate with the “Siberian newspaper” and eventually became its leading feuilletonist. During his work, Volkhovsky published 89 feuilletons on its pages, more than half of the edition’s feuilletons. A huge role in the formation of the poetics of feuilletons by F. V. Volkhovsky is played by “literary masks” with characteristic features of his biography and personal qualities. The work of F. V. Volkhovsky with the images of feuilletonists is best manifested in the image of Ivan Brut. It is in the feuilletons of

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2

Wehner, Sophie Charlotte. "Die Stadt als Linse und Spiegel. : Feuilletonistische Ausblicke als (moderne) Selbstvergewisserung bei Brod, Jesenská, Roth und Tergit." Zeitschrift für Germanistik 35, no. 1 (2025): 27–43. https://doi.org/10.3726/92175_27.

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Abstract Städtedarstellungen, besonders urbane Schwellenphänomene, können als Linse und Spiegel feuilletonistischer Selbstentwürfe der Schreibenden verstanden werden. Sie dienen der Vergewisserung einer außenstehenden Position, die die Möglichkeit zur externen Beobachtung bietet. Diese Position weisen die Feuilletonist*innen durch ihre Verwendung der städtischen Motivik als besonders tauglich und exemplarisch für das Schreiben in der Moderne aus.Representations of cities, especially urban threshold phenomena, can be understood as a lens and mirror of the writers’ feuilletonistic self-conceptio

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3

Rybka, Małgorzata, and Marta Wrześniewska-Pietrzak. "„Czemuż nie zostawiłem tej kartki pustej?!” – obraz felietonopisarstwa i felietonisty w tekstach Macieja Stuhra pisanych dla „Zwierciadła”." Poznańskie Studia Polonistyczne. Seria Językoznawcza 23, no. 2 (2016): 159–87. http://dx.doi.org/10.14746/pspsj.2016.23.2.10.

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The text presents linguistic image of a feuilletonist and writing a feuilleton in the texts written by Maciej Stuhr in “Zwierciadło” from January 2009 to April 2016. Analyses were conveyed according to the cognitive methodology and lead to the constructing the concept of writing a feuilleton that is combined with the problem of autotematism in the texts of Maciej Stuhr. The linguistic image of a feuilletonist is presented regarding the theory of autobiographism and the sender – reader relationship. The mentioned elements have enabled the authors of this article to read the entire image of a fe

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4

Hárs, Endre. "Ein Wiener Feuilletonist geht auf Urlaub. Ludwig Hevesis Die Althofleute. Ein Sommerroman (1897)." Neohelicon 45, no. 1 (2018): 17–33. http://dx.doi.org/10.1007/s11059-018-0430-4.

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5

Fedotova, Svetlana V. "“A curious fellow”: Letters of Z.N. Gippius and D.S. Merezhkovsky to K.I. Chukovsky (1907–1920)." Literary Fact, no. 20 (2021): 31–81. http://dx.doi.org/10.22455/2541-8297-2021-20-31-81.

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The corpus of letters of D.S. Merezhkovsky and Z.N. Gippius to K.I. Chukovsky is published for the first time, which allow us to reconstruct the little-known story of the relationship between the writers-Godseekers and the critic- feuilletonist. Even in the absence of reciprocal letters, the epistolary is of great historical and literary interest, especially its first part, which documents the initial stage of Merezhkovsky’s personal communication during his first Parisian emigration with the young Chukovsky, as well as the circumstances and conditions for the emergence of their friendly inter

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6

Proshchenko, Anastasia. "F. M. Dostoevsky in the Biased Opinions of the Feuilletonist and Critic V. P. Burenin." Неизвестный Достоевский 8, no. 3 (2021): 107–35. http://dx.doi.org/10.15393/j10.art.2021.5561.

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The influence of the critic V. P. Burenin on the public life of the 1860s — 1880s is great: his popularity was comparable to that of V. G. Belinsky in the 1840s. According to B. B. Glinsky, everyone has secretly read Burenin's feuilletons, even those who despised the newspaper Novoe Vremya (New Time) and personally hated its critical columnist for the sharpness and rudeness of his polemical style. The article examines the evolution of the critic's views of F. M. Dostoevsky’s work and his role in Russian journalism and literature. In the initial period of his activity, V. P. Burenin tended to a

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7

Majewska, Magdalena. "Językowo-kulturowy obraz męskości w felietonach Tomasza Raczka." LingVaria 14, no. 27 (2019): 67–76. http://dx.doi.org/10.12797/lv.14.2019.27.04.

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The Linguistic and Cultural Image of Masculinity in Tomasz Raczek’s FeuilletonsIn this paper, the author presents the linguistic layer of Tomasz Raczek’s feuilletons published in the “Wprost” weekly. Analysed are the various linguistic means, phraseologisms, and lexemes occurring in Raczek’s texts, which showcase masculine and non-masculine social attitudes, and thereby the subjective value system represented by the author of the “Ekran osobisty” (‘Personal screen’) series of feuilletons. Moreover, the paper presents the narrative strategies of Raczek’s feuilletons, revealing the linguistic an

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Ujvári, Hedvig. "Meilensteine der journalistischen Karriere von Theodor Herzl vor der Neuen Freien Presse •." Hungarian Studies 34, no. 2 (2021): 223–38. http://dx.doi.org/10.1556/044.2020.00021.

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AbstractTheodor Herzls Name ist in erster Linie mit dem Zionismus und der Grundlegung dessen, was als Judenstaat bezeichnet wurde, verknüpft. Der gebürtige Ungar, der später in Wien studierte und sesshaft wurde, war allerdings in seiner Jugend weit davon entfernt und hegte noch ganz andere Pläne. Er wünschte sich anstelle einer juristischen Karriere vielmehr eine Laufbahn als erfolgreicher Bühnenautor des Burgtheaters und/oder als Feuilletonist der Neuen Freien Presse. Seine Anstrengungen blieben nicht erfolglos. Während er als Dramatiker eher als gutes Mittelmaß galt, etablierte er sich zuers

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9

Steinberg, Mark D. "Crooked and Straight: Street Stories and Moral Stories in Early Soviet Odessa." Slavic Review 82, no. 2 (2023): 359–77. http://dx.doi.org/10.1017/slr.2023.168.

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Moral storytelling about urban public life in Odesa in the 1920s is at the center of attention. A key social space is in focus: streets and corners as spaces and as concepts. And a particular storyteller is central: the well-known and yet biographically mysterious feuilletonist for the city's evening newspaper, “Al. Svetlov.” Soviet journalists, like Soviet reality, were expected to offer ideological clarity: a morally unambiguous and teleologically straight story about the death of the past and the birth of a bright and healthy new world. But such temporal and moral (and thus political) consi

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10

Alexandrov, Alexander S. "Correspondence between A.V. Amfiteatrov and V.Ya. Bryusov (1909‒1912)." Literary Fact, no. 1(35) (2025): 95–114. https://doi.org/10.22455/2541-8297-2025-35-95-114.

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For the first time, the article presents in full the correspondence between Valery Bryusov and the journalist and prose writer, popular feuilletonist, and author of historical novels Alexander Amfiteatrov (1862–1938), who lived in exile in Italy during those years. The impetus for the correspondence and its key topic was Bryusov’s report “Incinerated” at the ceremonial meeting of the Society of Lovers of Russian Literature on April 27, 1909 in Moscow, which was dedicated to the centenary anniversary of N.V. Gogol. Bryusov’s speech caused heated controversy in the press, and Amfiteatrov spoke o

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11

AHMEDOVA, Günel. "THE IMPORTANCE OF LAUGHTER IN LITERATURE AND FEUILLETONS." ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ 15, no. 3 (2023): 107–19. http://dx.doi.org/10.46291/zfwt/150307.

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Laughter, which is a subject as old and rooted as the history of mankind, is touched upon in this research. Laughter is one of the most important issues of human existence. In this article, the importance of laughter in literature is investigated in the context of feuilletons. Feuilleton is one of the literary genres with comic elements. Writers take advantage of sharp laughter and satire to highlight the problems of the period. From this point of view, feuilletons are very important. In these articles, the feuilletonists shed light on the current problems of the time they lived in, exposed th

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12

Aleksandrov, Aleksandr S. "Anniversary article in the literary critical practice of A. A. Izmailov." International Journal “Speech Genres” 20, no. 2 (46) (2025): 178–84. https://doi.org/10.18500/2311-0740-2025-20-2-46-178-184.

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The article deals with the nature of an anniversary article, a special genre of mass periodicals and journalese literary criticism of the late 19th – early 20th centuries/ The research is based on ample source material in a literary-critical and historical-literary vein. The introduction examines theoretical works devoted to various aspects of this genre, and formulates the research task – to identify additional characteristics and features of publications of this type. The subject of the study is the creative heritage of the critic-feuilletonist, employee of the leading metropolitan publicati

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13

Nesci, Catherine. "Feuilletons sans frontières ? Le « Monde » selon Delphine de Girardin." Études littéraires 40, no. 3 (2010): 61–72. http://dx.doi.org/10.7202/039244ar.

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Cette étude des chroniques parisiennes que Delphine de Girardin publie au bas du journal La Presse, entre 1836 et 1848, vise à éclairer le décloisonnement des discours et le métissage des genres textuels que promeut la civilisation du journal dès le premier XIXe siècle. À l’époque, les feuilletons de Girardin firent l’objet de violentes attaques portant sur la mise en spectacle de la mondanité et les menaces qui pèsent sur les figurations genrées du journaliste, chez la feuilletoniste. L’analyse des images tendues de la distinction et celle de la mise en oeuvre de la polémique politique, dans

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14

Fedotova, S. V. "Gender inversion in the ‘critique of a critic’. Zinaida Gippius on Korney Chukovsky." Voprosy literatury, no. 1 (April 5, 2022): 163–78. http://dx.doi.org/10.31425/0042-8795-2022-1-163-178.

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Examined in the article is an obscure feuilleton called ‘An immature critic’ [‘Nevzrosliy kritik’] (1914), penned by Anton Krayniy (Z. Gippius) with Korney Chukovsky in mind. The article sets out to identify the role of gender inversion in the feuilleton’s intended purpose and unique genre characteristics. Having analysed the semantics of two variants of the title and subtitle (‘A study in inverted commas’ [‘Etyud v kavychkakh’]), critical techniques and quotation strategies, the scholar finds that Gippius’ metacritical piece is a spoof. A female critic (in a male disguise) expounds on the ‘fe

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15

Alexandrov, Alexander S. "FEUILLETONISTS’ CRITIQUE AND “MEDICAL TEXT” Abstract." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 4 (2023): 120–26. http://dx.doi.org/10.31860/2712-7591-2023-4-120-126.

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This is a study of the use of medical text by Alexander A. Izmailov, Korney I. Chukovsky, and Alexander V. Amfiteatrov, leading Russian critics of the early 20th century, in feuilletons published in mass periodicals. The article considers two situations when critics used medical terminology in their critical responses to literary texts. One type of such a critique addressed literary texts that were related to medical issues and themselves contained medical terminology. In other cases, the use of medical terminology in critical responses was not called forth by the contents of the criticized te

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16

Fokin, Pavel E. "The Last Newspaper Fyodor Dostoevsky Read (Based on the Collections of Vladimir Dahl State Museum of the History of Russian Literature)." Dostoevsky and world culture. Philological journal, no. 4 (2020): 197–218. http://dx.doi.org/10.22455/2541-7894-2020-4-197-218.

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Throughout Dostoevsky's life, reading newspapers was one of the most important sources of his inspiration. Reading newspapers, Dostoevsky drew on real factual material that reflected both the characteristic phenomens of the postreform Russian reality and the most incredible “adventures” of lost human souls and hearts. Daily acquaintance with the latest news from Russian and world life was an essential necessity for Dostoevsky. Even while abroad, he regularly visited libraries to read the most recent Russian newspapers. Journalism was inherent in his type of thinking and personality. He began h

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17

Fokin, Pavel E. "The Last Newspaper Fyodor Dostoevsky Read (Based on the Collections of Vladimir Dahl State Museum of the History of Russian Literature)." Dostoevsky and World Culture. Philological journal, no. 4 (2020): 197–218. http://dx.doi.org/10.22455/2619-0311-2020-4-197-218.

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Throughout Dostoevsky's life, reading newspapers was one of the most important sources of his inspiration. Reading newspapers, Dostoevsky drew on real factual material that reflected both the characteristic phenomens of the postreform Russian reality and the most incredible “adventures” of lost human souls and hearts. Daily acquaintance with the latest news from Russian and world life was an essential necessity for Dostoevsky. Even while abroad, he regularly visited libraries to read the most recent Russian newspapers. Journalism was inherent in his type of thinking and personality. He began h

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18

Wolkenfeld, Stefan. "Über die verschollenen geglaubte Schauspielmusik zu Shakespeare "Othello" von August Wilhelm Ambros." Die Musikforschung 60, no. 1 (2021): 21–30. http://dx.doi.org/10.52412/mf.2007.h1.520.

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Der Musikwissenschaftler August Wilhelm Ambros (1816-1876) spielte als Feuilletonist und Komponist im Prager Musikleben der 1840er Jahre eine wichtige Rolle. Seine 1848 komponierte Schauspielmusik zu William Shakespeares "Othello" (die in Prag zahlreiche Aufführungen erlebte) wurde nie publiziert und galt als verschollen. Diese Ansicht muss revidiert werden. Das Autograph der Komposition befindet sich seit 1939 unbeachtet im Besitz der Österreichischen Nationalbibliothek. Die erste Sichtung ergab folgenden Befund: Ambros hat sich an dem für eine Schauspielmusik üblichen Modell orientiert. Nebe

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19

Майлыбаева, Г. С., та Д. Т. Төлепбек. "Ұлы тұлға, жасұрпақ, ұлыдан ұлағат, ұлттық құндылық, балалар шығармалары". Bulletin of Zhetysu University named after I.Zhansugurov, № 2(111) (24 червня 2024): 107–17. https://doi.org/10.53355/zhu.2024.111.2.012.

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Мақалада ақиық ақын, ұлы тұлға Ілияс Жансүгіров туғанына 130 жылдығына орай, ақынның ұрпақ тәрбиелеудегi шығармалары, балаларға арналған өлең жырларын жас ұрпақ бойына сіңіруде ақын еңбектері, драматург, прозаик, фельетоншы, сатирик, журналист, аудармашы және қоғам қайраткері жайлы айтылады. Ілияс Жансүгіров шығармаларының тәрбиелік мәні, шығармаларының жасұрпақ тәрбиелеуге бағытталған жанрларын алып қарайтын болсақ, қазақ халқының бай ауыз әдебиетіне арналып, сан салалы, көп қырлы болып келетіндігі баяндалады. Ақын шығармаларының тәрбиелік мәнін ұлттық құндылыққа толы рухани және мәдени еңбек

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Vick, Liza, Santie de Jongh, Valia Vraka, Stephanie Merakos, and Estelle Lowry. "Briefs / Feuilletons." Fontes Artis Musicae 67, no. 4 (2020): 363–69. http://dx.doi.org/10.1353/fam.2020.0037.

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Březina, Aleš. "Briefs / Feuilletons." Fontes Artis Musicae 68, no. 1 (2021): 33–36. http://dx.doi.org/10.1353/fam.2021.0002.

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Krämer, Kristina, James P. Cassaro, and Stephanie Merakos. "Briefs/Feuilletons." Fontes Artis Musicae 69, no. 2 (2022): 139–41. http://dx.doi.org/10.1353/fam.2022.0011.

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Cassaro, James P., Julianna Gócza, and Mari Itoh. "Briefs / Feuilletons." Fontes Artis Musicae 68, no. 2 (2021): 169–74. http://dx.doi.org/10.1353/fam.2021.0010.

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Merakos, Stephanie. "Briefs / Feuilletons." Fontes Artis Musicae 69, no. 1 (2022): 53. http://dx.doi.org/10.1353/fam.2022.0006.

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Volclair, Christine. "Feuilletons japonais." L'école des parents N° 594, no. 1 (2012): 54. http://dx.doi.org/10.3917/epar.594.0054.

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26

Vaculík, Ludvík, and George Theiner. "Three feuilletons." Index on Censorship 15, no. 7 (1986): 12–16. http://dx.doi.org/10.1080/03064228608534127.

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‘“You aren't a member of the Writers Union, nor are you registered with the Literary Fund,” he said to me on one occasion, “so that means you're no writer.” Oh dear, I thought, who is a writer, anyway.?’

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Lorch, Natalie, Pauline Sjöberg, and Ricardo Tacuchian. "Briefs / Feuilletons." Fontes Artis Musicae 63, no. 1 (2016): 45–49. http://dx.doi.org/10.1353/fam.2016.0007.

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Grigat, Friederike, and Musse Magnussen Svare. "Briefs / Feuilletons." Fontes Artis Musicae 63, no. 2 (2016): 140–47. http://dx.doi.org/10.1353/fam.2016.0008.

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Goldbach, Karl Traugott, Jan Dewilde, José González Ribot, and Hyun Kyung Chae. "Briefs / Feuilletons." Fontes Artis Musicae 63, no. 4 (2016): 299–304. http://dx.doi.org/10.1353/fam.2016.0036.

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Diet, Jürgen, Massimo Salcito, and Mary Black Junttonen,. "Briefs / Feuilletons." Fontes Artis Musicae 64, no. 1 (2017): 68–71. http://dx.doi.org/10.1353/fam.2017.0002.

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Ward, Jennifer A., and Mariella Sala. "Briefs / Feuilletons." Fontes Artis Musicae 64, no. 2 (2017): 193–95. http://dx.doi.org/10.1353/fam.2017.0020.

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Shepard, John, Arsinoi Ioannidou, and Eleanor Selfridge-Field. "Briefs / Feuilletons." Fontes Artis Musicae 64, no. 3 (2017): 299–305. http://dx.doi.org/10.1353/fam.2017.0030.

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Bewley, John, and Paul T. Jackson. "Briefs / Feuilletons." Fontes Artis Musicae 65, no. 1 (2018): 24–27. http://dx.doi.org/10.1353/fam.2018.0002.

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Vraka, Valia, Stephanie Merakos, H. Robert Cohen, Richard Chesser, Ann Kersting-Meuleman, and Ulrich Leisinger. "Briefs / Feuilletons." Fontes Artis Musicae 66, no. 1 (2019): 52–60. http://dx.doi.org/10.1353/fam.2019.0003.

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Simon-Reecht, Agnès. "Briefs / Feuilletons." Fontes Artis Musicae 66, no. 4 (2019): 372–74. http://dx.doi.org/10.1353/fam.2019.0038.

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Gottlieb, Jane, and Pamela Thompson. "Briefs / Feuilletons." Fontes Artis Musicae 67, no. 2 (2020): 161–66. http://dx.doi.org/10.1353/fam.2020.0011.

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Vick, Liza, Santie de Jongh, Valia Vraka, Stephanie Merakos, and Estelle Lowry. "Briefs / Feuilletons." Fontes Artis Musicae 67, no. 4 (2020): 363–69. http://dx.doi.org/10.1353/fam.2020.0037.

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Campana, Deborah, Richard Griscom, Judy Pinnolis, and Sandi-Jo Malmon. "Briefs / Feuilletons." Fontes Artis Musicae 69, no. 4 (2022): 327–30. http://dx.doi.org/10.1353/fam.2022.0026.

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Cassaro, Jim, and Georgina Binns. "Briefs / Feuilletons." Fontes Artis Musicae 70, no. 2 (2023): 142–46. http://dx.doi.org/10.1353/fam.2023.a901182.

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Hellen, Ruth, and Liz Hart. "Briefs / Feuilletons." Fontes Artis Musicae 70, no. 4 (2023): 334–38. http://dx.doi.org/10.1353/fam.2023.a915320.

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Annese, Angela, Jadranka Važanová, Massimiliano Guido, Nienke de Boer, and Bettina v. Seyfried. "Briefs / Feuilletons." Fontes Artis Musicae 72, no. 2 (2025): 173–80. https://doi.org/10.1353/fam.2025.a965426.

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Kholod, Hanna. "The specificity of the feuilletons of the Kino magazine for 1926." Social Communications: Theory and Practice 15, no. 1 (2023): 61–76. http://dx.doi.org/10.51423/2524-0471-2023-15-1-2.

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The purpose of the article is to find out the specifics of the feuilletons printed in the magazine "Kino" for 1926. Methodology. Descriptive, systematic methods, methods of analysis, synthesis, statistical methods, and hermeneutic methods were used in the research process. Information necessary for the coverage of the topic of the scientific article was recorded using the descriptive method. The content and form of feuilletons were comprehensively analyzed using the systematic method. The method of analysis made it possible to single out compositional techniques and elements, means of psycholo

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Mazurov, Alexandr E., and Nataliia V. Zhilyakova. "Narodnichestvo and Siberian regionalism in Feliks Volkhovsky’s feuilletons in Sibirskaya Gazeta (1882–1888)." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 90 (2024): 300–322. https://doi.org/10.17223/19986645/90/15.

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Researchers of Siberian journalism of the late 19th – early 20th centuries often faced the problem of coexistence of two ideologies – Siberian regionalism and Narodnichestvo (“populism”) in provincial publications, as well as in works of specific opinion journalists. This situation was due to the mass exile of representatives of Narodnichestvo to Siberia in the 1880s, including as part of the Trial of the 193, and their search for their place in a region new for them. Representatives of the Narodnichestvo movement, who before their exile were actively engaged in agitation, including journalist

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Sabourin, Lise. "Charles Nodier, Feuilletons du «Temps», tome I – Articles et feuilletons (1830-1843)." Studi Francesi, no. 166 (I | LVI) (April 1, 2012): 162–63. http://dx.doi.org/10.4000/studifrancesi.4726.

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Mazurov, A. E. "The cycle of feuilletons “Siberian Museum” of the “Conservator” (F. V. Volkhovsky) in the “Sibirskaya gazeta” (1884–1885)." Sibirskiy filologicheskiy zhurnal, no. 2 (2021): 82–95. http://dx.doi.org/10.17223/18137083/75/6.

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Feuilleton occupied an important place in the system of genres of the pre-revolutionary press. The genre allowed the publishers to openly express their position, criticize the phenomena of social life, and point out the existing problems of society. Feuilletons were often signed with pseudonyms, and some authors transformed pseudonyms into full-fledged “literary masks” that proved to be an important part of the poetics of feuilletons and literary play. Feuilletons were incredibly influential in the provincial press due to its more difficult censorship position than the capital. The leading new

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Ujvári, Hedvig. "Das publizistische Werk von Adolf Silberstein-Ötvös in der ungarländischen deutschsprachigen Presse im Überblick." Hungarian Studies 37, no. 2 (2024): 242–53. http://dx.doi.org/10.1556/044.2023.00246.

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AbstractBei der Erforschung des deutschsprachigen Pressewesens im historischen Ungarn in der zweiten Hälfte des 19. Jahrhunderts stößt man bei fast jedem Organ auf den Namen Adolf Silberstein. Er bereicherte mehrere deutschsprachige Zeitungen der Hauptstadt mit zahlreichen qualitätsvollen Feuilletons, in erster Linie mit Bezug zur Literatur und zum Theater. Eine Darstellung seiner journalistischen Tätigkeit bzw. eine Bestandsaufnahme seiner Feuilletons ist allerdings bislang nicht erfolgt. Ersterem Desiderat soll nun durch die Durchsicht der zeitgenössischen Medien Abhilfe geschaffen werden.

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Ryan-Hayes, Karen. "Marina Lebedeva's "MEZHDU NAMI, ZHENSHCHINAMI" Feuilletons." Slavic and East European Journal 36, no. 2 (1992): 172. http://dx.doi.org/10.2307/308964.

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Herpe, Noël, and Priska Morrissey. "« Ceux qui aiment les romans-feuilletons... »." Vertigo 25, no. 1 (2004): 26. http://dx.doi.org/10.3917/ver.025.0026.

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Molénat, Xavier. "1950-1970. Le temps des feuilletons." Les Grands Dossiers des Sciences Humaines N° 26, no. 3 (2012): 18. http://dx.doi.org/10.3917/gdsh.026.0018.

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Zito Araújo, Joel. "Le Noir dans les feuilletons télévisés." Cinémas d’Amérique latine, no. 15 (March 1, 2007): 17–27. http://dx.doi.org/10.4000/cinelatino.6458.

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