Relevant bibliographies by topics / Fiammetta

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Fiammetta'

Author: Grafiati
Published: 24 February 2023
Last updated: 3 March 2023

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Journal articles on the topic "Fiammetta"

1

Stolf, Serge. "L’Elegia di Madonna Fiammetta." Cahiers d’études italiennes, no. 2 (April 15, 2005): 11–39. http://dx.doi.org/10.4000/cei.249.

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Boccaccio (book author), Giovanni, Mariangela Causa-Steindler (book editor and translator), Thomas Mauch (book editor and translator), and Antonio Franceschetti (review author). "The Elegy of Lady Fiammetta." Quaderni d'italianistica 12, no. 1 (April 1, 1991): 163. http://dx.doi.org/10.33137/q.i..v12i1.10526.

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Olszewski, Edward J. "PIERO DI COSIMO'S "LADY FIAMMETTA"." Source: Notes in the History of Art 21, no. 2 (January 2002): 6–12. http://dx.doi.org/10.1086/sou.21.2.23206739.

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Grimaldi Campos, María del Carmen. "Woman in Rossetti: Proserpina y Fiammetta." Cuadernos de Ilustración y Romanticismo, no. 4,5 (1997): 169–72. http://dx.doi.org/10.25267/cuad_ilus_romant.1997.i4.i5.12.

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González Ramírez, David. "Las traducciones castellanas de las opere vulgari de Boccaccio." Revista de Literatura Medieval 34 (November 21, 2022): 63–110. http://dx.doi.org/10.37536/rlm.2022.34.1.93180.

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Se ofrece un panorama sobre la recepción en España de la obra en lengua italiana de Boccaccio –Filocolo (Questioni d’amore), Teseida y Fiammetta– a través de sus traducciones. Se excluye el Decameron, que por sus dimensiones exige un trabajo independiente.
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Zak, Gur. "Boccaccio’s Fiammetta and the Consolation of Literature." MLN 131, no. 1 (2016): 1–19. http://dx.doi.org/10.1353/mln.2016.0005.

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7

Cottino-Jones, Marga, and Janet Levarie Smarr. "Boccaccio and Fiammetta: The Narrator as Lover." Italica 66, no. 3 (1989): 371. http://dx.doi.org/10.2307/479058.

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Calabrese, Michael A. "Feminism and the Packaging of Boccaccio's Fiammetta." Italica 74, no. 1 (1997): 20. http://dx.doi.org/10.2307/479771.

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Trueblood, Alan S. "La Dorotea y la Elegia di Madonna Fiammetta." Bulletin of Hispanic Studies 69, sup2 (January 1992): 83–89. http://dx.doi.org/10.1080/0007490x.1992.12035748.

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Vignali, Stefania. "La fortune française de la Fiammetta de Boccace." Le Moyen Français 66 (January 2010): 111–23. http://dx.doi.org/10.1484/j.lmfr.1.100755.

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Dissertations / Theses on the topic "Fiammetta"

1

Bardi, Monica. "Le voci dell'assenza : una lettura dell'"Elegia di Madonna Fiammetta /." Torino : Tirrenia stampatori, 1998. http://catalogue.bnf.fr/ark:/12148/cb37548341c.

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2

Otero, Ellan B. "The Fiction of The Rime: Gaspara Stampa’s “Poetic Misprision” of Giovanni Boccaccio’s The Elegy of Lady Fiammetta." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1733.

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This study maintains that although Gaspara Stampa's Rime (1554) appears to straddle two popular literary genres-lyric poetry and autobiography-analysis of the Rime within its cultural context demonstrates that while Stampa (1523-1553) used Petrarchan conventions, she also both borrowed and swerved from Giovanni Boccaccio's Elegy of Lady Fiammetta (1334-1337) to imagine a non-Petrarchan narrative of an abandoned woman. In the Renaissance, lyric poetry and autobiography were distinguished not only by their style-prose vs. verse-but, more importantly, by the treatment of their distinctive subject matter. Lyric poetry focused on those emotions involving love, whereas Renaissance autobiography shunned emotions. A comparative analysis of the Rime with the Elegy concludes that the Rime is not a lyric version of Boccaccio's Elegy; however, a consideration of Harold Bloom's "anxiety of influence" demonstrates that although Stampa borrowed the Boccaccian idea of the woman as narrator to tell the story of love and abandonment, she creatively adapted-or, to use Bloom's term, swerved from-Boccaccio's presentation of the abandoned narrator's psychological pain. Instead, Stampa depicts the frustrations and the pain of the narrator whose love is unrequited although her beloved remains nearby.
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Books on the topic "Fiammetta"

1

Figuero, Javier. La Fiammetta. Madrid, España: Editorial Fundamentos, 1990.

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2

Piumini, Roberto. Fiammetta d'amore. Trieste: Einaudi ragazzi, 1998.

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3

Giovanni, Boccaccio. Elegia di madonna Fiammetta. Milano: Mursia, 1987.

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4

Boccaccio indiscreto: Il mito di Fiammetta. Bologna: Il mulino, 2019.

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5

Giovanni, Boccaccio. The elegy of Lady Fiammetta. Chicago: University of Chicago Press, 1990.

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6

Giovanni, Boccaccio. Elegia di madonna Fiammetta ; Corbaccio. Milano: Garzanti, 1988.

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7

Boccaccio and Fiammetta: The narrator as lover. Urbana: University of Illinois Press, 1986.

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8

Bardi, Monica. Le voci dell'assenza: Una lettura dell'Elegia di madonna Fiammetta. Torino: Tirrenia Stampatori, 1998.

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9

Fiammetta, Olschki, and Di Marco Simona, eds. Viaggi in Europa, secoli XVI-XIX: Catalogo del fondo "Fiammetta Olschki". Firenze: L.S. Olschki, 1990.

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10

Altre strade, altre stelle: Fiammetta Gamba Varese ; disegni di Antonio Possenti. Verona: BI & GI, 1985.

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Book chapters on the topic "Fiammetta"

1

Mondani, Paola. "Ad alta voce: l’essenza fonico-acustica e gestuale del cursus nel Decameron." In Intorno a Boccaccio / Boccaccio e dintorni 2019, 53–76. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-236-2.04.

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Moving from the studies carried out by Alfredo Schiaffini and Vittore Branca on Boccaccio’s reuse, in its prosaic masterpieces (the Filocolo, the Elegy of Madonna Fiammetta and the Decameron), of mediaeval rhetorical-rhythmics rules, the essay offers an analysis of cursus applied to Decameron, realized by separating the text into three parts: introductive-proemial section, narrative section and dialogue section. The rhetorical devices are more strictly employed both in the first part, when the author or the internal storytellers speak, and into speeches given by characters in the middle of the narration. This, according to the original function of Greek cursus, would suggest its use in Boccaccio’s prose as a mimetic device, that replicates the oratory declamation.
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2

Petry, Uwe. "Boccaccio, Giovanni: Il libro chiamato Elegia di Madonna Fiammetta da lei alle innamorate donne mandato." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2795-1.

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"2. Fiammetta v. Dioneo." In A Rhetoric of the Decameron. Toronto: University of Toronto Press, 2003. http://dx.doi.org/10.3138/9781442670457-005.

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4

"THREE. Voyeuristic Betrayal-Elegia di madonna Fiammetta." In The Severed Word, 58–69. Princeton University Press, 1990. http://dx.doi.org/10.1515/9781400861408.58.

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5

"The Unconsummated Life in Boccaccio’s Elegia di madonna Fiammetta." In The European Roman d’Analyse. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781501352256.ch-002.

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6

"5. Reading Like a Woman: Gendering Compassion in the Elegia di Madonna Fiammetta." In Reconsidering Boccaccio, 109–32. University of Toronto Press, 2018. http://dx.doi.org/10.3138/9781487513948-008.

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"14. The Tragicomedy of Lament: La Celestina and the Elegiac Legacy of Boccaccio’s Fiammetta." In Reconsidering Boccaccio, 365–402. University of Toronto Press, 2018. http://dx.doi.org/10.3138/9781487513948-017.

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8

WEAVER, ELISSA B. "The Prato fiorito, the Selva di cose diverse, and Other Compilations by Suor Fiammetta Frescobaldi." In Collections in Context, 237–45. Ohio State University Press, 2020. http://dx.doi.org/10.2307/j.ctv16b7821.18.

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9

Messerli, Luisa Rubini. "Boccaccios Elegia di madonna Fiammetta Zu zwei deutschen Übersetzungen aus dem 16. und frühen 17. Jahrhundert." In Transkulturalität und Translation, edited by Ingrid Kasten and Laura Auteri. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110556438-020.

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10

"DIE ERSTE DEUTSCHE ÜBERSETZUNG VON BOCCACCIOS ELEGIA DI MADONNA FIAMMETTA AUS EINER UNBEKANNTEN HANDSCHRIFT DES 16./17. JAHRHUNDERTS." In Eulenspiegel trifft Melusine, 525–44. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042030602_025.

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