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Relevant bibliographies by topics / Fiction

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Academic literature on the topic 'Fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 July 2025

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Journal articles on the topic "Fiction"

1

POPA, Alexandru. "Fiktion´ und Fiktionen. Einige Beobachtungen zu terminologischen und sachlichen Unklarheiten in literaturtheoretischem und -wissenschaftlichem Kontext." Bulletin of the Transilvania University of Brasov. Series IV: Philology and Cultural Studies 14 (63), Special Issue (January 2022): 27–38. http://dx.doi.org/10.31926/but.pcs.2021.63.14.3.2.

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The following article discusses some issues regarding the use of the terms ‘fiction’, ‘fictionality’, ‘fictive’ and ‘fictional’ with regard to fictions and fictional expressions or texts. The main concern of this text is to indicate the fact, that ‘fiction’ and fictions are used and treated with a certain amount of ambiguity. It is the case when literature and literary worlds are discussed both in a general context and in scholarly treatment of these issues. Relevant terminological distinctions exist. Still, their use to name their corresponding referents lacks a certain consequence.

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Frame, Alex. "Fictions in the Thought of Sir John Salmond." Victoria University of Wellington Law Review 30, no. 1 (June 1, 1999): 159. http://dx.doi.org/10.26686/vuwlr.v30i1.6021.

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A Lecture delivered for the Stout Centre's "Eminent Victorians" Centennial Series in the Council Chamber, Hunter Building at Victoria University on 31 March 1999. The author pays tribute to the late Sir John Salmond by discussing the role of "fiction" in law and in the thought of Sir John. The author notes the nature of fiction as a formidable force, as it facilitates provisional escape from the tyranny of apparent fact and forget about the suspensory nature of fiction. There are three types of "fictions" in the legal world: legislative fictions, whereby the world is refashioned in accordance

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Mikkonen, Jukka. "Sutrop on literary fiction-making: defending Currie." Disputatio 3, no. 28 (May 1, 2010): 309–15. http://dx.doi.org/10.2478/disp-2010-0004.

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Abstract In her study Fiction and Imagination: The Anthropological Function of Literature (2000), Margit Sutrop criticizes Gregory Currie’s theory of fiction-making, as presented in The Nature of Fiction(1990), for using an inappropriate conception of the author’s ‘fictive intention.’ As Sutrop sees it, Currie is mistaken in reducing the author’s fictive intention to that of achieving a certain response in the audience. In this paper, I shall discuss Sutrop’s theory of fiction-making and argue that although her view is insightful in distinguishing the illocutionary effect and the perlocutionar

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Fitzpatrick, Noel. "The question of Fiction – nonexistent objects, a possible world response from Paul Ricoeur." Kairos. Journal of Philosophy & Science 17, no. 1 (December 1, 2016): 137–53. http://dx.doi.org/10.1515/kjps-2016-0020.

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Abstract The question of fiction is omnipresent within the work of Paul Ricoeur throughout his prolific career. However, Ricoeur raises the questions of fiction in relation to other issues such the symbol, metaphor and narrative. This article sets out to foreground a traditional problem of fiction and logic, which is termed the existence of non-existent objects, in relation to the Paul Ricoeur’s work on narrative. Ricoeur’s understanding of fiction takes place within his overall philosophical anthropology where the fictions and histories make up the very nature of identity both personal and co

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Mosselaer, Nele Van de. "How Can We Be Moved to Shoot Zombies? A Paradox of Fictional Emotions and Actions in Interactive Fiction." Journal of Literary Theory 12, no. 2 (September 3, 2018): 279–99. http://dx.doi.org/10.1515/jlt-2018-0016.

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Abstract How can we be moved by the fate of Anna Karenina? By asking this question, Colin Radford introduced the paradox of fiction, or the problem that we are often emotionally moved by characters and events which we know don’t really exist (1975). A puzzling element of these emotions that always resurfaced within discussions on the paradox is the fact that, although these emotions feel real to the people who have them, their difference from ›real‹ emotions is that they cannot motivate us to perform any actions. The idea that actions towards fictional particulars are impossible still underlie

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Matravers, Derek. "Non-Fictions and Narrative Truths." Croatian journal of philosophy 22, no. 65 (September 15, 2022): 145–60. http://dx.doi.org/10.52685/cjp.22.65.1.

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This paper starts from the fact that the study of narrative in contemporary Anglo-American philosophy is almost exclusively the study of fictional narrative. It returns to an earlier debate in which Hayden White argued that “historiography is a form of fiction-making.” Although White’s claims are hyperbolical, the paper argues that he was correct to stress the importance of the claim that fiction and non-fiction use “the same techniques and strategies.” A distinction is drawn between properties of narratives that are simply properties of narratives and properties of narratives that play a role

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Song, Myung Jin. "Metafictional Writing and Fictionality : Focusing on Kim Yeon-soo’s Good-bye, Lee Sang." Korean Association for Literacy 15, no. 6 (December 31, 2024): 385–405. https://doi.org/10.37736/kjlr.2024.12.15.6.14.

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Fictionality is a central theme in Kim Yeon-soo’s novels. His works challenge the dichotomy of fiction and reality, truth and falsehood, and the real and the fake. Kim explores the possibilities of fictionality at the boundaries of these constructs, adopting a consistently metafictional approach. This study examines the semantics of fiction in Good-bye, Lee Sang. The second story in Good-bye, Lee Sang, “Lost Flower,” examines the dichotomy between fiction and reality, illustrating how fiction transforms into reality. Reality, Kim suggests, is merely another form of fiction—one that survives by

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Mikkonen, Kai. "Minimal Departure and Fictional Narrative Situations." Storyworlds: A Journal of Narrative Studies 13, no. 2 (December 2021): 71–96. http://dx.doi.org/10.1353/stw.2021.a925851.

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Abstract: Readers understand fictional worlds at least to some extent by drawing on background knowledge of their own world. Some theories of fiction, however, hold that such realistic expectations, or processes of naturalization, are the default attitude in experiencing fictions. Thus, what Marie-Laure Ryan has called the principle of minimal departure (MD) states that readers understand fictional worlds and their components by drawing on background knowledge of their own world, unless otherwise indicated. This article is a critical examination of the relevance of the principle of MD and a co

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Morris, Raphael. "Interpretive Context, Counterpart Theory and Fictional Realism without Contradictions." Disputatio 11, no. 54 (December 1, 2019): 231–53. http://dx.doi.org/10.2478/disp-2019-0018.

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Abstract Models for truth in fiction must be able to account for differing versions and interpretations of a given fiction in such a way that prevents contradictions from arising. I propose an analysis of truth in fiction designed to accommodate this. I examine both the interpretation of claims about truth in fiction (the ‘Interpretation Problem’) and the metaphysical nature of fictional worlds and entities (the ‘Metaphysical Problem’). My reply to the Interpretation Problem is a semantic contextualism influenced by Cameron (2012), while my reply to the Metaphysical Problem involves an extensi

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Egerton, Karl. "Player Engagement with Games: Formal Reliefs and Representation Checks." Journal of Aesthetics and Art Criticism 80, no. 1 (October 29, 2021): 95–104. http://dx.doi.org/10.1093/jaac/kpab058.

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Abstract Alongside the direct parallels and contrasts between traditional narrative fiction and games, there lie certain partial analogies that provide their own insights. This article begins by examining a direct parallel between narrative fiction and games—the role of fictional reliefs and reality checks in shaping aesthetic engagement—before arguing that from this a partial analogy can be developed stemming from a feature that distinguishes most games from most traditional fictions: the presence of rules. The relation between rules and fiction in games has heretofore been acknowledged but n

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Dissertations / Theses on the topic "Fiction"

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Fung, Kit-ting, and 馮潔婷. "Decolonizing fictions: the subversion of 19thcentury realist fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31953001.

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Fung, Kit-ting. "Decolonizing fictions : the subversion of 19th century realist fiction /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23473010.

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Agüero, Miñano Maritza Yesenia. "From fiction to reality: reflections surrounding fictional characters." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/115971.

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The growth and development of worldwide products and services containing fictional characters has been exponential due to development, among others, of technology. This article examines the protection of fictional characters through copyright and reflects on its legal treatment.<br>El crecimiento y desarrollo de productos y servicios a nivel mundial de obras que contienen personajes de ficción ha sido exponencial, debido al desarrollo, entre otros factores, de la tecnología. El presente artículo examina la protección de los personajes de ficción a través del derecho de autor y reflexiona sobre

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Gosselin, Michel. "La scénarisation télévisuelle de fiction : fiction et réflexion." Thèse, Université de Sherbrooke, 1991. http://hdl.handle.net/11143/10106.

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Nous nous intéressons à la scénarisation télévisuelle de fiction depuis plusieurs années. À regarder les téléromans, les mini-séries et les dramatiques que les différentes chaînes francophones nous proposent, nous en sommes venu à nous demander si l'écriture télévisuelle de fiction est spécifique à ce médium et, si oui, quelles en seraient les caractéristiques? Suite à nos lectures, nous avons constaté qu'aucun chercheur au Québec ne s'était penché d'une façon sérieuse sur cette forme d'écriture (visuelle). À l'exception de quelques paragraphes touchant tantôt aux personnages, tantôt aux intri

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Long, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/5838.

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Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson an

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Long, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." University of Sydney, 2009. http://hdl.handle.net/2123/5838.

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Master of Philosophy (MPhil)<br>Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by Wi

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Shen, Ruihua. "New woman, new fiction : autobiographical fictions by twentieth-century Chinese women writers /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113028.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 339-366). Also available for download via the World Wide Web; free to University of Oregon users.

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Morris, Davis Maggie Elizabeth. "The Fictions We Keep: Poverty in 1890s New York Tenement Fiction." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/387.

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In his 2008 book, American Hungers: The Problem of Poverty in U.S. Literature, 1840-1945, Gavin Jones calls for academic studies of literature that examine poverty as its own actuality, worthy of discussion and definition despite its inherently polemical nature. As presented by Jones and tested here, American literature reveals how poverty is established, defined and understood; the anxieties of class; imperative connections with issues of gender and race; and the fictions of American democracy and the American Dream. This proves to be especially interesting when examining the 1890s. From

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Von, Solodkoff Tatjana. "Grounding fiction." Thesis, University of Sheffield, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578699.

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Fictional characters are awkward creatures. They are described as being girls, wizards and detectives, as being famous, based on real people, and well developed, and as being paradigmatic examples of things that don't exist. It's not hard to see that there are tensions between these various descriptions - how can something that is a detective not exist? - and there is a range of views designed to make sense of the pre-theoretical data. Proponents of some views are fictional realists, who hold that we should accept that fictional characters are part of 'the furniture of our world'. Others are f

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Tajovský, Jakub. "FICTION CENCRETE." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2017. http://www.nusl.cz/ntk/nusl-316054.

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In my master thesis I realize the set of pictures and painterly objects, which should imitate principles of augmented reality by analogial form. From technical standpoint Im interested in question of bidirectional remediation of new media and painting and how its evolution supports ilussion and imagination. In ontologiacal way im looking for mystical nature of picture. Final exhibition is an metaphor composed in hybryd picture based on technological and theoretical experiences in Painting. The result is little synthetic reality.

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Books on the topic "Fiction"

1

Lardreau, Guy. Fictions philosophiques et science-fiction: Récreation philosophique. [Le Paradou]: Éditions Actes Sud, 1988.

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Paul, West. The universe, and other fictions: Short fiction. Woodstock, N.Y: Overlook Press, 1988.

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Lardreau, Guy. Fictions philosophiques et science-fiction: Récréation philosophique. Arles: Actes Sud, 1988.

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Zamaron, Alain. Récits et fictions des mondes disparus: L'archéologie-fiction. Aix-en-Provence: Publications de l'université de Provence, 2007.

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Talbot, Mary M. Fictions at work: Language and social practice in fiction. London: Longman, 1995.

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Dietz, Steven. Fiction. New York: Samul French, Inc., 2005.

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Gilou, Le Gruiec, and Caujolle Christian, eds. Fiction. Munich, Germany: Kehayoff, 2001.

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Jenise, Williamson C., Alvarez Rafael, and Minot George, eds. Fiction. Baltimore, Md. (1101 N. Calvert St. #1605, Baltimore 21202): Damascus Works, 1990.

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Dietz, Steven. Fiction. New York, NY: Samuel French, 2006.

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Ackerman, Michael. Fiction. Paris: Delpire, 2001.

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Book chapters on the topic "Fiction"

1

Bertolet, Rod. "Concerning Fiction and Fictions." In What is Said, 173–218. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-2061-3_7.

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Smythe, William. "Fiction." In Encyclopedia of Critical Psychology, 727–30. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_112.

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Rai, Pallavi. "Fiction." In Encyclopedia of Evolutionary Psychological Science, 1–10. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-16999-6_2864-1.

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Alexander, Michael. "Fiction." In A History of English Literature, 285–308. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-04894-3_11.

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Pinheiro, Marina Assis, and Lívia Mathias Simão. "Fiction." In The Palgrave Encyclopedia of the Possible, 1–10. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-98390-5_95-1.

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Barry, Peter. "Fiction." In Issues in Contemporary Critical Theory, 131–67. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-89244-0_12.

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Halliwell, Stephen. "Fiction." In A Companion to Ancient Aesthetics, 341–53. Hoboken, NJ: John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781119009795.ch22.

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Schor, Hilary M. "Fiction." In A New Companion to Victorian Literature and Culture, 349–63. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118624432.ch23.

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Cooper, John Xiros. "Fiction." In A Companion to Modernist Poetry, 58–68. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch5.

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Alonso, Carlos J. "Fiction." In Comparative History of Literatures in European Languages, 141–53. Amsterdam: John Benjamins Publishing Company, 1994. http://dx.doi.org/10.1075/chlel.x.13alo.

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Conference papers on the topic "Fiction"

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Wattanapornprom, Warin, Chatchaya Innarong, Isara Kerdpra, Chisanupong Treesutrummas, Supatcha Lertampaiporn, and Wittawin Susutti. "Fiction Gene : A Thai Genre Based Fiction Visualization Testimonial System." In 2024 28th International Computer Science and Engineering Conference (ICSEC), 1–6. IEEE, 2024. https://doi.org/10.1109/icsec62781.2024.10770711.

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Spoelstra, T. A. Th. "Spectrum Congestion - Facts and Fiction." In EMC_2002_Wroclaw, 611–16. IEEE, 2002. https://doi.org/10.23919/emc.2002.10842561.

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Spoelstra, T. A. Th. "Spectrum Congestion - Facts and Fiction." In EMC_2002_Wroclaw, 1–6. IEEE, 2002. https://doi.org/10.23919/emc.2002.10842439.

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LIU, CHUANG. "MODELS, FICTION, AND FICTIONAL MODELS." In Selected Papers from the International Conference on SEMS 2012. WORLD SCIENTIFIC, 2014. http://dx.doi.org/10.1142/9789814596640_0009.

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Lindley, Joseph. "Researching Design Fiction With Design Fiction." In C&C '15: Creativity and Cognition. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2757226.2764763.

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Heibeck, Felix, Alexis Hope, and Julie Legault. "Sensory Fiction." In the 2nd ACM International Workshop. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2660579.2660585.

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Proctor, Chris, and Paulo Blikstein. "Interactive fiction." In IDC '17: Interaction Design and Children. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3078072.3084324.

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Blythe, Mark. "Research Fiction." In CHI '17: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3025453.3026023.

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Glassner, Andrew, and Turner Whitted. "Fiction 2000." In ACM SIGGRAPH 99 Conference abstracts and applications. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/311625.311958.

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Sturdee, Miriam, Paul Coulton, Joseph G. Lindley, Mike Stead, Haider Ali, and Andy Hudson-Smith. "Design Fiction." In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2851581.2892574.

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Reports on the topic "Fiction"

1

Leavitt, John. Killers: Fiction Pieces. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.3016.

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Fyfe, J. A. Offshore data - fact and fiction. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1994. http://dx.doi.org/10.4095/193941.

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Sanny, James T., and Sr. Operational Maneuver: Function or Fiction? Fort Belvoir, VA: Defense Technical Information Center, February 1996. http://dx.doi.org/10.21236/ada307346.

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Backus, David, Espen Henriksen, Frederic Lambert, and Christopher Telmer. Current Account Fact and Fiction. Cambridge, MA: National Bureau of Economic Research, November 2009. http://dx.doi.org/10.3386/w15525.

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Miller, Ruth-Ellen. Enhancing impact assessment with extrapolative fiction. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.816.

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Van Biesebroeck, Johannes. Wages Equal Productivity: Fact or Fiction? Cambridge, MA: National Bureau of Economic Research, December 2003. http://dx.doi.org/10.3386/w10174.

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Shishkin, Timur. Marginalized Characters in Contemporary American Short Fiction. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.297.

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Martínez, Tomás Eloy. Myth, History and Fiction in Latin America. Inter-American Development Bank, May 1999. http://dx.doi.org/10.18235/0005928.

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Johnson, Paul, Bronwen Maddox, and Anand Menon. General Election 2019: Separating fact from fiction. The IFS, December 2019. http://dx.doi.org/10.1920/ps.ifs.2024.0460.

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Chilvers, Martin, Kurt Steinke, Dan Quinn, Darcy Telenko, Daren Mueller, Alison Robertson, Damon Smith, and Kiersten Wise. Mythbusting Tar Spot: Separating Fact from Fiction. United States: Crop Protection Network, April 2025. https://doi.org/10.31274/cpn-20250416-0.

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