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Relevant bibliographies by topics / Fiction, african american, erotica

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Journal articles
Dissertations / Theses
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Academic literature on the topic 'Fiction, african american, erotica'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

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Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Fiction, african american, erotica.'

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Journal articles on the topic "Fiction, african american, erotica"

1

Boudreau, Kristin, and Maxine Lavon Montgomery. "The Apocalypse in African-American Fiction." American Literature 69, no. 1 (March 1997): 223. http://dx.doi.org/10.2307/2928187.

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Griffin, Barbara L. J., and Maxine Lavon Montgomery. "The Apocalypse in African-American Fiction." MELUS 24, no. 1 (1999): 249. http://dx.doi.org/10.2307/467919.

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Thornton, Jerome E. "The Paradoxical Journey of the African American in African American Fiction." New Literary History 21, no. 3 (1990): 733. http://dx.doi.org/10.2307/469136.

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Macleod, Christine, and Robert Butler. "Contemporary African American Fiction: The Open Journey." Modern Language Review 95, no. 3 (July 2000): 821. http://dx.doi.org/10.2307/3735528.

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Butler, Robert, and Phillip Page. "Reclaiming Community in Contemporary African American Fiction." African American Review 34, no. 3 (2000): 533. http://dx.doi.org/10.2307/2901398.

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Reilly, John M., and Robert Butler. "Contemporary African American Fiction: The Open Journey." African American Review 34, no. 4 (2000): 722. http://dx.doi.org/10.2307/2901443.

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House, E. B. "Reclaiming Community in Contemporary African American Fiction." American Literature 72, no. 2 (June 1, 2000): 441. http://dx.doi.org/10.1215/00029831-72-2-441.

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Lock, Helen, and Philip Page. "Reclaiming Community in Contemporary African American Fiction." South Atlantic Review 65, no. 2 (2000): 190. http://dx.doi.org/10.2307/3201826.

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Barlow, Daniel. "Blues Narrative Form, African American Fiction, and the African Diaspora." Narrative 24, no. 2 (2016): 134–55. http://dx.doi.org/10.1353/nar.2016.0012.

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10

Gibson, Simone. "Critical Readings: African American Girls and Urban Fiction." Journal of Adolescent & Adult Literacy 53, no. 7 (April 2010): 565–74. http://dx.doi.org/10.1598/jaal.53.7.4.

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Dissertations / Theses on the topic "Fiction, african american, erotica"

1

Ashe, Bertram Duane. "From within the frame: Storytelling in African-American fiction." W&M ScholarWorks, 1998. https://scholarworks.wm.edu/etd/1539623921.

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The purpose of this study is to explore the written representation of African-American spoken-voice storytelling in five fictional narratives published between the late nineteenth century and the late twentieth century: Charles W. Chesnutt's "Hot-Foot Hannibal," Zora Neale Hurston's their Eyes Were Watching God, Ralph Ellison's Invisible Man, Toni Cade Bambara's "My Man Bovanne," and John Edgar Wideman's "Doc's Story.".;Using Walter Ong's suggestion that the relationship between storyteller and inside-the-text listener mirrors the hoped-for relationship between writer and readership, this study examines the way these writers grappled with these factors as they generated their texts.;By paying attention to the teller/listener-writer/readership relationship, this study examines the process whereby the narrative "frame" that historically "contained" and "mediated" the black spoken voice (either through a listener/narrator or a third-person narrator) modulated and developed throughout the century, as the frame opens and closes.;The results of this study suggest that what Robert Stepto calls the African-American "discourse of distrust" was a factor from the earliest fictions and is still very much a factor today.

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Gibson, Simone Cade. "Critical engagements adolescent african american girls and urban fiction /." College Park, Md.: University of Maryland, 2009. http://hdl.handle.net/1903/9110.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2009.
Thesis research directed by: Dept. of Curriculum and Instruction. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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3

Ivey, Adriane Louise. "Rewriting Christianity : African American women writers and the Bible /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9987234.

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Thesis (Ph. D.)--University of Oregon, 2000.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 211-216). Also available for download via the World Wide Web; free to University of Oregon users.

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anderson, Crystal Suzette. "Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction." W&M ScholarWorks, 2000. https://scholarworks.wm.edu/etd/1539623988.

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This dissertation examines trickster sensibilities and behavior as models for racial strategies in contemporary novels by African American and Chinese American authors. While many trickster studies focus on myth, I assert that realist fiction provides a unique historical and cultural space that shapes trickster behavior. John Edgar Wideman, Gloria Naylor, Frank Chin and Maxine Hong Kingston use the trickster in their novels to articulate diverse racial strategies for people of color who must negotiate among a variety of cultural influences. My critical trickster paradigm investigates the motives and behavior of tricksters. It utilizes close literary readings that are strengthened by my comprehensive knowledge of the history of African Americans and Chinese Americans. Throughout time, images that define individuals in both groups develop in the popular imagination. The authors use the trickster to critique and revise those representations. African American authors also influence the racial discourse of Chinese American writers. I concluded that the literary trickster's behavior and sensibilities vary from character to character. I found that African American and Chinese American authors share some racial strategies. They also utilize different racial strategies as a result of the different historical and cultural experiences of African Americans and Chinese Americans. Moreover, male and female African American authors differ in the kinds of racial strategies they advocate, just as male and female Chinese American authors. Such research is significant because of its interdisciplinary exploration of racial strategies of African Americans and Chinese Americans. It provides an alternative approach to the study of the trickster. My work also goes beyond the black/white racial paradigm to explore the cultural dialogue between African American and Chinese American writers.

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Kim, Junyon. "Re-imagining diaspora, reclaiming home in contemporary African-American fiction /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3147823.

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Thesis (Ph. D.)--University of Oregon, 2004.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 223-239). Also available for download via the World Wide Web; free to University of Oregon users.

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6

Belas, Oliver Sandys. "Race and culture in African American crime and science fiction." Thesis, Royal Holloway, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499831.

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Hebbar, Reshmi J. "Modeling minority women : heroines in African and Asian American fiction /." New York : Routledge, 2005. http://catalogue.bnf.fr/ark:/12148/cb400508717.

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Hollingsworth, Lauren Colleen. "Reading the (in)visible race African-American subject representation and formation in American literature /." Diss., [Riverside, Calif.] : University of California, Riverside, 2010. http://proquest.umi.com/pqdweb?index=0&did=2019837021&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1274464483&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2010.
Includes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed May 21, 2010). Includes bibliographical references. Also issued in print.

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Testerman, Rebecca Lynn. "Desegregating the Future: A Study of African-American Participation in Science Fiction Conventions." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1332773873.

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Mitchell, Shamika Ann. "The Multicultural Megalopolis: African-American Subjectivity and Identity in Contemporary Harlem Fiction." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/167490.

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English
Ph.D.
The central aim of this study is to explore what I term urban ethnic subjectivity, that is, the subjectivity of ethnic urbanites. Of all the ethnic groups in the United States, the majority of African Americans had their origins in the rural countryside, but they later migrated to cities. Although urban living had its advantages, it was soon realized that it did not resolve the matters of institutional racism, discrimination and poverty. As a result, the subjectivity of urban African Americans is uniquely influenced by their cosmopolitan identities. New York City's ethnic community of Harlem continues to function as the geographic center of African-American urban culture. This study examines how six post-World War II novels --Sapphire's PUSH, Julian Mayfield's The Hit, Brian Keith Jackson's The Queen of Harlem, Charles Wright's The Wig, Toni Morrison's Jazz and Louise Meriwether's Daddy Was a Number Runner-- address the issues of race, identity, individuality and community within Harlem and the megalopolis of New York City. Further, this study investigates concepts of urbanism, blackness, ethnicity and subjectivity as they relate to the characters' identities and self-perceptions. This study is original in its attempt to ascertain the connections between megalopolitan urbanism, ethnicity, subjectivity and African-American fiction.
Temple University--Theses

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Books on the topic "Fiction, african american, erotica"

1

Allison, Shane. Black fire: Gay African-American erotica. Valley Falls, NY: Bold Strokes Books, 2011.

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2

Speaking in whispers: African-American lesbian erotica. Chicago: Third Side Press, 1996.

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Johnson, Stephanie A. F. Lakeda, kiss of erotica. West Babylon, NY: Urban Books, 2008.

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H, Blair J., ed. Black satin: Contemporary erotic fiction by writers of African origin. New York: Berkley Books, 2004.

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Carol, Taylor, ed. Brown sugar 2: Great one night stands : a collection of erotic Black fiction. New York: Washington Square Press, 2003.

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Jones, Isis. Black erotica is--: Loving Black. Guilderland, NY: Asabi Pub., 2005.

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A, Bashir Samiya, ed. Best Black women's erotica 2. San Francisco, Calif: Cleis Press, 2002.

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Blanche, Richardson, ed. Best Black women's erotica. San Francisco, Calif: Cleis Press, 2001.

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Carol, Taylor, ed. Brown sugar: A collection of erotic Black fiction. New York: Plume, 2001.

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Vastiana, Belfon, ed. Hot chocolate: Sensual short stories. New York: Dafina Books/Kensington Pub. Corp., 2006.

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Book chapters on the topic "Fiction, african american, erotica"

1

Tucker, Jeffrey Allen. "African American Science Fiction." In A Companion to African American Literature, 360–75. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch24.

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Ellis, R. J. "African-American Fiction and Poetry." In A Companion to the Literature and Culture of the American South, 255–79. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756935.ch15.

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Wester, Maisha L. "Babo Speaks Back: White Violence and Black Resistance in Nineteenth-Century Black Fiction." In African American Gothic, 67–99. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137315281_3.

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Bailey, Frankie. "African-American Detection and Crime Fiction." In A Companion to Crime Fiction, 270–82. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444317916.ch21.

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Lee, A. Robert. "The South in Contemporary African-American Fiction." In A Companion to the Literature and Culture of the American South, 552–70. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756935.ch32.

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Nunes, Ana. "Introduction." In African American Women Writers’ Historical Fiction, 1–7. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_1.

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Nunes, Ana. "Contexts." In African American Women Writers’ Historical Fiction, 9–23. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_2.

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Nunes, Ana. "Setting the Record Straight." In African American Women Writers’ Historical Fiction, 25–61. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_3.

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Nunes, Ana. "History as Birthmark." In African American Women Writers’ Historical Fiction, 63–96. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_4.

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Nunes, Ana. "“The Undocumentable Inside of History”." In African American Women Writers’ Historical Fiction, 97–132. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_5.

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