Academic literature on the topic 'Fiction and document'

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Journal articles on the topic "Fiction and document"

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Petrovsky, Helen. "Document: Fact and fiction." Philosophy of Photography 4, no. 2 (2013): 181–89. http://dx.doi.org/10.1386/pop.4.2.181_1.

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Jeannet, Angela. "Between Document and Fiction: Maria Rosa Cutrufelli'sVoices." Italian Culture 16, no. 1 (1998): 129–41. http://dx.doi.org/10.1179/itc.1998.16.1.129.

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Koznova, N. N. "Memoir essay as a document of fiction." Philology and Culture, no. 4 (December 29, 2023): 141–47. http://dx.doi.org/10.26907/2782-4756-2023-74-4-141-147.

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The article explores the memoir essay as a journalistic genre combining documentary and fictional elements. The study is based on the books of memoirs by B. Zaitsev, M. Nesterov and S. Rachmaninov. The analysis of memoir texts by people of creative professions makes it possible to identify the features of the synthesis of two narrative components and to determine the individual author’s approach to the disclosure of the characters’ personality.As a result of the comparative, compositional, stylistic and contextual analysis, we have come to the following conclusions: the artistic and journalist
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Guilhamon, Elizabeth. "Entre fiction et document, Abschied von Sidonie d'Erich Hackl." Cahiers d’études germaniques 38, no. 1 (2000): 147–56. http://dx.doi.org/10.3406/cetge.2000.1512.

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Aliagas, Cristina, Cristina Correro, and Martina Fittipaldi. "DIGITAL FICTION IN LITERARY EDUCATION." L1-Educational Studies in Language and Literature 24, no. 3 (2024): 1–27. http://dx.doi.org/10.21248/l1esll.2024.24.3.594.

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This paper documents L1 teachers’ viewpoints regarding the integration of digital fiction in the form of multimodal, digital literary texts as a resource to foster literary education at secondary level. This study is developed in the context of a larger collaborative, intersectoral research project focused on the co-construction of guided reading of digital fiction texts. Based on interviews with 6 secondary school teachers in Catalonia (Spain), we analyze what teachers think about the arrival of digital fiction in literary education and the pedagogical function they consider that it might per
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Nurhayati, Siti, and Fachri Helmanto. "Profile description of Pancasila students in fiction in the thematic book for grade 3." LADU: Journal of Languages and Education 2, no. 1 (2021): 15–22. http://dx.doi.org/10.56724/ladu.v2i1.61.

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Background: Fiction text is one of the genres of literary works containing fictional story elements created by the author’s imagination. Fiction is believed to be a reading that adds knowledge, insight, enlightens the soul of the reader, and as an effort to instill values, especially the value of educational character to students.
 Purpose: This study aims to determine the value of educational characters in fiction stories.
 Design and methods: This research was conducted using a qualitative approach to content analysis methods or content analysis with descriptive analysis techniques
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Abbas, Abbas. "The Racist Fact against American-Indians in Steinbeck’s The Pearl." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 3 (2020): 376–92. http://dx.doi.org/10.34050/elsjish.v3i3.11347.

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the social conditions of Indians as Native Americans for the treatment of white people who are immigrants from Europe in America. This research explores aspects of the reality of Indian relations with European immigrants in America that have an impact on discriminatory actions against Indians in John Steinbeck's novel The Pearl. Social facts are traced through fiction as part of the genetics of literary works. The research method used is genetic structuralism, a literary research method that traces the origin of the author's imagination in his fiction. The imagination is considered a social re
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Jeannet, Angela. "Between Document and Fiction: Maria Rosa Cutrufelli's Voices." Italian Culture 16, no. 1 (1998): 129–41. http://dx.doi.org/10.1179/016146298803708269.

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Dronova, Olga A. "The genres of documentary novel of the “Neue Sachlichkeit” and the problem of cognition." Neophilology, no. 20 (2019): 502–9. http://dx.doi.org/10.20310/2587-6953-2019-5-20-502-509.

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We consider genre typology of documentary novels of “Neue Sachlichkeit”: a “report” novel, a “novel of fact” and a documentary montage novel. The proposed classification is based on the different nature of the interaction of narrative and document in these types of novels. In the “report” novel the narration is conducted from the point of view of the observer, the literary text appears as a testimony, the document of an era. The “novel of fact” is based on real documents that are partially or fully integrated into the artistic whole. In the montage novel fragments of doc-umentary material and
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Kucherova, Anna O. "Hannah Arendt and Marcel Proust:from the novel-document to storytelling." Philosophy Journal, no. 3 (2021): 36–51. http://dx.doi.org/10.21146/2072-0726-2021-14-1-36-51.

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The paper focuses on Hannah Arendt’s essay “Between vice and crime”, in which Arendt explores the process of stigmatization of Jews in salons at the turn of the XXth century. For this purpose, Arendt uses the novel “In search of lost time” by Marcel Proust as a document of the era. This essay elucidates the methodological impact of the novel in re­solving the socio-political problems it describes. The author shows that the magnum opus of the famous French writer had a significant, foundational influence on H. Arendt’s thought. In particular, the article reconstructs her dialogue with M. Proust
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Dissertations / Theses on the topic "Fiction and document"

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Ndione, Joseph. ""Les Ethiopiques" d'Héliodore : document historique sur Méroé ou fiction romanesque." Thesis, Nancy 2, 2009. http://www.theses.fr/2009NAN21001/document.

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La réflexion littéraire et historique qui nous occupe concerne le royaume de Méroé tel que les auteurs grecs et romains, plus particulièrement Héliodore, le présentent dans leurs oeuvres. Les Ethiopiques d'Héliodore, composées au troisième siècle apr. J.-C, constituent un récit romanesque riche en descriptions sur le pays des Ethiopiens. L'originalité de l'oeuvre tient au fait qu'elle conserve des témoignages susceptibles de constituer un champ d'expérience pour le lecteur moderne à la recherche d'informations sur le royaume de Méroé. Héliodore s'intéresse non seulement à la géographie et à la
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Kinas, Fernando. "Le lieu de la fiction." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030074/document.

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Le sujet central de cette recherche est une investigation sur le statut de la fiction dans le théâtre occidental contemporain. En ligne avec les transformations sociales de son temps, les contours du théâtre ont perdu de leur netteté. En ce moment de mise en question radicale, la permanence, la mutation ou la disparition de la fiction est l’une des caractéristiques principales pour la reconfiguration de l’art théâtral. En diagnostiquant l’environnement de méfiance par rapport aux méthodes et résultats de la représentation, nous avons étudié ce nouveau lieu qu’occupe, ou peut occuper, la fictio
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Abood, Tagrid. "La Recréation poétique de l’espace dans les romans de Julien Gracq." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20055/document.

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L’espace et ses multiples figures occupent une bonne partie des écrits romanesques de Julien Gracq. Cependant la description n’évoque pas un monde réel : elle est une création pure de l’imagination. Les techniques poétiques utilisées concourent à l’invention d’un monde imaginaire, tandis que l’évocation de tout événement réel est supprimée de l’œuvre. Le lecteur est toujours placé devant la même évidence: la narration est exclusivement réservée à la description spatiale. Celle-ci n’est plus qu’un simple « moment douloureux » interrompant l’action ou retardant le fil narratif, mais un moment cr
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Keresztély, Kata. "Peinture de fiction : une tradition arabe médiévale." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH180/document.

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Dans les ouvrages contemporains traitant des arts visuels dans la tradition artistique 'chrétienne' ou 'occidentale' les analyses des œuvres d'art sont souvent effectuées à l'appui d'une approche interdisciplinaire intégrant les méthodes de recherche et les questionnements des sciences sociales ainsi que d'autres disciplines, comme la littérature. Sur se modèle, je tente d’élaborer une méthode de recherche complexe pour l’appliquer dans l’étude de l’iconographie arabe médiévale. Les sources principales de mon travail sont les manuscrits iconographiés de deux 'bestsellers' de la littérature ara
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Roux, Sabine. "Le document de voyage : traces et cheminements hybrides comme médiateurs de savoirs." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2012. http://tel.archives-ouvertes.fr/tel-00783822.

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Étude, à partir d'une sélection de onze documents de voyage du XVIe siècle au XXe siècle (Léry. L'Histoire d'un voyage faict en la terre du Brésil (1578). Bougainville. Voyage autour du monde. Lapérouse. Voyage autour du monde sur l'Astrolabe et la Boussole (1785-1788). Baudin. Journal du voyage aux Antilles de La Belle Angélique (1796-1798). Darwin. Voyage d'un naturaliste autour du monde : fait à bord du navire le Beagle de 1831 à 1836. Arseniev. Aux confins de l'Amour et Dersou Ouzala. Charcot. Le Français au Pôle Sud. Lévi-Strauss. Tristes Tropiques. Leiris. L'Afrique fantôme Malaurie. Hu
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Huertas, Millan Laura. "Eclats et absences. Fictions ethnographiques." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLET022/document.

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“Eclats et absences. Fictions ethnographiques” développe une enquête autour de la représentation ethnographique, donnant lieu à un ensemble de films où s’entrelacent l’anthropologie et la fiction : les “fictions ethnographiques”.Cette enquête sensible et pratique commence autour de la notion d’exotisme, en analysant la construction de “l’indigène” dans le “Nouveau Monde”. Ces premières recherches donnent lieu à des films mettant en scène de “jungles” in vivo et in vitro, en Europe et en Amérique, qui relient des jardins botaniques et serres tropicales aux archives de la colonisation. Ces films
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Duguet, Emmanuelle. "Fiction et inter/dits : comment et pourquoi intervenir en prison par le biais d'ateliers de pratiques artistiques participatives ?" Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30057/document.

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L'objet du présent travail et sa fonction sont d'élaborer et de partager une pratique de la mobilité de l'expression, de la liberté de fiction<br>The purpose of this work and its function are to develop and share a practice of the mobility of expression, of freedom of fiction
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Manocha, Nisha. "Generic insistence : Joseph Conrad and the document in selected British and American modernist fiction." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:f28ba054-3443-4ba3-9e1b-c7939edc3d91.

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This thesis explores the citation of documents in the modernist novel. From contracts to newspaper articles, telegrams to reports, documents are invoked as interleaved texts in ways that, to date, have not been critically interrogated. I consider a range of novels, including works by Ford Madox Ford, Virginia Woolf, Nella Larsen, and Willa Cather, which are selected, in part, as a litmus of Anglo-American modernism, though they can more productively also be understood as coalescing around the example set by Joseph Conrad. Replete with allusions to documents, Conrad’s oeuvre is developed across
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Mhoumadi, Nassurdine Ali. "Le roman de Mohamed Toihiri : entre témoignage et fiction." Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20062/document.

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Le roman de Mohamed Toihiri : roman fondateur et représentatif de la littérature comorienne. Son étude nous conduit à affirmer que c’est un roman d’analyse sociologique dans la mesure où il constitue un excellent document sur la vie quotidienne des Comoriens durant près de deux décennies (1975-1992). Mais il serait fort réducteur de le limiter à cela car ce roman ne se contente pas de présenter finement le fonctionnement de la société comorienne, il véhicule aussi une critique socio-politique radicale de celle-ci et de ses gouvernants. Ce roman inscrit son lecteur, de façon très subtile, dans
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Duflos, Anne. "L'écriture des masculinités dans la fiction nord-irlandaise contemporaine." Thesis, Lille 3, 2017. http://www.theses.fr/2017LIL30020/document.

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Cette thèse se propose d’étudier l’écriture des masculinités dans la fiction nord-irlandaise contemporaine. Le corpus est constitué de six romans publiés pendant la décennie qui suit le traité de paix de 1998 : Breakfast on Pluto de Patrick McCabe (1998), No Bones d’Anna Burns (2001), Fodder de Tara West (2002), The Ultras d’Eoin McNamee (2004), Little Constructions d’Anna Burns (2007) et The Truth Commissioner de David Park (2008). Les enjeux politiques et sociologiques spécifiques que cristallise la question de la masculinité dans le nord de l’Irlande se mesurent à l’aune des Troubles et du
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Books on the topic "Fiction and document"

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Goosse, Bruno. Document, fiction et droit en art contemporain. Presses universitaires de Provence, 2015.

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Croome, Andrew. Document Z. Allen & Unwin, 2009.

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Stéphane, Rozen, and Delbos Gilles, eds. Sur le bord: Document-fiction sur la banlieue. Atelier In8, 2010.

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Zincă, Haralamb. Revelion '45: Roman-document. Editura Militară, 1989.

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Spiotta, Dana. Eat the document: A novel. Scribner, 2005.

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Steele, Elizabeth. Virginia Woolf and companions: A feminist document : a play. Cecil Woolf, 1996.

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Pierre, Grimal. Mémoires d'Agrippine. Editions de Fallois, 1992.

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Pierre, Grimal. Le procès Néron. Editions de Fallois, 1995.

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Benjamin, Jean-Marie. Le document du moine d'Aïn Karem: (Terre sainte, A.D. 1688-1691). Fayard, 1991.

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1945-, Halpern Daniel, ed. Antaeus: Fiction, poetry, documents. Harvill, 1991.

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Book chapters on the topic "Fiction and document"

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Jacquelin, Alice. "Didier Daeninckx, Le roman noir de l’Histoire (2019): Dismantling the Tale of French History through Disseminated Micro-Histories." In Contemporary European Crime Fiction. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21979-5_9.

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AbstractThis chapter examines the excavation of memories and truths that officialdom would rather remain buried in the work of French noir novelist Didier Daeninckx. It examines Daeninckx’s (Le roman noir de l’Histoire. Lagrasse: Verdier, 2019) magnum opus Le roman noir de l’Histoire. This is not a novel as historical document or as historical mimesis but rather a collection of seventy-six short stories that collectively recount eleven periods in French and European history from 1855 to 2030—and where the emphasis is placed on the kaleidoscopic nature of ‘history from below’, that is, individu
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Mutch, Deborah. "A. Neil Lyons, ‘Little Reggie Writes Home. A Childish Document, Edited’ (1908)." In British Socialist Fiction, 1884-1914, Volume 4. Routledge, 2024. http://dx.doi.org/10.4324/9781003553397-7.

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Soutter, Lucy. "Fictive documents." In Why Art Photography? Routledge, 2018. http://dx.doi.org/10.4324/9781315270630-4.

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Wilczyk, Wojciech. "Documents and Fictions." In The Holocaust Bystander in Polish Culture, 1942-2015. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66408-4_8.

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Corrente, Marisa, and Claude Pouzadoux. "Fabule dipinte. La narrazione immaginifica della tomba delle Danzatrici di Ruvo: riflessioni sullo spazio pittorico." In Reproduire la peinture antique du XVIIIe au XXe siècle. Publications du Centre Jean Bérard, 2024. https://doi.org/10.4000/146jx.

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Dans l’aquarelle conservée au séminaire de Molfetta, l’image de la célèbre tombe des Danseuses de Ruvo, qui fait désormais partie de la culture archéologique et iconographique, est une construction picturale évidente d’une affirmation identitaire. L’un des problèmes majeurs de la confrontation avec l’œuvre est celui de la correspondance entre la structure picturale et la mémoire informative. Il faut se demander si l’élargissement de l’horizon de communication constitue une transposition visuelle, avec un indice de conscience et un étalon de mesure, ou suppose une stratégie médiatique et donc p
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Kupperman, Karen Ordahl. "How [Not] to Run a Colony in the Distant Past and the Future." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_6.

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AbstractColonialism always rests on a false premise: we will bring our superior culture to a new region. The beings who inhabit the territory may be useful to us, but they certainly can be pushed out of the way. Such was the case in England’s first attempts in North America 400 years ago, and now fictional accounts of colonization in outer space see humans repeating their mistakes. This chapter uses pamphlets, letters, and official documents written in the beginning decades of English colonization in North America. It also draws on two modern science fiction accounts, one from the mid-twentiet
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Agnese, Roberta. "Archival Reenactement and the Role of Fiction." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_10.

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The Atlas Group created a digital mixed-media archive of contemporary Lebanese history, made up of produced and found documents. These archives look immediately ambiguous: they don’t collect historical documents; they actually contain visual artefacts created by the Lebanese artist Walid Raad. These digital mixed-media archives — partly accessible on the web but also physically exhibited and performed — are not intended to preserve the memory of the past, but they become indeed useful to actualize history by giving it back in the form of a historical fiction. What if archives should not deal w
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Rabinowitz, Paula. "Soft Fictions and Intimate Documents: Can Feminism Be Posthuman?" In Posthumanism. Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-05194-3_8.

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Boone, Véronique. "Le film comme support indispensable de communication pour faire re-connaître et l’œuvre et l’architecte ?" In Le Corbusier : figure patrimoniale ? Presses universitaires Blaise-Pascal, 2020. https://doi.org/10.4000/142vs.

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Durant toute sa vie, Le Corbusier a collaboré au tournage de documents cinématographiques et audiovisuels au sujet de son architecture et de lui-même. Courts-métrages, documentaires, films de fiction et interviews traversent ses œuvres du début à la fin de sa carrière. Aujourd’hui, ces films et ces documentaires, cinématographiques comme télévisés, sont tout d’abord des sources documentaires essentielles pour comprendre cette production et soutenir les projets de restaurations et de réhabilitations de cette œuvre. Mais plus encore, ce sont des témoins de la construction d’une figure patrimonia
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Wahrig, Bettina. "“Nature Is Lopsided”: Muscarine as Scientific and Literary Fascinosum in Dorothy L. Sayers’ The Documents in the Case." In Poison and Poisoning in Science, Fiction and Cinema. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64909-2_4.

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Conference papers on the topic "Fiction and document"

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Tipa, Violeta. "Ion Creanga’s personality: between document and fiction." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.13.

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Ion Creangă’s personality challenged the filmmakers on both banks of the Prut to create films in which to bring the famous storyteller back to the big screen. And if the genre of fiction film allows itself an artistic approach, with deviations and directorial inventions, then the non-fiction film is based on the document, drawing the true nature of the writer. In this context, there are a series of films, which aim to follow various aspects of the writer’s life, such as: Creangă (1973, directed by Vlad Druc), Creangă si Junimea (1989, directed by Ioana Holban), Ion Creanga’s God (1996, directe
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Miller, Ben, Jennifer Olive, Shakthidhar Gopavaram, and Ayush Shrestha. "Cross-Document Non-Fiction Narrative Alignment." In Proceedings of the First Workshop on Computing News Storylines. Association for Computational Linguistics, 2015. http://dx.doi.org/10.18653/v1/w15-4509.

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SMOLNIȚCHI, Dumitrița. "Historical legend – the blurred line between document and fiction." In "Higher education: traditions, values, perspectives", international scientific conference. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.27-28-09-2024.p267-271.

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A story, in prose or verse, which combines the documentary with the imaginary, the legend fulfills several functions in the educational process: cognitive (it transmits a range of knowledge and information), formative (it has modeling actions on the personality of the individual), integrative (through the story environment, the pupil comes into direct contact with the mental universe of the social group, getting to know its mentality and philosophy of life, to familiarize with the community's system of aesthetic and ethical values), educational and introductory (through the exemplifying power
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Рогацкина, Марина Леонидовна. "HISTORICAL POEMS BY N. I. RYLENKOV. POEM “GREAT FLUFF ” (1940): TRUTH AND FICTION." In Международная конференция «Феномен пограничного и трансграничного в истории и культуре». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.67.85.036.

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Статья посвящена анализу поэмы Н. И. Рыленкова «Великая замятня», написанной в 1940 г. В ней повествуется о восстании «черных людей» Смоленска против представителей власти Великого князя Литовского в XV в. Автор статьи рассматривает данное произведение» с точки зрения соотношения правды и художественного вымысла. Законы исторического документа требуют, как известно, однозначного соответствия факту, документу. Художественное произведение строится по другим законам - писатель имеет право трансформировать исторические события в соответствии со своим видением, идеей, включать художественный вымысе
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Herman, Jan. "Document sans titre." In Fictions classiques. Fabula, 2019. http://dx.doi.org/10.58282/colloques.125.

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Kizhakkethil, Priya. "Information experience in a diaspora small world." In ISIC: the Information Behaviour Conference. University of Borås, Borås, Sweden, 2020. http://dx.doi.org/10.47989/irisic2022.

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Introduction. Leisure is considered important in the settlement and acculturation experiences of refugee and immigrant communities. Perceiving a gap in the literature which has taken a diaspora perspective, this on-going study looks at an online community converging around a leisure activity from a gender and diaspora standpoint, while looking to understand what would be experienced as information in that context. Method. Employing a qualitative research approach, data was obtained through semi-structured interviews with fourteen participants and also through the collecting of comments posted
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Dokhtourichvili, Mzago. "Les écrivains «archéologues» de la mémoire en quête de l’identité (Patrick Modiano, Jean-Luc Coatalem)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8929.

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Literary history knows a countless list of the writers who explore their memory, the history of their ancestry, not to mention Marcel Proust, James Joyce or even closer to our time, Georges Perec, Le Clézio, Romain Gary, etc., whose mode of writing is described as the archeology of memory. What archeology and literature have in common is that they both explore historical memory. The difference is that the characteristic of literature is to combine reality and fiction. Thus, the novels of the writers under discussion – Dora Bruder by Patrick Modiano and La part du fils by Jean-Luc Coatalem – re
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Starciuc, Mariana. "Traditional theater versus documentary theater: theoretical references and conceptual boundaries." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.15.

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The purpose of the author’s approach is to identify the characteristics of the documentary theater by referring to the traditional one. Reflecting on the concepts of theater theorists, we conclude that traditional theater is illusory, the receiver-spectator believes the fictional world produced by the theatrical performance as reality. Dramatic subjects have an integral and logical structure, with „beginning, middle and end”, the stage action succeeds in a canonical order. Unlike traditional theatre, documentary theater is anti-illusory, anti-fiction and stands out for its faithful, exact repr
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Soares, Liliana, Ermanno Aparo, and Rita Almendra. "Design and creativeness for a three-act session." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003537.

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This paper presents the bases of a documentary about the conversion of the business sector and the performing arts in the North of Portugal, during the pandemic. The documentary intends to prove that the introduction of innovative procedures can be important to all sectors involved in society. Liquid reality (Bauman, 2005) demands constant exploration; therefore, it challenges designers to create sustainable products. Knowing that spectacle is about human connection, a process disconnected from visual culture can contribute to the public ignoring the participation of design as an area of knowl
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Vale, Constance. "Image Fictions: Fabricating Worlds." In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.57.

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Images play a central role in contemporary culture, and it is crucial that architects understand, control, and engineer their political forces.¹ From hyper-real simulations to machine vision, the structure and way that images are mobilized is changing. Photorealistic techniques and data-driven ones are entrusted as “objective” image types, often deployed to represent reality, truth, or facts, when in actuality, they can be used to call those into question through critical narratives. This paper investigates the potential of images to cultivate conversations about emerging technology’s implicat
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Reports on the topic "Fiction and document"

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Mörch, Carl-Maria, Pascale Lehoux, Marc-Antoine Dilhac, Catherine Régis, and Xavier Dionne. Recommandations pratiques pour une utilisation responsable de l’intelligence artificielle en santé mentale en contexte de pandémie. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, 2020. http://dx.doi.org/10.61737/mqaf7428.

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La pandémie actuelle a provoqué une onde de choc dont les conséquences se font sentir dans tous les aspects de notre vie. Alors que la santé physique a été généralement au cœur de l’attention scientifique et politique, il est devenu clair que la pandémie de COVID-19 a influé significativement sur la santé mentale de nombreux individus. Plus encore, elle aurait accentué les fragilités déjà existantes dans nos systèmes de santé mentale. Souvent moins financé ou soutenu que la santé physique, le domaine de la santé mentale pourrait-il bénéficier d’innovations en intelligence artificielle en pério
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