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Journal articles on the topic 'Fiction and document'

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1

Petrovsky, Helen. "Document: Fact and fiction." Philosophy of Photography 4, no. 2 (2013): 181–89. http://dx.doi.org/10.1386/pop.4.2.181_1.

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2

Jeannet, Angela. "Between Document and Fiction: Maria Rosa Cutrufelli'sVoices." Italian Culture 16, no. 1 (1998): 129–41. http://dx.doi.org/10.1179/itc.1998.16.1.129.

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3

Koznova, N. N. "Memoir essay as a document of fiction." Philology and Culture, no. 4 (December 29, 2023): 141–47. http://dx.doi.org/10.26907/2782-4756-2023-74-4-141-147.

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The article explores the memoir essay as a journalistic genre combining documentary and fictional elements. The study is based on the books of memoirs by B. Zaitsev, M. Nesterov and S. Rachmaninov. The analysis of memoir texts by people of creative professions makes it possible to identify the features of the synthesis of two narrative components and to determine the individual author’s approach to the disclosure of the characters’ personality.As a result of the comparative, compositional, stylistic and contextual analysis, we have come to the following conclusions: the artistic and journalist
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4

Guilhamon, Elizabeth. "Entre fiction et document, Abschied von Sidonie d'Erich Hackl." Cahiers d’études germaniques 38, no. 1 (2000): 147–56. http://dx.doi.org/10.3406/cetge.2000.1512.

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5

Aliagas, Cristina, Cristina Correro, and Martina Fittipaldi. "DIGITAL FICTION IN LITERARY EDUCATION." L1-Educational Studies in Language and Literature 24, no. 3 (2024): 1–27. http://dx.doi.org/10.21248/l1esll.2024.24.3.594.

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This paper documents L1 teachers’ viewpoints regarding the integration of digital fiction in the form of multimodal, digital literary texts as a resource to foster literary education at secondary level. This study is developed in the context of a larger collaborative, intersectoral research project focused on the co-construction of guided reading of digital fiction texts. Based on interviews with 6 secondary school teachers in Catalonia (Spain), we analyze what teachers think about the arrival of digital fiction in literary education and the pedagogical function they consider that it might per
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6

Nurhayati, Siti, and Fachri Helmanto. "Profile description of Pancasila students in fiction in the thematic book for grade 3." LADU: Journal of Languages and Education 2, no. 1 (2021): 15–22. http://dx.doi.org/10.56724/ladu.v2i1.61.

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Background: Fiction text is one of the genres of literary works containing fictional story elements created by the author’s imagination. Fiction is believed to be a reading that adds knowledge, insight, enlightens the soul of the reader, and as an effort to instill values, especially the value of educational character to students.
 Purpose: This study aims to determine the value of educational characters in fiction stories.
 Design and methods: This research was conducted using a qualitative approach to content analysis methods or content analysis with descriptive analysis techniques
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7

Abbas, Abbas. "The Racist Fact against American-Indians in Steinbeck’s The Pearl." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 3 (2020): 376–92. http://dx.doi.org/10.34050/elsjish.v3i3.11347.

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the social conditions of Indians as Native Americans for the treatment of white people who are immigrants from Europe in America. This research explores aspects of the reality of Indian relations with European immigrants in America that have an impact on discriminatory actions against Indians in John Steinbeck's novel The Pearl. Social facts are traced through fiction as part of the genetics of literary works. The research method used is genetic structuralism, a literary research method that traces the origin of the author's imagination in his fiction. The imagination is considered a social re
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8

Jeannet, Angela. "Between Document and Fiction: Maria Rosa Cutrufelli's Voices." Italian Culture 16, no. 1 (1998): 129–41. http://dx.doi.org/10.1179/016146298803708269.

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9

Dronova, Olga A. "The genres of documentary novel of the “Neue Sachlichkeit” and the problem of cognition." Neophilology, no. 20 (2019): 502–9. http://dx.doi.org/10.20310/2587-6953-2019-5-20-502-509.

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We consider genre typology of documentary novels of “Neue Sachlichkeit”: a “report” novel, a “novel of fact” and a documentary montage novel. The proposed classification is based on the different nature of the interaction of narrative and document in these types of novels. In the “report” novel the narration is conducted from the point of view of the observer, the literary text appears as a testimony, the document of an era. The “novel of fact” is based on real documents that are partially or fully integrated into the artistic whole. In the montage novel fragments of doc-umentary material and
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10

Kucherova, Anna O. "Hannah Arendt and Marcel Proust:from the novel-document to storytelling." Philosophy Journal, no. 3 (2021): 36–51. http://dx.doi.org/10.21146/2072-0726-2021-14-1-36-51.

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The paper focuses on Hannah Arendt’s essay “Between vice and crime”, in which Arendt explores the process of stigmatization of Jews in salons at the turn of the XXth century. For this purpose, Arendt uses the novel “In search of lost time” by Marcel Proust as a document of the era. This essay elucidates the methodological impact of the novel in re­solving the socio-political problems it describes. The author shows that the magnum opus of the famous French writer had a significant, foundational influence on H. Arendt’s thought. In particular, the article reconstructs her dialogue with M. Proust
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11

Muninggar, Nur Siti, and Adila Alfa Krisnadhi. "LexID: The Metadata and Semantic Knowledge Graph Construction of Indonesian Legal Document." Jurnal Ilmu Komputer dan Informasi 16, no. 1 (2023): 15–46. http://dx.doi.org/10.21609/jiki.v16i1.1096.

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The Legal Fiction principle stipulates that the government needs to ensure the public availability of all of their legal documents. Unfortunately, the text-based search services they provide cannot return satisfactory answers in retrieval scenarios requiring proper representation of relationships between various legal documents. A key problem here is the lack of explicit representation of such relationships behind the employed retrieval engines. We aim to address this problem by proposing LexID knowledge graph (KG) that provides an explicit knowledge representation for Indonesian legal domain
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12

Nuraeni, Iin, and Fahrus Zaman Fadhly. "CREATIVE PROCESS IN FICTION WRITING OF THREE INDONESIAN WRITERS." Indonesian EFL Journal 2, no. 2 (2017): 117. http://dx.doi.org/10.25134/ieflj.v2i2.644.

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This research investigates the creative process in fiction writing employed by three writers of different writing genres: short story, novel, and poem. This study applied a qualitative method that involved one male and two female writers in Kuningan and Majalengka. The data collected from document analysis, observation, and interview were analyzed through descriptive qualitative method. The results of the analysis revealed that there were five creative processes of writing fiction used by the writers in writing fiction, namely preparation, incubation, insight, evaluation, and elaboration. Besi
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13

KEITH, W. J. "The Roots of Fantasy: Document and Invention in Robertson Davies’s Fiction." Journal of Canadian Studies 20, no. 1 (1985): 109–19. http://dx.doi.org/10.3138/jcs.20.1.109.

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14

Kieffer, Morgane. "Import-export : Réflexions sur certaines modalités contemporaines du rapport fiction/document." L'Esprit Créateur 61, no. 2 (2021): 24–36. http://dx.doi.org/10.1353/esp.2021.0023.

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15

Rykner, Arnaud. "Theatre Photography in Nineteenth Century France: Document, Archive or Pure Fiction?" Studia Universitatis Babeş-Bolyai Dramatica 66, no. 2 (2021): 47–72. http://dx.doi.org/10.24193/subbdrama.2021.2.04.

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"Indoor performance photography, which was born in France on the occasion of the Paris World Exhibition in 1889, remains a problematic theatrical and media object to this day. But at the Belle Epoque and until the Second World War at least, it requires to be approached with all the more caution because it is always the fruit of multiple manipulations, either at the time of the making of the shots (mandatory posing of actors, specific lighting, etc.), or at the time of their “post-production” (printing, but especially edition in review or volume). A complex and particularly rich object that mus
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16

Iwuh, John, and Nicodemus Adai Patrick. "Reading the docufiction script: Harnessing the thin line between facts and fiction." Journal of Screenwriting 13, no. 3 (2022): 375–87. http://dx.doi.org/10.1386/josc_00107_1.

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The ethical issues raised by merging facts and fiction in docufiction screenplays as a genre suitable for social impact storytelling still linger. Hence, for the intended message to be effectively passed, the genre, formatting and narrative technique have to be clearly established for the readership’s consumption. Therefore, this article will investigate how facts are reinforced by fiction in docufiction. Textual analysis of Nicodemus Adai Patrick and John Iwuh’s is employed in exploring narrative techniques and formatting as indicators of the proportion of facts and fiction in a docufiction s
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17

Kizhakkethil, Priya. "“You make me miss Pune so much”: memory making and documenting in a Virtual Zenana." Aslib Journal of Information Management 72, no. 4 (2020): 687–703. http://dx.doi.org/10.1108/ajim-11-2019-0334.

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PurposeThe purpose of the study is to look at memory making and the documenting of memories, as a part of the document and information experience of women belonging to the Indian diaspora in a leisure context.Design/methodology/approachA qualitative research approach was inspired by institutional ethnography, and data are collected through semi-structured interviews and by collecting comments posted on five fan fiction blogs.FindingsEarly observations show that memory making and documenting of those memories is a part of the document experience of the research participants. It also points to t
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18

Kyobutungi Tumwesigye, Alice Jossy. "Young Adult Vulnerabilities in the Fiction of a Ugandan Woman Writer." Global Research in Higher Education 5, no. 1 (2022): p22. http://dx.doi.org/10.22158/grhe.v5n1p22.

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Questions of identity, power, autonomy and vulnerability carry a particular weight in cultures that have emerged from colonialism. Although few writers of fiction focus on the conflicts between African and European characters, a focus on power and marginalisation remains. One category in which this focus may be plainly seen is writing for and about young people. The study’s aim was to analyse young adult fiction written by a Ugandan female author, Barbara Kimenye to investigate this writing to find out how young adult vulnerability is depicted in literature. Although literature targeting young
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19

Christensen, Lois McFadyen, Cheri Faith, Ellen Stubblefield, and Glenda Watson. "Relearning Social Studies and Democracy Three Teachers Deconstructing a Modified Reggio Emilia Approach." Journal of Social Studies Research 30, no. 2 (2006): 10–17. https://doi.org/10.1177/235227982006030002002.

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Three teachers implemented a modified Reggio Emilia approach in their multiage, looped, early childhood, setting. This sturdy examined how teachers articulated their work and how they deconstructed social studies through enacting tenets of the approach. Through processes of research, the teachers found that the primary students described themselves as self-directed learners. They represented thoughts, feelings and observations through the graphic arts as a means to document what they and their young colleagues learned in social studies. Never once did the young learners mention learning withou
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20

Krishna, Kumar Paswan. "SOCIOLINGUISTIC ANALYSIS OF LITERATURE IN SPECIAL CONTEXT OF PHANISWARNATH RENU'S FICTION PARATI PARIKATHA." Oriental Renaissance: Innovative, educational, natural and social sciences 2, no. 25 (2022): 129–38. https://doi.org/10.5281/zenodo.7393611.

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<em>Literature is a key to establish a clear understand about the cultural identities, socio-political states and sprit of a society. This is a live document of human emotion and relation which is exhibited through the language. Only through the language human can express any thought, idea, feelings etc. An author also chose this way to create a world in their creation. In Hindi fiction writing, Phanishwarnath Renu is an author who brings the identity of regionalism in Hindi literature. This identity becomes possible only with the prospective of sociolinguistics. Renu&rsquo;s all fictions have
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21

Niskanen, Samu. "Christian Høgel and Elisabetta Bartoli, ed. Medieval Letters. Between Fiction and Document." Journal of Medieval Latin 27 (January 2017): 356–59. http://dx.doi.org/10.1484/j.jml.4.2017004.

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22

Царева, Е. В. "Document and fiction in Julian Barnes’s The Man in the Red Coat." Вестник Рязанского государственного университета имени С.А. Есенина, no. 3(80) (September 29, 2023): 127–36. http://dx.doi.org/10.37724/rsu.2023.80.3.013.

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Статья посвящена книге современного британского писателя Джулиана Барнса «Портрет мужчины в красном» (2019). Актуальность работы заключается в необходимости осмысления жанровой природы книги, ее художественных и стилистических особенностей, не получивших в силу ее новизны достаточного научного освещения. Цель работы состоит в выявлении соотношения художественного и документального в книге «Портрет мужчины в красном». В результате работы обосновывается, что текст книги построен на взаимопроникновении художественного и документального начала. Доказывается, что художественное начало в книге Барнс
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23

Lee, Seungjun. "Whether the Legal Fiction of Public Officials can determine the “officialness” of documents." LAW RESEARCH INSTITUTE CHUNGBUK NATIONAL UNIVERSITY 34, no. 1 (2023): 153–71. http://dx.doi.org/10.34267/cblj.2023.34.1.153.

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Recently, the Supreme Court ruled that a document issued by the governor of the Financial Supervisory Service(FSS) is considered a public document according to Articles 29 and 69(1) of the Act on the Establishment of the Financial Services Commission. Article 69 of this Act states that individuals who are not public officials are treated as public officials when it comes to applying penalties under the Criminal Code or other laws. The governor of the FSS is classified as a public official by presidential decree, thus falling under this Legal Fiction of Public Officials. Based on this regulator
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24

Habibullah, Md. "Kipling's Manipulation of Religions in Kim: A Document of his Imperialist Position." Victoriographies 13, no. 2 (2023): 192–209. http://dx.doi.org/10.3366/vic.2023.0492.

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Since the publication of Rudyard Kipling's (1865–1936) Kim (1901), most critics have agreed that the novel falls into the genre of colonial fiction. But they are divided into two groups – defenders and detractors – regarding Kipling's treatment of religions in the novel. The defenders celebrate his accomplishment and sympathy in depicting the devotion and attraction of the Victorian Era towards Buddhism. On the other hand, the detractors blame Kipling for fictionalising the confrontation between pragmatic Western rationality and Eastern mystical irrationality. Against this backdrop, this artic
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25

GASMI, CHahinaz, and MESSAOUD Bensari. "Landscape Illustration Flashing in Al-Aghouati Trip." Milev Journal of Research and Studies 8, no. 1 (2022): 202–14. http://dx.doi.org/10.58205/mjrs.v8i1.610.

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Travel literature used to be a favorite resource for intelligentsia in general ; historians depend on it as an authentic document and ;geographers explore more about the countries and places ;anthropologists try to study the origin and development of human societies; cultures ;customs ; and tradition .&#x0D; As for the writer; he will be involved in different literary styles ,storytelling fact and fiction ; narration ;description ;dialogue and exciting scenes. This article aims to shed light on the Ibn E-Din Al- Aghouati travel document which was dominated by a brief flash description ; withou
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26

VARVOGLI, ALIKI. "Radical Motherhood: Narcissism and Empathy in Russell Banks's The Darling and Dana Spiotta's Eat the Document." Journal of American Studies 44, no. 4 (2010): 657–73. http://dx.doi.org/10.1017/s0021875810001313.

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This article discusses constructions and representations of motherhood in Russell Banks's The Darling and Dana Spiotta's Eat the Document. It argues that the theme of motherhood has a long, if often overlooked, presence in American literature, and that the two novelists use the figure of the mother in order to engage with the themes of empathy and community. The novels participate in familiar postmodernist practices, such as multiple, fragmented viewpoints and narratives, unreliable narrators, non-chronological storytelling and the mingling of fact and fiction. However, they do not wholehearte
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27

Vialette, Aurélie. "An On-Screen Trial: Resistance to Corruption or Audience Manipulation in Ciutat Morta?" Letras Femeninas 42, no. 1 (2016): 101–14. http://dx.doi.org/10.14321/letrfeme.42.1.0101.

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Abstract In this essay I argue that Ciutat Morta, a 2013 film directed by Xavier Artigas and Xapo Ortega based on the case “4F,” is turned into a fiction of a court of justice and puts forth an aesthetics aimed at recreating the conditions for a new sentence. This aesthetics, in itself a fiction, is however constructed in all its aspects to become a powerful tool of denunciation of the actual trial. Witnesses from all institutional spheres dismantle the arguments that the judges had used to write the sentence and imprison the defendants. In this regard, then, the documentary, as a fictional me
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28

Haider, Waqar. "A reading of Premchand's Urdu stories in Political, Social, Economic and Rural Contexts." Noor e Tahqeeq 8, no. 03 (2024): 54–66. http://dx.doi.org/10.54692/nooretahqeeq.2024.08032243.

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Premchand is a famous writer of his time and era. Those who have used different dimensions in presenting their works, among which fiction and novels are considered in the forefront. Premchand's speeches on politics are also a basic and important reference, his sermon on the progressive movement is also a comprehensive and detailed document, but he earned his name in fiction writing and is known throughout the subcontinent for the same genre. are recognized. Basically, fiction writing is his real and best identity. It is only through his fiction writing that we can identify each of them as well
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29

Chan, Alfred L., and Andrew J. Nathan. "The Tiananmen Papers Revisited." China Quarterly 177 (March 2004): 190–214. http://dx.doi.org/10.1017/s0305741004000116.

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Authentic Chinese internal documents matter greatly as historical records that illuminate our understanding of Chinese politics. Yet careful scrutiny shows that the Chinese book version of the Tiananmen Papers is part fiction and part documentary history based on open and semi-open sources and document collections. The alleged transcripts of top-level meetings are basically stitched together ex post facto (even by the admission of the editors) and then presented as secret documents. Furthermore, the English translation is a heavily retouched version of the Chinese with differences in claims of
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30

Cook, Brian. "Electronic document delivery suitable for all libraries and their users: Fiction or reality?" New Review of Information Networking 2, no. 1 (1996): 41–53. http://dx.doi.org/10.1080/13614579609516867.

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31

Buss, Carla Wilson. "Book Review: 9/11 and the War on Terror: A Documentary and Reference Guide." Reference & User Services Quarterly 56, no. 4 (2017): 300. http://dx.doi.org/10.5860/rusq.56.4.300.

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In the nearly sixteen years since the terrible events of September 11, 2001, nearly 13,000 non-fiction books have been written about that day. Topics range from first-person accounts to memorials to collections of documents. A new addition to the crowded field is 9/11 and the War on Terror: A Documentary and Reference Guide. The author, Paul J. Springer, is a Senior Fellow at the Foreign Policy Research Institute and Professor of Comparative Military History at the Air Command and Staff College in Alabama. His work presents excerpts of declassified documents, chosen to illustrate the effects o
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32

Getmanskaya, E. V. "TRADITIONS AND INNOVATIONS IN SCHOOL LITERARY EDUCATION IN EUROPE." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23, no. 79(1) (2021): 14–17. http://dx.doi.org/10.37313/2413-9645-2021-23-79(1)-14-17.

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The topic of the article is the main problems of the functioning of fiction in secondary school, the traditional interpretation of the educational function of literature for the European paradigm, the representation of the literary canon in the European school, the educational context of the concepts "literature"and " reader". Reading fiction at school remains not only at the center of European curricula, but also at the center of the entire cultural and socioeducational European discourse, and, above all, because of the importance of this subject in the process of forming the personality of t
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33

Murphy, Sarah. "Drama as Docufiction." Canadian Theatre Review 94 (March 1998): 36–41. http://dx.doi.org/10.3138/ctr.94.009.

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Leila Sujir interviewed by Sarah Murphy with excerpts from Leila Sujir’s The Dreams of the Night Cleaners Murphy: In The Dreams of the Nightcleaners, your docufictive approach to your material - the combination of document, drama, fiction and fantasy in a multilayered fantasy - yields an extraordinarily rich and complex final product. How did you decide on this approach?
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34

Lestari, Sri, and Sumadi Sumadi. "GLOCALIZATION OF LEARNING AND CREATION SOURCES FOR FICTION WRITING TEACHING MATERIALS: EXPLORING CREATIVITY IN A LOCAL CONTEXT." International Conference on Cultures & Languages (ICCL) 2, no. 1 (2024): 397–410. http://dx.doi.org/10.22515/iccl.v2i1.9613.

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This research aims to explore the concept of glocalization in the context of fiction writing instruction in higher education and its impact on the creation of teaching materials relevant to the local context. The primary focus of this study is to understand how the glocalization approach can enrich students' fiction writing learning experiences and support the creation of teaching materials that align with the needs and unique cultural aspects of the local context. The research methodology employed is a qualitative approach with data collection techniques including interviews, classroom observ
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35

Westin, Fereshta. "Time, technique and text: scoping review of temporal information extraction and categorisation in documents." Journal of Documentation 81, no. 7 (2025): 135–56. https://doi.org/10.1108/jd-11-2024-0267.

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PurposeThis paper presents an investigation of the concept of “time as aboutness” in various texts, including news articles, social media posts and historical documents. The purpose of this paper is to analyse different forms of temporal information and map the techniques used to extract and categorise this information.Design/methodology/approachA scoping review method was adopted to analyse the chosen literature set. This approach allowed for an overview of the different text document types, the techniques used and their temporal information.FindingsThe findings reveal six temporal types of t
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36

Monterde, José Enrique. "Algunas observaciones sobre el documental histórico." Tripodos, no. 16 (December 20, 2004): 23–36. https://doi.org/10.51698/tripodos.2004.16.23-36.

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After making certain terminological clarifications and then situating the historical documentary in the dual position of non-fictional cinema and "historical cinema", the author reaffirms the common discourse which assumes both documentary and fiction to be of a historical order, which, however, does not prevent the clarification of those aspects which justify the typological diferentiation between film fiction and non-fiction. Fully situated in the orbit of non-fictional cinema, this paper establishes a repertoire of the diverse modalities included in this ambit: filmed news events, news bull
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37

Dávila, Jesús. "An Essential Collation to Study Horacio Castellanos Moya’s Insensatez." LETRAS, no. 75 (December 7, 2023): 13–43. http://dx.doi.org/10.15359/rl.2-75.1.

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&#x0D; &#x0D; &#x0D; The hypothesis developed by this paper is that the document corrected and quoted by the narrator of Insensatez is not a faithful copy of the report Guatemala: Nunca más. The first reception of the novel in Spain is reconstructed, as the origins of a reading bias that tends to identify and confuse the historical document with that of fiction are traced; likewise, biographical data of Castellanos Moya relevant to the reading of Insensatez are analyzed. Finally, the most important critical contributions on the subject are discussed and two specific collations are presented t
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38

Westfahl, Gary. "“This Unique Document”: Hugo Gernsback’s Ralph 124C 41 + and the Genres of Science Fiction." Extrapolation 35, no. 2 (1994): 95–119. http://dx.doi.org/10.3828/extr.1994.35.2.95.

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39

Jarimbetova, Tolganay Kurbanbaevna. "ARTISTRY IN CREATING THE IMAGE OF A HERO IN ARTISTIC DOCUMENTARY WORKS." International journal of word art 5, no. 4 (2022): 35–42. https://doi.org/10.5281/zenodo.6775640.

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The article analyzes the documentaryfeatures, prototype, image, actions, artistic imagination, period and heroism on the basis of folklore stories written by writers of Karakalpakstan such as &ldquo;Thousand of forgivness&rdquo; by G.Esemuratova and &ldquo;My country my love&rdquo; by A.Sultanov. The stories of Karakalpak writers mentioned in this article make their focus on the fate of heroes who achieved great goals for the benefit of the people. These aspects of non-fiction works differ from other genres of fiction. Therefore, this article reviews the genre and artistic differences of docum
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40

Holden, Anca. "Remembering and Memorializing German-Romanian Gulag Victims in the USSR through Historical Documents and Historical Fiction." University of Bucharest Review. Literary and Cultural Studies Series 11, no. 2 (2021): 103–16. http://dx.doi.org/10.31178/ubr.11.2.8.

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This paper examines the memory of the Romanian-German victims of the Soviet Gulag as recorded in recent collections of testimonies and interviews, a museum exhibition, an audio-visual documentary project, and Herta Müller’s 2009 novel Atemschaukel. It employs Alexander Etkind’s notions of “soft memory” and “hard memory” to discuss some of the key historical and political events that have impeded the establishing of consensual remembrance policies of the Soviet Gulag in communist Romania. I show how both German and Romanian communities since 1990 have memorialized the Gulag and discuss Atemscha
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41

Grace, Sherrill. "Timothy Findley, His Biographers, and The Piano Man’s Daughter." Text Matters, no. 8 (October 24, 2018): 413–30. http://dx.doi.org/10.1515/texmat-2018-0024.

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In this paper, Sherrill Grace, Findley’s biographer, will examine her biographical practices in the context of Findley’s own memoir, Inside Memory, and his interest in creating fictional auto/biographers and auto/biography in several of his major novels (notably The Wars, Famous Last Words, The Telling of Lies, and The Piano Man’s Daughter). His fictional auto/biographers often use the same categories of document that Findley himself used—journals, diaries, archives—and this reality produces some fascinating challenges for a Findley biographer, not least the difficulty of separating fact from
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Rasuleva, Nigina Alisherovna. "PANDEMIYA DAVRIDA XITOY ILMIY FANTASTIKA TADQIQOTINING YANGI BOSQICHI." Oriental Renaissance: Innovative, educational, natural and social sciences 2, no. 26 (2022): 424–29. https://doi.org/10.5281/zenodo.7336033.

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<em>2018-2020-yillarda Xitoy ilmiy fantastikasini o&lsquo;rganish &ldquo;dasht olovi&rdquo; tezligi asosida yanada rivojlandi. Ushbu vaqt oralig&lsquo;ida bir qator ilmiy-fantastik kashfiyotlar amalga oshirildi, yangi tadqiqot muassasalari va nashriyot platformalari tashkil etildi, akademik nashrlar va maqolalar yaratildi, bir qancha xalqaro mukofotlar qo&lsquo;lga kiritildi. Ushbu davr Xitoy ilmiy fantastikasida to&lsquo;rt asosiy yutuq ko&lsquo;zga tashlandi: Lyu Tsin va &ldquo;Uch jism muammosi&rdquo; asari haqidagi tadqiqotlar, hujjatlarni nashr etish va ma&rsquo;lumotlar bazasini yaratish
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Livengood, Nicole C. "Reproductive Justice, Race, and the Prescience of the Past." Canadian Review of American Studies 54, no. 1 (2024): 110–18. http://dx.doi.org/10.3138/cras-2023-017.

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The question of control—over bodies, knowledge, narrative, and nation—interweaves throughout Dana Medoro’s Certain Concealments: Poe, Hawthorne, and Early Nineteenth-Century Abortion and Stephanie Peebles Tavera’s (P)rescription Narratives: Feminist Medical Fiction and the Failure of American Censorship. Medoro focuses on discourses of life and women’s (non)reproductive sexuality in Edgar Allan Poe and Nathaniel Hawthorne’s fiction. She establishes that the two authors were deeply skeptical of medicolegal definitions of life that created racial and economic hierarchies; through focal character
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Ananda, Mohan Kar. "Representation of the Chinese Indians in three Bengali Detective Fiction." Society Today : An Interdisciplinary Journal of Social Sciences 3, no. 2 (2014): 6–13. https://doi.org/10.5281/zenodo.8290105.

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Literary works document the social life of a particular&nbsp;period&nbsp; &nbsp;and&nbsp; &nbsp;they&nbsp; &nbsp;also&nbsp; &nbsp;play&nbsp; &nbsp;an&nbsp; &nbsp;important&nbsp; &nbsp;role&nbsp; &nbsp;in&nbsp;influencing the&nbsp; public&nbsp; opinion.&nbsp; Literature helps&nbsp; the&nbsp;social&nbsp; scientists&nbsp; to&nbsp; understand&nbsp; the&nbsp; attitude&nbsp; of&nbsp; the&nbsp;people towards a particular issue or towards a particular&nbsp;community. This paper examines the representation of&nbsp;the Chinese Indians in some Bengali detective fictions and&nbsp;makes an attempt to under
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Kosachova, O. "Historical Themes in Fiction and Documentary Cinematography: Comparative Analysis." Culture of Ukraine, no. 79 (March 23, 2023): 46–59. http://dx.doi.org/10.31516/2410-5325.079.05.

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The purpose of this article to investigate the peculiarities of the representation of historical transformations in fiction and documentary cinematography, to reveal the artistic potential of cinema in the coverage of historical issues.&#x0D; The methodology. The main methods of cognition were used: socio-communicative, axiological, culturological approaches, figurative-stylistic analysis and structural-functional method, art history approach combined with morphological analysis, hermeneutic approach. The specified methods contributed to the in-depth study of fiction and documentary films aime
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Yildirim, Ezgi Güven, Ayşe Nesibe Önder, and İsmail Önder. "Examining the Fringe Series in terms of science concepts and topics: A teaching material suggestion." Scholars Journal of Research in Social Science (SJRSS) 2, no. 2 (2022): 44–54. https://doi.org/10.5281/zenodo.6657821.

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<strong>ABSTRACT</strong> The Fringe series is a science fiction production with frequent references to scientific concepts and topics. This study aims to analyse the scientific concepts and topics in the Fringe series and examine them in terms of their appropriateness as a teaching material, particularly for science teacher candidates. This study is a qualitative study. In qualitative research studies, data is collected through observation, interviews, and documents. In this study, document analysis was carried out on the Fringe series as a data collection tool, and the results were discussed
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Lingga, Good Sumbayak, and Rahmadsyah Rangkuti. "THE ANALYSIS EUPHEMISM MEANING IN DIFFERENT GENRE TEXTS." Wacana: Jurnal Penelitian Bahasa, Sastra dan Pengajaran 19, no. 2 (2021): 15–23. http://dx.doi.org/10.33369/jwacana.v19i2.16549.

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The euphemism in texts of different genre is the most focused on this research. Because of nowdays mass media are no longer censor or even selected the material that they served to public although it is too harsh. and The using of euphemism itself are also lower and lower from years to years. Thought there are a few words can’t be spoken cause the words are too taboo to spoken. that’s why the writer choose to analysis this euphemism in different texts. The method of this research used qualitative research to analized the data from written text. The instrument of this thesis was document analys
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Levin, Magnus, and Jenny Ström Herold. "English complex premodifiers and their German and Swedish correspondences." Comparing Crosslinguistic Complexity 24, no. 1 (2024): 5–32. http://dx.doi.org/10.1075/lic.00033.lev.

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Abstract This study concerns English hyphenated premodifiers (science-based targets; lower-back pain) contrasted with their German and Swedish correspondences. The data stem from the Linnaeus University English-German-Swedish corpus (LEGS), which contains non-fiction texts, but comparisons are also made to fiction texts from the English-Swedish Parallel Corpus (ESPC). The study shows that these condensed and complex premodifiers are more frequent in English originals than in English translations, and more typical of the non-fiction genre than that of fiction. Information density and terminolog
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Bazimaziki, Gabriel. "The synergic interface between narrative techniques and other elements of fiction: Dramatic irony and Betrayal in NGugi's A Grain of Wheat." International journal of linguistics, literature and culture 8, no. 2 (2022): 61–66. http://dx.doi.org/10.21744/ijllc.v8n2.2008.

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The author’s goal to successfully impart a thought through fiction depends largely on the synergetic relationship between narrative techniques and other literary elements. This paper explores the synergic alliance between the authors’ choice of methods or literary devices to reveal the audience how characters and themes affecting them cannot be disconnected. The study hinges on a qualitative document analysis involving Ngugi’s novel A Grain of Wheat. Discussion was guided by three study questions concerning the place that narrative techniques hold among the fictional generic elements; the use
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Ehrlich, Nea. "The Animated Document: Animation’s Dual Indexicality in Mixed Realities." Animation 15, no. 3 (2020): 260–75. http://dx.doi.org/10.1177/1746847720974971.

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Animation has become ubiquitous within digital visual culture and fundamental to knowledge production. As such, its status as potentially reliable imagery should be clarified. This article examines how animation’s indexicality (both as trace and deixis) changes in mixed realities where the physical and the virtual converge, and how this contributes to the research of animation as documentary and/or non-fiction imagery. In digital culture, animation is used widely to depict both physical and virtual events, and actions. As a result, animation is no longer an interpretive visual language. Instea
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