Relevant bibliographies by topics / Fiction bands

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Fiction bands'

Author: Grafiati
Published: 11 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Fiction bands"

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Norman, Joseph. "‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins." Metal Music Studies 5, no. 2 (2019): 225–42. http://dx.doi.org/10.1386/mms.5.2.225_1.

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Weird Fiction is often understood as an unclassifiable fusion of horror, science fiction (SF) and fantasy, and therefore a kind of generically hybridized writing. Here I discuss various parallels between Weird Fiction and music marketed and recognized as ‘extreme metal’, an umbrella term for bands playing in the core styles of black, death and doom metal, and their various offshoots like grindcore and sludge. Analysis of all Weird Metal is beyond the scope of this article, so I focus on artists who achieve Weirdness through the presence and interrelationship of hybridity, numinosity (an overwh
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Hutchinson, George. "A Historicist Novel." PMLA/Publications of the Modern Language Association of America 134, no. 2 (2019): 391–97. http://dx.doi.org/10.1632/pmla.2019.134.2.391.

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The vortex of the twentieth century, the late 1930s and early to mid 1940s, provides an appropriate setting for Jennifer Egan's experiment in historical fiction. Many popular histories have glorified the bands of brothers and Rosie the Riveters of the so-called greatest generation. The best fiction and poetry of the 1940s offered a different, unflattering view. Journalists from that era—Martha Gellhorn, for one—said they needed fiction to get the history right (313). Literary treatments of the war focus on its incommunicability and on the crisis of meaning it inspired, but they have been vastl
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Moon, Rosamund. "Words, frequencies, and texts (particularly Conrad): A stratified approach." Journal of Literary Semantics 36, no. 1 (2007): 1–33. http://dx.doi.org/10.1515/jls.2007.001.

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AbstractThis paper describes a corpus methodology developed in the course of investigations of three small subcorpora of texts: fiction by Conrad, nineteenth-century accounts of exploration, and adventure fiction. Stemming from observations that both high and lower frequency words in text are of interest in relation to meaning and structure, a ‘stratified approach’ integrates different levels of frequency by grouping words in a text into a series of frequency bands, identified from a reference corpus, then examining the most recurrent words within each band. This approach shows up, in particul
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Høgenhaven, Jesper. "The Qumran Copper Scroll—A Post-apocalyptic Journey?" Dead Sea Discoveries 31, no. 3 (2024): 292–312. http://dx.doi.org/10.1163/15685179-bja10058.

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Abstract Post-apocalyptic fiction triggers images of survivors of a catastrophe, forced to set out on a journey into a brutal and a dangerous world, struggling to ensure continued existence. Predators, zombies, and hostile bands are potentially lurking behind every corner. The sceneries of post-apocalyptic narratives are the remnants and ruins of the civilization that has collapsed. Buildings, roads, and bridges have been left empty and unattended; there is an atmosphere of uncanny strangeness. The landscape is often seemingly deserted, and yet it is impossible to know what hides in the shadow
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Kolesnik, A. S. "Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s." Art & Culture Studies, no. 4 (December 2021): 362–81. http://dx.doi.org/10.51678/2226-0072-2021-4-362-381.

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The New Wave of British Heavy Metal is a remarkable phenomenon in British cultural history of the 1980s. Trying to identify themselves and to indicate their reaction to the social and political context in the UK, young musicians turned to the representation of fantastic worlds. The language of the “fantastic” in early British heavy metal was primarily associated with themes of mechanization, heroics, epics, mythology, fantasy and science fiction. The musical form was often emphatically epic and majestic, designed to create an audio picture to the lyrics. Visual representations — large-scale, s
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Jackson, Dave. "Violet City: Fantasizing Liverpool in song, story and film." Journal of Writing in Creative Practice 8, no. 23 (2015): 173–91. https://doi.org/10.1386/jwcp.8.2_3.173_1.

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Abstract Violet City exists as a sequence of songs, a fantasy novel and a micro-budget feature film. The film was shot entirely on green screen and is due for digital release in 2016. It uses hundreds of composited images and mattes, merging locations as disparate as the warehouses and streets of Liverpool with the canals of Venice, the Himalayas, the Liver Buildings and the Giant’s Causeway to create a dark fairy tale ambience. Airships and hot air balloons soar above paddle steamers and luxury barges in the shadow of Cathedral Mountain. I adapted the screenplay from my novel, written as part
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Dubois, Martin. "SERMON AND STORY IN GEORGE MACDONALD." Victorian Literature and Culture 43, no. 3 (2015): 577–87. http://dx.doi.org/10.1017/s106015031500008x.

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George MacDonald took to preaching early in life. In his boyhood he once “rushed into the kitchen, jumped upon the clean-scrubbed table, and began a learned discourse, indicating Bell Mavor, the maid, as a reprobate past redemption”: She flicked at him with her dish-clout, when he turned upon her in righteous anger, as he set straight the improvised bands about his neck: “Div ye no ken fan ye’re speakin’ til a meenister, Bell? Ye's no fleg [frighten] awa’ the Rev. Geordie MacDonald as gin he war a buzzin’ flee [fly]! Losh, woman, neist to Dr. Chaumers [Thomas Chalmers], he's the grandest preac
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Lee, Aimee Beatriz. "Blurring Distance and Digital Lines: The Roles of Real Person Fanfiction in Participative K-pop Fandoms." Yonsei Journal of International Studies 12, no. 2 (2022): 148–61. https://doi.org/10.5281/zenodo.13358330.

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The growth of the online community as a space for various types of content creators has ultimately led to an influx of fanfiction — written works published by fans for fans — which is, in part, composed of real person fanfiction (RPF). While RPF has always maintained some sort of following throughout the years, especially with regards to musical acts such as One Direction, arguably one of the largest contributors to its growth in the last decade is the K-Pop community. Based on the statistics on the currently leading repository for multi-fandom and multi-genre fanfiction, Archive o
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Boni, Fabio. "Il caso della Contessa Cornelia Zangheri ne' Bandi in due testi del secolo XVIII dal punto di vista del genere non-fiction." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 68–78. http://dx.doi.org/10.24917/20811853.17.6.

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Przypadek hrabiny Cornelii Zangheri ne’ Bandi w dwóch tekstach XVIII w. z punktu widzenia gatunku non-fictionStreszczenieArtykuł przedstawia dwa teksty z XVIII w. dotyczące wydarzenia, które miało miejscew mieście Cesena w 1731 r.: Parere sopra la cagione della morte della Signora ContessaCornelia Zangheri ne’ Bandi cesenate esposto in una lettera al signor co. Ottolino Ottolini daGiuseppe Bianchini canonico di Verona oraz Relazione del funestissimo evento della SignoraCornelia Zangheri ne’ Bandi occorso li 20 Marzo 1731 in Cesena (anonimowy rękopis, któregoautorem jest prawdopodobnie Scipione
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Fernández Soldevilla, Gaizka, and Pablo García Varela. "El asesinato de Carrero Blanco. Historia, teorías conspirativas y ficción." Araucaria, no. 50 (2022): 61–83. http://dx.doi.org/10.12795/araucaria.2022.i50.03.

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El 20 de diciembre de 1973 un atentado de ETA acabó con las vidas del presidente del Gobierno franquista, su chófer y su escolta. Tuvo importantes consecuencias tanto para la dictadura como para la banda terrorista. Basándose en las fuentes disponibles, los historiadores han elaborado un relato bastante verosímil de los acontecimientos. Sin embargo, el hecho de que ETA hubiese logrado asesinar a una figura tan prominente, algunos cabos sueltos en la investigación policial y la ausencia de una sentencia dieron pie a todo tipo de especulaciones. Además, el caso de Carrero Blanco ha inspirado nar
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Dissertations / Theses on the topic "Fiction bands"

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Wilkinson, Melissa Sue. "Design." ScholarWorks@UNO, 2005. http://louisdl.louislibraries.org/u?/NOD,115.

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Thesis (M.F.A.)--University of New Orleans.<br>Title from electronic submission form. "A thesis ... in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Drama and Communications"--Thesis t.p. Vita.
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Bizarro, Luís Miguel Laré. "Astérix et le mythe du héros résistant : entre réalité et fiction." Master's thesis, Universidade de Aveiro, 2008. http://hdl.handle.net/10773/2810.

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Mestrado em Estudos Franceses<br>Este trabalho tem por objectivo realçar um género, a banda desenhada, cujo estudo tem sido relegado para segundo plano. Para tal, tentámos, aqui, provar a sua importância histórica [estabelecendo uma diferença entre História e história(s)], social e cultural para a sociedade francesa em particular mas também para o mundo em geral. Para tal, estabelecemos um paralelismo directo entre Charles de Gaulle, herói real da segunda guerra mundial - e recentemente eleito o maior francês de sempre -, e Astérix, herói de fantasia, personagem ficcional, resistente à invasão
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Armstrong, David. "Gestures towards a better place : approaches to contemporary British fiction." Thesis, De Montfort University, 1999. http://hdl.handle.net/2086/4177.

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Franks, Jamie N. "Becoming Other: Virtual Realities in Contemporary Science Fiction." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1908.

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The purpose of this thesis was to explore the boundary between human and other created by virtual worlds in contemporary science fiction novels. After a close reading of the three novels: Surface Detail, Existence, and Lady of Mazes, and the application of contemporary literary theories, the boundary presented itself and led to the discovery of where the human becomes other. The human becomes other when it becomes lost to the virtual world and no longer exists or interacts with material reality. Each of the primary texts exhibits both virtual reality and humanity in different ways, and each is
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Délicat, Marcelle. "Le pictural dans la création artistique littéraire, bédéiste et cinématographique. Une lecture intermédiatique des fictions biographies des peintres du début du XXème siècle." Thesis, Pau, 2018. http://www.theses.fr/2018PAUU1041/document.

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Cette thèse a pour objectif de lire à travers les médias hôtes que sont la littérature, la bande dessinée et le cinéma, la présence d’éléments picturaux au sein de fictions biographiques. Il s’agit d’une étude comparative qui considère l’art comme lieu de reconstruction mais aussi de conservation de l’histoire en général et de l’histoire artistique en particulier. De manière générale, les interactions entre le pictural et les autres arts prennent deux orientations. La première est la reconstitution du champ pictural et de son fonctionnement. Et la seconde orientation passe par la réappropriati
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Long, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/5838.

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Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson an
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Long, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." University of Sydney, 2009. http://hdl.handle.net/2123/5838.

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Master of Philosophy (MPhil)<br>Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by Wi
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Thibault, Franck. "Comment dune devint l'incal etude de l'hypertextualite entre le roman de franck herbert et les bandes dessinees d'alexandro jodorowsky." Paris 3, 2000. http://www.theses.fr/2000PA030006.

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C'est parce que le cycle de bande dessinee intitule l'incal fait suite au projet d'adaptation cinematographique de dune par alexandre jodorowsky que l'on peut le considerer comme un hypertexte du roman de science-fiction de frank herbert selon la definition qu'en a donne le critique gerard genette dans palimpsestes. Comme l'a affirme jodorowsky lui-meme, << tout ce que j'avais invente pour dune, je l'ai reporte sur l'incal >>. L'etude precise de personnages, individus ou types, d'espaces ou d'objets, depuis le roman de frank herbert jusqu'a la bande dessinee de jodorowsky en passant par le pro
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Imber, Thomas. "Poétique des mondes mythographiques : essai sur la bande dessinée de science-fiction et ses super-héros." Paris 3, 2007. http://www.theses.fr/2007PA030143.

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Cette étude de la littérature transautoriale (récits traités par plusieurs auteurs), notamment la mythologie gréco-romaine et les comics américains de super-héros, est centrée autour des mondes fictionnels. L’étude comporte une analyse des structures et des contraintes narratives spécifiques aux œuvres traitant de récits ou de personnages hérités d’un auteur antérieur, et de la tendance à remplir le temps mytho-historique d’une tradition. Des questions de temporalité, séquentialité, et simultanéité sont abordées. Le rôle que joue la relation entre un monde fictif et le monde empirique dans la
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Petit, Marie-Hélène. "Hawthorne et l'héritage de la romance dans la fiction contemporaine : paul Auster, Russel Banks, et Steven Millhauser." Thesis, Nancy 2, 2010. http://www.theses.fr/2010NAN21025.

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Books on the topic "Fiction bands"

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Schinto, Jeanne. Shadow bands: Stories. Ontario Review Press, 1988.

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Calonita, Jen. Battle of the bands. Little, Brown Books for Young Readers, 2016.

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Vance, Jack. The five gold bands. Underwood-Miller, 1993.

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1956-, Draper Polly, McRobb Will, Viscardi Chris, and Nickelodeon (Television network), eds. Battle of the bands. Scholastic Inc., 2007.

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Anastasio, Dina. Battle of the bands. Scholastic, Inc, 2001.

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Jefferies, Cindy. Battle of the bands. Usborne, 2007.

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Chen, Weidong. Monkey King: Bands of brothers. JR Comics, 2011.

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Leber, Nancy. The band. Scholastic, 2000.

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Giff, Patricia Reilly. The "jingle bells" jam. Dell Publishing, 1992.

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Giff, Patricia Reilly. The great shamrock disaster. Dell, 1993.

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Book chapters on the topic "Fiction bands"

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Kinsman, Margaret. "A Band of Sisters." In The Art of Detective Fiction. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62768-4_12.

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Bhattacharya, Manisha. "The Anonymous History Of Her Banks Is The Living Truth." In River Fiction of India. Routledge India, 2025. https://doi.org/10.4324/9781003598183-19.

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Guimont, Edward. "“To Ensure the Safety of the Republic, We Must Deregulate the Banks”: A Social Democratic Reading of Star Wars: The Clone Wars." In American Science Fiction Television and Space. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-10528-9_7.

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Willis, Joseph P. "The Criminal as Enemy of Reason in Arthur Conan’s Doyle’s “The Speckled Band” (1892) and Paul May’s Das gefleckte Band (1967)." In Threatened Masculinity from British Fiction (1880–1915) to Cold War German Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9780429290008-2.

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Cheilan, Liliane. "Le noir et la couleur. Arrêts sur l’image dans la fiction policière en bande dessinée." In Le goût du noir dans la fiction policière contemporaine. Presses universitaires de Rennes, 2021. https://doi.org/10.4000/14ciw.

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"A Slender Chemistry of Wondrous Fiction." In The Outer Bands. University of Notre Dame Press, 2007. http://dx.doi.org/10.2307/j.ctv19m63hb.14.

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Mills, Richard. "Anthems of Whose Generation?" In Fandom and The Beatles. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190917852.003.0010.

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This chapter discusses millennial Beatles fan culture and Beatles tribute bands, slash fiction, YouTube, heritage culture, Beatles walks, LeakyCon, and Potterverse. These manifestations of Beatles fandom epitomize the desires of millennials who want to inhabit Beatles art and twist the music and lyrics into new cultural forms. Millennial fans want to be playful with canons and reimagine songs and films. Millennials’ digital “cultural construction” and remix bricolage texts represent a desire to reorganize anthems of the past to make them relevant to the present. Millennials are active fans who
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Norton, Jacqui. "The Diggers’ Festival, Organising a community festival with political connotations." In Focus On Festivals. Goodfellow Publishers, 2015. http://dx.doi.org/10.23912/978-1-910158-15-9-2631.

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This chapter examines the organisation of a community festival from an ethnographic perspective drawn from the festival organiser’s viewpoint. It will provide some context on the reasons for founding the Diggers’ Festival and examine key issues and difficulties surrounding the launch and development of a small festival that relates to historical political activities in the market town of Wellingborough, Northamptonshire, UK. As we shall see, most current political festivals in the UK tend to be events launched to commemorate historical milestones that have a political resonance. The chapter wi
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Duggan, Robert. "Iain Banks." In The grotesque in contemporary British fiction. Manchester University Press, 2016. http://dx.doi.org/10.7765/9781526112057.00009.

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Brown, Carolyn. "Utopias and Heterotopias. The ‘Culture’ of Iain M. Banks." In Impossibility Fiction. BRILL, 1996. http://dx.doi.org/10.1163/9789004656499_008.

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Conference papers on the topic "Fiction bands"

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Tipa, Violeta. "Ion Creanga’s personality: between document and fiction." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.13.

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Ion Creangă’s personality challenged the filmmakers on both banks of the Prut to create films in which to bring the famous storyteller back to the big screen. And if the genre of fiction film allows itself an artistic approach, with deviations and directorial inventions, then the non-fiction film is based on the document, drawing the true nature of the writer. In this context, there are a series of films, which aim to follow various aspects of the writer’s life, such as: Creangă (1973, directed by Vlad Druc), Creangă si Junimea (1989, directed by Ioana Holban), Ion Creanga’s God (1996, directe
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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran
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Buldyreva, Jeanna, and Jean Vander Auwera. "A THEORETICAL MODEL FOR WIDE-BAND INFRARED-ABSORPTION MOLECULAR SPECTRA AT ANY PRESSURE: FICTION OR REALITY?" In 69th International Symposium on Molecular Spectroscopy. University of Illinois at Urbana-Champaign, 2014. http://dx.doi.org/10.15278/isms.2014.mk14.

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