Academic literature on the topic 'Fiction, biographical'

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Journal articles on the topic "Fiction, biographical"

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Bystrova, Tat’yana A. "INTRODUCTION TO BIOFICTION. HISTORY AND BIOGRAPHY BY THE MODERN ITALIAN WRITERS." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2023): 282–90. http://dx.doi.org/10.28995/2686-7249-2023-3-282-290.

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The article highlights the specific features of the hybrid genre of biographical writing (also known as «fictional biography»), which has been theorized since the 1990s in France. The biographical novel is a fictional work about a real-life person with elements of authorial fiction. On the textual level, the subject of “hybridization” in biofiction can be both the content plan (speculation of events built around the documentary basis) and the form plan (use of indirect speech, stream of consciousness, insertion of other people’s text, etc.). At the pragmatic level, there is a breakdown of the
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Ravshanovna, Khikmatova Nargiza. "BIOGRAPHICAL TRUTH THROUGH THE PRISM OF METAFICTIONAL REPRESENTATION IN IAN WATSON’S CHEKHOV’S JOURNEY." International Journal Of Literature And Languages 4, no. 3 (2024): 46–56. http://dx.doi.org/10.37547/ijll/volume04issue03-08.

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This study aims to spotlight the postmodern tendency of metafiction in Ian Watson’s novel “Chekhov's Journey”. Metafiction is self-conscious in relation to language, literary form, and storytelling in fiction. This form of fiction accentuates its construct and reminds the readers to be aware of a fictional work. Ian Watson is a noteworthy science-fiction writer, and his famous novelsare ‘The Embedding’ (1973) and ‘The Jonah Kit’ (1975), which brought him prestigious awards, while in this study we will focus on his metafictional work ‘Chekhov’s Journey’. This novel exhibits the subject of postm
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Parini, Jay. "Writing Biographical Fiction: Some Personal Reflections." a/b: Auto/Biography Studies 31, no. 1 (2015): 21–26. http://dx.doi.org/10.1080/08989575.2016.1088732.

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Galant, Arleta. "Biograf, czyli kto? Spór o Kapuścińskiego non-fiction." Poznańskie Studia Polonistyczne. Seria Literacka, no. 35 (November 5, 2019): 277–93. http://dx.doi.org/10.14746/pspsl.2019.35.13.

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The article reconstructs selected problems of critical and publicistic discussion around Artur Domosławski’s book Kapuściński non-fiction concerning the status of the biographical narrative, the role and duties of the biographer and the limits of biographical disclosures. The themes discussed in this sketch made it possible to indicate current issues related to workshop deficiencies and duties of the contemporary biographer, including the exposition of issues related to modernity, subjectivity and ethics of biographical undertakings.
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Dymet, Marcin. "Letters from the Future." Digital Culture & Society 4, no. 2 (2018): 203–18. http://dx.doi.org/10.14361/dcs-2018-0211.

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Abstract Sociologists have long used the biographical approach as a research method. Diaries, memorials and personal correspondence are treated as existing source material, which can help enrich social knowledge about the life of social groups. This can embrace different genres, for instance autobiographical novels. These, although fictional, are still grounded in the reality of an author and can be utilized as material for social analysis. The same rules apply to science fiction literature. Worlds presented in it are versions of the future or alternative realities, anchored frequently in the
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Tunca, Daria, and Bénédicte Ledent. "Towards a definition of postcolonial biographical fiction." Journal of Commonwealth Literature 55, no. 3 (2019): 335–46. http://dx.doi.org/10.1177/0021989419881234.

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In this introduction to the special issue on “Illuminating Lives: The Biographical Impulse in Postcolonial Literatures”, we start by situating the genre of biographical fiction, which has become increasingly popular in postcolonial literatures and beyond, in relation to more “traditional” nonfictional biography. We then examine how postcolonial biofiction might be distinguished from its postmodern avatar, and we tentatively circumscribe some of the tendencies that appear to cluster more systematically in postcolonial biofiction than in other types of writings: the focus on individuals — includ
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Askew, Rilla. "What To Read Now: Historical Biographical Fiction." World Literature Today 96, no. 6 (2022): 6–7. http://dx.doi.org/10.1353/wlt.2022.0291.

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Ledent, Bénédicte, Caryl Phillips, and Daria Tunca. "“A growth to understanding”: An interview with Caryl Phillips about biographical fiction." Journal of Commonwealth Literature 55, no. 3 (2019): 456–68. http://dx.doi.org/10.1177/0021989418814586.

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Starting from the recognition of a biographical impulse in the work of Caryl Phillips, this interview focuses on his practice of biographical fiction. Among the issues raised are the increased popularity of life writing, the tension between fact and fiction at the heart of biographical narratives, the linguistic exactitude involved in focusing on historical characters, the role of research in the exploration of human lives, and the importance of emotional truth in novels that deal with famous individuals. This conversation sheds light on Phillips’s specific approach to biofiction, particularly
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Ríos Romero, Francisco. "Marcel Schwob, illusionniste de vies." Anales de Filología Francesa 27, no. 1 (2019): 291–310. http://dx.doi.org/10.6018/analesff.380881.

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Este artículo aborda los aspectos teóricos de la biografía y la autobiografía, géneros con aspiraciones históricas y contenidos testimoniales, y su fusión con otros géneros literarios como la novela, el cuento, el ensayo lo que ha engendrado otras modalidades como la bioficción o la autoficción. Esta división entre el contenido referencial y el imaginario así como la imposibilidad de determinar muchas veces donde está la realidad o la ficción en los relatos biográficos ha producido un debate entre diferentes escritores y críticos que ha favorecido en nuestros días el interés por estas obras de
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McGill, Robert. "The Place of Biographical Interpretation in Fiction Workshops." New Writing 12, no. 2 (2015): 155–68. http://dx.doi.org/10.1080/14790726.2015.1016045.

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Dissertations / Theses on the topic "Fiction, biographical"

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Ntimbana, M. H. "Nkanelo wa nkoka wa vuhundzuluxi eka tsalwa ra xitlhangu ra G. S. Mayevu : maendlelo ya vuhundzuluxi bya ntumbuluko." Thesis, University of Limpopo, 2014. http://hdl.handle.net/10386/1773.

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Thesis (M. A. ( Translation Studies)) --University of Limpopo, 2014<br>This topic outlined the importance of translation of Xitsonga novel which is translated in Xitsonga by G.S. Mayevu. This showed how translation is so important in Xitsonga language. Mayevu and other translators had tried their level best to better the Xitsonga language through translation. This research pointed out in details problems which translators come across and how these problems can be overcomed. In this research, we also realised how scarce students who are doing translation are. The researcher also recommend tha
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Mercer, Sabine Ursula. "Ghosts in the machine? : textual self-presentation from conversion narratives to contemporary (auto)biographical fiction." Thesis, Durham University, 2013. http://etheses.dur.ac.uk/9442/.

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Although the quest for authenticity has been particularly foregrounded in self-narratives from the nineteen-sixties onwards, its long tradition goes back to St Augustine. This thesis endeavours to trace a genealogy of texts that foreground the problematics of locating and narrating a self: from the confessional to the legacies of the literature of the double, through to the modern and postmodern novel. Ever since Augustine’s Confessions, the preoccupation with the transformation and shaping of subjective experience into narrative forms has wrestled with the problem of whether the activity is o
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Lange, Janine Carol. "We dare not say." University of the Western Cape, 2016. http://hdl.handle.net/11394/5538.

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Magister Artium - MA<br>We Dare Not Say is an anthology of seven interlinked short stories with the general theme of intergenerational trauma among coloured families in Cape Town. The stories are arranged in a montage of internally, variably and externally focalised narratives that span over a century, from 1900 through to 2015, and are fictionalised accounts of real events, categorising them as biographical fiction. Some of the specific topics covered in the stories include incest, molestation, substance abuse, mental illness and humour as a coping mechanism. The body of work is conceived in
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Délicat, Marcelle. "Le pictural dans la création artistique littéraire, bédéiste et cinématographique. Une lecture intermédiatique des fictions biographies des peintres du début du XXème siècle." Thesis, Pau, 2018. http://www.theses.fr/2018PAUU1041/document.

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Cette thèse a pour objectif de lire à travers les médias hôtes que sont la littérature, la bande dessinée et le cinéma, la présence d’éléments picturaux au sein de fictions biographiques. Il s’agit d’une étude comparative qui considère l’art comme lieu de reconstruction mais aussi de conservation de l’histoire en général et de l’histoire artistique en particulier. De manière générale, les interactions entre le pictural et les autres arts prennent deux orientations. La première est la reconstitution du champ pictural et de son fonctionnement. Et la seconde orientation passe par la réappropriati
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Sadeghian, Saeed. "La « fiction biographique » : une étude comparée en contexte français et iranien." Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100083.

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L’écriture biographique se présente comme l’une des pratiques majeures de la littérature française contemporaine. La pratique interprétée comme une résurgence ayant pour corrélat le regain de l’individualisme et la contamination du régime présent d’historicité par une hantise du passé. L’une des multiples formes que revêt l’écriture contemporaine de vie, est la « fiction biographique » qui relie les auteurs dans leur désir de restituer la vie de l’Autre antérieur au sein des textes signalés par leur réticence à l’égard des codes de la biographie standard. Loin de ce paysage riche en expression
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Lejeune-Robet, Corine. "Scriptor in fabula : essai de conceptualisation d'une pratique d'écriture créative." Thesis, Aix-Marseille, 2019. http://www.theses.fr/2019AIXM0122.

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Ce doctorat « pratique et théorie de la création littéraire » est un travail bicéphale. Le premier volet comprend un roman et un recueil de propositions d’atelier d’écriture. La chambre d’Ignace est une fiction écrite entre les premiers fragments du Récit du Pèlerin d’Ignace de Loyola. J’ai choisi d’imaginer d’autres possibles à la biographie officielle du saint, notamment par l’intervention du personnage de sa belle-sœur, Doña Magdalena. Le récit alterne ces deux voix du XVIème siècle et entre en résonance avec d’autres voix du XXème siècle qui, sans le savoir, sont liées à la conversion d’Ig
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McKenzie, Vahri. "As the owl discreet essay towards a conversation, and, Carly's dance : a novel /." Connect to thesis, 2008. http://portalapps.ecu.edu.au/adt-public/adt-ECU2008.0015.html.

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Malatji, Permission Agosi. "Examining a comparative depiction of crime in Smith and Nesbo's selected novels : an afro-western perspective." Thesis, University of Limpopo, 2019. http://hdl.handle.net/10386/3192.

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Thesis (M. A.(English Studies)) --University of Limpopo, 2019<br>This study explores a literary comparative examination of crime between Africa and Scandinavia, with special attention to Botswana and Norway. Smith’s and Nesbo’s selected novels are used as primary texts for analysis. The novels are, therefore, set in two different areas. These writers depict crime from the African and European perspectives. Chapter One deals with a brief introduction, and the aim and objectives of the study. It also expands on the theoretical background and provides definitions of terms that are used in this
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Ryd, Gunilla. "Ténicas och estrategicas literarias en "Leonora" de Elena Poniatowska." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-18691.

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The subject of this thesis is Leonora written by Elena Poniatowska. The aim of the study is to analyze the literary technique and strategy used in constructing this book which depicts the life of a famous painter, Leonora Carrington. The analysis concentrates on two aspects: the extent of its feminist character and whether it can be classified as a fictional biography or a biographic fiction. In order to arrive at a conclusion on these issues a brief summary of literary and feminist theory is presented as well as a short description of relevant aspects of the surrealist movement. According to
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VELASCO, TIAGO MONTEIRO. "THEORETICAL AND FICTIONAL THREADS IN AUT(H)O(R)BIOGRAPHICAL WRITING." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36145@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTITUIÇÕES COMUNITÁRIAS DE ENSINO PARTICULARES<br>A tese Tramas teóricas e ficcionais na escrita auto(r)biográfica investiga criticamente textos autobiográficos contemporâneos e formas e modelos de sua construção teórica a partir da hipótese de se tratar de discursos inseparáveis marcados por constantes processos de retroalimentação. Neste horizonte é problematizado o estatuto hí
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Books on the topic "Fiction, biographical"

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Novak, Julia, and Caitríona Ní Dhúill, eds. Imagining Gender in Biographical Fiction. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09019-6.

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Joseph, Dame Esther. The story of Emma Jones: Biographical fiction. Kraftgriots, 2014.

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Knowles, Richard. Sussex in fiction: A collection of biographical sketches. Country Books, 2003.

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Knowles, Richard. Sussex in fiction: A collection of biographical sketches. Country Books, 2003.

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Kher, Bhalchandra Dattatraya. Chanakya, a biographical novel. Signet Publications, 1992.

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Porat, Elisha. Episode: A biographical novel. Y & H, 2006.

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Weinberg, Robert E. A biographical dictionary of science fiction and fantasy artists. Greenwood Press, 1988.

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Stegner, Wallace Earle. Joe Hill: A biographical novel. Penguin Books, 1990.

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Heaphy, Maura. 100 most popular science fiction authors: Biographical sketches and bibliographies. Libraries Unlimited, 2010.

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Heaphy, Maura. 100 most popular science fiction authors: Biographical sketches and bibliographies. Libraries Unlimited, 2010.

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Book chapters on the topic "Fiction, biographical"

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MacLeod, Nicola E. "Biographical literary fiction tourism." In Literary Fiction Tourism. Routledge, 2024. http://dx.doi.org/10.4324/9781003041740-4.

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Morgan, Margery. "Biographical: Fact and Fiction." In August Strindberg. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17979-4_1.

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Novak, Julia, and Caitríona Ní Dhúill. "Imagining Gender in Biographical Fiction: Introduction." In Palgrave Studies in Life Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09019-6_1.

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Novak, Julia, and Caitríona Ní Dhúill. "Correction to: Imagining Gender in Biographical Fiction: Introduction." In Palgrave Studies in Life Writing. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-09019-6_15.

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Sugars, Cynthia. "“The Alchemy of Re-Imagined Reality”: Biographical Gothicism in Carol Shields’s Swann: A Mystery." In Relating Carol Shields’s Essays and Fiction. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-11480-9_7.

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Gutowska, Anna. "“An Occasionally True Story”: Biofiction, Authenticity and Fictionality in The Great (2020)." In Truth Claims Across Media. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42064-1_9.

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AbstractContemporary visual and literary culture has seen a proliferation of quasi-biographical texts that blur the lines between fact and fiction and often imply that by subverting or questioning the dominant portrayal of a given historical figure they offer a “true” version that had hitherto been suppressed. These so called “biofictions” (e.g. Netflix series The Crown, or Baz Luhrman’s feature film Elvis) are hybrids of biography and pure conjecture, but despite their essentially fictitious nature, they make claims to authenticity, often implying that the sensationalised versions of the famous lives are the “authentic” ones.This chapter seeks to analyse the recent critically acclaimed television series The Great (season 1: 2020, season 2: 2022), created by Tony McNamara, starring Elle Fanning as Catherine the Great, Empress of Russia, against the backdrop of recent trends in biofiction and costume drama. In particular, the chapter focuses on the interplay between the conventions of historical biofiction and biopic (and in particular of the “queen pic”—a biographical film about a female royal) and the series’ progressive and presentist agenda, and it aims to position the case study of The Great within the broader discussion of attitudes towards the past in modern popular culture.
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Painter, Karen. "Mahler’s Paris Friends: Political Myths and Biographical Fictions." In Kunst Kontext Kultur. Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-1180-2_11.

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Ní Dhúill, Caitríona. "Rethinking the Protagonist: Subaltern Narrators and Biographical Fictions." In Metabiography. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-34663-8_4.

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Tejerizo, Margaret. "Countess Emilia Pardo Bazán (1851-1921)." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.16.

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While Countess Emilia Pardo Bazán (1851-1921), a successful novelist, an essayist and a champion of women’s rights in Spain, was not a translator of Russian literature (although she was a very talented linguist and translated from many languages into Spanish), she was the first, and without doubt, the greatest popularizer of Russian literature in Spain and later in Spanish America. Through her three public lectures given in Madrid in 1887, which she later published as a book, she gave, first to her audience and then to Spanish readers in general, an excellent overview of Russian culture and literature––and this in a highly original and creative manner. Wherever possible, Pardo Bazán endeavoured to suggest meaningful and relevant links between the Spanish and Russian literatures; she always provided full and clear biographical materials about the Russian writers she was presenting as well as detailed and lively analyses of their works. Sadly, her valuable contribution to this field has been ignored or, at best, it has been defined as of historical interest only. In 2021, the anniversary of her death, not a single commemorative event in Madrid focussed on her outstanding work as cultural intermediary between Spain and Russia. This essay aims to redress this balance somewhat by showing that Pardo Bazán bequeathed to Spanish readers a well-informed and carefully-researched body of critical studies of Russian literature. Additionally, the influence of certain Russian authors on her own fiction, as I suggest, constitutes an important task for future scholars. Almost entirely due to Pardo Bazán’s pioneering work as the major popularizer of Russian literature in Spain, the first wave of direct translations of Russian writers into Spanish began to appear shortly after the publication of her lectures.
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Maciá, Lorena Miralles. "Judaizing a Gentile Biblical Character through Fictive Biographical Reports: The Case of Bityah, Pharaoh’s Daughter, Moses’ Mother, according to Rabbinic Interpretations." In Narratology, Hermeneutics, and Midrash. V&R unipress, 2014. http://dx.doi.org/10.14220/9783737003087.145.

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Conference papers on the topic "Fiction, biographical"

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Bogatikova, Julia. "Correlation Of Terms 'Fiction’ – ‘Nonfiction' In Biographical Works By Peter Ackroyd." In WUT 2018 - IX International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.02.28.

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Grimova, O. "BIOGRAPHICAL DISCOURSE IN THE STRUCTURE OF E.G. VODOLAZKIN’S NOVEL “CHAGIN”." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3720.rus_lit_20-21/175-178.

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The article is devoted to the consideration of the narrative organization of E.G. Vodolazkin’s novel “Chagin”, the features of the functioning of life-descriptive fragments in the structure of a text are explored. The work comprehends such features of biographical narratives as fragmentation, narrative mediation, subjective syncretism, and appeal to counterfactual biographicality. The researcher comes to the conclusion that the transformations of life-descriptive discursivity are associated with meanings that are important for the conceptual sphere of the novel, in particular, with the idea of
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Olarescu, Dumitru. "The historical-biographical film: destinies and personalities." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.10.

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The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of
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Tipa, Violeta. "Ion Creanga’s personality: between document and fiction." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.13.

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Ion Creangă’s personality challenged the filmmakers on both banks of the Prut to create films in which to bring the famous storyteller back to the big screen. And if the genre of fiction film allows itself an artistic approach, with deviations and directorial inventions, then the non-fiction film is based on the document, drawing the true nature of the writer. In this context, there are a series of films, which aim to follow various aspects of the writer’s life, such as: Creangă (1973, directed by Vlad Druc), Creangă si Junimea (1989, directed by Ioana Holban), Ion Creanga’s God (1996, directe
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Mihaila, Ramona. "SOCIAL AND CULTURAL APPROACHES TO TEACHING WOMEN'S WRITING BY USING DATABASES." In eLSE 2016. Carol I National Defence University Publishing House, 2016. http://dx.doi.org/10.12753/2066-026x-16-166.

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The present article intends to produce new historiography about the nineteenth century Romanian women's writing from transnational and relational perspectives. It also takes as its starting point not only the production aspect of women's literary writing, but their reception-- especially by readers or other women writers or translators contemporary to the publication. This approach takes into account all the contributions to the literary field of both canonical and non-canonical women writers. A second approach refers to the fact that women's writing is viewed from an explicitly transnational
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