Academic literature on the topic 'Fiction, fantasy, short stories'

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Journal articles on the topic "Fiction, fantasy, short stories"

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Khronopulo, L. Yu. "The influence of Fredric W. Brown’s micro fiction on Hoshi Shin’ichi’s and Akagawa Jirō’s short-short stories." Japanese Studies in Russia, no. 2 (July 4, 2022): 95–107. http://dx.doi.org/10.55105/2500-2872-2022-2-95-107.

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The short-short story was first introduced by Japanese writer Tsuzuki Michio, who in the late 1950s – the early 1960s familiarized the Japanese reader with extra-short stories of American author Fredric W. Brown (1906–1972); his traditions were followed by Japanese writer Hoshi Shin’ichi (1926–1997), Akagawa Jirō (b. 1948), and other authors experimenting in the new genre of social and psychological science fiction, as well as in the genre of fantasy and detective stories. In American literature, three major specific features of a short-short story were formulated: 1) a fresh idea, 2) an unexpected turn of events, 3) an unpredictable ending. These specific features can be traced in Japanese extra-short stories as well. Since the process of the emergence and development of the extra-short story as a new form of Japanese literature was influenced by American micro fiction, the research examines the elements borrowed from Fredric W. Brown’s micro fiction in Hoshi Shin’ichi’s and Akagawa Jirō’s first short-short stories; this includes genres, topics, canons, artistic styles and devices, as well as the treatment of certain social problems. The paper analyzes Hoshi’s and Akagawa’s short-short fiction from a comparative perspective, with an emphasis on intertextuality – shaping of a text’s meaning by another text, in this case, the texts by an American writer. Some literary parallels to Fredric W. Brown’s micro fiction can be found in Hoshi Shin’ichi’s first collection of short-short stories «Bokko-chan» (1971), which consists of stories written in 1958–1970, as well as in Akagawa Jirō’s first collection of short-short stories «The Dancing Man» (1986), which consists of stories written in the late 1970s – early 1980s. The succession of plots and philosophical ideas by Brown is examined on the material of seven early short-shorts by Hoshi, where the allusion to the American writer’s micro fiction can be traced; in addition, it is also noted that, in some mystic extra-short stories by Akagawa, it is not the plots which are borrowed, but mostly artistic devices and various techniques, such as psychologism, black humor, wordplay, and metaphorical images. American origins of the Japanese short-short story are investigated for the first time.
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Assi.Inst. Sumaya Ahmed. "Passive Voice in Short Stories: Analytical Study." Journal of the College of Basic Education 20, no. 82 (January 28, 2023): 923–42. http://dx.doi.org/10.35950/cbej.v20i82.9869.

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A short story is a work of fiction. A prose narrative of shorter length thanthe novel, and it usually concentrates on a single theme. Many writers preferwriting short stories when they want to present a single significant episode orscene involving a limited number of characters. Writers differ in their style, but they agree on certain basic elements inwriting the short story. Readers also differ in their preference, some might prefercrime short stories, others like fantasy ones, while many are obsessed byromance or mystery short stories. The way in which the writers present their short stories is restricted toeach writer’s point of view and the angle from which he wants to show hisopinion and makes it apprehensive for his readers. So different parts of speechare involved in writing short stories, and different structures are used, but thefocus of this paper is on the use of passive voice in short stories. Do writersprefer or prefer not to use the passive voice in their writings, and if they doprefer using it, will this affect the phrasing of the short story in a way that ties upthe process of comprehension in the mind of the reader? This paper tries toanswer this question, depending on the analysis of four short stories, chosenfrom different types for different writers.
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Payne, Christopher N. "In/Visible Peoples, In/Visible Lands: Overlapping Histories in Wang Chia-hsiang’s Historical Fantasy." International Journal of Taiwan Studies 2, no. 1 (January 20, 2019): 3–31. http://dx.doi.org/10.1163/24688800-00201002.

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This essay considers two narrative texts by the nature essayist and fiction writer Wang Chia-hsiang (Wang Jiaxiang); namely, the short story ‘On Lamatasinsin and Dahu Ali’ (1995), and the short novel Mystery of the Little People (1996). Structured around ethnographic journeys into the Taiwanese mountainous hinterland, the texts concern the main protagonists, two earnest (Han) Taiwanese ethnographers, who narrate stories that traverse the island’s histories, lands, and written remnants. The paper argues that the two stories purposefully overlap multiple historical, colonial, and environmental encounters and temporal moments as a means to fictionalise the past as inherently heterarchical. The tales thus fabulise new literary spaces in which the Taiwanese relationship to yesteryear—the peoples, the lands—can be cognised alternatively.
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Leatherland, Douglas. "The Capacities and Limitations of Language in Animal Fantasies." Humanimalia 11, no. 2 (March 20, 2020): 101–30. http://dx.doi.org/10.52537/humanimalia.9455.

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Drawing on the field of zoosemiotics, this paper explores the representation of language and other forms of communication in animal fantasy fiction, citing Richard Adams’s Watership Down (1972) as a key example of a text which depicts a wide spectrum of communication channels. Zoosemiotics provides a useful lens through which to conceptualize the spectrum of animal communication depicted in Adams’s novel and other notable texts, such as the short stories of Franz Kafka and Ursula Le Guin’s “Author of the Acacia Seeds” (1974). While examples of animal languages in such fiction seem more anthropomorphic than examples of sensory, non-vocal forms of communication, fictional languages such as Lapine actually reveal the limitations of human language as well as the conceptual abilities of nonhuman animals. The texts discussed in this paper attempt to imagine how the ways in which nonhuman animals communicate might be understood, or translated, in human language terms.
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Wenzel, Ryszard. "Science fiction and fantasy in general education." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 19/2 (June 15, 2022): 119–63. http://dx.doi.org/10.26881/bp.2022.2.05.

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This article deals with the possible application of the genres of science fiction (SF) and fantasy – novels, short stories, films, dramas, spectacles etc. in secondary schools as part of the programme of general education. The discussion concerns both the production and the reception of such works by the students. The purpose of this educational proposal is to introduce in the system an opportunity for the students to coordinate and consolidate creatively the knowledge and the skills acquired in the classes of all the other disciplines of the curriculum. The basic assumption of the thesis is that the characteristic features of these genres, i.e., their appeal to the imagination, curiosity, and the natural need of the students for their own artistic creation, may prove effective to elevate the educational targets beyond the pragmatic level of absorbing information for the sake of the formal requirements of the school programme. These aims, which transcend the level of the practical utility of existential and psychosocial needs, concentrate on the search for objective knowledge about the world through the development of the skill of critical thinking in the domain of cognition, the search for the artistic talents and predispositions of all the students in the domain of creation, and on the essential issues of educing the need for harmonious and peaceful coexistence with other people and with the environment. The article presents the essential features of the theoretical grounding of this conception, the pedagogical implications of its introduction into the system and suggestions for its practical realization illustrated with examples of possible activities for students and teachers. The essay is concluded with a speculation on the future perspectives of a reciprocal reinforcement of the quality of general education and the development of the literary genres of SF and fantasy.
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Taisner, Kinga. "Wątki religijne i tożsamościowe w świecie literackim Mai Lidii Kossakowskiej – rozważania wstępne." Język. Religia. Tożsamość. 1, no. 23 (July 29, 2021): 237–50. http://dx.doi.org/10.5604/01.3001.0015.0336.

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The article deals with the utilization and processing of religious themes by Maja Lidia Kossakowska in the collection of short stories – Żarna niebios and the first novel from the Angelic Cycle – Siewca wiatru. The article presents the ways of applying elements of various religions, the Judeo-Christian tradition in particular, as well as the identity themes inscribed in this work. Kossakowska's fiction has been analyzed in terms of the characters, genology, elements of the setting as well as cultural and linguistic games. The analysis is a preliminary reflection on contemporary Polish angelological fantasy.
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Pratiwi, Fatma Dian. "Revealing fantasy consumption on social media, how women read romantic novel on Wattpad app." International Journal of Communication and Society 4, no. 2 (December 31, 2022): 277–87. http://dx.doi.org/10.31763/ijcs.v4i2.842.

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This article aims to reveal how fantasy is consumed on social media, in the context of this research, Wattpad. That is an application that specializes in producing and consuming works of fiction in the form of novels and short stories. This research has a qualitative paradigm and collects data using in-depth interviews and documentation. Novel reading din this research, entitled The Mischievous Mrs. Maxfield, a novel with romantic genre, is then analyzed from the perspective of Psychoanalysis using Fantasy theory. There were two women who were resource persons and had different characters and backgrounds. From the research conducted, it was concluded that the fulfilment of fantasy was not fully carried out by informant X and Y, because according to them, there were other novels that could better fulfil their fantasies than this novel. In addition, the two informants felt that the theme raised in this novel was too exaggerated because it involved the forced marriage of women who were still underage.
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Rodríguez Guerrero-Strachan, Santiago, and José R. Ibáñez. "Anthologies as Tools of Literary Hospitality." Journal of World Literature 8, no. 3 (August 16, 2023): 313–36. http://dx.doi.org/10.1163/24056480-00803001.

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Abstract This article examines the presence of Poe’s fiction in Spain, focusing on the reception of his anthologized short stories in the second half of the nineteenth century and the early twentieth century, and taking this as a case of literary hospitality that helped to develop the fantasy genre in the country. In the early decades of publication, collections of Poe’s short stories were generally introduced into Spain as translations of anthologies of Baudelaire’s French versions. These anthologies appealed to a broad readership and sold well, being published by both large, professional houses and smaller, family-run presses. Poe came to form part of the literary canon that was being shaped in the final decades of the nineteenth century in Spain, and was thus published alongside major literary figures, which attests to the kind of literary hospitality he enjoyed in Spain’s cultural world in the decades following his introduction into the country.
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Quevedo, Katherine. "Venom In The Cloud Forest." After Dinner Conversation 3, no. 3 (2022): 108–21. http://dx.doi.org/10.5840/adc20223328.

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How important is the person who controls the stories of the past? What happens when that person changes community stories to meet his needs? In this work of philosophical fantasy short fiction, Acoti is shot with a poison dart while in the forest. With much effort, his friend takes him to Cuadelo, the community medicine man. Acoti is suspicious because he had previously spoken out to the elders that the community petroglyphs seemed to always agree with Cuadelo. Cuadelo confesses to Acoti that he is the one who poisoned him and says he will only cure Acoti if he goes before the elders to confess he was wrong in accusing Cuadelo. Acoti agrees, and is cured, but not before grabbing Cuadelo’s magic wand. Now cured, Acoti goes before the elders and shows that Cuadelo has been using his magic wand to change the petroglyphs (and their community stories) so they always agree with his opinions.
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Schrager Lang, Amy, and Daniel Rosza Lang/Levitsky. ""Realists of a Larger Reality": On New Science Fiction." Monthly Review 67, no. 11 (April 5, 2016): 55. http://dx.doi.org/10.14452/mr-067-11-2016-04_5.

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<div class="quote-intro">Any human power can be resisted and changed by human beings.<p class="quote-intro-author">&mdash;Ursula K. Le Guin</p></div>Le Guin is undoubtedly right about resistance in the "real" world, but in reading, only some books offer a call to resistance and the possibilities of a new reality. Among the books considered here, some come to us as "literary fiction"; others are marked as belonging to another, historically denigrated, form, "science fiction" or "fantasy." This could be a distinction without a difference: two are near-future dystopian novels about corporate capitalism in the United States (both by well-established white authors); two are collections of near-future short stories that set out to critique the human powers that structure our world (written by both established and new voices, primarily writers of color). But the books that embrace rather than evade their status as science fiction or fantasy are the ones able to imagine the resistance and change that Le Guin invokes.<p class="mrlink"><p class="mrpurchaselink"><a href="http://monthlyreview.org/index/volume-67-number-11" title="Vol. 67, No. 11: April 2016" target="_self">Click here to purchase a PDF version of this article at the <em>Monthly Review</em> website.</a></p>
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Dissertations / Theses on the topic "Fiction, fantasy, short stories"

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Porta, Fernando. "Narrative strategies in H.G. Wells's romances & short stories (1884-1910)." Thesis, University of Reading, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339482.

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Wylie, Erin N. "The Cunning Folk." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2203.

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Varnado, Ethan C. "A Wonder Book." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4965.

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This thesis is a collection of nine short stories about real people dealing with unreal problems. In one story, a small-town man answers a knock at his door, only to find three wisemen, who have followed a star and proclaimed him as their new messiah. In another, a reporter travels across the snowy length of Canada looking to interview people who have witnessed the Virgin Mary materialize above Toronto. Deranged Egyptologists, vampires with diseased blood, wacky witches, and unhappy mediums all inhabit tales whose landscapes span the distance between Chattanooga, Tennessee and the afterlife.
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Wallner, Lars. "I Have Dreamed a Dream... : An Analysis of H.G. Wells' Short Stories "Mr Skelmersdale in Fairyland", "The Door in the Wall" and "A Dream of Armageddon"." Thesis, Linköping University, Language and Culture, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-17555.

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"I Have Dreamed a Dream..." is an analysis of the three short stories "Mr Skelmersdale in Fairyland", "The Door in the Wall" and "A Dream of Armageddon" by H.G. Wells. The essay makes a comparison of the three short stories from the perspectives of the dreamland, the inner struggle of the protagonist and the message of the story. The purpose is to show that the three seemingly similar short stories have different outcomes and deliver different messages to the reader. The essay finally presents a theory of how these messages coincide despite their differences.


"Jag har drömt en dröm..." är en analys av de tre novellerna "Mr Skelmersdale in Fairyland", "The Door in the Wall" och "A Dream of Armageddon" av H.G. Wells. Uppsatsen gör en jämförelse av de tre novellerna utifrån tre perspektiv: drömvärlden, huvudpersonens inre kamp och historiens budskap. Syftet är att visa hur de tre till synes lika novellerna har olika resultat och presenterar olika budskap till läsaren. Uppsatsen framför slutligen en teori för hur dessa budskap överensstämmer trots sina olikheter.

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Slatter, Angela Gaye. "Sourdough & other stories : a story told in parts (a mosaic novel and exegesis)." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50910/1/Angela_Slatter_Thesis.pdf.

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The mosaic novel - with its independent 'story-tiles' linking together to form a complete narrative - has the potential to act as a reflection on the periodic resurfacing of unconscious memories in the conscious lives of fictional characters. This project is an exploration of the mosaic text as a fictional analogue of involuntary memory. These concepts are investigated as they appear in traditional fairy tales and engaged with in this thesis's creative component, Sourdough and Other Stories (approximately 80,000 words), a mosaic novel comprising sixteen interconnected 'story-tiles'. Traditional fairy tales are non-reflective and conducive to forgetting (i.e. anti-memory); fairy tale characters are frequently portrayed as psychologically two-dimensional, in that there is no examination of the mental and emotional distress caused when children are stolen/ abandoned/ lost and when adults are exiled. Sourdough and Other Stories is a creative examination of, and attempted to remedy, this lack of psychological depth. This creative work is at once something more than a short story collection, and something that is not a traditional novel, but instead a culmination of two modes of writing. It employs the fairy tale form to explore James' 'thorns in the spirit' (1898, p.199) in fiction; the anxiety caused by separation from familial and community groups. The exegesis, A Story Told in Parts - Sourdough and Other Stories is a critical essay (approximately 20,000 words in length), a companion piece to the mosaic novel, which analyses how my research question proceeded from my creative work, and considers the theoretical underpinnings of the creative work and how it enacts the research question: 'Can a writer use the structural possibilities of the mosaic text to create a fictional work that is an analogue of an involuntary memory?' The cumulative effect of the creative and exegetical works should be that of a dialogue between the two components - each text informing the other and providing alternate but complementary lenses with which to view the research question.
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Welch, Alisa Eve. "Short Stories." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/811.

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In these six intertwining fictional short stories, one fateful decision ripples through the lives of multiple generations. Annie is an unmarried young mother during World War II when she leaves her young daughter in the care of a childless couple. When Annie fails to return for the child after days and then years, a new and fragile family is formed only to be tested by Annie's eventual return. The other stories in this collection follow the daughters and granddaughters who have to navigate their own lives in the shadow of this abandonment. Spanning multiple decades, Annie's decision remains a pivotal psychological scar imprinted in her descendants and those left to care for the child that she could not.
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Gay, Wayne Lee. "Short Stories." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc6144/.

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This collection of seven representative original short stories will include four short stories relating to a fictional location in Dallas, the Starry Skies gay country-and-western dance hall. Three short stories set in fabulous, sometimes absurd settings, will follow. A preface dealing with the nature of fictional place and non-fictional place in fiction will precede the collection of short stories.
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Dougherty, Mary Ann. "Betrayal : Short Stories." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2233.

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This collection of short stories, titled Betrayal, is my thesis project to meet the requirements for a Master of Fine Arts in Creative Writing/Fiction. In each story, of course, there is betrayal, of sister, daughter, wife, husband or lover. The settings of the stories are various, the Midwest, the Great Lakes, the Allegheny Mountains and Louisiana bayou country. Northeastern Ohio and Lake Erie, especially, have informed description and metaphor in the stories, and their atmosphere is influenced by Gothic literature.
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Drolet, Cynthia L. (Cynthia Lea). "Four Stories of Fantasy and Science Fiction." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc500548/.

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This thesis contains four stories of fantasy and science fiction. Four story lengths are represented: the short short ("Dragon Lovers"), the shorter short story ("Homecoming"), the longer short story ("Shadow Mistress"), and the novel ("Sword of Albruch," excerpted here).
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Lee, Jung-Ah J. "Short Stories about Home." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/534.

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Collection of short stories about unreliable characters. Iris, Happy New Year, Promise, and Siblings are stories about home - whether it is about a broken home or just a character missing home. These short stories are all fictional.
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Books on the topic "Fiction, fantasy, short stories"

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Erikson, Andrew, ed. Science Fiction & Fantasy Short Stories. London, UK: Arcturus Publishing, 2018.

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Ron, Hubbard L. Fantasy short stories. Hollywood, CA: Author Services, 1993.

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Ceza, Kassem, and Hashem Malak, eds. Flights of fantasy: Arabic short stories. Cairo, Egypt: Elias Modern Pub. House, 1985.

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Wolfe, Gene. Innocents aboard: New fantasy stories. New York: Tor Books, 2004.

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Christine, Lord, ed. Freshmen: Fiction, fantasy, and humor by ninth grade writers. East Greenwich, R.I: Merlyn's Pen, 1997.

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Subramani. The fantasy eaters: Stories from Fiji. Washington, D.C: Three Continents Press, 1988.

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Rucker, Rudy v. B. Mad professor: The uncollected short stories. New York: Thunder's Mouth Press, 2007.

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Datlow, Ellen. Digital domains: A decade of science fiction and fantasy. [Rockville, Md.]: Prime Books, 2010.

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1950-, Tem Steve Rasnic, ed. High fantastic: Colorado's fantasy, dark fantasy, and science fiction. Denver, Colo: Ocean View Books, 1995.

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Christina, Steph. 5 Fantasy Fiction Short Stories. Independently Published, 2018.

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Book chapters on the topic "Fiction, fantasy, short stories"

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Trensky, Paul I. "Short Stories." In The Fiction of Josef Škvorecký, 99–103. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21531-7_9.

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Matić, Andrija. "Uncollected Stories." In Aldous Huxley's Short Fiction, 123–68. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-55775-0_7.

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Huang, Yonglin. "Science Fiction and Fantasy Stories." In Narrative of Chinese and Western Popular Fiction, 163–93. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-57575-8_7.

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Black, Michael. "Short Stories I." In D. H. Lawrence: The Early Fiction, 111–49. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-05576-0_5.

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Black, Michael. "Short Stories II." In D. H. Lawrence: The Early Fiction, 188–210. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-05576-0_7.

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Black, Michael. "Short Stories III." In D. H. Lawrence: The Early Fiction, 211–32. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-05576-0_8.

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Black, Michael. "Short Stories IV." In D. H. Lawrence: The Early Fiction, 233–56. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-05576-0_9.

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Sucher, Laurie. "Gurus: Short Stories." In The Fiction of Ruth Prawer Jhabvala, 39–47. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_3.

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Filmer-Davies, Kath. "Reconstructing the Present from the Stories of the Past." In Fantasy Fiction and Welsh Myth, 32–44. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_3.

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Hanson, Clare. "Moments of Being: Modernist Short Fiction." In Short Stories and Short Fictions, 1880–1980, 55–81. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17685-4_4.

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Conference papers on the topic "Fiction, fantasy, short stories"

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Варламова, Вера Николаевна, and Виолетта Руслановна Гасанова. "GOTHIC REMINISCENCES IN SHORT STORIES OF DAPHNE DU MORIER." In Исследования и практика в социально-экономической и гуманитарной сфере: сборник статей XXIII всероссийской (национальной) научной конференции (Санкт-Петербург, Январь 2024). Crossref, 2024. http://dx.doi.org/10.37539/240126.2024.71.52.004.

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Статья посвящена изучению особенностей и функций реминисценций, отсылающих к традиции готической литературы, в малой прозе Дафны Дюморье, представленной в сборнике рассказов «Птицы и другие истории». Актуальность исследования обусловлена недостаточной изученностью интертекстуальных включений в малой прозе писательницы. Результаты, изложенные в статье, могут быть использованы в ходе изучения истории развития готической художественной литературы и британской прозы XX в. The article is devoted to the study of features and functions of reminiscences referring to the Gothic fiction tradition in Daphne Du Morier’s short stories published in “The Birds and Other Stories” collection. The relevance of the study is motivated by an insufficient number of research works dedicated to intertextual inclusions in the writer’s short stories. The results presented in the article can be used in the development of Gothic fiction and British prose of the XX century studies.
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Sioli, Angeliki. "The Detective Stories Studio: The Function of Fiction in Shaping Architectural Education." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.89.

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Presenting the example of the “Detective-Stories Design Studio” as a case study for a master-level course, this paper explores the role of literature and fiction in architectural education. Through selected Edgar Allan Poe short stories, the paper unpacks three distinct approaches that the studio employed in incorporating literature for the exploration of contemporary design issues. Touching on the ongoing conversation on atmosphere and space the first approach introduces literature as an exploration of a place’s lived experience. It examines fiction’s potential to communication spatial qualities and moods, allowing us to understand how these intangible elements influence our perception and appropriation of a given environment. Based on these characteristics the design work focuses on the creation of a device that attunes students with the specific atmosphere that Poe’s short story “The Masque of Red Death” uniquely captures. The second approach touches on literature’s imaginative power to suggest unexpected and many times overlooked uses of space. Based on “The Purloined Letter,” the design-work heavily draws from the spatial investigative techniques analyzed in the short story to proceed with an unconventional site analysis. The third methodology emerges from literature’s capacity to point towards paramount sociological conditions of space, in a way that allows us to reconsider and re-evaluate our own everyday reality. Poe’s “Black Cat” tangibly confronts the issue of domestic violence in American society and the design assignment addresses this issue. The paper concludes with a contextualization of the suggested methodological approach in relation to the renewed architectural interest in literature, as manifested the last ten years through interdisciplinary conferences and publications both in North America and Europe. The paper places “The Detective-Stories Studio” in this contemporary pedagogical and research context and evaluates its significance and uniqueness in the ongoing conversation.
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Ayuningtyas, Paramita, and Azis Kariko. "The Representation of National and Urban Conditions in Indonesian and Singaporean Science Fiction Short Stories." In BINUS Joint International Conference. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0010023105180523.

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Schiele, Alexandre. "THE NORMAL AND THE EXCEPTIONAL: A COMPARISON OF PU SONGLING’S AND MO YAN’S SURREAL WORLDS." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.10.

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From a comparison of the surreal worlds of Pu Songling and Mo Yan in their respective auctorial context, this paper argues that although Pu Songling’s short stories integrate surreal elements, contrary to the accepted typology of genres, they fall into realistic and not speculative fiction because the worldview of Imperial China in which he lived not only accepted the supernatural as real, but as foundational to the traditional order. By comparison, Mo Yan’s supernatural stories partly fall within supernatural literature, because post-1949 China espoused a scientific worldview which banishes the supernatural. On a second level, however, both Pu Songling’s and Mo Yan’s surreal fictions are political satires of their times. Yet, even on this point they diverge. While Pu Songling articulates the social and political criticism of his present to surreal elements, Mo Yan casts the surreal as a stand-in for the exceptional situations of his recent past which are the object of his criticisms.
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Abdullayev, a. Umida. "AMERICAN LITERATURE AT ENGLISH CLASSES: AUTHOR’S STYLE ANDLANGUAGE ACQUISITION." In Modern approaches and new trends in teaching foreign languages. Alisher Navo'i Tashkent state university of Uzbek language and literature, 2024. http://dx.doi.org/10.52773/tsuull.conf.teach.foreign.lang.2024.8.5/palr8965.

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The article represents the significant role of reading American literature at the class of English in universities. Discussion has put forward several positive sides of reading novels and short stories while learning any foreign language. Notable examples of these kinds of challenges include inadequate comprehension of lexical and phraseological units, trouble grasping grammatical structures, etc. The above-mentioned challenges might be resolved by developing deeper vocabulary, phraseology, and grammar understanding in group or individual classes. But even a deep degree of expertise will not be sufficient to fully comprehend the original works because writers frequently employ dialects and unique forms of English, such Black English, inaddition to the conventional language used in fiction.
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Vyatkina, Svetlana V. "INTERROGATIVE SENTENCE IN A LITERARY TEXT (ON THE LAST FIVE YEARS STORIES MATERIAL)." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.09.

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The article presents the results of the analysis of the functions of interrogative sentences in modern experimental (fragmented) fiction, that reflects the processes of disintegration, based on the works of small prose (about 5 % of all short story texts) published in the magazines “Znamya”, “Octyabr’” and “Novyj mir” in the last 5 years. The selection of the material is based on the author’s definition of the narrative genre (short story, small prose, other prose, prose), on the formed discreteness of the text (various types of rubrication at the level of macro-syntax, at the level of microsyntax — the dismemberment of the syntagmatic chain of the sentence, the elimination of connectivity indicators, the use of alternative punctuation), on the identification of non-standard metagraphemics as the design piece of art’s means. A comprehensive analysis of the disintegration degree of small volume texts with interrogative sentences (question marks), pragmatics (types of questions), structural features (single questions, chains of interrogative sentences, combination with parcellation), the context of the introduction (position in the structure of the text and the presence/absence of a direct answer in a question-and-answer situation) allows you to determine the following functions of interrogative sentences in the text of experimental prose of small form 1) complication of the subject perspective of the text by removing the traditional punctuation of the parties of speakers in dialogues and including private questions in them; 2) metalanguage narrator’s reflection performing in the text with the help of existential rhetorical questions and unanswered questions; 3) the performance of the text-forming function of interrogative sentences in lyric monologues reflecting auto-communication. The revealed features of questions in modern prose reflect the author’s search for a means of compensation for disintegration, the increasing colloquialism of a literary text and the change in the recipient’s perception of his narrative (the desire to remove distance, modeling online communication), which is predetermined by the orientation to the modern reader, the search for new forms of artistic communication. Refs 18.
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Sjölinder, Marie, and Jonas Söderberg. "Designing a Future City – Applying Design Fiction with High School Students." In 8th International Conference on Human Interaction and Emerging Technologies. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002723.

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This work was conducted in the framework of Viable Cites, which is a national strategic innovation program in Sweden with a focus on the change towards climate-neutral and sustainable cities. Viable Cities is catalyst for new ways of collaboration between cities, industry, academia, research institutes and the civil society. The overall goal is to provide support to the cities to convert to a way in line with national and international climate goals. The work described in this paper was one project within this framework. The project consisted of the City of Enköping, RISE Research Institute of Sweden and Europan with is an Pan-European architect organization witch organise a biennial competition for young architects. As a part of this project, a collaboration was conducted together with Westerlundska gymnasiet, a high school in Enköping. The overall goal was to engage young people, and to get their ideas about how to achieve a sustainable environment and to develop sustainable products and services. It is this group that both will be forced to handle the decisions that are made today, and they are also the generation that knows best how the want to live their lives in the future. The aim with this work was both to get ideas and suggestions from high school students about how they wanted their future city to be designed, and to explore how high school students could apply and use the method “Design Fiction” when conducting work with designing future cities.According to Bleeker (2009), Design Fiction is a mix of science fact, design and science fiction. It combines the traditions of writing and story telling with the material crafting of objects. It is a creative process that encourages human imagination and give support in telling stories that provoke and raise questions (Bleeker, 2009). Design Fiction is a method to explore future possible scenarios or contexts. A concept could be described in several ways by using narratives and prototypes. The story can be told and the concept can be visualized in many different ways (Wakkary et al, 2013).In the project there were about 20 students from the school’s technology program. They had all chosen architecture as their special focus during their last year. The students both participated in a Design Fiction workshop and organsied Design Fiction workshops themselves with first-year students as participants. Results from the workshops and insights related to the design process are presented in this paper.ReferencesBleecker, J. (2009). Design Fiction: A short essay on design, science fact and fiction. Near Future LaboratoryWakkary, R., Desjardins, A., Hauser, S., & Maestri, L. (2013). A Sustainable Design Fiction: Green Practices . ACM Transactions on Computer-Human Interaction, Vol. 20, No. 4, Article 23, Publication date: September 2013.
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