Relevant bibliographies by topics / Fiction, feminist

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Fiction, feminist'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Fiction, feminist"

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Ta'abudi, Drei Herba, and Nurul Asqi. "Nawal Al-Sa’dawi Dalam Tradisi Feminisme Barat." Nady Al-Adab 16, no. 2 (November 30, 2019): 103. http://dx.doi.org/10.20956/jna.v16i2.7734.

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Tulisan ini bertujuan melacak keterpengaruhan fiksi-fiksi Sa’da>wi> dengan pemikiran feminisme Barat. Kajian ini sangat menarik karena resepsi karya-karyanya yang tidak banyak diterima di tempat kelahirannya, namun populer serta diminati di luar negaranya. Ada dua pertanyaan yang dikaji: pertama, bagaimana tema yang ditampilkan Sa’da>wi> dalam karya-karya fiksinya; kedua, bagaimana relasi keterpengaruhan Sa’da>wi> dengan pemikiran feminis Barat. Adapun tulisan ini menggunakan pendekatan Muqa>ranah dengan metode deskriptif analitik. Tiga karya fiksi yang menjadi sumber primer di antaranya: “Adab am Qillah Adab” (2000), “Suqu>t}u al-Ima>m” (1987), serta “Imra’ah ‘Inda Nuqt}ah al-S{ifr” (1982). Selanjutnya aliran feminis marxis-sosialis menjadi hipogram dalam tulisan ini. Tulisan ini menghasilkan dua hal: pertama, narasi-narasi fiksi-fiksi Sa’dawi merepresentasikan aliran feminis marxist-sosialis; kedua, keterkaitannya dengan aliran ini dengan melihat Sa’da>wi> sebagai perempuan kelas terdidik yang dapat memperoleh akses informasi lebih luas, aktivitas politiknya, serta motivasi kepenulisannya. This article aims to explain influenced Sa’da>wi> fiction with western feminism. This research very interisting because of the receptions of her works are rejected in her country but became popular accepted outside her country. Two questions in this study: first, how Sa’da>wi> shows the theme in her fictional works; second, how does the relation of Sa’da>wi>’s influence with Western feminist thought\. This research uses Muqa>ranah approach with descriptive analytic method. Three works of fiction are the primary source: “Adab am Qillah Adab” (2000), “Suqu>t}u al-Ima>m” (1987) and “Imra’ah ‘Inda Nuqt}ah al-S{ifr” (1982). Further Marxist-socialist feminist flow becomes a hypogram in this paper. This reserch result in two discovering: first, the narratives of Sa’da>wi>’s fictions represent marxist-sosialist feminist stream; second, its association with this flow by seeing Sa’da>wi> as an educated class woman which can gain wider access to information, political activity and writing motivation.
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Ess, Courtneigh. "’n Feministiese ondersoek na Bettina Wyngaard se misdaadfiksie." Tydskrif vir Letterkunde 61, no. 1 (April 30, 2024): 24–34. http://dx.doi.org/10.17159/tl.v61i1.16619.

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The recent discourse on black feminism in Afrikaans literature is strongly influenced by powerful and activist-oriented writers like Ronelda Kamfer, Lynthia Julius, and Veronique Jephtas. With their poetry and public statements, they have shaped the feminist discourse significantly. However, the recent discourse on feminism in Afrikaans largely overlooks the contributions of certain black Afrikaans women writers. Bettina Wyngaard, a black Afrikaans woman novelist, attempts to disrupt this silence and through her literature and opinion pieces, she advances an alternative feminist stance. This article focuses on Wyngaard’s contribution to the recent feminist discourse and the ways in which she asserts her voice within the debate. In this article I refer to three of her crime fiction novels, namely Vuilspel (Foul play) (2013), Slaafs (Slavishly) (2016) and Jagter (Hunter) (2019). I analyse these texts in attempt to examine the feminist ideology underlying her literature. I argue that Wyngaard chooses crime fiction, a genre traditionally dominated by white males, in attempt to sanction her voice within the feminism debate in Afrikaans. In this article, I examine Wyngaard’s crime fiction within the context of third wave of feminism, which engages with popular culture as a tool for critique and to promote feminist ideology. I explore the feminist consciousness and ideology in Wyngaard’s novels and the ways in which she challenges established patriarchal conventions in crime fiction as a genre. I employ Anne Cranny-Francis’ framework in the feminist value of crime fiction to examine the feminist themes in Wyngaard’s work.
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Ahmad, Mumtaz, Umar Hayat, and Nasir Iqbal. "Language, Women and Discourse in Toni Morrison’s Fiction." Global Social Sciences Review IV, no. I (March 30, 2019): 425–31. http://dx.doi.org/10.31703/gssr.2019(iv-i).55.

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The present study, grounded in the qualitative research paradigm, is an interpretive and explanatory analysis of Toni Morrison's fiction from the critical perspective of post structuralist feminist literary theory and fiction. In my reading of Toni Morrison's fiction as the manifestation/materialization of the knowledge in terms of discursive (re)configuration of women and to analyze their works from "feminine sentence" perspective, I have used Feminist poststructuralist theories in the discourse-theoretical/methodological background. As part of the methodology, this project draws extensively upon feminist theories, particularly those propounded by French Feminists Helene Cixous and Julia Kristeva, which I have used in the backdrop of discourse analysis methods proposed by Michel Foucault. This fusion of Feminist theories as a theoretical framework and discourse analysis as a methodology has illuminated systematically the process of the discursive formation, dissemination, and institutionalization of the knowledge about women. For my analysis of the discourse spectrum of the texts-to-be-analyzed, I have used extensively Foucault's notions about discourse and knowledge as discussed comprehensively in his books, articles, and interviews.
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Greene, Gayle. "Feminist Fiction, Feminist Form." Frontiers: A Journal of Women Studies 11, no. 2/3 (1990): 82. http://dx.doi.org/10.2307/3346828.

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Williams, Kristin S. "Introducing ficto-feminism: a non-fiction, fictitious conversation with Hallie Flanagan, director of the Federal Theatre Project (1935–1939)." Qualitative Research Journal 21, no. 3 (March 30, 2021): 244–57. http://dx.doi.org/10.1108/qrj-10-2020-0127.

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PurposeFicto-feminism is offered here as a creative method for feminist historical inquiry in management and organizational studies (MOSs).Design/methodology/approachThis paper introduces a new method called ficto-feminism. Using feminist polemics as a starting point, ficto-feminism fuses aspects of collective biography with the emic potential of autoethnography and rhizomatic capacity of fictocriticism to advance not only a new account of history in subject but also in style of writing.FindingsThe aim of ficto-feminism is to create a plausible, powerful and persuasive account of an overlooked female figure which not only challenges convention but also surfaces her lost lessons and accomplishments to benefit today's development of theory and practice.Research limitations/implicationsThe paper reviews the methodological components of ficto-feminism and speaks to the merit of writing differently and incorporating fictional techniques.Originality/valueTo illustrate the method in action, the paper features a non-fiction, fictitious conversation with Hallie Flanagan (1890–1969) and investigates her role as national director of the Federal Theatre Project (FTP) (1935–1939). The FTP was part of the most elaborate relief programs ever conceived as part of the New Deal (a series of public works projects and financial reforms enacted in the 1930s in the USA).
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Hay, George. "Feminist science fiction." Science and Public Policy 13, no. 4 (August 1986): 246–47. http://dx.doi.org/10.1093/spp/13.4.246.

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HAMZA REGUIG MOURO, Wassila. "From Feminization of Fiction to Feminine Metafiction in Gaskell’s Wives and Daughters and Woolf’s Orlando." Arab World English Journal For Translation and Literary Studies 4, no. 4 (October 15, 2020): 187–201. http://dx.doi.org/10.24093/awejtls/vol4no4.13.

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Feminism developed and widened its scope to different disciplines such as literature, history, and sociology. It is associated with various other schools and theories like Marxism and poststructuralism, as well. In the field of literature, feminist literary criticism managed to throw away the dust that cumulated on women’s writing and succeeded in raising interest in those forgotten female artists. Some critics in the field of feminism claim that there are no separate spheres, masculine and feminine, whereas others have opted for post-feminist thinking. Some women writers used metafiction to write literary criticism. Therefore, how do Gaskell and Woolf implement metafiction in their stories? Accordingly, this work aims at shedding light on Wives and Daughters by Gaskell and Orlando by Woolf to tackle metafiction from a feminist perspective. Examples from both novels about intertextuality, narration, and other aspects, that are part of metafiction, will be provided to illustrate how and where metafiction is used.
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Taha Al-Kassasbeh, Rabab. "Feminism and Postmodern Aesthetics in Angela Carter's "Wolf-Alice", "The Company of Wolves", and "The Werewolf"." International Journal of Arabic-English Studies 14, no. 1 (January 1, 2013): 25–42. http://dx.doi.org/10.33806/ijaes2000.14.1.2.

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This paper analyzes the connections between feminist politics and postmodern aesthetics as demonstrated in recent women's fiction. It intends to investigate the much debated problematic of postmodernist and feminist ideologies by examining certain key texts written by Angela Carter, who is a British novelist. Angela Carter's "Wolf-Alice," "The Company of Wolves," and "The Werewolf" are examples which transform revolutionary aesthetics strategies usually associated with post-modern fiction to strengthen its feminist political edge. The first section highlights the theoretical frameworks of postmodernism and feminism accordingly showing the different perspectives from which Carter's work would be analyzed. The second section is devoted to Angela Carter's three short stories. .
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Du Plessis, J. W., and D. H. Steenberg. "Feministiese fasette in Klipkus van Marlise Joubert." Literator 10, no. 3 (May 7, 1989): 14–30. http://dx.doi.org/10.4102/lit.v10i3.833.

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Modern feminists concern themselves particularly with tracing oppositional strategies versus the conventional depiction of gender in fiction. One of these strategies is the lesbian relationship. By substituting the heterosexual relationship with lesbian love, the traditional authority of the male in the matrimonial relationship will be subverted. Klipkus primarily has lesbianism as its theme, but it simultaneously deals with a most important feminist strategy. This article examines the feminist aspects of the theme, viz. the positive relationship between two females and the negative results of the heterosexual relationship. In this process the male image is shattered. This depiction is expressed in a feminine mode of writing.
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Mahmood, Ambreen, and Masroor Sibtain. "Exploring Feminism and Marital Relations in “The Optimist” by Bina Shah: A Transitivity Analysis." Global Language Review V, no. IV (December 30, 2020): 113–22. http://dx.doi.org/10.31703/glr.2020(v-iv).12.

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The current research paper tries to explore feminism and marital relations in an English short story by Bina Shah in a Pakistani context. Halliday's Trnsitivity System (2004) as textual analysis supported to identify the feminine and feminist traits in English fiction. The high frequency of material process (66) out of 200 clauses presented Raheela as a feminist, whereas the Relational process (56) reflected her feminine traits. The participants of the processes and circumstances made the institution of marriage clear; the desire and choice for marriage, sending marriage proposal and accepting proposal were all by the groom, his parents and bride's parents, but the bride had no right to express her choice and is generally supposed to follow her parents. Marital relation was built without the compatibility of the participants of marriage. The research helped to identify the writer's reflection of feminism and unfolded Asian culture with respect to marriage.
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Dissertations / Theses on the topic "Fiction, feminist"

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Sze, Sin-man, and 施倩汶. "A study of Qiao Ye's feminist fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42711964.

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Shaw, Debra Benita. "The feminist perspective : women writing science fiction." Thesis, University of East Anglia, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386254.

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Barton, Tina. "Young Adult Fiction, Feminist Pedagogy, and Convergence Culture: “Fangirling” as a Feminist Act." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/35672.

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JK Rowling’s Harry Potter series, Suzanne Collins’s Hunger Games trilogy, and Stephenie Meyer’s Twilight saga are widely recognized as three of the most successful recent young adult franchises. Although it may not seem so at first, each of these series has a preoccupation with feminist learning; each series’ author, whether explicitly or implicitly, addresses the extent to which their protagonists and fans can learn feminist lessons within, or from, these texts. Each protagonist does seem to undergo some kind of learning experience, and by measuring these against what feminist education scholars such as bell hooks call a feminist pedagogical model, I show that the reality of what is expressed in these texts does not necessarily align with the ways Hermione, Katniss, and Bella have been discussed by critics and fans. Further, I argue that despite their divergence from the didactic nature of earlier feminist young adult fiction, such as that written by Judy Blume, by making connections between young adult fiction and what fan theorist Henry Jenkins calls “convergence culture”, young readers of Rowling’s, Collins’s, and Meyer’s texts, through their critical and creative engagement with online fan activities, are actually participating in a kind of feminist education that interestingly embodies the aims of feminist pedagogy.
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Hebert, Ann Marie. "Straight Talk: Theorizing Heterosexuality in Feminist Postmodern Fiction." Case Western Reserve University School of Graduate Studies / OhioLINK, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=case1062614150.

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Lowe, Julia (Julia Margaret) Carleton University Dissertation English. "Re-inscribing the mother: feminist theory and fiction." Ottawa, 1991.

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Alvi, Sofia Dildar. "Triple Colonization: Female Characters and Postcolonial Feminist Fiction." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29573.

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The present study introduces the phenomenon of triple colonization of women in the fiction of the ex-colonies of Britain, the African continent, and the Indian Subcontinent. The women of these postcolonial countries have been suffering from multiple layers of oppression since the beginning of the colonial phase. They faced the wrath of colonisers on their bodies and mind, and then, after the departure of the master, they had to endure the suffocating ferocity of their own patriarchy. But the various aspects of female agony did not stop at this point, as in the phase of Triple Colonization they are now receiving disgrace by their feminist cronies. My term Triple Colonization suggests the existence of the facet of a complex state of affairs for postcolonial women: the undercover and covert exploitation of women at the hands of their own overtly self-styled sympathisers, the feminist authors. This research, while opposing the popular view about the selected postcolonial feminist fiction writers and their so-called realistic cum reformist fiction, surveys how the female body becomes a victim of humiliation and visual feast due to the voyeuristic textual discourse of the very texts. While utilising Wolfgang Iser’s concepts on imagery analysis and current European theories on anti-pornography, the study sets its boundaries at the intersections between postcolonialism and feminism in the fiction of postcolonial countries. I scrutinize the feminist fiction of these regions to investigate the disparity between the rhetoric and representation of feminist stance in the postcolonial context. Also, the research argues that the selected African authors do not show such voyeuristic, anti-feminist trends in their fiction and no disparity between their rhetoric and representation can be seen. Hence, they can serve as models for postcolonial feminist activism in fiction writing.
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Xausa, Chiara <1991&gt. "Feminist environmental humanities: intertwining theory and speculative fiction." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amsdottorato.unibo.it/10435/1/XAUSA_CHIARA_TESI.pdf.

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This dissertation explores the entanglement between the visionary capacity of feminist theory to shape sustainable futures and the active contribution of feminist speculative fiction to the conceptual debate about the climate crisis. Over the last few years, increasing critical attention has been paid to ecofeminist perspectives on climate change, that see as a core cause of the climate crisis the patriarchal domination of nature, considered to go hand in hand with the oppression of women. What remains to be thoroughly scrutinised is the linkage between ecofeminist theories and other ethical stances capable of countering colonising epistemologies of mastery and dominion over nature. This dissertation intervenes in the debate about the master narrative of the Anthropocene, and about the one-dimensional perspective that often characterises its literary representations, from a feminist perspective that also aims at decolonising the imagination; it looks at literary texts that consider patriarchal domination of nature in its intersections with other injustices that play out within the Anthropocene, with a particular focus on race, colonialism, and capitalism. After an overview of the linkages between gender and climate change and between feminism and environmental humanities, it introduces the genre of climate fiction examining its main tropes. In an attempt to find alternatives to the mainstream narrative of the Anthropocene (namely to its gender-neutrality, colour-blindness, and anthropocentrism), it focuses on contemporary works of speculative fiction by four Anglophone women authors that particularly address the inequitable impacts of climate change experienced not only by women, but also by sexualised, racialised, and naturalised Others. These texts were chosen because of their specific engagement with the relationship between climate change, global capitalism, and a flat trust in techno-fixes on the one hand, and structural inequalities generated by patriarchy, racism, and intersecting systems of oppression on the other.
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Bedore, Pamela. "Open universes, contemporary feminist science fiction and gender theory." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0023/MQ51297.pdf.

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Tiedemann, Heidi. "After the fact, contemporary feminist fiction and historical trauma." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ63656.pdf.

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Knutsson, Emma. "Wollstonecraft's Mary and Maria: Creating Feminist Propaganda through Fiction." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27164.

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This essay attempts to define Mary Wollstonecraft’s Mary: A Fiction and Maria or The Wrongs of Woman as early feminist propaganda from its historical perspective. Initially, feministic values as well as propaganda are connected to the eighteenth century with the help of contemporary scholars.  These theories are then applied on Wollstonecraft’s Mary: A Fiction and Maria or the Wrongs of Woman, in order to establish these as propaganda. The conclusion reached is that Wollstonecraft had a political and feminist aim when writing her novels as there are many similarities between Mary: A Fiction and Maria or The Wrongs of Woman and her political text A Vindication of the Rights of Woman. Thus, it is possible to regard Mary: A Fiction and Maria or The Wrongs of Woman as early feminist propaganda.
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Books on the topic "Fiction, feminist"

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Cranny-Francis, Anne. Feminist fiction: Feminist uses of generic fiction. New York: St. Martin's Press, 1990.

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Calvin, Ritch. Feminist Science Fiction and Feminist Epistemology. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32470-8.

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Makinen, Merja. Feminist Popular Fiction. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230511781.

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Valentine, Sarah, and Julia Penelope. International feminist fiction. Freedom, CA: Crossing Press, 1992.

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Mills, Sara. Feminist readings/feminists reading. 2nd ed. London: Prentice Hall/Harvester Wheatsheaf, 1996.

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Barr, Marleen S. Feminist fabulation: Space/postmodern fiction. Iowa City: University of Iowa Press, 1992.

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Vint, Sherryl, and Sümeyra Buran, eds. Technologies of Feminist Speculative Fiction. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96192-3.

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Johnsen, Rosemary Erickson. Contemporary Feminist Historical Crime Fiction. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983503.

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1958-, Hardy J. E., ed. Perfect pitch: Lesbian feminist fiction. London: Onlywomen Press, 1991.

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Barr, Marleen. Feminist fabulation: Space/postmodern fiction. Iowa City: University of Iowa Press, 1992.

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Book chapters on the topic "Fiction, feminist"

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Peter, Christine St. "Feminist Fiction." In Changing Ireland, 147–69. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230596467_7.

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Makinen, Merja. "Detective Fiction." In Feminist Popular Fiction, 92–128. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230511781_5.

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Makinen, Merja. "Science Fiction." In Feminist Popular Fiction, 129–65. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230511781_6.

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Humm, Maggie. "Feminist Detective Fiction." In Twentieth-Century Suspense, 237–54. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20678-0_16.

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Makinen, Merja. "Introduction: Unleashing the Genres." In Feminist Popular Fiction, 1–6. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230511781_1.

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Makinen, Merja. "Feminism and Genre Fiction: the Preliminaries." In Feminist Popular Fiction, 7–22. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230511781_2.

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Makinen, Merja. "The Romance." In Feminist Popular Fiction, 23–55. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230511781_3.

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Makinen, Merja. "The Fairy Tale." In Feminist Popular Fiction, 56–91. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230511781_4.

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Smith, Smin. "Feminist Science Fiction Art." In The Routledge Companion to Gender and Science Fiction, 108–15. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003082934-17.

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Calvin, Ritch. "Chapter One Feminist Science Fiction and Feminist Epistemology." In Feminist Science Fiction and Feminist Epistemology, 11–43. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32470-8_2.

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Conference papers on the topic "Fiction, feminist"

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Benson, Kelsey. "(Re)imagining Just Futures for Lactating Teacher-Parents: Narrative Fiction as Feminist Refusal." In 2024 AERA Annual Meeting. Washington DC: AERA, 2024. http://dx.doi.org/10.3102/2111546.

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Rudanovskaya, Svetlana. "Possibilities of the Subject in Feminist Utopian Fiction "Woman on the Edge of Time"." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.31.

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Cameron, Harriet R., and Velvet Spors. "The Museum is Dreaming: Re-Imagining the Museum through Feminist Values and Data Practices in Design Fiction." In Mindtrek '23: 26th International Academic Mindtrek Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3616961.3616984.

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Casibual Jr., Joseph P. "Dichotomizing Narratives on Post-Colonial Filipina: Inference from Nick Joaquin and Estrella Alfon’s Fiction." In GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.7-1.

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This paper examines texts written by two renowned Filipino post-colonial writers in the guise of motifs and forms of representations of post-colonial Filipina women. Dichotomizing styles of narrative, this textual exploration aims to frame how female characters were re/presented by two authors in terms of virtue, vices, passion, and struggles, to determine images that were used in underpinning societal roles of the female characters, and to identify the level of representation used by each author. I utilize three stories by the male writer Nick Joaquin – Mayday Eve, Summer Solstice, and Three Generations; and three stories by the female writer Estrella Alfon –Servant Girl, Magnificence, and Low Wall. Furthermore, the study compares representations of women by a male and female author, whether unintentionally or unwittingly, in conjunction with the period when women were faced with the problem of adapting to their identities as women brought about by colonization. Clearly, Joaquin’s narratives significantly lean on a less-feminist depiction, which contrasts with Alfon’s re/presentation. Images of being weak, frail, submissive, and dependent, are dominant in Juaquin’s characters, while Alfon possesses the opposite. There is an apparent dichotomy of representation between the authors, resulting in a regulated level of representation of Joaquin’s fiction concurrent with a respected representation of Alfon’s fiction.
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Ataullayeva, Sitorabonu. "THE PORTRAYAL OF WOMEN'S RIGHTS IN FICTIONAL LITERATURE." In Modern approaches and new trends in teaching foreign languages. Alisher Navo'i Tashkent state university of Uzbek language and literature, 2024. http://dx.doi.org/10.52773/tsuull.conf.teach.foreign.lang.2024.8.5/nudk5903.

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This article focuses on the rise offeminism in literature, its different stages of development, and the works of writers who contributed to this movement. Feminism sheds light on the character of women, the challenges they face, and how to fight against and overcome these difficulties. Literature plays a crucial role in interpreting such issues and calling for action.
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Trein, Fernanda, and Taíse Neves Possani. "Literature As a Mean of Self-knowledge, Liberation, and Feminine Empowerment: The Legacy of Clarice Lispector." In 13th Women's Leadership and Empowerment Conference. Tomorrow People Organization, 2022. http://dx.doi.org/10.52987/wlec.2022.004.

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Abstract: Access to books and literature is, above all, a human right. The acts of reading, creating, and fictionalizing are in themselves, acts of power. Accordingly, literature is a well-respected necessity in society; therefore, a universal human need. Thus, denying women the right to literature is also a form of violation. In this presentation, the author aims to reflect not only on literature by female authors but also its importance in the process of constructing women's subjectivity and identity, whether in reading fiction or in its production. To reflect on women's right to read and write literature, as well as their way of expressing their perception, anxieties, and ways of understanding the world, this presentation proposes a literary analysis of texts by the Brazilian writer Clarice Lispector. Her works evidence the potential of bringing light to the processes of self-knowledge and freedom. These processes can be ignited because these texts can trigger the process of self-awareness and can then generate female empowerment. By reading Clarice Lispector's writing, it remains clear that she reveals human dramas specific to the female universe, as she opens up possibilities for readers to know themselves as women and to project themselves as producers of literature. It would seem that these realities are founded worlds and realities apart from those that dominated male perceptions during the 1950s to 1970s when she was writing; however, many of those predominant male perceptions prevail in today’s contemporary society. Keywords: Women's Writing; Reception; Self knowledge; Clarice Lispector; Empowerment.
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Chepelevskaya, Tatyana. "Travel Essays by E.i. Witte at the Beginning of the 20th Century as an Example of Documentary Fiction and an Example of a "Feminine" View of the "Slavic" Theme." In Woman in the heart of Europe: non-obvious aspects of gender in the history and culture of Central Europe and adjacent regions. Institute of Slavic Studies, Russian Academy of Sciences, 2022. http://dx.doi.org/10.31168/0475-6.32.

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