Relevant bibliographies by topics / Fiction, historical, world war i

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fiction, historical, world war i'

Author: Grafiati
Published: 11 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Fiction, historical, world war i"

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Noor Ul Ain, Humaira Riaz, and Mashal. "Exploring Bioterrorism in the Post 9/11 Gothic Literature: A Study of World War Z." Human Nature Journal of Social Sciences 4, no. 4 (2023): 63–75. https://doi.org/10.71016/hnjss/p48vy126.

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Aim of the Study: This study explores bioterrorism in post-9/11 gothic fiction World War Z. Through zombie spectrum fiction, the study epitomises the cultural junction to unravel conspiracy theories. It highlights the socio-political discourses in the year following 9/11. Methodology: The study discusses World War Z as a disruptive counter-discourse to investigate suggested socio-political issues as representation of bioterrorism in literature. It uses thematic analysis. Findings & Conclusion: Bioterrorism is a popular subject in mythology and fiction, reflecting socio-political themes. Wo
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Turdigul, О. Pirniyazova. "THE SECOND WORLD WAR IN REMINISCENCES AND MEMORIES OF THE KARAKALPAK PEOPLE." LOOK TO THE PAST 5, Special issue 3 (2020): 105–12. https://doi.org/10.5281/zenodo.6582947.

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In this article, the author examines the issues of memuaristik’s during the Second World War (1941-1945) in the Republic of Karakalpakstan. The author emphasizes that memoirs cannot be replaced by official records, historical works proper, or works of fiction. The author also gives many examples from the life of the people of Karakalpakstan during the Second World War.
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Napier, Susan J. "World War II as Trauma, Memory and Fantasy in Japanese Animation." Asia-Pacific Journal 10, S3 (2012): 114–21. https://doi.org/10.1017/s1557466012024850.

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As the essays in this collection suggest, representations of war are varied and memories of war are expressed in many different ways. Apart from works that seek to represent the Asia-Pacific War directly, there are also examples of popular culture that refer to the conflict obliquely or even use fantasy or science fiction scenarios as a metaphor or allegory to address the historical conflict and its postwar ramifications.
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Roelofse-Campbell, Z. "Enlightened state versus millenarian vision: A comparison between two historical novels." Literator 18, no. 1 (1997): 83–92. http://dx.doi.org/10.4102/lit.v18i1.531.

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Two millenarian events, one in Brazil (Canudos Rebellion, 1897) and the other in South Africa (Bulhoek Massacre, 1921) have inspired two works of narrative fiction: Mario Vargas Llosa's The War of the End of the World (1981) and Mike Nicol’s This Day and Age (1992). In both novels the events are presented from the perspectives of both the oppressed landless peasants and the oppressors, who were the ruling élites. In both instances, governments which purported to be models of enlightenment and modernity resorted to violence and repression in order to uphold their authority. Vargas Llosa's novel
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Parlevliet, Sanne. "Fiction for Peace? Domestic Identity, National Othering and Peace Education in Dutch Historical Novels for Children, 1914–1935." International Research in Children's Literature 8, no. 1 (2015): 17–30. http://dx.doi.org/10.3366/ircl.2015.0146.

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Historical fiction for children has long functioned as a continuation of history education. World War I brought about critique on history education in several Western European countries. The nationalistic and chauvinistic representation of historical events was claimed to have contributed to the outbreak of war. In the educational discourse a discussion arose about changing history education into peace education. In this article the impact of this discussion on historical novels for children is investigated. Dutch historical novels for children serve as a case study. The novels are contextuali
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Sekulić, Mirjana M. "THE FIRST WORLD WAR IN THE WORK OF VICENTE BLASCO IBÁÑEZ." Филолог – часопис за језик књижевност и културу 14, no. 28 (2023): 393–414. http://dx.doi.org/10.21618/fil2328393s.

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This paper examines the image of the First World War that the Spanish writer and journalist Vicente Blasco Ibáñez creates in his works of history and fiction. The paper deals with journalistic texts written by Blasko Ibáñez, collected in a multi-volume history of the First World War (Historia de la Guerra europea de 1914) and the novel The Four Horsemen of the Apocalypse (Los cuatro jinetes del Apocalipsis). We interpret the representations of the causes of war, with a special reference to the issue of "modern war" and the news it brings, we find parallels, similarities and differences between
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Kazanova, Yuliya. "‘The instinct of resistance to evil’: Postmemory and the Ukrainian national imaginary in Oksana Zabuzhko’s novel The Museum of Abandoned Secrets." Memory Studies 15, no. 2 (2021): 436–50. http://dx.doi.org/10.1177/17506980211044710.

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Building on Marianne Hirsch’s concept of postmemory, this article examines Oksana Zabuzhko’s latest novel The Museum of Abandoned Secrets as postmemorial fiction, which articulates the trauma of Soviet political repressions in the post–World War II period and in the 1970s via the perception of the second and third generation. The affiliative postmemory about World War II in Ukraine from the viewpoint of Ukrainian Insurgent Army partisans is emplotted via an original generic combination of contemporary Holocaust fiction and romances of the archive. Postmemory is used in the novel to shape a myt
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Kazanova, Yuliya. "‘The instinct of resistance to evil’: Postmemory and the Ukrainian national imaginary in Oksana Zabuzhko’s novel The Museum of Abandoned Secrets." Memory Studies 15, no. 2 (2021): 436–50. http://dx.doi.org/10.1177/17506980211044710.

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Building on Marianne Hirsch’s concept of postmemory, this article examines Oksana Zabuzhko’s latest novel The Museum of Abandoned Secrets as postmemorial fiction, which articulates the trauma of Soviet political repressions in the post–World War II period and in the 1970s via the perception of the second and third generation. The affiliative postmemory about World War II in Ukraine from the viewpoint of Ukrainian Insurgent Army partisans is emplotted via an original generic combination of contemporary Holocaust fiction and romances of the archive. Postmemory is used in the novel to shape a myt
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Ribbens, Kees. "Strijdtonelen - De Tweede Wereldoorlog in de populaire historische cultuur." Tijdschrift voor geschiedenis 127, no. 1 (2014): 85–106. http://dx.doi.org/10.5117/tvgesch2014.1.ribb.

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The Second World War still receives wide attention in official commemorations and political discussions often focusing on national historical experiences of war. But collective memories of World War II are also strongly influenced by a multitude of popular renditions from both home and abroad. Films and novels, comic books, and websites constitute an important but underestimated source of widespread narratives and images of war, with various perspectives appealing to large and diverse audiences. The wide variety of transnational war representations makes it possible for participants in contemp
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Vinogradov, V. V. "Representation of World War One in Pre-Revolutionary Cinema in the Context of Russian Philosophy and Journalism of the Early Twentieth Century." Vestnik VGIK 16, no. 1(59) (2024): 26–40. http://dx.doi.org/10.69975/2074-0832-2024-59-1-26-40.

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The article examines the representation of World War One in Russian pre-revolutionary cinema. The author introduces a typology of war fiction films and analyzes its transformation from 1914 to 1916, focusing on the evolution of the enemy portrayal. To account for the appearance of certain screen images, the general historical and cultural context is described. Particular attention is paid to the works of Russian philosophers (N. Berdyaev, V. Rozanov, S. Bulgakov), who wrote about the world war, which would reshape European political and socio-cultural landscapes.
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Dissertations / Theses on the topic "Fiction, historical, world war i"

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Crossland, R. Bert (Rodney Bert). "A Content Analysis of Children's Historical Fiction Written about World War II." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279151/.

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The purpose of this study was to investigate the evolution of children's historical fiction dealing with World War II in order to describe the changes that have occurred over the past 50 years. Two questions were asked in the study: (1) Has the characterization of protagonists portrayed in historical fiction about World War H evolved since 1943? and (2) Have the accounts of the events of World War H portrayed in historical fiction evolved since 1943? Content analysis was used as the method of collecting data. The sample consisted of 86 novels written from 1943 to 1993. Upon completing the read
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Deon, Jane. "The Lines We Crossed." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1150.

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THE LINES WE CROSSED is a historical novel set in Umbria, Italy from 1943-1944. One October morning, Emilia Testadura awakes to find the Nazis have arrived in her village. Major Christoph Strauss presses Emilia into service as housekeeper for the soldiers who now occupy an abandoned palazzo in the village. As the stakes and complications rise in the war throughout winter and spring, so they do for Emilia. Brutal reinforcements arrive and conditions become very dangerous. Emilia realizes she is falling in love with Major Strauss. She learns secrets that change her view of her deceased father an
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Piep, Karsten H. "Embattled Homefronts: Politics and Representation in American World War I Novels." Miami University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=miami1109634736.

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Piep, Karsten H. "Embattled homefronts politics and representation in American World War I novels /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1109634736.

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Klaebe, Helen Grace. "Creative work: Onward bound: The first fifty years of Outward Bound Australia and Exegesis written component: Creatively writing historical non fiction." Thesis, Queensland University of Technology, 2004. https://eprints.qut.edu.au/16296/1/Helen_Klaebe_Thesis.pdf.

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Onward Bound: -- the first 50 years of Outward Bound Australia traces the founding and development of this unique, Australian, non-profit, non-government organisation from its earnest beginnings to its formidable position today where it attracts some 5,000 participants a year to its courses. The project included interviewing hundreds of people and scouring archives and public records to piece together a picture of how and why Outward Bound Australia (OBA) developed -- recording its challenges and achievements along the way. A mediated oral history approach was used among past and presen
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Klaebe, Helen Grace. "Creative work: Onward bound: The first fifty years of Outward Bound Australia and Exegesis written component: Creatively writing historical non fiction." Queensland University of Technology, 2004. http://eprints.qut.edu.au/16296/.

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Onward Bound: -- the first 50 years of Outward Bound Australia traces the founding and development of this unique, Australian, non-profit, non-government organisation from its earnest beginnings to its formidable position today where it attracts some 5,000 participants a year to its courses. The project included interviewing hundreds of people and scouring archives and public records to piece together a picture of how and why Outward Bound Australia (OBA) developed -- recording its challenges and achievements along the way. A mediated oral history approach was used among past and presen
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Crabb, Dawn Nora. "Navigating the Wreck: Writing women’s experience of the Japanese Occupation of Singapore. Salvaged from the Wreck: A novel -and- Diving into the Wreck: A critical essay." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2021. https://ro.ecu.edu.au/theses/2416.

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This thesis is in two parts. The first and major part consists of a historical novel followed, in part two, by an essay. The title of this thesis, “Navigating the Wreck”, refers metaphorically to the Fall of Singapore in 1942, the ensuing human tragedy unleashed on the people of Singapore and Malaya, and the literary and historical processes of exploring, interpreting and depicting the past. The Japanese occupation of Singapore has, to date, been described mostly by Western historians and former prisoners of war who have forged a predominant patriarchal narrative. In that narrative—despite the
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Patterson, Celia Ann. "On the edge of the war zone American women's fiction and World War I /." Access abstract and link to full text, 1990. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/9022958.

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Walton, Sarah-Jane. "Remembering and Recollecting World War Two: South African Perspectives." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13025.

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Includes bibliographical references.<br>This thesis explores some of the memories and recollections of World War Two in South Africa today. It aims to address an absence of work done on South Africa in relation to World War Two, memory and commemoration. This thesis is as much about the diverse processes of remembrance and recollection as it is about the war itself and assumes that memories of the war can be located in different media. Accordingly the chapters herein are each delegated a media form, from newspapers, literature, memorials, film and photography to oral interviews, in which ‘memo
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Tate, Trudi. "Modernist fiction and the First World War : subjectivity, gender, trauma." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296653.

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Books on the topic "Fiction, historical, world war i"

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DeLia, Edward. The apocalypse: Historical fiction on the Third Reich. Vize Publications, 2004.

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Ross, Ian. War at the edge of the world. WF Howes Ltd, 2015.

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Turtledove, Harry. Hitler's War. Random House Publishing Group, 2009.

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Turtledove, Harry. Hitler's war. Hodder Paperbacks, 2010.

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Turtledove, Harry. Hitler's war: The war that came early. Del Rey/Ballantine Books, 2009.

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Sears, Stephen W. World War II: Carrier War. New Word City, 2018.

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Sears, Stephen W. World War II: Carrier War. New Word City, 2015.

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Goldring, Suzanne. Burning Island: Absolutely heartbreaking World War 2 historical fiction. Bookouture, 2020.

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The Hidden Soldier: Gripping World War 2 Historical Fiction. Independently published, 2021.

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Sears, Stephen W. World War II: Carrier War Lib/E. HighBridge Audio, 2017.

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Book chapters on the topic "Fiction, historical, world war i"

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Posti, Piia K. "‘I Get to Exist as a Black Person in the World’: Bridgerton as Speculative Romance and Alternate History on Screen." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_7.

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AbstractIn 2020, a TV drama series adaptation was made of Julia Quinn’s historical romance series Bridgerton (2000–2012). Several choices in the adaptation were inspired by the recent hypothesis that Queen Charlotte was Black, and an unusual number of Black actors were cast in roles that both fictionally and historically have been predominantly reserved for white actors. This article explores the hypothesis’ impact on the adaptation in the intersection of romance, race and history. What notions (historical and contemporary) of romance, race and historical accuracy are challenged and endorsed i
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Bentley, Nick. "‘Who Do You Think You Are Kidding?’: The Retrieval of the Second World War in Kazuo Ishiguro’s The Remains of the Day and Ian McEwan’s Atonement." In Exoticizing the Past in Contemporary Neo-Historical Fiction. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137375209_9.

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Langås, Unni. "Linking Contemporary and Historical Terror: July 22 in the Context of World War II." In Palgrave Macmillan Memory Studies. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-82520-0_16.

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Abstract Memories of World War II reverberate through many reactions to the 2011 terrorist attack, not only as explicit references but also implicitly as patterns of silent imagination. This chapter analyses examples from Norwegian post-July 22nd fiction—Karl Ove Knausgaard and Kjartan Fløgstad—and discuss their different approaches to the complexity of public memory in politically charged situations. My readings show, first, that the question of nationalism and its implied Norwegian master narrative intensifies in moments of crisis, and second, that the authors engage with the current terrori
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Coviello, Massimiliano. "Confronting Memories: The Case of Babylon Berlin." In Contemporary European Crime Fiction. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21979-5_5.

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AbstractBabylon Berlin (2017–present), based on the novels by Volker Kutscher, was distributed by Sky and Netflix across Europe and globally. Set during the Weimar Republic (1918–1933), the German European TV series follows the life and investigations of Commissioner Gereon Rath, a man traumatized by his experience during World War I. This chapter addresses creative, production-related, stylistic, and narrative elements of Babylon Berlin. The series’ recreation of Weimar-era Berlin allows it to examine the lasting effects of the collective historical traumas experienced by Germany and Europe d
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Kivimäki, Ville. "Experiencing Trauma Before Trauma: Posttraumatic Memories, Nightmares and Flashbacks Among Finnish Soldiers." In Palgrave Studies in the History of Experience. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84663-3_4.

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AbstractThis chapter discusses the appearance of trauma symptoms among the Finnish soldiers of World War II. Kivimäki analyzes three kinds of sources: wartime psychiatric patient files, war veterans’ dream reminiscences and war-related fiction movies in the postwar era. These materials reveal that posttraumatic memories, nightmares and flashbacks were a wide-spread phenomenon already in the 1940s, although the concept of trauma was not yet developed within Finnish psychiatry. The chapter suggests that traumatic symptoms are not simply born out of psychiatric paradigms, but that the culture tha
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Lavery, Charne. "“Spoken Nowhere but on the Water”: Amitav Ghosh’s Sea of Poppies and Lost-and-Found Languages of the Indian Ocean World." In Maritime Mobilities in Anglophone Literature and Culture. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-91275-8_12.

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AbstractAmitav Ghosh’s fictional oeuvre makes a major contribution to contemporary sea fiction, particularly that written from a non-Eurocentric perspective. His Ibis trilogy, for instance, paints a vivid picture of historical oceanic mobility in the form of ship journeys and littoral interconnections, centered on and in the Indian Ocean world. This chapter explores one aspect of that mobility, a language “spoken only on the water,” a roving dialect that Ghosh both painstakingly and playfully recreates in the first novel of the trilogy, Sea of Poppies. Laskari is a dialect that was spoken amon
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Minehan, Philip B. "Introduction and Historical Background." In Civil War and World War in Europe. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73640-9_1.

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Maxey, Ruth. "Creating a Usable Past: Writing the Korean War in Contemporary American Fiction." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_9.

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Freebody, Jane. "Patient Work before World War I." In Mental Health in Historical Perspective. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13105-9_2.

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AbstractFreebody situates the origin of using work as a medical therapy in moral treatment, which emerged during the early nineteenth century. Work was incorporated as an integral part of moral treatment, which provided the medical and managerial framework for the asylums of England and France. Work was believed to help patients develop self-control and boost their self-esteem. As faith in the efficacy of moral treatment waned in the second half of the nineteenth century, the nature of patient work changed. From work programmes designed to suit the needs of individual patients, work became rou
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Gallicchio, Marc. "World War II in Historical Memory." In A Companion to World War II. Blackwell Publishing Ltd., 2012. http://dx.doi.org/10.1002/9781118325018.ch57.

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Conference papers on the topic "Fiction, historical, world war i"

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Ojars, Lams. "REFUGEES-IMMIGRANTS-INTEGRANTS: NARRATIVES ABOUT FORCED DISPLACEMENT IN BALTIC REGION AT THE END OF WW2." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.26.

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The process of displacement and the large numbers of Baltic refugees due to the return of Soviet occupation at the end of World War II is important theme in literature. In the literatures of Latvia, Lithuania and Estonia after war a new and long-lasting phenomenon appeared � literature of exile. This paper will turn to three texts that are from different decades and are written in different styles about displacement. The research focus will be on the novel �After Doomesday� (1968, English translation 2017) [3] by Latvian author Gunars Janovskis (1916�2000) who started his career as a writer in
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Sayitqulov, Ilhom. "THE EPIC INTERPRETATION OF THE IMAGE OF AMIR TEMUR IN "TEMURNOMA"." In THE PLACE OF THE ANCESTORS IN THE DEVELOPMENT OF WORLD MILITARY WORK AND MILITARY ART: AS AN EXAMPLE OF LITERARY AND HISTORICAL SOURCES. Alisher Navo'i Tashkent state university of Uzbek language and literature, 2024. http://dx.doi.org/10.52773/tsuull.conf.2024.4.5/jicv7333.

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The article shows the evolution of the character of Amir Temur from a historical figure to an epic hero in the "Temurnoma" war novel. In this process, Amir Temur's life path, military potential and activities, military skills, physical strength and battle motifs were created on the basis of folklore traditions. Also, the characteristics of the system of entrepreneurial ideas in the work are compared with the "alpine system" that forms the basis of heroic epics in folklore. Based on the analysis, the features of the character "Sahibqiran" in fiction are highlighted.
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Dokhtourichvili, Mzago. "Les écrivains «archéologues» de la mémoire en quête de l’identité (Patrick Modiano, Jean-Luc Coatalem)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8929.

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Literary history knows a countless list of the writers who explore their memory, the history of their ancestry, not to mention Marcel Proust, James Joyce or even closer to our time, Georges Perec, Le Clézio, Romain Gary, etc., whose mode of writing is described as the archeology of memory. What archeology and literature have in common is that they both explore historical memory. The difference is that the characteristic of literature is to combine reality and fiction. Thus, the novels of the writers under discussion – Dora Bruder by Patrick Modiano and La part du fils by Jean-Luc Coatalem – re
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Sinichenko, Vladimir, and Galina Tokarevа. "«Firm Prices» for Sugar in Eastern Russia During the First World War and Civil War." In Irkutsk Historical and Economic Yearbook 2020. Baikal State University, 2020. http://dx.doi.org/10.17150/978-5-7253-3017-5.20.

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The article states that in the conditions of war, first the royal government, then the provisional government, moved to impose fixed food prices. The introduction of «firm prices» for food products has caused shortages. The shortage of goods led on the one hand to hyperinflation and depreciation of money, on the other hand to the growth of smuggling operations and saturation of the Far East market with smuggled food from abroad.
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Han, Zexu. "Historical Research on French Diplomacy During World War." In 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200826.213.

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Pylkin, A. A., and V. A. Pylkin. "FORCED MIGRANTS OF THE WORLD WAR ONE IN EASTERN EUROPEAN FICTION." In Modern Technologies in Science and Education MTSE-2020. Ryazan State Radio Engineering University, 2020. http://dx.doi.org/10.21667/978-5-6044782-7-1-202-208.

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Vale, Constance. "Image Fictions: Fabricating Worlds." In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.57.

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Images play a central role in contemporary culture, and it is crucial that architects understand, control, and engineer their political forces.¹ From hyper-real simulations to machine vision, the structure and way that images are mobilized is changing. Photorealistic techniques and data-driven ones are entrusted as “objective” image types, often deployed to represent reality, truth, or facts, when in actuality, they can be used to call those into question through critical narratives. This paper investigates the potential of images to cultivate conversations about emerging technology’s implicat
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Budakova, M. N. "A Board Game as a Means of Educating Young People's Interest in the Events of the Great Patriotic War." In Berkov Readings. Book Culture in the Context of International Contacts. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2025. https://doi.org/10.52929/9785605111085_35.

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The article analyses the military-historical board games and shows the practice of development, creation, implementation and popularization of own projects on the theme of the Great Patriotic War on the example of the Prokhorov district library. Such projects as historical dominoes «Victories of 1943», card games «30 facts about Prokhorovka battle», «Truth or fiction about the Great Patriotic War», which were created both on the basis of grants and by the library itself, are considered.
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Rodionova, Marina. "The World War In The Scope Of Historical Memory." In International Scientific and Practical Conference «MAN. SOCIETY. COMMUNICATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.02.151.

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Surzhikova, Natalya V. "Prisoners of War and Refugees of the First World War in Russia, 1918–1922." In The Civil War in Russia: Exit Problems, Historical Consequences, Lessons for Modernity. Novosibirsk: Parallel, 2022. http://dx.doi.org/10.31518/978-5-98901-255-8-158-170.

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Reports on the topic "Fiction, historical, world war i"

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Fernández, Iván Escobar. COMTOG Report: ‘My Memory of Us’ — Boosting Historical Memory Through Implicit Visual Metaphors. European Center for Populism Studies (ECPS), 2023. http://dx.doi.org/10.55271/rp0037.

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My Memory of Us is a narrative-driven puzzle-adventure video game developed by Juggler Games. The game is set in a fictional version of Poland during World War II and tells the story of a young boy and girl who must navigate through a city that has been divided into two parts: one for Jews and one for non-Jews. The game features hand-drawn art, puzzle-solving, and stealth elements, as well as a unique memory-manipulation mechanic that allows players to change the past to solve puzzles and progress through the story. The game received positive reviews for its story and art. Overall, My Memory o
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Millett, Allan, and Williamson Murray. On the Effectiveness of Military Institutions: Historical Case Studies from World War I, The Interwar Period and World War II. Volume 1. World War I. Defense Technical Information Center, 1986. http://dx.doi.org/10.21236/ada229437.

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Millett, Allan, and Williamson Murray. On the Effectiveness of Military Institutions: Historical Case Studies from World War I, The Interwar Period and World War II. Volume 2. The Interwar Period. Defense Technical Information Center, 1986. http://dx.doi.org/10.21236/ada229438.

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Avella, Mauricio. Historical background of the public debt in Colombia: the role of the internal public debt under alternative macroeconomic scenarios during World War II. Banco de la República, 2004. http://dx.doi.org/10.32468/be.316.

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Stelmakh, Marta. HISTORICAL CONTEXT IN THE COLLECTION OF ARTICLES BY TIMOTHY SNYDER «UKRAINIAN HISTORY, RUSSIAN POLITICS, EUROPEAN FUTURE». Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11098.

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The article examines the problem of the image formation of Ukraine in the international arena in the historical journalism of Timothy Snyder. The subject of the research is the historical context in the journalistic collection «Ukrainian History, Russian Politics, European Future». It identifies the main considerations of the author on the past of Russian-Ukrainian relations and the need to develop historical consciousness in the fight against Russian manipulation. Methodology: the comparative, historical, system analysis and other methods are used in the process of scientific research. The re
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O'Connell, Kelly, David Burdick, Melissa Vaccarino, Colin Lock, Greg Zimmerman, and Yakuta Bhagat. Coral species inventory at War in the Pacific National Historical Park: Final report. National Park Service, 2024. http://dx.doi.org/10.36967/2302040.

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The War in the Pacific National Historical Park (WAPA), a protected area managed by the National Park Service (NPS), was established "to commemorate the bravery and sacrifice of those participating in the campaigns of the Pacific Theater of World War II and to conserve and interpret outstanding natural, scenic, and historic values on the island of Guam." Coral reef systems present in the park represent a vital element of Guam?s cultural, traditional, and economical heritage, and as such, are precious and in need of conservation. To facilitate the management of these resources, NPS determined t
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Stelmakh, Marta. RUSSIA’S GENOCIDAL WAR AGAINST UKRAINE: THE QUESTION OF QUALIFICATION (BASED ON TIMOTHY SNYDER’S WORKS). Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12157.

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The article analyses the topic of the genocidal policy and actions of the Russian Federation on the territory of Ukraine in the works of Timothy Snyder. The subject of the research is the genocidal component of the Russian-Ukrainian war, as well as the reasons and evidence of the genocidal intentions of the Russian authorities in Timothy Snyder’s reasoning. The objective of the study is to establish the specifics of the elucidation of the reasons and evidence of the genocidal component in Russia’s policy against Ukraine in the scientist’s writings. The following methods were used in the proces
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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book
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Stelmakh, Marta. Тематика російсько-української війни в контексті геополітичних змін у працях Енн Еплбаум. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11735.

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The article analyses the topic of the Russian war against Ukraine in the works of Anne Applebaum. The subject of the study is the Russian-Ukrainian war in the context of changes in the world order in the journalist articles published since the beginning of the full-scale invasion. This article highlights the main theses and ideas of the author and her predictions about the future of democracy. The need for a critical analysis of the world changes and a response to the expansionist actions of authoritarian states is substantiated. The main goal of the work is to find out the particularities of
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Zhytaryuk, Marian. Агресія росії проти України і світу. Рефлексії в контексті виправдання війни д. мєдвєдєвим та в. путіним 4 листопада 2022 р. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11744.

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In this article the author analyzes in detail the “holiday” speeches by the former president of the russian federation dmitry medvedev and the current president vladimir putin devoted to the day of national unity of russia on November 4, 2022, in which politicians justify the war, call it sacred, a struggle between Good and Evil and predict their own victory. With the help of methods of critical analysis, the refutation of historical myths, the denial, an exposure and the generalization, the falsity and cynicism of the statements made regarding the expediency and possibility of geopolitical ch
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