Academic literature on the topic 'Fiction in English Canadian writers 1945- Texts'

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Journal articles on the topic "Fiction in English Canadian writers 1945- Texts"

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Stovel, Nora Foster. "Written in “Women’s Ink”: French Translation and Female Power in Carol Shields’s Unless." Canada and Beyond: A Journal of Canadian Literary and Cultural Studies 3, no. 1-2 (2013). http://dx.doi.org/10.33776/candb.v3i1-2.3043.

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Carol Shields’s last novel, Unless (2002), was a finalist for the Canada Reads contest for the best Canadian novel of the first decade of the 20th century. It would have been an ideal winner, not only because it is a brilliant novel, but also because it is distinctively Canadian in combining English and French. Protagonist-narrator Reta Winters, née Summers, daughter of a Francophone mother and Anglophone father, combines Canada’s official languages. Reta, like Shields, is bilingue and a translator and fiction writer. The opening segment of Unless focuses on the politics and poetics of her tra
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Mercer, Erin. "“A deluge of shrieking unreason”: Supernaturalism and Settlement in New Zealand Gothic Fiction." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.846.

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Like any genre or mode, the Gothic is malleable, changing according to time and place. This is particularly apparent when what is considered Gothic in one era is compared with that of another. The giant helmet that falls from the sky in Horace Walpole’s Castle of Otranto (1764) is a very different threat to the ravenous vampires that stalk the novels of Anne Rice, just as Ann Radcliffe’s animated portraits may not inspire anxiety for a contemporary reader of Stephen King. The mutability of Gothic is also apparent across various versions of national Gothic that have emerged, with the specificit
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Starrs, Bruno. "Writing Indigenous Vampires: Aboriginal Gothic or Aboriginal Fantastic?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.834.

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The usual postmodern suspicions about diligently deciphering authorial intent or stridently seeking fixed meaning/s and/or binary distinctions in an artistic work aside, this self-indulgent essay pushes the boundaries regarding normative academic research, for it focusses on my own (minimally celebrated) published creative writing’s status as a literary innovation. Dedicated to illuminating some of the less common denominators at play in Australian horror, my paper recalls the creative writing process involved when I set upon the (arrogant?) goal of creating a new genre of creative writing: th
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Dissertations / Theses on the topic "Fiction in English Canadian writers 1945- Texts"

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Sojka, Eugenia. "Search procedures, carnivalization in language- and theory-focused texts of four Canadian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25775.pdf.

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Books on the topic "Fiction in English Canadian writers 1945- Texts"

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Schmidt, Dennis A. The first name. Futura, 1986.

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Love, Rosaleen, and Rosaleen Love. The Total Devotion Machine and Other Stories. The Women's Press, 1991.

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1909-, Fante John, ed. West of Rome: Two novellas. Black Sparrow Press, 1986.

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Barnes, Joanna. Silverwood. G.K. Hall, 1985.

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Barnes, Joanna. Silverwood. Linden Press, 1985.

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Leiber, Fritz. A specter is haunting Texas. Collier Books, 1992.

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Hambly, Barbara. Beauty and thebeast. Unwin Paperbacks, 1990.

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Wolitzer, Meg. Hidden pictures. Houghton Mifflin, 1986.

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Wolitzer, Meg. Hidden pictures. Joseph, 1986.

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Krauth, Nigel. Matilda, my darling. F. Watts, 1985.

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