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Relevant bibliographies by topics / FICTION / Romance / Gothic

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Academic literature on the topic 'FICTION / Romance / Gothic'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 February 2023

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Journal articles on the topic "FICTION / Romance / Gothic"

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Miquel Baldellou, Marta. "Mary Reilly as Jekyll or Hyde : Neo-Victorian (re)creations of Feminity and Feminism." Journal of English Studies 8 (May 29, 2010): 119. http://dx.doi.org/10.18172/jes.154.

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In his article “What is Neo-Victorian Studies?” (2008), Mark Lewellyn argues that the term neo-Victorian fiction refers to works that are consciously set in the Victorian period, but introduce representations of marginalised voices, new histories of sexuality, post-colonial viewpoints and other generally ‘different’ versions of the Victorian era. Valerie Martin’s gothic-romance Mary Reilly drew on Stevenson’s novella to introduce a woman’s perspective on the puzzle of Jekyll and Hyde. Almost twenty-years after the publication of Martin’s novel, the newly established field of research in Neo-Vi

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Ranta, Judith A. "“The power of escaping”: Charlotte S. Hilbourne's Gothic Romance Fiction." Journal of Popular Culture 45, no. 2 (2012): 370–90. http://dx.doi.org/10.1111/j.1540-5931.2012.00930.x.

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Kokot, Joanna. "John Dickson Carr’s Early Detective Novels and the Gothic Convention." Lublin Studies in Modern Languages and Literature 43, no. 2 (2019): 61. http://dx.doi.org/10.17951/lsmll.2019.43.2.61-74.

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<p>Even if the Gothic romance may be considered as one of the predecessors of detective fiction, the world model proposed by the latter seems to exclude what was the essence of the former: the irrational underlying the proposed world model. However, some of detective novel writers deploy Gothic conventions in their texts, thus questioning the rational order of the reality presented there. Such a genological syncretism is typical - among others - of the novels by John Dickson Carr. The paper is an analysis of Gothic conventions and their functions in four earliest novels by Carr, featurin

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Evans, Tania. "Full Moon Masculinities: Masculine Werewolves, Emotional Repression, and Violence in Young Adult Paranormal Romance Fiction." Gothic Studies 21, no. 1 (2019): 28–39. http://dx.doi.org/10.3366/gothic.2019.0005.

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Gothic monsters have recently experienced a period of focused scholarly analysis, although few studies have engaged with the werewolf in terms of its overt alignment with masculinity. Yet the werewolves of young adult fantasy fiction both support and subvert dominant masculine discourses through their complex negotiation with emotional repression and violence. These performative masculine practices are the focus of this article, which analyses how hegemonic masculine ideals are reinforced or rejected in a corpus of young adult fantasy texts, including Cassandra Clare's young adult series The M

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Kennedy, Meegan. "THE GHOST IN THE CLINIC: GOTHIC MEDICINE AND CURIOUS FICTION IN SAMUEL WARREN'SDIARY OF A LATE PHYSICIAN." Victorian Literature and Culture 32, no. 2 (2004): 327–51. http://dx.doi.org/10.1017/s106015030400052x.

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IN 1856, WHEN MANY VICTORIAN PHYSICIANS WERE STRUGGLING TO DEFINE A MODEL OF CLINICAL MEDICINE, the reviewer of one collection of case histories voiced his dismay at the physician-author's preference for “dreadful incidents” and “cases exceptional and strange” (“Works” 473). Indeed, although physicians of the clinical era did not disguise their efforts to achieve a new kind of discourse, productive of a “realist” vision, few acknowledge how often the “clinical” case history of the nineteenth century also shares the romantic discourse of the Gothic, especially its interest in the supernatural a

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Miquel Baldellou, Marta. "Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse"." Journal of English Studies 10 (May 29, 2012): 147. http://dx.doi.org/10.18172/jes.185.

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Stephenie Meyers’ Twilight tetralogy has lately become an enormously successful phenomenon in contemporary popular fiction, especially among a young adult readership. Regarded as a mixture of genres, the Twilight series can be described as a paradigm of contemporary popularculture gothic romance. Stephenie Meyer has recently acknowledged she bore one literary classic in mind when writing each of the volumes in the series. In particular, her third book, Eclipse (2007), is loosely based on Emily Brontë’s Victorian classic Wuthering Heights (1847). This paper aims at providing a comparative analy

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Hedrick, Tace. "“The Spirits Talk to Us”: Regionalism, Poverty, and Romance in Mexican American Gothic Fiction." Studies in the Novel 49, no. 3 (2017): 322–40. http://dx.doi.org/10.1353/sdn.2017.0033.

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Jones, Anna Maria. "CONSERVATION OF ENERGY, INDIVIDUAL AGENCY, AND GOTHIC TERROR IN RICHARD MARSH'STHE BEETLE, OR, WHAT'S SCARIER THAN AN ANCIENT, EVIL, SHAPE-SHIFTING BUG?" Victorian Literature and Culture 39, no. 1 (2010): 65–85. http://dx.doi.org/10.1017/s1060150310000276.

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There is a familiar critical narrativeabout the fin de siècle, into which gothic fiction fits very neatly. It is the story of the gradual decay of Victorian values, especially their faith in progress and in the empire. The self-satisfied (middle-class) builders of empire were superseded by the doubters and decadents. As Patrick Brantlinger writes, “After the mid-Victorian years the British found it increasingly difficult to think of themselves as inevitably progressive; they began worrying instead about the degeneration of their institutions, their culture, their racial ‘stock’” (230). And thi

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Bryant, John. "Melville Essays the Romance: Comedy and Being in Frankenstein, "The Big Bear of Arkansas," and Moby-Dick." Nineteenth-Century Literature 61, no. 3 (2006): 277–310. http://dx.doi.org/10.1525/ncl.2006.61.3.277.

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John Bryant, "Melville Essays the Romance: Comedy and Being in Frankenstein, "The Big Bear of Arkansas," and Moby-Dick (pp. 277-310)This essay argues that romance is not a fixed genre but a process of writing ("romancing")that Melville used at a particular moment in his career to engage in certain "ontological heroics," that is, confront the problem of Being (the mystery of the origins and reality of consciousness). The inadequacy of genre is asserted as the notion is observed to deconstruct in three ways, and it is replaced by six "Notes toward a Supreme Romance," which delineate elements in

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Maroshi, V. V. "Gothic beetle: a comment on one of Pushkin’s allusions." Sibirskiy filologicheskiy zhurnal, no. 3 (2020): 66–79. http://dx.doi.org/10.17223/18137083/72/5.

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The paper deals with the beetle as a minor character of the seventh chapter of the novel “Eugene Onegin” and a literary allusion. It is syntactically and rhythmically highlighted in the text of the stanza. V. V. Nabokov was the first to try to set the origin of the character from English literature. The closest meaning of the allusion was a reference to V. A. Zhukovsky, with his surname associated with the beetle by its etymology and the appearance of a “buzzing beetle” in his translation of T. Gray’s “Elegy Written in a Country Churchyard.” The landscape of the 15th stanza of the novel is rep

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Dissertations / Theses on the topic "FICTION / Romance / Gothic"

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Watt, James. "Disputing Gothic : the contestation of romance 1764-1832." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243053.

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Arauujo, Susana Isabel Arsenio. "Naturalism, metafiction, romance and gothic : rewriting literary genre in the short fiction of Joyce Carol Oates." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555254.

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Slagle, Judith Bailey. "Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2012. http://amzn.com/1611475090.

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Introduction: The Historical Tradition of Baillie, Scott, Hodson and Southey -- William Wallace : "A Terrible Beauty" -- Exploration and conquest : Columbus, Balboa, and Pizarro -- National and Domestic Heroines : Margaret of Anjou and Lady Griseld Baillie -- Gothic Interactions : The Miscellaneous Legends of Baillie and Hodson.<br>https://dc.etsu.edu/etsu_books/1035/thumbnail.jpg

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Brito, Fernando Bezerra de. "Melmoth the Wanderer, um sermão gótico irlandês." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-18092013-112228/.

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Neste trabalho, desenvolvemos uma reflexão sobre uma das principais obras do romance gótico e da prosa de ficção romântica em língua inglesa Melmoth the Wanderer (1820), do clérigo dublinense Charles Robert Maturin (1782-1824). Buscamos analisar Melmoth como um sermão gótico irlandês, isto é, um híbrido de romance gótico e sermão sacro, cuja forma é estruturada pelo contexto sócio-histórico da Irlanda do início do século XIX, época caracterizada pelo acirramento das tensões entre católicos e protestantes. Nessa análise, consideramos também a produção sermonística e ensaística do autor. A reli

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Marnieri, Maria Teresa. "Critical and iconographic reinterpretations of three early gothic novels. Classical, medieval, and renaissance influences in William Beckford’s Vathek, Ann Radcliffe’s romance of the forest and Matthew G. Lewis’s the Monk." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/399574.

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El propósito de esta disertación doctoral es lo de investigar y comprender de mejor manera las influencias múltiples que, juntas al desarrollo y a la divulgación de la traducción literaria (puestas de relieve por Stuart Gillespie y David Hopkins), tuvieron un papel importante en el ascenso de las primeras novelas góticas al final del siglo dieciocho. Considerando que este trabajo está profundamente influenciado e inspirado por la crítica literaria reconocida a nivel internacional sobre la literatura gótica, esta investigación evita asumir perspectivas criticas típicas del siglo veinte y

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Sáber, Rogério Lobo 1989. "Justa vingança : uma leitura aproximativa dos romances "Crônica da casa assassinada" e "O morro dos ventos uivantes"." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270103.

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Orientador: Mário Luiz Frungillo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-24T10:22:46Z (GMT). No. of bitstreams: 1 Saber_RogerioLobo_M.pdf: 1131901 bytes, checksum: bd74a40c9603c7d7c7f65986303efd81 (MD5) Previous issue date: 2014<br>Resumo: As obras Crônica da casa assassinada e O morro dos ventos uivantes - escritas, respectivamente, pelos autores Lúcio Cardoso (1912-1968) e Emily Brontë (1818-1848) - podem ser lidas como textos que, além de explorarem elementos da estética gótica literária, part

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Books on the topic "FICTION / Romance / Gothic"

1

Grant, Morrison. Batman Gothic. Titan, 1991.

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M, Disch Thomas. The priest: A Gothic romance. University of Minnesota Press, 2010.

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The hatchet woman: Southern Gothic romance. Elk River Review Press, 2007.

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M, Disch Thomas. The priest: A Gothic romance. Knopf, 1995.

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Ghost kisses: Gothic gay romance stories. Leyland Publications, 1995.

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M, Disch Thomas. The priest: A gothic romance. Millennium, 1994.

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7

Ross, Inez. The adobe castle: [a Southwest Gothic romance]. Ashley House, 1997.

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The demon of Sicily: A romance. Valancourt Books, 2007.

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9

Radcliffe, Ann Ward. A Sicilian romance. Penguin, 2010.

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The Vaults of Lepanto: A Romance. Valancourt Books, 2007.

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Book chapters on the topic "FICTION / Romance / Gothic"

1

König, Eva. "The Gothic of Family Romance." In The Orphan in Eighteenth-Century Fiction. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137382023_16.

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Edmundson, Melissa. "Gothic Romance and Retribution in the Short Fiction of Isabella Valancy Crawford." In Women’s Colonial Gothic Writing, 1850-1930. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76917-2_3.

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Taylor-Pirie, Emilie. "Introduction: Stories of Science and Empire." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_1.

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AbstractIn this introduction, Taylor-Pirie appraises the intersections of the ‘imaginative architecture of science and empire’ by examining how, as a fledging medical discipline at the fin de siècle, parasitology entered into significant encounters and exchanges with the literary and historical imagination. Introducing readers to Nobel Prize–winning parasitologist Ronald Ross (1857–1932), Taylor-Pirie lays the foundations for the rest of the book by examining how forms such as poetry and biography, genres such as imperial romance and detective fiction, and modes such as adventure and the Gothic together informed how tropical diseases, their parasites, and their vectors were understood in relation to race, gender, and nation. In addition to considering the contemporaneous public understanding of science, she also explores how parasitologists were often engaged in writing their own histories of the discipline, a practice that led to a predominantly white, predominantly male understanding of science that finds a legacy in gender disparities in STEM and biases in popular histories of medicine in favour of a mode of ‘heroic biography’. She provides a brief critical overview of the field of literature and science and places her methodology and the field in the context of contemporary topics like the Covid-19 pandemic, Black Lives Matter protests, and the heritage culture wars.

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Kareem, Sarah Tindal. "Lost in the Castle of Scepticism: Sceptical Philosophy as Gothic Romance." In Fictions of Knowledge. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230354616_8.

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Toscano, Angela. "Gothic romance." In The Routledge Research Companion to Popular Romance Fiction. Routledge, 2020. http://dx.doi.org/10.4324/9781315613468-4.

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"Monsters of the imagination: Science, fiction, romance." In Gothic Romanced. Routledge, 2008. http://dx.doi.org/10.4324/9780203090718-9.

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"II. Romance vampires and the romantic poets." In The History of Gothic Fiction. Edinburgh University Press, 2021. http://dx.doi.org/10.1515/9781474497107-015.

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"DARK ROMANCE AND DU MAURIER’S GOTHIC KERNOW." In Gothic Kernow: Cornwall as Strange Fiction. Anthem Press, 2022. http://dx.doi.org/10.2307/j.ctv26fw7z3.4.

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Hirst, Holly. "Georgette Heyer and redefining the Gothic romance." In Georgette Heyer, History and Historical Fiction. UCL Press, 2021. http://dx.doi.org/10.2307/j.ctv15d818n.12.

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Townshend, Dale. "Improvement, Repair, and the Uses of the Gothic Past." In Gothic Antiquity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198845669.003.0004.

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This chapter confronts the question of the politics of Gothic architecture in the long eighteenth century. Exploring manifestations of its Whiggish appeal, the argument also points to a number of notable Tory appropriations of the revived Gothic style. If the political significance of the Gothic was thus open to dispute, notions of improvement and repair were almost uniformly inflected with intimations of political radicalism, particularly after the French Revolution of 1789. Exploring the political meanings of improvement, repair, and ruination in the work of John Carter, the discussion extends this into a reading of political discourse of the 1790s, tracing political writers’ extensive appropriations of architectural metaphor. The chapter concludes with a reading of 1790s political Gothic fiction, showing how radical writers of the decade engaged with the politics of Gothic architecture while questioning the extent to which chivalry, romance, and other aesthetic ‘remains’ of the Gothic past could serve the needs of the present.

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