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Books on the topic 'Fiction; short story genre'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Nous aurions un petit genre: Publier des nouvelles : essai. Instant même, 1997.

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2

Mann, Susan Garland. The short story cycle: A genre companion and reference guide. Greenwood Press, 1989.

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3

Ingram, Forrest L. Representative twentieth century short story cycles: Studies in a literary genre. University of Southern California, 2001.

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4

The contemporary American short-story cycle: The ethnic resonance of genre. Louisiana State University Press, 2001.

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5

The Victorian short story: Development and triumph of a literary genre. Cambridge University Press, 1986.

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6

Betty, Rosenberg, ed. Genreflecting: A guide to reading interests in genre fiction. 4th ed. Libraries Unlimited, 1995.

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7

Genreflecting: A guide to reading interests in genre fiction. 5th ed. Libraries Unlimited, 2000.

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8

The nineteenth-century Spanish story: Textual strategies of a genre in transition. Tamesis Books, 1985.

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9

Pat, Tucker, Finney Rená A, and Copyright Paperback Collection (Library of Congress), eds. Summer breeze. Urban Books, 2007.

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10

James, Joyce. Gente di Dublino. Newton Compton, 1994.

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11

James, Joyce. Gente di Dublino. Mondadori, 1988.

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12

Elias, Haroon R. Short story kaleidoscope. Prestige Publications, 1995.

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13

The German ghost story as genre. P. Lang, 1993.

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14

Krasov, Emma. Another story: Short stories. Writers Club Press, 2002.

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15

Long story short. Roaring Brook Press, 2011.

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16

Louis, Stevenson Robert. The story of a lie. Hesperus Press, 2008.

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17

Robert Louis Stevenson. The story of a lie. Hesperus Press, 2008.

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18

Tripp, Valerie. Kit's short story collection. Pleasant Co. Publications, 2006.

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19

Knight, Damon. Creating short fiction. Writer's Digest Books, 1985.

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20

ill, Taylor Dahl, Dellosso Gabriela ill, Thompson John ill, and McAliley Susan ill, eds. Addy's short story collection. Pleasant Co. Publications, 2006.

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21

Goyet, Florence. The Classic Short Story, 1870-1925: Theory of a Genre. Open Book Publishers, 2014.

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22

Mann, Susan Garland. The Short Story Cycle: A Genre Companion and Reference Guide. Greenwood Press, 1988.

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23

Contemporary American Short-Story Cycle: The Ethnic Resonance of Genre. Louisiana State University Press, 2004.

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24

Young, Emma. Introduction: Contexts, Politics and Genre. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427739.003.0001.

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The contemporary moment appears to be the moment for women short story writers, who have received increased critical attention and popular acclaim. Indeed, in surveying this literary field and attending to the reoccurring tropes and discourses in this body of work, it seems reasonable to argue that this is an opportune moment for considering the ways in which shifting feminist sensibilities and gendered subjectivities are revealed through women’s short story writing. A prevailing tendency in the short stories of many contemporary British women writers is a preoccupation with issues of gender a

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25

(Editor), Rusty Morrison, and Ken Keegan (Editor), eds. ParaSpheres: Extending Beyond the Spheres of Literary and Genre Fiction: Fabulist and New Wave Fabulist Stories. Omnidawn Publishing, 2006.

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26

D'hoker, Elke, and Chris Mourant, eds. The Modern Short Story and Magazine Culture, 1880-1950. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461085.001.0001.

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This collection of original essays highlights the intertwined fates of the modern short story and periodical culture in the period 1880–1950, the heyday of magazine short fiction in Britain. Through case studies that focus on particular magazines, short stories and authors, chapters investigate the presence, status and functioning of short stories within a variety of periodical publications – highbrow and popular, mainstream and specialised, middlebrow and avant-garde. Examining the impact of social and publishing networks on the production, dissemination and reception of short stories, this e

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27

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Prose Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0019.

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This chapter considers the prose genres that developed in the period and their relative artistic success and limitations, recognizing that poetry had been much more open to innovation than prose. Forms such as the memoir (fictional as well as real), autobiography, letter writing, the allegorical novel, and the short story conform to the general pattern of literary norms adapted from European models. The chapter explains that a gap opened between literary fiction in translation and novels written in Russia, arguing that Russian writers chose not to emulate the contemporary European novel, revis

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28

Dunn, Margaret, and Ann Morris. Studies in Literary Themes and Genres Series - The Composite Novel (Studies in Literary Themes and Genres Series). Twayne Publishers, 1995.

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29

Beardsley, Mary C. Discovering Genre: Short Story. Prestwick House, Inc., 2006.

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30

Tijani, Olatunbosun Ishaq. Kuwait. Edited by Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.18.

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This chapter discusses the development of the novelistic tradition in Kuwait. It first provides an overview of the beginnings of modern Kuwaiti literature, focusing on the efflorescence of the short story and the rise and maturation of the novel genre. It then considers Kuwaiti novels that depicted the events and effects of the Iraq-Kuwait War of 1990–1991, led by Walīd al-Rujayb’s Ṭalqa fī ṣadr al-shamāl (1992, A Shot in the Chest of the North). It also examines works that tackled the social conditions of Kuwaiti society in pre-oil and post-oil times, gender inequality, and other social justi

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31

Tucker, Pat, Joylynn M. Jossel, and Rena A. Finney. Summer Breeze (Urban Soul Presents) (Urban Soul Presents). Urban Soul, 2007.

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32

Whitehead, Kevin. Play the Way You Feel. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190847579.001.0001.

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This book—both a narrative and a film directory—surveys and analyzes English-language feature films (and a few shorts and TV shows/movies) made between 1927 and 2019 that tell stories about jazz music, its musicians, its history and culture. Play the Way You Feel looks at jazz movies as a narrative tradition with recurring plot points and story tropes, whose roots and development are traced. It also demonstrates how jazz stories cut across diverse genres—biopic, romance, musical, comedy and science fiction, horror, crime and comeback stories, “race movies” and modernized Shakespeare—even as th

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33

Mann, Susan G. The Short Story Cycle: A Genre Companion & Reference Guide. Greenwood-Heinemann Publishing, 1988.

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34

Smith, Jennifer J. Forming Provisional Identities. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423939.003.0001.

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The introduction argues that the short story cycle is the preeminent genre for articulating the uncertainty that characterizes literary responses to modernity. The introduction outlines two vital contributions of the cycle to American literary history: 1. the absence of textual harmony in the cycle initiated new, pervasive narrative techniques of proliferating perspectives and disrupting chronology that inflect modern and contemporary fiction and 2. the form of the cycle enables the expression of subjectivity without fixity. Contingency and multiplicity are so central to our social-media infus

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35

Paul, Carmignani, and Tibi Pierre, eds. Aspects de la nouvelle: (theorie du genre, traductions inédites et analyses textuelles). Université de Perpignan, 1988.

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36

Harte, Liam, ed. The Oxford Handbook of Modern Irish Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780198754893.001.0001.

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The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five distinguished scholars of Irish fiction. Collectively, they provide accessible and incisive assessments of the breadth and achievement of Ireland’s modern novelists and short story writers, whose contribution to the evolution and modification of these unique art forms has been far out of proportion to the country’s small size. The volume brings an impressive variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectua

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37

Orel, Harold. Victorian Short Story: Development and Triumph of a Literary Genre. University of Cambridge ESOL Examinations, 2010.

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38

Seamus’s Short Story. Groundwood Books, 2017.

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39

Ian, Farrington, ed. Short trips.: A short-story anthology. Big Finish, 2006.

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40

Pickering. Fiction 100 an Anthology of Short Fiction: Short Story Fiction. Addison Wesley Publishing Company, 2007.

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41

Howells, Coral Ann, Paul Sharrad, and Gerry Turcotte, eds. The Oxford History of the Novel in English. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.001.0001.

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This book explores the history of English-language prose fiction in Australia, Canada, New Zealand, and the South Pacific since 1950, focusing not only on the ‘literary’ novel, but also on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as the work of major novelists, movements, and tendencies. After World War II, the rise of cultural nationalism in Australia, Canada, and New Zealand and movements towards independence in the Pacific islands, together with the turn toward multiculturalism and transnationalism in the postcolon

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42

Bahoora, Haytham. Iraq. Edited by Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.16.

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This chapter examines the development of the novel in Iraq. It first considers the beginnings of prose narrative in Iraq, using the intermingling of the short story and the novel, particularly in the first half of the twentieth century, as a framework for reassessing the formal qualities of the Arabic novel. It then turns to romantic and historical novels published in the 1920s, as well as novels dealing with social issues like poverty and the condition of peasants in the countryside. It discusses the narrative emergence of the bourgeois intellectual’s self-awareness and interiority in Iraqi f

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43

Eller, Jonathan R. New Stories and New Opportunities. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0020.

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This chapter discusses Ray Bradbury's new short stories and the new opportunities that became available to him as a writer during the war years. In the spring of 1945 Bradbury wrote his first quality novella-length story. Although he had written long stories for both the detective and the science fiction pulps, only “Chrysalis” had staying power in the genre. His next project, “Eight Day World,” sold to Planet Stories in June 1945, and reached print a year later in the Fall 1946 issue, as “The Creatures That Time Forgot.” This chapter considers Bradbury's venture into radio and film, including

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44

Short Story Criticism: Criticism of the Works Short Fiction Writers (Short Story Criticism). Thomson Gale, 2003.

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45

Hergenhan, Laurie. Australian Short Story. University of Queensland Press, 2002.

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46

Thomson, Lesley. Runaway: A Short Story. Head of Zeus, 2015.

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47

Wolfgang, Görtschacher, and Klein Holger Michael 1938-, eds. Tale, novella, short story: Currents in short fiction. Stauffenburg, 2004.

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48

Raymond, Carver, and Jenks Tom, eds. American short story masterpieces. Delacorte Press, 1987.

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49

Grant, Miller, ed. Abstract: Short story collection. Moose Enterprise Book and Theatre Play Pub., 2006.

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50

Karr, Justin. Short Story Criticism: Criticism of the Works of Short Fiction Writers (Short Story Criticism). Thomson Gale, 2002.

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