Academic literature on the topic 'Fiction theory'

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Journal articles on the topic "Fiction theory"

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Mikkonen, Jukka. "Sutrop on literary fiction-making: defending Currie." Disputatio 3, no. 28 (2010): 309–15. http://dx.doi.org/10.2478/disp-2010-0004.

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Abstract In her study Fiction and Imagination: The Anthropological Function of Literature (2000), Margit Sutrop criticizes Gregory Currie’s theory of fiction-making, as presented in The Nature of Fiction(1990), for using an inappropriate conception of the author’s ‘fictive intention.’ As Sutrop sees it, Currie is mistaken in reducing the author’s fictive intention to that of achieving a certain response in the audience. In this paper, I shall discuss Sutrop’s theory of fiction-making and argue that although her view is insightful in distinguishing the illocutionary effect and the perlocutionar
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Morris, Raphael. "Interpretive Context, Counterpart Theory and Fictional Realism without Contradictions." Disputatio 11, no. 54 (2019): 231–53. http://dx.doi.org/10.2478/disp-2019-0018.

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Abstract Models for truth in fiction must be able to account for differing versions and interpretations of a given fiction in such a way that prevents contradictions from arising. I propose an analysis of truth in fiction designed to accommodate this. I examine both the interpretation of claims about truth in fiction (the ‘Interpretation Problem’) and the metaphysical nature of fictional worlds and entities (the ‘Metaphysical Problem’). My reply to the Interpretation Problem is a semantic contextualism influenced by Cameron (2012), while my reply to the Metaphysical Problem involves an extensi
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Orlando, Eleonora. "Fictional Names and Literary Characters: A Defence of Abstractism." THEORIA. An International Journal for Theory, History and Foundations of Science 31, no. 2 (2016): 143. http://dx.doi.org/10.1387/theoria.15193.

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This paper is focused on the abstractist theory of fiction, namely, the semantic theory according to which fictional names refer to abstract entities. Two semantic problems that arise in relation to that position are analysed: the first is the problem of accounting for the intuitive truth of typically fictive uses of statements containing fictional names; the second is the one of explaining some problematic metafictive uses, in particular, the use of intuitively true negative existentials.
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Beer, David. "Fiction and Social Theory: E-Special Introduction." Theory, Culture & Society 33, no. 7-8 (2016): 409–19. http://dx.doi.org/10.1177/0263276415595912.

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This E-Special issue brings together a range of articles from the Theory, Culture, & Society archive that directly explore the relations between fiction and social theory. Each article develops a different perspective on these relations, yet they all share a common interest in probing at the different ways in which fiction might enrich and provoke our conceptual imaginations. These articles ask how theory might be used to understand or illuminate fiction, whilst also considering how theory might be extended, challenged or informed by fictional resources. In general terms, the articles take
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Raghunath, Riyukta. "Possible worlds theory, accessibility relations, and counterfactual historical fiction." Journal of Literary Semantics 51, no. 1 (2022): 1–18. http://dx.doi.org/10.1515/jls-2022-2047.

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Abstract Possible Worlds Theory has commonly been invoked to describe fictional worlds and their relationship to the actual world. As an approach to genre, the relationship between fictional worlds and the actual world is also constitutive of specific text types. By drawing on the notion of accessibility relations, different genres can be classified based on the distance between their fictional worlds and the actual world. Maître, Doreen. 1983. Literature and possible worlds. Middlesex: Middlesex University Press for example, in what is considered the first attempt to adapt accessibility relat
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Mikkonen, Kai. "Minimal Departure and Fictional Narrative Situations." Storyworlds: A Journal of Narrative Studies 13, no. 2 (2021): 71–96. http://dx.doi.org/10.1353/stw.2021.a925851.

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Abstract: Readers understand fictional worlds at least to some extent by drawing on background knowledge of their own world. Some theories of fiction, however, hold that such realistic expectations, or processes of naturalization, are the default attitude in experiencing fictions. Thus, what Marie-Laure Ryan has called the principle of minimal departure (MD) states that readers understand fictional worlds and their components by drawing on background knowledge of their own world, unless otherwise indicated. This article is a critical examination of the relevance of the principle of MD and a co
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Rusli, Devi, and Ali Arben. "PENGARUH BUKU FIKSI TERHADAP THEORY-OF-MIND ANAK PRASEKOLAH." Jurnal RAP (Riset Aktual Psikologi Universitas Negeri Padang) 14, no. 2 (2023): 144. http://dx.doi.org/10.24036/rapun.v14i2.124769.

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Fiction books are learning media that can be used to introduce various experiences about other people's views and emotions to preschoolers through story characters. At preschool age, children already have a need to interact with other people, especially with their peers. Children's understanding of the desires and feelings of other people known as theory of mind (ToM) helps them to be more accepted and adjust when playing with their friends. The effect of fiction books on the ToM development of preschoolers was tested through experimental research on 44 (forty four) preschoolers (23 boys and 2
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Lee, Nara. "Rethinking Rancière’s Film Theory: Focusing on the Concepts of Fiction and Image." Criticism and Theory Society of Korea 28, no. 3 (2023): 81–99. http://dx.doi.org/10.19116/theory.2023.28.3.81.

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This paper aims to reconsider Rancière’s film theory by examining the meaning of image and fiction in Rancière’s aesthetic art regime. Rancière renews the traditional definitions of image and fiction. What Rancière defines as image and fiction is the action of connecting words and objects in a specific form on the basis of community, connecting individuals and groups and creating a common sense. In the aesthetic art regime since Romanticism, which reflects the equality established between thought and non-thought, consciousness and unconsciousness, active and passive, art and non-art, the image
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Proudfoot, Diane. "Sylvan's Bottle and other Problems." Australasian Journal of Logic 15, no. 2 (2018): 95. http://dx.doi.org/10.26686/ajl.v15i2.4858.

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 According to Richard Routley, a comprehensive theory of fiction is impossible, since almost anything is in principle imaginable. In my view, Routley is right: for any purported logic of fiction, there will be actual or imaginable fictions that successfully counterexample the logic. Using the example of ‘impossible’ fictions, I test this claim against theories proposed by Routley’s Meinongian contemporaries and also by Routley himself (for what he called ‘esoteric’ works of fiction) and his 21st century heirs. I argue that the phenomenon of impossible fictions challenges ev
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Kidd, David, Martino Ongis, and Emanuele Castano. "On literary fiction and its effects on theory of mind." Transdisciplinary Approaches to Literature and Empathy 6, no. 1 (2016): 42–58. http://dx.doi.org/10.1075/ssol.6.1.04kid.

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Storytelling is a hallmark human activity. We use stories to make sense of the world, to explain it to our children, to create communities, and to learn about others. This article focuses on fictional stories and their impact on complex sociocognitive abilities. Correlational and experimental evidence shows that exposure to fiction recruits and hones our ability to represent others’ mental states, or theory of mind (ToM). Experimental studies suggest this effect is specific to literary fiction. Using a unique set of texts, we replicate the finding that literary fiction improves ToM performance
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Dissertations / Theses on the topic "Fiction theory"

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Long, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/5838.

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Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson an
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Long, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." University of Sydney, 2009. http://hdl.handle.net/2123/5838.

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Master of Philosophy (MPhil)<br>Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by Wi
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Peters, Susan. "Intending fiction, Lamarque's theory of fiction compared to Walton's and Currie's." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ54477.pdf.

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Tsoulou, Martha. "After postmodernism : contemporary theory and fiction." Thesis, Brunel University, 2014. http://bura.brunel.ac.uk/handle/2438/13753.

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There is a consensus today that we have witnessed the end of postmodernism in both fiction and theory. Due to contemporary fiction’s break with postmodernism being recent, little research has been done to outline the parameters of what exactly this break entails and its relationship to theory and current socio-political issues. The aim of this thesis is to attempt to differentiate between postmodernist fiction and contemporary fiction that was produced from the late 90’s up to today, outline its main characteristics and suggest alternative ways theory may be used to critically analyse fiction.
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Piercy, Laurence. "Fiction and the theory of action." Thesis, University of Sheffield, 2014. http://etheses.whiterose.ac.uk/5913/.

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This thesis explores four mid-twentieth century fictional texts in relation to concepts of action drawn predominantly from Anglo-American analytic philosophy and contemporary psychology. The novels in question are Anna Kavan's Ice, Samuel Beckett's How It Is, Vladimir Nabokov's Pale Fire and Malcolm Lowry's Under the Volcano. The theory of action provides concepts, structures, and language to describe how agency is conceptualised at various levels of description. My exploration of these concepts in relation to fiction gives a framework for describing character action and the conceptualisation
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Stolen, James Bernt. "The Theory of Light." Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/50601.

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This manuscript is written from the perspective of thirteen-year-old Adrian Matthiessen, who arrives in mid-2008 in Bethlehem, South Africa at a clinic in the township of Bohlokong where his mother is volunteering. Adrian is witness to an act of magic surrounding an orphan girl who arrives at the clinic; an event that many use to label her as a pariah. Deeply troubled by this, Adrian begins to investigate who this strange girl is by seeking out the stories of the Basotho, and by befriending a volunteer medical student from France, the grandson of the clinic\'s founder, and a South African girl
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Watson, Lauren Pamela. "Contingencies and masterly fictions : deconstructive dialogues in/between Dickens, contemporary fiction and theory." Thesis, Lancaster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444642.

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Samperi, Ida Maria. "Critical fiction, fictional criticism : Christine Brooke-Rose's experimentalism between theory and practice." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/4067.

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This thesis focuses on the mature development of Christine Brooke-Rose’s experimental fiction, taking particular interest in the exemplary texts Between and Thru. I argue that these texts both critically refigure and respond to central aspects of the poststructuralist debate. I investigate Between and Thru specifically in relation to the theories of Irigaray, Barthes (in the case of Between), Derrida and Kristeva (in the case of Thru), demonstrating how the two novels develop these theorists’ core tenets in an innovative manner that critics have failed to recognise up to this point. Starting –
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Gillan, Lindsey. "Encountering theory : readings in contemporary American fiction." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285082.

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This thesis gathers four American fiction writers from the group labelled as blank fiction writers during the 1980s - Lynne Tillman, Kathy Acker, Joel Rose and Catherine Texier - to suggest that their work does more than represent the flat, stunned prose attributed to blank fiction. Rather, their simple, streetwise yet often lyrical language is politically engaged, debating profound questions about the nature of identity, both of the indi vidual and of the text. The writing, while superficially transparent, is illusory, reflecting the belief that meaning is contextual: this has wide-reaching i
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Newswander, Lynita K. "Myths and Blueprints: Enacting Utopia through Fiction." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/32511.

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<p>The study of utopia generally takes place in isolation from empirical social science based on its classification as either political theory or literary genre. While both approaches are well-suited to the academic study of a concept that does not exist in reality, each on its own also lacks the kind of efficacy that could be offered by an integrated situation of utopia in the "real" world. This paper seeks to incorporate utopian thinking into contemporary social and political context by utilizing both fiction and critical theory as a lens for the "real" world. It also considers both bluep
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Books on the topic "Fiction theory"

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Brossard, Nicole. Picture theory: Théorie/fiction. L'Hexagone, 1989.

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Brossard, Nicole. Picture theory: Théorie/fiction ; Hologramme : théorie/fiction. L'Hexagone, 1989.

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Pagan, Nicholas O. Theory of Mind and Science Fiction. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137399120.

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1939-, Hoffman Michael J., and Murphy Patrick D. 1951-, eds. Essentials of the theory of fiction. Duke University Press, 1988.

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1939-, Hoffman Michael J., and Murphy Patrick D. 1951-, eds. Essentials of the theory of fiction. 3rd ed. Duke University Press, 2005.

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Diogenes, Marvin. Crafting fiction: In theory, in practice. Mayfield Pub. Co., 2000.

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1939-, Hoffman Michael J., and Murphy Patrick D. 1951-, eds. Essentials of the theory of fiction. 2nd ed. Duke University Press, 1996.

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O'Sullivan, Simon. On Theory-Fiction and Other Genres. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-65072-7.

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Tremblay, Francis. La fiction en question: Essai. Balzac-Le Griot, 1999.

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Bloom, Clive. Cult fiction: Popular reading and pulp theory. St. Martin's Press, 1996.

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Book chapters on the topic "Fiction theory"

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Hempfer, Klaus W. "Fiction." In Fundamentals of Literary Theory. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-47408-8_2.

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Barry, Peter. "Fiction." In Issues in Contemporary Critical Theory. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-89244-0_12.

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Francœur, Marie, and Louis Francœur. "Scientific Fiction and Literary Fiction." In Peirce and Value Theory. John Benjamins Publishing Company, 1994. http://dx.doi.org/10.1075/sc.6.27fra.

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Currie, Mark. "Theoretical Fiction." In Postmodern Narrative Theory. Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-1-137-26812-9_4.

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Currie, Mark. "Theoretical Fiction." In Postmodern Narrative Theory. Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26620-3_4.

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O’Sullivan, Simon. "On Theory-Fiction." In On Theory-Fiction and Other Genres. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-65072-7_2.

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Kripper, Denise. "Reading Fiction as Theory." In Narratives of Mistranslation. Routledge, 2023. http://dx.doi.org/10.4324/9781003179986-2.

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Greaney, Michael. "Conclusion: Fiction after Theory." In Contemporary Fiction and the Uses of Theory. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230208070_10.

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Farooqi, Mehr Afshan. "Fiction, Theory of Fiction, and the Critical View." In Urdu Literary Culture. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137026927_4.

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Wolfreys, Julian. "“Theory” and the Novel." In Teaching Nineteenth-Century Fiction. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230281264_3.

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Conference papers on the topic "Fiction theory"

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Erhart, Tomáš. "The Theory of Genre Worlds in Case of Russian Popular Fiction." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-18.

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In contemporary Russian literature, there is a specific type of genre literature about so-called “podadants”, which is the Russian word for heroes and heroines traveling to other worlds and other times. In addition to this basic motif, this is literature published in mass quantities, usually within special genre editions, which also uses elements of other fantastic genres. One of its branches, working with alternative history, often has a very nationalistic or revanchist subtext. Overall, the “podadants” genre is a complex literary and social phenomenon that cannot be grasped from just one sid
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Revnew, Steve. "The Myths about Mold: What Every Painting Contractor, and Customer, Should Know about Combating This Problem." In Paint and Coatings Expo (PACE) 2007. SSPC, 2007. https://doi.org/10.5006/s2007-00077.

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Abstract Widespread media coverage has made mold a concern for everyone from home and business owners to those in building construction. This presentation explains the facts and fiction of mold ― what it is, where it grows best and how to control it. The benefits of antimicrobial coatings are also explained. The goal of this presentation is to provide contractors with an understanding of mold and antimicrobial coatings that can be used to educate customers and ultimately increase profits. Objectives are to help painting contractors make informed decisions regarding mold, increase their underst
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Cai, Ning, and Jian Zhou. "On Skopos Theory: An Exemplification of Fiction." In International Conference on Education, Management, Computer and Society. Atlantis Press, 2016. http://dx.doi.org/10.2991/emcs-16.2016.17.

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Lalić, Ema Luna. "IN DIALOGUE WITH FREGE: HOW HIS CONCEPTS OF SENSE AND REFERENCE INFLUENCED THE PHILOSOPHY OF LITERATURE." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.026l.

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In this paper, I approach Gottlob Frege’s fictional antirealism from the background of the discussion on cognitive value of literature in philosophy of literature, with particular emphasis on Frege’ s influence on Peter Lamarque and Stein Haugom Olsen’s (1994) theory of fiction. I claim that Frege’s writings on fiction do not support the conclusion that we should reject literary cognitivism (the view that literature can provide cognitive benefits). I support this view by providing two lines of argument: 1) a disagreement with respect to the precise nature of Frege’s fictional antirealism resul
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Oliva, Costantino, and Gordon Calleja. "Fake Rules, Real Fiction: Professional Wrestling and Videogames." In Proceedings of DiGRA 2009 Conference: Breaking New Ground: Innovation in Games, Play, Practice and Theory. Digitial Games Research Association DiGRA, 2009. https://doi.org/10.26503/dl.v2009i1.382.

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Lavrova, Klyona B. "The model libraries for creative economy." In The libraries and ecological education: Theory and practice. Russian National Public Library for Science and Technology, 2022. http://dx.doi.org/10.33186/978-5-85638-255-5-2022-138-144.

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The article provides an overview of the possibilities for the model libraries to get involved in the creative economy. The role of science fiction literature and fairy tales in formation of creative thinking is emphasized. The author analyzes the potential of libraries in teaching readers creative thinking through TIPS technology (Theory of Inventive Problem Solving). The features of library creative space are examined.
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Kuleshir, M. M. "VERSATILITY OF PROBLEM AND THEME REPRESENTATIONS IN MODERN UKRAINIAN FICTION FOR CHILDREN AND YOUTH." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 2. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-35.

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Waern, Annika, and Marie Denward. "On the Edge of Reality: Reality Fiction in ‘Sanningen om Marika’." In Proceedings of DiGRA 2009 Conference: Breaking New Ground: Innovation in Games, Play, Practice and Theory. Digitial Games Research Association DiGRA, 2009. https://doi.org/10.26503/dl.v2009i1.387.

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Dmitriyev, Alexey. "The Welfare of Each and Everyone in Russian Legal Theory." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-24.

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The prerequisite for the study was the spread of views in the academic literature that the category of public welfare, without accounting for concretising factors, was a void abstraction, and that in Russia, public welfare was seen as the dominant principle over the individual. The main purpose of the study is to analyse the content of the term ‘the welfare of each and everyone’ in Russian legal theory. The author uses the methods of conceptual history and intellectual history to analyse the concept of ‘the welfare of each and everyone’ in the works of pre-revolutionary authors and the relatio
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Zinth, W., P. Huppmann, H. Penzkofer, and T. Arlt. "Adiabatic Electron Transfer in Photosynthetic Reaction Centers - Fiction or Reality?" In International Conference on Ultrafast Phenomena. Optica Publishing Group, 1996. http://dx.doi.org/10.1364/up.1996.tud.4.

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During the last decade, the molecular background of the primary electron transfer (ET) in photosynthetic reaction centers (RC) has been the theme of numerous papers /1-4/. The unexpected fast reaction rate, the large distance between the electron donor (the special pair P) and the electron accepting bacteriopheophytin HA, the role of the intermediary monomeric bacteriochlorophyll BA, non-exponential decay kinetics, the speed up of the reaction at low temperatures and oscillations found in transient absorption experiments stimulated many discussions. In the meantime part of these questions have
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Reports on the topic "Fiction theory"

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Tabinska, Iryna, та Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters wh
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Ksepka, Daniel, and Kristin Lamm. Systematics and Biodiversity Conservation. American Museum of Natural History, 2012. http://dx.doi.org/10.5531/cbc.ncep.0024.

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This exercise uses a fictional group of turtles to demonstrate how to implement cladistic methodology. Using a step-by-step guide, students work to find the most parsimonious cladogram for these fictional turtles. Part I involves delineating characters and building a most parsimonious cladogram based on the distribution of character states, while Part II presents additional challenges by introducing homoplasy. This exercise is designed to familiarize students with the concepts of phylogeny and cladistics, expand their skills of phylogenetic analysis, and use phylogenetic information to determi
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De Abreu, Belinha. Skills for Life: Media Literacy and Critical Thinking. Inter-American Development Bank, 2021. https://doi.org/10.18235/0003779.

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Media literacy education is a tool for combating mis/disinformation in a time where there is so much uncertainty. The lack of credible news means that we are left with news stories driven by propaganda, misinformation, or manipulated content and even fiction or just fallacy. This impacts every person in every situation and influences the conversations, policy, and beliefs whether we are talking about race, gender, economics of poverty, climate, and so much more. This paper takes the reader through explaining the value of this instruction, the process of understanding the key questions of media
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Kamminga, Jorrit, Cristina Durán, and Miguel Ángel Giner Bou. Zahra: A policewoman in Afghanistan. Oxfam, 2020. http://dx.doi.org/10.21201/2020.6959.

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As part of Oxfam’s Strategic Partnership project ‘Towards a Worldwide Influencing Network’, the graphic story Zahra: A policewoman in Afghanistan was developed by Jorrit Kamminga, Cristina Durán and Miguel Ángel Giner Bou. The project is funded by the Ministry of Foreign Affairs of the Netherlands. The graphic story is part of a long-standing Oxfam campaign that supports the inclusion and meaningful participation of women in the Afghan police. The story portrays the struggles of a young woman from a rural village who wants to become a police officer. While a fictional character, Zahra’s story
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Sadowski, Dieter. Board-Level Codetermination in Germany - The Importance and Economic Impact of Fiduciary Duties. Association Inter-University Centre Dubrovnik, 2021. http://dx.doi.org/10.53099/ntkd4304.

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The empirical accounts of the costs and benefits of quasi-parity codetermined supervisory boards, a very special German institution, have long been inconclusive. A valid economic analysis of a particular legal regulation must take the legal specificities seriously, otherwise it will be easily lost in economic fictions of functional equivalence. At its core the corporate actor “supervisory board” has no a priori objective function to be maximised – the corner stone of the theory of the firm – but its objective function will only be brought about a posteriori – should negotiations result in an a
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Martínez, Déborah, Cristina Parilli, Carlos Scartascini, and Alberto Simpser. Let's (Not) Get Together!: The Role of Social Norms in Social Distancing during COVID-19. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003044.

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While effective preventive measures against COVID-19 are now widely known, many individuals fail to adopt them. This paper provides experimental evidence about one potentially important driver of compliance with social distancing: social norms. We asked each of 23,000 survey respondents in Mexico to predict how a fictional person would behave when faced with the choice about whether or not to attend a friend's birthday gathering. Every respondent was randomly assigned to one of four social norms conditions. Expecting that other people would attend the gathering and/or believing that other peop
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Tyson, Paul. Australia: Pioneering the New Post-Political Normal in the Bio-Security State. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp10en.

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This paper argues that liberal democratic politics in Australia is in a life-threatening crisis. Australia is on the verge of slipping into a techno-feudal (post-capitalist) and post-political (new Centrist) state of perpetual emergency. Citizens in Australia, be they of the Left or Right, must make an urgent attempt to wrest power from an increasingly non-political Centrism. Within this Centrism, government is deeply captured by the international corporate interests of Big Tech, Big Natural Resources, Big Media, and Big Pharma, as beholden to the economic necessities of the neoliberal world o
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Howgate, Sandra, Mariah Cannon, Tabitha Hrynick, and Vaishnavee Madden. River of Life. Institute of Development Studies, 2024. http://dx.doi.org/10.19088/ids.2024.007.

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This fictional River of Life illustrates one family’s journey in the borough of Ealing. Based on research from the Enabling Early Child Development in Ealing (ECDE) project, it shows some common challenges faced by local families, but more importantly, how families felt support should be, in order to ensure all children get the best start in life. While every family is unique with diverse backgrounds and needs, we hope this tool sparks discussion about how all healing families can be supported whoever they are.
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Fagan, Matt, and Naomi Schwartz. Exploring the Social and Ecological Trade-offs in Tropical Reforestation: A Role-Playing Exercise. American Museum of Natural History, 2018. http://dx.doi.org/10.5531/cbc.ncep.0108.

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This exercise introduces students to the complexities of conservation in rural tropical landscapes. It introduces the concepts of payments for environmental services (PES), trade-offs and synergies between agricultural land-uses and society’s needs, and introduces students to tropical land-uses and common rural stakeholders in the tropics. The module has two main parts. In Part 1, students learn about a new reforestation program in the fictional country of Nueva Puerta and must debate how to direct the reforestation program: towards poverty alleviation, export production, water protection, or
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Blaxter, Tamsin, and Tara Garnett. Primed for power: a short cultural history of protein. TABLE, 2022. http://dx.doi.org/10.56661/ba271ef5.

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Protein has a singularly prominent place in discussions about food. It symbolises fitness, strength and masculinity, motherhood and care. It is the preferred macronutrient of affluence and education, the mark of a conscientious diet in wealthy countries and of wealth and success elsewhere. Through its association with livestock it stands for pastoral beauty and tradition. It is the high-tech food of science fiction, and in discussions of changing agricultural systems it is the pivotal nutrient around which good and bad futures revolve. There is no denying that we need protein and that engaging
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