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Journal articles on the topic 'FICTION / World Literature / Pakistan'

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1

Hajra, Khalid. "Unveiling the Magical Realism of Pakistan: A Thematic Analysis of A Firefly in the Dark and Midnight Doorways." Al-Qantara 10, no. 02 (2024): 355–74. https://doi.org/10.5281/zenodo.13309865.

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Academic scholarship on Magical Realism has focused majorly on Latin America and, later, on other nations around the world, Pakistani Magic realist literature, however, has not garnered enough scholarly attention. The irreal has long been a part of Pakistani oral and literary tradition, especially in Urdu literature (Kanwal and Mansoor 2021). Recently, Pakistani Anglophone writers have started experimenting with the genre of Speculative fiction by appropriating local folklore and mythological worlds and motifs inspired by the Islamic and South Asian civilizations. To generate an understanding
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2

Jabbar, Maria, and Dr Muhammad Arfan Lodhi. "Subalternity and Displacement in Rafia Zakaria’s “Upstairs Wife”: A Critique upon Pakistani Fiction." Children and Teenagers 7, no. 2 (2024): p1. http://dx.doi.org/10.22158/ct.v7n2p1.

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The study explored the themes of subalternity, displacement, and resistance in Rafia Zakaria’s book “Upstairs Wife”, which is set in Pakistan in the 1970s and 1980s against a backdrop of sociopolitical unrest. The research examined how characters—especially the heroine Amina—maneuver through overlapping kinds of oppression and marginalization within a patriarchal, economically stratified, and politically unstable society through careful reading and thematic analysis of the text. The research highlighted the widespread injustices and inequities that marginalized groups in Pakistani society must
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Asim Karim. "Pakistani Fiction in English: Exploring Decolonial Epistemological Prospects and Challenges in English Classroom Practices in Pakistan." Journal of Contemporary Poetics 6, no. 2 (2023): 91–108. http://dx.doi.org/10.54487/jcp.v6i2.2890.

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This research focuses on Pakistani Fiction in English as a useful tool for language learners to improve their language skills, understanding of culture, and intercultural competence. The discussion shows the vast cultural diversity and linguistic ingenuity evident in Pakistani anglophone texts, enabling learners to participate with authentic language use and get a deeper understanding of Pakistani society. This paper also examines the practical implications of introducing these texts into language classes, highlighting the need for context-based activities, critical thinking exercises, and dis
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Khan, Hashim, Muhammad Umer, and Amjad Saleem. "A Narrative of Confrontation and Reconciliation Through Vivid Symbolism: A Study of Mohsin Hamid's Novel the Reluctant Fundamentalist." Global Language Review V, no. III (2020): 133–41. http://dx.doi.org/10.31703/glr.2020(v-iii).14.

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This study examined The Reluctant Fundamentalist by Mohsin Hamid, a response to American position on 9/11. The author's 'research back' and 'counter history' literary technique was explored to analyze it as a fiction of confrontation and reconciliation. Both the elements have been studied with reference to vivid symbolism of the characters, names, situations, texts and references. The novel is a bold encounter with American political narrative and military response. Out of a huge volume of post-9/11 fiction, The Reluctant Fundamentalist stands out as a part of counter narrative literature. Thi
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Afifa Naveed та Dr. Sadaf Naqvi. "عبدالستار دلوی کی "علی سردار جعفری، شخص، شاعر اور ادیب" : ایک تجزیاتی مطالعہ". Al-Qamar 6, № 1 (2023): 191–200. https://doi.org/10.53762/88fb5393.

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Abdul Sattar Dalvi enjoys a remarkable position in Urdu language and literature, research and criticism and in translation and linguistics. He devoted all his life to teach in different universities of the world. He is admired due to his intellectual and literary abilities not only in India but in Pakistan also. His literary master piece “Do Zubanain Do Adab (Urdu Hindi kay Tanazur Main)” is a part of the syllabus of Ph.D. Urdu in various universities of Pakistan. Progressive movement produced many sincere, able, intellectual and honest literary personalities e.g., poets, fiction and prose wri
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Salahuddin, Ambreen. "Mystic Language and Symbols: Unity of Being and Pakistani Women Fiction Writers." Journal of Islamic Thought and Civilization 10, no. 101 (2020): 170–81. http://dx.doi.org/10.32350/jitc.101.09.

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This article explores the concept of unity of being in fiction by Pakistani women writers. The usage of mystic language and depiction of mystical and Sūfi symbols in literature can be traced back to ancient texts. However, it has been deemed alien for women to be Sūfis and have mystic experience, apart from a few exceptions. Indulging in formulating mystical symbols and using mystic language by women has not been perceived as too womanly. The main reason for this is the fact that women’s world-view has been restricted and thus deemed limited. Complete works of fiction by Pakistani women writer
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Saqlain Ahmad Khan (Saqlain Sarfraz) and Abid Hussain. "Alif Laila in Arabic Literature: A Study." GUMAN 7, no. 4 (2024): 117–22. https://doi.org/10.63075/guman.v7i4.877.

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Alif Laila is as popular in the Arabic language as Homer's epics in world classical literature. In this story, the story of a lustful king and an intelligent storyteller is presented. In this story, Greek, A mixture of Egyptian and Babylonian stories is seen. A French orientalist named Antoine Gland found the source of this story and translated it into French, which made this story universally accepted.It was first translated into English by Edward W. Lane, but the authentic translation is believed to be by Richard Burton. It was translated into Urdu by various translators as "Alif Laila Al-Ma
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8

Hina Rafique and Madiha Ashraf. "Post 9/11 Fiction: Questioning the real Fundamentalist Terrorist in Omer Shahid Hamid’s ‘The Prisoner’." Journal for Social Science Archives 2, no. 2 (2024): 273–82. https://doi.org/10.59075/jssa.v2i2.60.

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The present study aims to investigate the concept of Fundamentalist i.e. terrorists (jihadis) in the contemporary criminal narrative The Prisoner by Omer Shahid Hamid. This text is ultimately a criminal discourse reeked with the world of crime, violence, murder, sex and pragmatisms of Karachi police and political parties. This study focuses on the violent doings of terrorists (jihadis) through the course of the text, while proving themselves the real Muslim fundamentalists in the name of Islam. It also intends to scaffold through strategic violent doings that how violence is administered on th
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9

Lowe, Michelle, Roxanne Khan, Vanlal Thanzami, Mahsa Barzy, and Rozina Karmaliani. "Attitudes toward intimate partner “honor”-based violence in India, Iran, Malaysia and Pakistan." Journal of Aggression, Conflict and Peace Research 10, no. 4 (2018): 283–92. http://dx.doi.org/10.1108/jacpr-09-2017-0324.

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Purpose Although intimate partner violence (IPV) and “honor”-based violence (HBV) are major concerns throughout the world, little research has investigated the acceptance of these forms of abuse outside of the West. The purpose of this paper is to therefore respond to this gap in the literature by exploring attitudes toward HBV in a fictional depiction of IPV across four Asian samples: India, Iran, Malaysia and Pakistan. Design/methodology/approach Participants (n=579) read a hypothetical scenario in which a husband, despite his own marital infidelity, verbally abuses and physically assaults h
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10

Tauseef, Muhammad, Syed Kazim Shah, Fatima Tul Zahra Sulehri, and Mehwish Kalsoom. "An Evaluation of Grade Six English Curriculum of Beaconhouse School System in Pakistan." International Journal of English Language Education 3, no. 2 (2015): 44. http://dx.doi.org/10.5296/ijele.v3i2.7824.

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<p>Curriculum and instruction material are considered fundamental tools in ELT throughout the world. Consideration of utmost significance of the curriculum requires its evaluation process for measuring its effectiveness in facilitating teaching/learning objectives. The present study is an attempt to evaluate grade six English curriculum of Beaconhouse School System. To the end, features based on the objectives of the curriculum were evaluated to determine whether learning of language, listening, reading, speaking, and writing, vocabulary and understanding of grammar, literature (both fic
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Sachdev, Neerja. "WOMEN AS A VICTIM OF PATRIARCHAL CONSTRUCT IN THE PAKISTANI BRIDE AND WATER." International Journal of Social Sciences & Humanities (IJSSH) 5, no. 2 (2020): 10–22. http://dx.doi.org/10.58885/ijllis.v5i2.10.ns.

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Bapsi Sidwa an ambassador of Pakistan Literature is not only a story teller but an artist who has very enigmatically related the plight and exploitation of women in the patriarchal society. When we talk of ‘Feminism’ we refer to the movement which has played an important role in projecting the suppressed status of women in the patriarchal society. The term also signifies the emergence of the power of the women over the constructs of male dominance and a movement to acquire the equal rights of the women with men in all walks of life, social, moral, economic legal and so on. Men establish their
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R, Bhuvaneswari, Cynthiya Rose J S, and Maria Baptist S. "Editorial: Indian Literature: Past, Present and Future." Studies in Media and Communication 11, no. 2 (2023): 1. http://dx.doi.org/10.11114/smc.v11i2.5932.

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IntroductionIndian Literature with its multiplicity of languages and the plurality of cultures dates back to 3000 years ago, comprising Vedas, Upanishads, Puranas and Epics like Ramayana and Mahabharata. India has a strong literary tradition in various Indian regional languages like Sanskrit, Prakrit, Pali, Hindi, Marathi, Bengali, Oriya, Tamil, Kannada, Telugu, Malayalam and so on. Indian writers share oral tradition, indigenous experiences and reflect on the history, culture and society in regional languages as well as in English. The first Indian novel in English is Bankim Chandra Chatterje
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Holgate, Ben. "A New World Literature Canon." Journal of World Literature 7, no. 3 (2022): 427–48. http://dx.doi.org/10.1163/24056480-00703008.

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Abstract Scholarly debate about world literature often relegates non-fiction as secondary to fiction. This article argues that non-fiction is as important as fiction, and uses the Financial Times Business Book of the Year Award as a case study. Although the FT award focuses on business, it has a wider cultural impact influencing academia, global media, and literature. After seventeen years, the award’s consistent quality of longlisted books has created a canon that has genuine literary value. My analysis of the award demonstrates that the finalists and winners have been concentrated in terms o
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14

King, Stewart. "Crime Fiction as World Literature." Clues: A Journal of Detection 32, no. 2 (2014): 8–19. http://dx.doi.org/10.3172/clu.32.2.8.

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15

BOBARU, Nicolae. "Sea Fiction as World Literature." Analele Universității „Ovidius” Constanța. Seria Filologie 34, no. 2 (2023): 17–33. http://dx.doi.org/10.61801/uocfilo.2023.2.02.

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16

Castroverde, Aaron. "Philosophical Fiction as World Literature." Sartre Studies International 29, no. 2 (2023): 59–78. http://dx.doi.org/10.3167/ssi.2023.290205.

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Abstract This article will examine Jean Paul Sartre's Nausea from the perspectives of philosophical fiction and world literature. Philosophical fiction is a specific kind of literature that insists on its absolute modernity. However, the literary aspects of philosophical fiction place it within its political and historical context, thus threatening this pretense to universality. Our examination of Nausea will show the internal tension between philosophy and fiction and how the interplay of both of those elements informed the structure of the novel. The formal, literary aspects help further the
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17

Reis, Amândio. "Short fiction as world literature." Short Fiction in Theory & Practice 13, no. 2 (2023): 119–23. http://dx.doi.org/10.1386/fict_00090_2.

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Amândio Reis introduces a Special Issue of Short Fiction in Theory and Practice devoted to the theme of ‘Short Fiction as World Literature’. After discussing the short story’s generic vocation as an object of world literary studies, he considers the absence of critical discussions that recognize and engage with the short story as such, and not simply as a handier and lighter instrument than the novel. Following the footsteps of still rare but important contributions to address this lack, he comments on the ways in which each article participates in the collective challenge to problematize noti
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Berman, Carolyn Vellenga. "World of Fiction." Novel 52, no. 3 (2019): 461–65. http://dx.doi.org/10.1215/00295132-7738695.

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19

Ning, Wang, and Charles Ross. "Contemporary Chinese Fiction and World Literature." MFS Modern Fiction Studies 62, no. 4 (2016): 579–89. http://dx.doi.org/10.1353/mfs.2016.0053.

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20

Khan Chaudhry, Mahmood Ali. "Note Child Labour - Facts and Fiction." LAHORE JOURNAL OF ECONOMICS 2, no. 2 (1997): 119–22. http://dx.doi.org/10.35536/lje.1997.v2.i2.a8.

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Child labour exists throughout the third world including Pakistan. For some unknown reason, the Western Press has chosen to single out Pakistan to decry the system. The May 1997 issue of the Readers’ Digest carried a particularly vicious article entitled `No Life for a Child’ giving harrowing tales of beatings and other forms of coercion to make little children in Pakistan to work in factories. Advantage is taken of the fact that there has been no census in the country for two decades to bloat the figures of child labour. One estimate going the rounds is 15 million. But the more popular figure
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21

WANG, Yiping. "World Literature, Industrialization, and the Two Faces of Contemporary Chinese Science Fiction." Cultura 18, no. 1 (2021): 95–108. http://dx.doi.org/10.3726/cul012021.0007.

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Abstract: In "World Literature, Industrialization, and the Two Faces of Contemporary Chinese Science Fiction" Yiping Wang discusses contemporary Chinese science fiction against the backdrop of the influence of world literature and the development of industrialization in China. Wang argues that two sides represented respectively by Liu Cixin and Han Song constitute the feature of contemporary Chinese science fiction. The side characterized by the works of Liu Cixin is the close connection with world science fiction and the positive attitude and consistency with technological innovation and indu
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22

Gunn, James. "Science Fiction around the World." World Literature Today 84, no. 3 (2010): 27–29. http://dx.doi.org/10.1353/wlt.2010.0250.

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23

Wang, Yangyang. "From “New Worlds” to “Science Fiction World”: Exploring the Chinese Inspiration of the New Wave of Science Fiction." Economic Society and Humanities 1, no. 2 (2024): 36–41. http://dx.doi.org/10.62381/e244206.

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New Worlds has had a huge impact on Western science fiction literature and propelled the development of British "New Wave" science fiction novels. Editor in chief Michael Moorcock dedicated to developing new literary styles and cultivating a large number of excellent science fiction writers. Before the 1990s, Chinese science fiction novels had always been a supplement to popular science and children's literature. It was Science Fiction World that cultivated a "new generation" of science fiction writers for Chinese science fiction literature and brought a vigorous development momentum to the Ch
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Rasuleva, Nigina Alisherovna. "SCIENCE FICTION IN WESTERN AND CHINESE LITERATURE: SIMILARITY AND COMMUNITY." International journal of word art 5, no. 5 (2022): 5. https://doi.org/10.5281/zenodo.7038307.

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Traditionally, science fiction is fiction mixed with scientific ideas at the same time. The article analyzes the formation of the science fiction genre in world literature, the creativity and writing style of modern Western and Chinese science fiction writers. Well-known and popular works of science fiction writers reflect their main content and essence.
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Derrida, Jacques. "‘The Fiction of the World’." Oxford Literary Review 35, no. 1 (2013): 1–3. http://dx.doi.org/10.3366/olr.2013.0053.

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Shameen Imran and Dr. Sofia Hussain. "Re-Orientalism and Colonial Nostalgia in Pakistani Austen Rewritings: A Case Study of Austenistan." Journal of Contemporary Poetics 7, no. 2 (2024): 35–50. http://dx.doi.org/10.54487/jcp.v7i2.3399.

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Our paper aims to explore the recent Austen rewritings in Pakistani Anglophone fiction such as Austenistan as an example of professional fan fiction and postcolonial literature. These rewritings, we argue, possess such qualities that not only appeal to Janeites but also adhere to Re-Orientalism. The primary premise of our work focuses on the strategic use of ‘Austenmania’ by Pakistani Anglophone female writers in their fiction and its tendencies to project an oriental gaze on Pakistan, while also aligning it with the ‘benevolent modernity’ of former colonial masters. In our paper, we have crit
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Murvatova, Ilaha. "Theoretical foundations of utopian and dystopian parables in world literature." Reality of Politics 28, no. 2 (2024): 63–71. http://dx.doi.org/10.15804/rop2024204.

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What does the future hold for us? Which path will humanity take? Perhaps people will finally learn from the mistakes of past generations and build a perfect society? Or they will choose a disastrous path, making the life of an individual absolutely unbearable? Science fiction writers have repeatedly tried to find answers… Science fiction is dedicated to the two opposites of the development of civilization. When people talk about fiction of the early twentieth century, they usually mean so-called “science fiction.” The first works of fantastic literature of new varieties began to appear at the
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Young, Victoria. "Beyond “Transborder”: Tawada Yōko’s Vision of Another World Literature." Japanese Language and Literature 55, no. 1 (2021): 1–33. http://dx.doi.org/10.5195/jll.2021.181.

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This article presents a critical examination of “transborder” literary approaches that seek to renegotiate the position of Japanese fiction within the world. The concept of transborder fiction has emerged in recent decades as a means of breaking down the boundaries of Japanese literature that assume agreement between the nationality of a writer and the language of her text. However, as it takes its cues from David Damrosch’s influential study of 2003, What is World Literature?, which suggests that literature gains in value in translation, transborder literature betrays its desires to promote J
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Irfan Ahsan, Dr Irfan Ahsan Pasha. "Urdu Fiction and Modern Lifestyle." Tasdiqتصدیق۔ 1, no. 1 (2019): 07–19. http://dx.doi.org/10.56276/tasdiq.v1i1.10.

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Modern lifestyle is the biggest outcome of our times. As a social phenomenon, it is much due to the development of human society. Advancement in knowledge laid the foundation of science and technology and this advancement transformed the ancient simple life to the magic world of today where everything is on your single click. Modern life has many problems too. The cause of these problems is also the same advancement in technology. In today’s globalized world these problems are at large and encompass the whole world. Urdu literature does not ignore the pros and cons of the modern lifestyle in i
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Samuel,, H. John. "Compiling Ecosystem Management and Environmental/Climate Literature into the Environmental Education." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 09, no. 02 (2025): 1–9. https://doi.org/10.55041/ijsrem41407.

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In the contemporary world, since people are encountering environmental/climate issues and losing some species of ecosystem, world organizations have propounded ecosystem management to conserve the ecosystem for a wealthy future. Ecosystem management creates boundaries to reduce the extreme consumption of natural resources. Nevertheless, the governments and people of the world fail to perform eco-management persistently. Therefore, the questions of what are the difficulties in implementing ecosystem management, despite the fact that eco-management has enough policies and plans and what is the s
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Simsone, Bārbala. "Science Fiction In Latvian Literature." Interlitteraria 22, no. 2 (2018): 397. http://dx.doi.org/10.12697/il.2017.22.2.16.

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The present paper is devoted to the overview of the beginnings and development of the genre of science fiction in Latvian literature. Similarly to other popular fiction genres, science fiction in Latvian literature has not been very popular due to social and historical reasons; however, during the course of the 20th century several authors have at least partially approached the genre and created either fully fledged science fiction works or literary works with science fiction elements in them. The paper looks at the first attempts to create science fiction-related works during the beginning of
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Chupasov, Vadim. "Not-for-children reading: markers of adult sci-fi in Sergei lukyanenko’s writings." Children's Readings: Studies in Children's Literature 19, no. 1 (2021): 268–80. http://dx.doi.org/10.31860/2304-5817-2021-1-19-268-280.

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New forms of science fiction had emerged in several post-Soviet countries in years 1990–2000. New science fiction inherits and transforms traditions and conventions of Soviet “science fiction” (nauchnaya fantastica). The emergence of market relations in the “field of literature” provoked an identity crisis, also initiating various attempts to redefine the boundaries between science fiction and previously closely related discourses, including children’s literature. This article, using several works by S. Lukyanenko as an example, examines how this rhetorical strategy has been implemented within
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Madaminova, S. A. "THE IMPLEMENTATION AND EXPLORATION OF FANTASY IN UZBEK LITERATURE." JOURNAL OF NEW CENTURY INNOVATIONS 2, no. 1 (2022): 340–43. https://doi.org/10.5281/zenodo.6448474.

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Annotation: Theoretical and scientific support of the  existence of fiction in  Eastern  literature  is  regarded  as  an  integral  part  of  world  classical  literature.  It  influences and relies on not only elements of fiction in Uzbek classical literature, but  also  mature  examples,  the  development  of  modern  Uzbek  fiction,  in  particular,  science fiction as well as the study of problems is evaluated as a great scientific  importance.  
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Syed, Ghazal Kazim. "Citizenship through Fiction." Asian Journal of Social Science 48, no. 5-6 (2020): 468–87. http://dx.doi.org/10.1163/15685314-04805006.

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Abstract This study explores students’ responses to identifying two themes of citizenship, identity, and discrimination in literary texts taught to them at undergraduate level as part of their curriculum at a department of English at a government university in Sindh, Pakistan. The current study takes responses of the students who have read five novels as part of their curriculum, through questionnaires, to find out if they identify the two themes in those novels. Further to the questionnaire data, interviews are conducted under the framework of reader-response theory to investigate the factors
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Wang, Ning. "Contemporary Chinese Fiction and Its Relations with World Literature." Telos 2022, no. 199 (2022): 83–90. http://dx.doi.org/10.3817/0622199083.

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Lu, Sheldon Hsiao-peng. "Telling Details: Chinese Fiction, World Literature by Jiwei Xiao." Rocky Mountain Review of Language and Literature 76, no. 1 (2022): 156–58. http://dx.doi.org/10.1353/rmr.2022.0014.

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He. "World Literature as Event: Ibsen and Modern Chinese Fiction." Comparative Literature Studies 54, no. 1 (2017): 141. http://dx.doi.org/10.5325/complitstudies.54.1.0141.

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Khasanov, Sukhrob Shavkatovich. "THE PLACE AND DEVELOPMENT OF THE INTERTEXT PHENOMENON IN WORLD LITERATURE." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 6 (2023): 1164–66. https://doi.org/10.5281/zenodo.8069604.

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The phenomenon of intertext plays an important role in the development of world literature. Because, precisely because of this phenomenon, the images that have already existed in the world literature and are passing from language to language have not lost their place in fiction. This serves to increase the content of the works. We can find many types of intertext in world literature, especially in Western fiction. We can see this phenomenon given in  epigraph, title, allusion, quotation, antonomasia, parody and other forms.
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Daley, Linda. "Alexis Wright’s Fiction as World Making." Contemporary Women's Writing 10, no. 1 (2016): 8–23. http://dx.doi.org/10.1093/cww/vpv028.

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Noor Ul Ain, Humaira Riaz, and Mashal. "Exploring Bioterrorism in the Post 9/11 Gothic Literature: A Study of World War Z." Human Nature Journal of Social Sciences 4, no. 4 (2023): 63–75. https://doi.org/10.71016/hnjss/p48vy126.

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Aim of the Study: This study explores bioterrorism in post-9/11 gothic fiction World War Z. Through zombie spectrum fiction, the study epitomises the cultural junction to unravel conspiracy theories. It highlights the socio-political discourses in the year following 9/11. Methodology: The study discusses World War Z as a disruptive counter-discourse to investigate suggested socio-political issues as representation of bioterrorism in literature. It uses thematic analysis. Findings & Conclusion: Bioterrorism is a popular subject in mythology and fiction, reflecting socio-political themes. Wo
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Ellis, Joseph M. "Swedish Crime Fiction and Study Abroad: Literature, Politics and the Foreigner." Frontiers: The Interdisciplinary Journal of Study Abroad 30, no. 2 (2018): 106–16. http://dx.doi.org/10.36366/frontiers.v30i2.415.

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This paper highlights how to use Swedish crime fiction in the classroom to teach politics, especially issues related to immigration and the role of being “foreign”. Furthermore, the paper explores how Swedish crime fiction can be incorporated into a study abroad course, examining one such study abroad – known as W’International – on our campus. I argue that Swedish crime fiction novels make for a perfect venue to explore an array of political problems and challenges, and a palatable way for students unfamiliar with Sweden or crime fiction to relate to real-world issues.
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Milner, Andrew, and JR Burgmann. "Climate Fiction: A World-Systems Approach." Cultural Sociology 12, no. 1 (2017): 22–36. http://dx.doi.org/10.1177/1749975517725670.

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Since the death of Pierre Bourdieu, the leading contemporary sociologist of literature has arguably been Franco Moretti. Moretti’s distinctive contribution to the field has been his attempt to apply Immanuel Wallerstein’s world-systems theory to literary studies. Although Wallerstein traces the origins of the modern world-system back to the 16th century, Moretti focuses on the much shorter period since the late 18th century. This is also the historical occasion for the initial emergence of modern science fiction (SF). Andrew Milner has previously sketched out an ambitious model of the ‘global
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Wike, Jonathan. "The World as Text in Hardy's Fiction." Nineteenth-Century Literature 47, no. 4 (1993): 455–71. http://dx.doi.org/10.2307/2933784.

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The inscribed landscape serves as the central figure in the fiction and poetry of Thomas Hardy, from the images that stand out like "gilded letters upon the dark tablet of surrounding Egdon" in The Return of the Native to those "written on terrestrial things" in the poem "The Darkling Thrush." This paper concentrates on the use of writing imagery in the novels that make up the first half of Hardy's career as a writer. Although it can be traced to the tradition of writing metaphors described by E. R. Curtius, this body of imagery is give particular freshness and depth in Hardy's work, where it
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Wike, Jonathan. "The World as Text in Hardy's Fiction." Nineteenth-Century Literature 47, no. 4 (1993): 455–71. http://dx.doi.org/10.1525/ncl.1993.47.4.99p0478v.

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Bilal, Mushtaq. "Reading Mohsin Hamid’s Exit West as a World Novel." Journal of World Literature 5, no. 3 (2020): 410–27. http://dx.doi.org/10.1163/24056480-00503006.

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Abstract This paper investigates how Mohsin Hamid’s fiction challenges the so-called “natural law” of world literature according to which a work of literature has to be first born into a national literature before circulating into world literature. In addition, the paper shows how Hamid’s fiction and its reception strains the category of “national literature.” Building on the theoretical insights of Vittorio Coletti and Alexander Beecroft, I argue that Hamid’s 2017 novel Exit West can be read as a world novel because it narrates the world by framing the displacement of its characters in terms
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Jones, Todd. "Will students gain knowledge of the world by reading fiction?" Theory and Research in Education 17, no. 1 (2019): 3–18. http://dx.doi.org/10.1177/1477878519832675.

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Teachers of literature often have students read works of fiction to learn important truths about the world. But, it is not clear how looking at a work of fiction can tell us about the actual world. This article examines whether and how this can be done.
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Correia, Alda. "Regionalist short fiction as humble fiction." Short Fiction in Theory & Practice 10, no. 2 (2020): 161–72. http://dx.doi.org/10.1386/fict_00025_1.

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The representation of the world cannot be separated from its spatial context. Making the effort to understand how space and landscape influence short stories and their structure, and are represented in them, can help us to make sense of the role of this formerly underestimated subgenre, its social and cultural connections and dissonances, its relation to storytelling and popular narratives, and its alleged low importance. How does the short story genre relate to regional and landscape literature? Can we see it as humble fiction and, in this case, how does the humbleness of this subgenre play a
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Suciu, Marian. "India’s North Border Conflicts: Between Reality and Fiction." Transylvanian Review 33, no. 2 (2024): 52–66. http://dx.doi.org/10.33993/tr.2024.2.04.

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Ever since the Republic of India became an independent nation in 1947, the Indian state has strived to keep its territorial integrity, in spite of the numerous territorial claims made by neighboring states. Firstly, the Kashmir region is home to both Muslim and Hindu populations; therefore, when the Indian and Pakistani states were created, the region was split between the two new states. However, both states hold the belief that the entirety of the Kashmir region should be part of their territory. This situation sparked numerous local conflicts and four local wars (1947, 1965, 1971, and 1999)
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Rahmani, Gulrahman, and Sayed Mojtaba Nayel. "Magic Realism and Fantastic in Contemporary Literature." International Journal of Middle Eastern Research 3, no. 1 (2024): 01–03. http://dx.doi.org/10.32996/ijmer.2024.3.1.1.

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Magical Realism and Fantastic are two widely used concepts in contemporary literature. Fantastic is such fiction that blends the realities of our physical world with the supernatural in an indistinguishable manner, with the aim of leading minds of varying abilities on different trails. Both are used in combination to complete the novel. The reader is amazed by the inability to differentiate between real life and the world of fantasy. In Magical Realism, as the name implies, magic, history, fiction and myths are employed. The characters often possess supernatural abilities. It is often mistaken
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Dr. Saima Iqbal, Anam Shehzadi, and Iqra Shehzadi. "Najamuddin Ahmed: Personality and Literary Achievements." GUMAN 7, no. 1 (2024): 282–97. https://doi.org/10.63075/guman.v7i1.731.

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Najamuddin Ahmed is a well-known fiction writer, novelist and translated poet of Pakistan. He belongs to Bahawalnagar. He was born on 2 June 1971 in Bahawalnagar and studied there and did his MA in English Literature. Since September 1993, he has been employed in the Department of Finance, Punjab. So far, a total of thirteen of his books have appeared, eight of which are translations. Apart from this, books include three novels Madfan, Khoj and Saheem and two fiction collections, Ao Bhai Khalain and Farar and other fictions. Najamuddin is one of those writers who, instead of desiring baseless
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