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Journal articles on the topic 'Fictional and historical prose'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Gorelova, Olga Olegovna. "Literary-documental narrative in the fictional autobiographic novel “My Secret History” by Paul Theroux." Litera, no. 5 (May 2020): 39–49. http://dx.doi.org/10.25136/2409-8698.2020.5.32908.

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This article raises the problem of differentiation between authorial fiction and factual information in the fictional autobiographic prose that interfere with each other. The object of this research is the fictional autobiographic prose as a peculiar type of text with structure containing system codes of diverse narrative nature. The subject of this research is the characteristics and features of the literary-documental narrative in a fictional autobiographical text. The goal consists in demonstrating the dual nature of the fictional biographic prose on the example of literary-documental novel

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2

Talbott, Siobhan. "‘Causing misery and suffering miserably’: Representations of the Thirty Years’ War in Literature and History." Literature & History 30, no. 1 (2021): 3–25. http://dx.doi.org/10.1177/03061973211007353.

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This article examines a range of fictional literature – poetry, prose, play and song produced between the seventeenth and twenty-first centuries – that represents aspects of the Thirty Years’ War, a conflict fought in Europe from 1618 to 1648. Depiction of the Thirty Years’ War in literary works is compared to that found in empirical historical evidence and historians’ analyses. It is concluded that historical fictions offer a different, but equally valid, account of the conflict to academic histories, and that by using historical fictions and empirical evidence together, a more holistic pictu

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Віннічук, Алла. "Український історичний роман: шляхи становлення та розвитку". Українська література: історичний досвід і перспективи, № 1 (27 березня 2024): 44–47. http://dx.doi.org/10.31652/3041-1084-2023-1-44-57.

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The experience accumulated by the art of words never goes away. At a certain stage of literary development, it can be exhausted to a certain extent, only to be revived in a new context in a modified form. The relevance of the study of historical prose, in particular its ways of formation and development, specificity, themes, is quite natural, since works about the national past allow the reader to consciously or sporadically immerse himself in the meaning of life realities, in particular to understand the moral and ethical ideals of the Ukrainian people, the physical and spiritual endurance of

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Grebeniuk, Tetiana. "Silence and speaking as forms of representation of the historical trauma in the Ukrainian prose of the Independence period." Synopsis: Text Context Media 28, no. 3 (2022): 104–12. http://dx.doi.org/10.28925/2311-259x.2022.3.1.

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The relevance of the article is determined by the current need for literary research of contemporary Ukrainian fiction works, focused on the problem of historical trauma, in the context on new achievements of trauma studies, memory studies, and identity studies. The research aims to analyze the role of the phenomena of silence and speaking in the fictional representations of historical traumas of the 20th century in the works of the Ukrainian prose of the Independence period. Methodological framework of the study includes trauma studies, memory studies, and identity studies, as well as postcol

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ŠKVORC, Boris. "CONSTRUCTION, TRANSFERENCE AND RESTRUCTURING OF STORIES ABOUT NATIONAL IDENTITIES: ABOUT KRLEŽA'S STARČEVIĆ AND ANDRIĆ'S NJEGOŠ." Lingua Montenegrina 5, no. 1 (2010): 297–334. https://doi.org/10.46584/lm.v5i1.148.

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This work explores the narrative tactics, authorial impostations and the manipulations with ideologemes in prose works of two of the most important twentieth century South Slavic authors, Ivo Andrić and Miroslav Krleža. The focus is on their narrative and ideological tactics: fictionalization of factional layers of the text, especially on the processes of fictionalization of historical ‘characters’ such were Ante Starčević, an important Croatian politician from nineteen century, and Petar Petrović Njegoš, probably the most important historical person in Montenegrian nineteen century history. T

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Barborík, Vladimír. "Memory and History: A Comparison of the Past in Slovak Prose of the Post-2000 Period." Porównania 27, no. 2 (2021): 77–99. http://dx.doi.org/10.14746/por.2020.2.5.

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This study focuses on how two kinds of memory: historical and personal are reflected in a section of Slovak literature of the past two decades. A variety of autobiographical genres and biographically-stylised fictional prose draw on personal memory, and history, is the domain of historical genres, particularly the novel. After the 1990s, the present was deemed important and historical presentations of the past were parodiedin the prose of Peter Pišťanek and Igor Otčenáš. At the beginning of the new millennium, however, prose portraying and reflecting on the past reappeared. Memory- based writi

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Neupane, Nabaraj. "Demystifying the Magic in Diamond Shumsher’s Seto Bagh: History Reconsidered." SCHOLARS: Journal of Arts & Humanities 3, no. 2 (2021): 108–15. http://dx.doi.org/10.3126/sjah.v3i2.39430.

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Diamond Shumsher’s masterpiece, Seto Bagh, is a significant historical novel in Nepali literature. The novel made a vibrant debut in depicting historicity in fictional prose in the Nepali context. In particular, the reconsideration of the portrayal of history from a new perspective is relevant. Traditionally, this is considered a historical realist novel. Nevertheless, magical elements are profusely used in the novel. In this study, this niche opens up avenues to re-evaluate the historicity vis-à-vis magical elements. I have adopted Maggie Ann Bowers’ and Wendy B. Faris’s notions and perspecti

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Barchan, Valentyna. "LITERARY LESSON OF VASYL STEFANYK IN YURII STANYNETS` CREATIVE WORKS STANYNTS." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 74–86. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-74-86.

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The aim. The suggested literary critic research traces the influence of Vasyl Stefanyk’s creative experience upon shaping worldview, aesthetical grounds of Yurii Stanynets (1906-1994), a prose writer from Zakarpattia. On the rich literary-fictional material, the task is set to analyse the writer’s works that came out in different periods of his creative life and to reveal the “lessons of the master of psychological prose” in the planes of Yurii Stanynets’s genres and styles, as well as problems and themes. The research methods are outlined through using comparative-typological, cultural-histor

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Rozinkiewicz, Natalia. "Gender w ukraińskich powieściach." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 48, no. 3 (2020): 363–72. http://dx.doi.org/10.36770/bp.537.

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The focus of the research on Ukrainian novels in the transition period of the late XX – early XXI century is topical in the current new literary discourse, since such scientific researches make Ukrainian prose more competitive in the world literature. In the paradigm of complex analysis of a large amount of prose works of Ukrainian authors, Olha Bashkyrova’s study “Fictional Gender Models of Contemporary Ukrainian Novels” first takes into consideration a problem which has not been the subject of special scientific interest yet, namely manifestation of mental fictional gender models in individu

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Myshanych, Yaroslav. "Ukrainian Historiographic Prose of the 18th – the First Half of the 19th century in Assessment of Mykhailo Maksymovych." Слово і Час, no. 10 (October 16, 2019): 52–58. http://dx.doi.org/10.33608/0236-1477.2019.10.52-58.

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The essay reviews the studies of Mykhailo Maksymovych that deal with the three works of the 18th–19th-century Ukrainian historiography. According to M. Maksymovych, one may classify the syncretic historiographic works within three main types. These are Cossack chronicles of the late 17th – early 18th centuries, journalistic pamphlets of the late 18th century, and historical novels of the mid-19th century. The scholar used different approaches analyzing the works from the mentioned groups (chronicle by Hryhorii Hrabianka, “History of Ruthenians”, and “The Commoners’ Council” by Panteleimon Kuli

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Ashinova, K. A., A. S. Seidikenova, M. Kh Tankibayeva та M. K. Murzagaliyevа. "ХХ ғасыр басындағы проза тілінің дамуы". Bulletin of Shokan Ualikhanov Kokshetau University Philological Series, № 2 (30 червня 2024): 113–22. http://dx.doi.org/10.59102/kufil/2024/iss2pp113-122.

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The goal of this research is to determine how the Qazaq prose language emerged early in the 20th century, and what characteristics of its evolution occurred. In the years of 1920 to 1930 the prose genres such as stories and novels developed quickly. These works incorporated a great deal of folklore in addition to covering a wide range of subjects. Prose language formation and evolution are closely related to other facets of narrative. Because analyzing the degree of development on fictional elements such as the language of characters, the author, portrait, landscape, and descriptive elements i

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Rewakowicz, Maria G. "Geography Matters: Regionalism and Identities in Contemporary Ukrainian Prose." Canadian-American Slavic Studies 44, no. 1-2 (2010): 82–101. http://dx.doi.org/10.1163/221023910x512813.

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AbstractThis paper examines the representations of four Ukrainian cities (Kyiv, Rivne, Chernivtsi, and Lviv) in a few selected fictional narratives by four contemporary Ukrainian authors. Each of these cities represents not just concrete urban settings, but also provides a certain set of beliefs, myths, and historical accounts. The sense of belonging to the local territory is underscored, yet the sense of belonging to the nation and the world is not dismissed. Kurkov, Irvanets, Kozhelianko, and Vynnychuk celebrate the city as a generator and site of identity, simultaneously regional and nation

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Kalinina, Nadezhda Viktorovna. "«AND LIBERATE THE MUZHIKS…» (A COMMENTATOR’S NOTES ON I. A. GONCHAROV’S NOVEL THE PRECIPICE)." Russkaya Literatura 4 (2024): 56–65. https://doi.org/10.31860/0131-6095-2024-4-56-65.

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The article considers the internal chronology and temporal context of I. A. Goncharov’s prose works as one of the approaches to achieving the compositional unity of his novel The Precipice. The fictional time of the novel is reconstructed by comparing the temporal modes of the characters at the crossing points with the socio-historical markers of the narrative. A particular attention is paid to the Decree on Entailed Peasants (1842).

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Schenkeveld, Dirk M. "Prose Usages of Ἀκογειν ‘To Read’". Classical Quarterly 42, № 1 (1992): 129–41. http://dx.doi.org/10.1017/s0009838800042634.

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When we encounter the following words: ‘A few moments ago, I think, you heard Plato saying that there is no specific name for the art which deals with the body’, it is easy to put these into a literary context. We may imagine some kind of fictional dialogue, in which out of two or more partners one reminds another of what a few minutes ago Plato had said to them about a particular subject. Whether Plato is still present or has left the room, we do not yet know, and we hope to get this information from the rest of the book. The book might be an historical novel by, say, Mary Renault. So much is

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Perkins, Judith. "Fictive Scheintod and Christian Resurrection." Religion and Theology 13, no. 3-4 (2006): 396–418. http://dx.doi.org/10.1163/157430106779024671.

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AbstractIn his chapter titled 'Resurrection' in Fiction as History, Glen Bowersock examines examples of 'apparent death' (Scheintod) in Graeco-Roman narrative fictions. He concludes his analysis by questioning 'whether the extraordinary growth in fictional writing, and its characteristic and concomitant fascination with resurrection' might be 'some kind of reflection of the remarkable stories that were coming out of Palestine in the middle of the first century A.D.' In this essay I will offer that rather than seeing a relation of influence between fictive prose narratives and Christian discour

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Monolatii, T. P. "PECULIARITIES OF INTERTEXT AND INTERCULTURE PARADIGM OF JOSEPH ROT PROSE." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 283–91. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-283-291.

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The article analyses interpretation of Joseph Roth prose in the context of intertextuality as a literary means. It is determined by the author’s strategy and studied the aesthetic issues that are fundamental to his work. Intertextuality proves a postmodern phenomenon of reinterpretation of classic and new texts, giving them new meanings and establishing parallels with modern literature, which is reflected in an adequate interpretation of their genre and stylistic forms, the interpretation of philosophical concepts, iconic fictional and aesthetic phenomena. So in fiction there is an additional

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Osmukhina, O. Yu, A. D. Karpov, and E. A. Beloglazova. "Christian Context of Historical Novel (Zakhar Prilepin’s “Abode”)." Nauchnyi dialog, no. 9 (September 29, 2021): 181–99. http://dx.doi.org/10.24224/2227-1295-2021-9-181-199.

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The specificity of the synthesis of elements included in the historical narrative, and Christian motives, images in the novel of the largest contemporary Russian prose writer Zakhar Prilepin is comprehended in the article. The relevance of the article is due to the need to build a coherent and consistent history of the development of Russian literature over the past two decades, an important part of which is the legacy of the popular writers. The scientific novelty of the work lies in the fact that for the first time in Russian literary criticism “Abode” is considered from the proposed perspec

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18

Gilavyan, Meline. "The Modern Period’s (1960s-1980s) Tendencies and Measures of the Progress of Armenian Children's Prose." JOURNAL FOR ARMENIAN STUDIES 1, no. 60 (2023): 56–67. http://dx.doi.org/10.24234/journalforarmenianstudies.v1i60.33.

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During the study of the topic “The Modern Period’s (1960-1980s) Tendencies and Measures of the Progress of Armenian Children's Prose” we made a number of conclusions․ After overcoming the cult of the individual, literary-fictional developments entered a new direction of progress․ Literature gradually began to overcome the ideological and thematic barriers of the previous decades. Atmospheric reforms also had their impact on children's literature, which is, without a doubt, one of the integral parts of general literature, which means that its problems, trends and patterns of progress should be

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Silva, Gelbart. "HISTORY AND NOVEL IN ANTIQUITY: THE CHRONICLES OF DICTYS AND DARES." REVISTA DE LETRAS - JUÇARA 6, no. 1 (2022): 399–415. http://dx.doi.org/10.18817/rlj.v6i1.2829.

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This article aims to discuss about the relationship between history and novel in the context of Antiquity. To do this, two prose narratives were chosen: Ephemeris Belli Troiani (Journal of the Trojan War), dating from the 4th century AD, and De Excidio Troiae Historia (History of the Fall of Troy), dating from the 5th century AD. Ephemeris and De Excidio retell the Trojan War from a perspective of two soldiers and establish intertextuality with Homer and the entire classical collection of the Trojan myth. These two similar works develop a process of transforming what was considered myth into h

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BESKEMPIROVA, А. O., А. Т. TAMAEV, and P. М. ADIYEVA. "CRITERIA FOR DIFFERENTIATING KAZAKH FOLK PROSE TEXTS." Iasaýı ýnıversıtetіnіń habarshysy 129, no. 3 (2023): 162–75. http://dx.doi.org/10.47526/2023-3/2664-0686.12.

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This paper deals with the analysis of Kazakh folk prose texts and provides the criteria for performing functions such as aesthetic, didactic, and practical education of genres. Through this study, distinct attributes and cultural significance within Kazakh folk prose were uncovered, fostering a profound comprehension of literary heritage. To achieve this, various global folklore studies approach is employed to explore the enchanting appeal of Kazakh folk prose, particularly within the realm of fairy tales, and its ability to impart invaluable life lessons. Furthermore, non-fictional prose was

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Végső, Roland. "Infinite Judgment." Central European Cultures 3, no. 2 (2023): 99–116. http://dx.doi.org/10.47075/cec.2023-2.05.

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The article uses the idea of “infinite judgment” (borrowed from the field of logic) to reflect on the narrative techniques employed in Ádám Bodor later works, with a special focus on the novel The Birds of Verhovina (2011) and the collection Nowhere (Sehol, 2019). In a formal sense, the idea of infinite judgment breaks down the duality of the so-called positive and negative qualities of logical judgments (assertion and negation) by introducing a negative predicate into the structure of a positive proposition. Applying the same logic to Bodor’s prose, we can also grasp it as a poetic principle:

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Lunde, Ingunn. "The Presence of the Past in Contemporary Russian Prose Fiction: A Comparative Reading of Guzel’ Iakhina and Sergei Lebedev." Zeitschrift für Slawistik 67, no. 2 (2022): 171–96. http://dx.doi.org/10.1515/slaw-2022-0008.

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Summary This article studies the poetics of historical reimagination in works by Guzel’ Iakhina and Sergei Lebedev, two contemporary Russian prose writers. The main tendencies in Russian official history politics and memory culture of the last decade form the backdrop for the study. I illustrate these tendencies by a case study analysis of the representation of Stalinist repressions in the history park Rossiia — moia istoriia (Russia — My History). The comparative reading of Iakhina’s and Lebedev’s novels seeks to determine the key poetic features of the two authors’ fictional treatment of the

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Nabytovych, Ihor. "MEMORY, HISTORICAL PROSE AND FORMATION OF NATIONAL IDENTITY." Слово і Час, no. 4 (August 10, 2022): 45–57. http://dx.doi.org/10.33608/0236-1477.2022.04.45-57.

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Historical prose as a component of national literature is an essential part of the cultural life of modern nations. One of its tasks is to form the cultural memory of large groups that create national communities, structure the past and preserve its integrity and uniqueness. The historical prose of Ukrainian emigration eloquently demonstrates mutual projections of memory and the formation of national conscience and identity. The prose of emigration as an exile can serve as a relief and expressive evidence of the formation and interpenetration of the main ideas and concepts, ideological a

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Kovačević, Branka. "Intertextuality in the short story "The Death of Robert Browning" by Jane Urquhart." Reci Beograd 14, no. 15 (2022): 82–101. http://dx.doi.org/10.5937/reci2215082k.

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The aim of this paper is to explore the intertextual dialogue and its meaning that is continuously articulated as cultural heritage in the prose of the well-known Canadian writer Jane Urquhart. By including the famous Victorian poet Robert Browning in the plot of her short story "The Death of Robert Browning," Urquhart highlights the postmodern tendency to express the basic human need to mythologize and perpetuate illusions about death. In a broader context, as an author from Canada, she emphasizes the difference between reality and fiction by revising historical facts through various textual

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Зеленская, Г. М. "Historical realities in Gymnography Voskresenskiy Archimandrit German." Grand Altai Research & Education / Наука и образование Большого Алтая, no. 0(16) (March 4, 2022): 48–67. http://dx.doi.org/10.25712/astu.2410-485x.2022.00.004.

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Статья подводит итоги новым исследованиям жизни и творчества Воскресенского архим. Германа I (†1682). Автором проанализированы гипотезы о происхождении поэта, выделено изучение его Духовного завещания и музыкального наследия, рассмотрены исторические реалии, лежащие в основе двух написанных им произведений. Челобитная братии Ново-Иерусалимского монастыря царю Федору Алексеевичу с просьбой вернуть из ссылки Святейшего Никона (†1681) характеризуется как художественная проза гимнотворца, создавшего с помощью метафор и типологических подобий семантический портрет Патриарха. Песнопение, посвященное

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Evdokimova, Liudmila Viktorovna. "PUSHKIN MYTH BY F. K. SOLOGUB." Russkaya literatura 4 (2023): 48–64. http://dx.doi.org/10.31860/0131-6095-2023-4-48-64.

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The article shows that the mythologemes of Pushkin Myth manifest themselves in Sologub through the proper names of the Symbolist poet, those assonated with or corresponding to the names of the historical or mythical characters of the Golden Age of Russian culture. V. A. Sollogub’s attitude to A. S. Pushkin might have predetermined the stance of F. Sologub in his essay The Poets’ Demons that contains certain allusions to the Memoirs of the famous prose writer of the 19th century. The fact that the Symbolist poet (Fyodor Kuzmich) bears the same name as the legendary starets might account for the

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Abasheva, Marina P., and Oksana A. Kiose. "‘I’m a historian by training…’. History in the Scientific, Journalistic and Literary Discourses of Vladimir Sharov." Вестник Пермского университета. Российская и зарубежная филология 16, no. 3 (2024): 111–19. http://dx.doi.org/10.17072/2073-6681-2024-3-111-119.

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The article deals with the historiosophic concept of Russian novelist Vladimir Sharov, namely with the origins of its formation. Discourse and narratological analyses of Sharov’s texts reveal the evolution of his historical and philosophical concept and its variation depending on the type of discourse. The study identifies the principles of processing and representation of historical material in Sharov’s scientific works (this paper is the first to examine his PhD thesis in detail), in his journalistic works and novels. Sharov’s views as a thinker and his techniques as a writer begin to form i

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Beniuk, Kh M. "GENRE MODIFICATIONS OF THE HISTORICAL PROSE BY YURI MUSKETYKA." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 455–60. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-455-460.

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Historical fiction, continuing the main trends of the past and enriching with the experience of the present, received wide reader’s resonance and attracted the critics’ attention. That’s why the problem genre specific of historical novel and story upon on the materials of Ukrainian writer Yu. Mushketyk’s works on the historical theme is examined in the article.

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Sametova, Z., and M. Aitimov. "ARTISTIC HARMONY OF THE POETICS OF HISTORICAL TRUTH." BULLETIN Series of Philological Sciences 73, no. 3 (2020): 267–73. http://dx.doi.org/10.51889/2020-3.1728-7804.40.

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This article States that the classic artistic basis of modern Kazakh prose, which influenced its content and form, were the works of new written realistic literature ( works of Abay, Y. Altynsarina et al.). Images of Kazakh prose created by Shokan, Ibrai, Abai and works written at the subsequent stages of the development of Kazakh literature are national spiritual values. It also examines the literary process of the early twentieth century and the work of individual writers who contributed to the development of the novel genre in Kazakh prose along with examples of world literature. A large nu

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Kolesnyk, Olena, and Maryna Stoliar. "HISTORICAL AND PARA-HISTORICAL GENRES OF LITERATURE." Doxa, no. 1(41) (June 27, 2024): 70–78. https://doi.org/10.18524/2410-2601.2024.1(41).316160.

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The article examines the specifics of the historical genre of literature, as well as genre variants that combine interest in historical figures, events, entourage with an effort to move away from following purely scientific data and widely use the author's fiction. In a number of cases, there is a departure from the boundaries of the actual historical genre, which we propose to designate as a "parahistorical" approach. Alternative history in its various forms, historical fantasy, cryptohistory, historiographical metafiction, etc. can be attributed to such parahistorical genres. At the same tim

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Tsimbaev, Nikolay I. "Fiction as a Historical Source: prose by Vyacheslav Kondratiev." Teaching of History and Social Science at School, no. 4 (2021): 3–8. http://dx.doi.org/10.47639/2074-4935_2021_4_3.

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Tsimbaev, Nikolay I. "Fiction as a Historical Source: prose by Vyacheslav Kondratiev." Teaching of History and Social Science at School, no. 5 (2021): 3–9. http://dx.doi.org/10.47639/2074-4935_2021_5_3.

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SAVYCH, Oksana. "BIOFICTION AS A TOOL FOR REACTUALISING HISTORY IN PASCAL QUIGNARD’S PROSE: SPECIFICS OF THE NARRATIVE STRUCTURE." Astraea 4, no. 2 (2023): 70–88. http://dx.doi.org/10.34142/astraea.2023.4.2.04.

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The article explores the specificity and functionality of the genre of biofiction (fictional biography) in the novels of the contemporary French writer Pascal Quignard. His novels On Wooden Tablets: Apronenia Avitia (1984) and Albucius (1990) are examples of this genre: in them, Quignard represents the fictionalised lives of characters from the times of Ancient Rome and reactualises the ancient history. Biofiction is often interpreted as a genre that reflects the axiology of the postmodern era, with its inherent distrust towards metanarratives, hierarchy, causal logic, and belief in progress.

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Emerson, Caryl. "Pretenders to History: Four Plays for Undoing Pushkin's Boris Godunov." Slavic Review 44, no. 2 (1985): 257–79. http://dx.doi.org/10.2307/2497750.

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Among the problematic works of great writers, Pushkin's Boris Godunov occupies a special place. This strange hybrid of history, drama, narrative poetry, and prose Pushkin called a “romantic tragedy,” and he considered it his masterpiece. Yet the play's publication in 1831 was met with surprise and dismay. By consensus of a baffled public, Boris Godunov was a failure—neither romantic, nor feasible on the tragic stage.Since that time, generations of critics, playwrights, and producers have tried to come to terms with this troublesome text. Tolstoi's famous comment—that all great nineteenth-centu

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Paskaleva, Bogdana. "Visual Metaphor and Narrative: Ekphrasis in Fictional Narrative Prose of Late Antiquity." Linguistic Frontiers 7, no. 3 (2024): 1–9. https://doi.org/10.2478/lf-2024-0020.

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Abstract This article presents an interpretation of some functions performed by ekphrastic structures in the context of Ancient fictional narrative prose. Concrete examples are taken from two Ancient Greek novels: Daphnis and Chloe by Longus and Leucippe and Clitophon by Achilles Tatius. Using Olga Freidenberg’s conceptual and interpretative apparatus as a lens for reading the textual material, the central claim of the article is that within Ancient prose narrative, ekphrasis and metaphor are functionally interrelated, with ekphrasis serving to metaphorically embed narrative content within the

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CHERKASHYNA, Tetiana, and Bohdan PARAMONOV. "NONFICTIONAL LITERATURE: NATURE, TYPOLOGY, TERMINOLOGY." 6, no. 6 (December 9, 2021): 72–100. http://dx.doi.org/10.26565/2521-6481-2021-6-04.

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The article is devoted to the reviewing of theoretical aspects of nonfiction literature. Similar in semantic content, but not identical terms as nonfictional literature, nonfictional writing, literature of fact, factography, fiction-documentary literature, fiction-documentary prose, fiction-documentary writing, literary nonfiction, literature of non-fiction, nonfictional prose, factual narrative, which have become commonly used in American, Spanish, Ukrainian, French, Slavic terminology, are analyzed. All these terms refer to a set of texts written on the basis of real events without the use o

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Feruza, Khajieva, and Rakhimova Shakhnoza. "A brief overview of Colum Mccann’s works and prose style." International Journal Of Literature And Languages 5, no. 2 (2025): 51–53. https://doi.org/10.37547/ijll/volume05issue02-15.

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Colum McCann is a renowned Irish writer and the author of Let the Great World Spin, TransAtlantic, and Apeirogon. His works explore important themes such as migration, historical memory, social inequality, and human solidarity. McCann masterfully blends reality and fiction, creating poignant and profound stories that resonate with readers worldwide. This article examines his style, key themes, and influence on contemporary literature.

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Stockdale, Edwin. "Below/around/between." Writing in Practice 7 (January 28, 2022): 197–215. https://doi.org/10.62959/wip-07-2021-15.

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This essay focusses on the junctions and fault-lines of history, exploring the ways in which poetry can illuminate and populate spaces of uncertainty in the historical record in ways which are akin to – yet different from – non-fiction and prose fiction. It investigates poetics in relation to the interpretation of history, specifically the divergent interpretations of the life of Richard III, and how poetry facilitates a more open approach to historical speculation. To begin, it commences with the assimilation of historians’ interpretations of Richard III, based on records, material possession

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Nabytovych, Ihor. "BIBLE TOPICS IN THE HISTORICAL PROSE OF UKRAINIAN EMIGRATION." Polish Studies of Kyiv, no. 35 (2019): 231–42. http://dx.doi.org/10.17721/psk.2019.35.231-242.

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In the article there are summarized innovative approaches to artistic mastering of Bible topics in creative work of Ukrainian emigration writers of 1920th – 1970th: Natalena Koroleva, Leonid Mosendz and V. Domontovych (Victor Petrov). Ukrainian tradition of mastering Bible topics was interrupted by Russian occupation; it finds its bright artistic embodiment in artistic historical prose of Ukrainian emigration. This artistic experience enriches Ukrainian writing by mastering of Bible topics and motives via Bible stylizations, renaissance or creation of newly created new genre formations, contam

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Borcem, Rogerio Pereira. "Cornelia Herculana (Um perfil político) por Luís Guimarães Júnior: a outra face das Histórias para Gente Alegre (1870)." Magma, no. 20 (November 18, 2024): 116–27. https://doi.org/10.11606/issn.2448-1769.mag.2024.223848.

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Luís Guimarães Júnior was an important contributor to the national literary scene in the 19th century. The author had great versatility in his produced and published works, mainly inBrazilian newspapers, such as the Diário do Rio de Janeiro between 1869 and 1872. His literary production was recognized nationally and internationally, especially for his work in the field of poetry, however, it is worth highlighting that most of his literary creation is focused on fictional prose linked to entertainment, as we found from checking historical archives at the Hemeroteca Digital Brasileira. There are

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Trofymenko, Tetiana. "СУЧАСНА УКРАЇНСЬКА ПРОЗА ПІСЛЯ 24 ЛЮТОГО 2022: РЕЦЕПЦІЯ ВІЙНИ". Studia Interkulturowe Europy Środkowo-Wschodniej, № 16 (8 грудня 2023): 97–113. http://dx.doi.org/10.31338/2544-3143.si.2023-16.5.

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The article analyses Ukrainian prose works published after the Russian aggression against Ukraine on 24 February 2022. Generally, the newest Ukrainian prose gravitates more towards the non-fiction genre framework. It is represented by numerous anthologies, mainly with pieces by famous writers, literary critics, and public figures. The authors record personal experiences and reflect on the history of the Russian-Ukrainian confrontation in historical retrospect. Today, the non-fiction format is more popular because it allows essayists to talk about painful topics from a more moderate position an

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Šidáková Fialová, Alena. "Returning to the Past: The Germans as a Historical Trauma in Contemporary Czech Prose." Porównania 27, no. 2 (2020): 59–76. http://dx.doi.org/10.14746/por.2020.2.4.

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This study describes reflections of wartime and postwar historical trauma in contemporary Czech prose, taking into account the issues surrounding Central Europe, which entirely overlap with the traditional confrontation between the Czechs and Germans. It also includes the changing reflections on Germany and the Germans, the Second World War and the subsequent expulsion found in the prose work of the new millennium, the unifying topic being deemed to be the issue of the ambiguous national identification of the protagonists, the detabooization of previously hushed-up subjects and the subject of

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Manuwald, Gesine. "‘FACT’ AND ‘FICTION’ IN ROMAN HISTORICAL EPIC." Greece and Rome 61, no. 2 (2014): 204–21. http://dx.doi.org/10.1017/s0017383514000047.

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In the second half of the third centurybceRoman historical epic (notably that written by Naevius and Ennius) and Roman historiography (notably that of Fabius Pictor) came into being at roughly the same time. Whether and in what ways these two literary forms may have mutually influenced each other in their early development is a matter of debate, but it is obvious that there are both similarities and a generic difference, demonstrated by the use of prose or verse respectively and the accompanying style. Such characteristics enable a distinction between different types of narrative, even if the

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Vikhrova, E. Yu. "Документальная основа прозы С. А. Шаргунова". Вестник гуманитарного образования, № 3(27) (28 листопада 2022): 126–33. http://dx.doi.org/10.25730/vsu.2070.22.032.

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The documentary beginning plays an important role in the works of the modern prose writer S. A. Shargunov. Referring to the facts of his own biography, family history and historical documents, the author shows the relationship of various heroes with the Orthodox faith. The Christian tradition is a system-forming one for Russian literature. In modern literary studies, this problem has been seriously developed. The purpose of this scientific article is to consider how the Christian tradition is embodied in the works of the modern writer S. A. Shargunov. To achieve the goal, the following tasks w

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Laskava, Yuliia, Volodymyr Bondarenko, Olena Shulga, Mykola Stasyk, and Olga Stadnichenko. "Artistic Modelling of History in the Literature and Non-Fiction of a Post-Totalitarian Society." Postmodern Openings 12, no. 1Sup1 (2021): 228–37. http://dx.doi.org/10.18662/po/12.1sup1/281.

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An artistic interpretation of historical facts is quite relevant in the literature and non-fiction of a post-totalitarian society. Prose works on historical themes are valuable and interesting in that they create an illusion for readers to be present in a certain period of historical time, and it is the artistic modeling of events that makes priceless facts of history completely disappear. The historical past is an inexhaustible material that word artists have been referring to for centuries, creating the best examples of fiction. Prose texts of historical subjects are perceived by each next g

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Okhlopkova, Zhanna Valerievna. "Formation of newly scripted Yukaghir literature in the context of the literary process of Yakutia in the 1930s." Philology. Issues of Theory and Practice 16, no. 12 (2023): 4271–76. http://dx.doi.org/10.30853/phil20230649.

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The research aims to identify the narrative features of the first prose texts of Yukaghir literature in the context of the historical and cultural process of Yakutia. The paper overviews the history of emergence of essay traditions, genre and functional features of the early prose by the founders of Yukaghir, Yakut Russian-language literatures. Little-studied works are considered from the perspective of the narration typology; the documentary-fiction specifics, the forms of the author’s narration in T. Odulok’s autobiographical prose are revealed. The study is novel in that it is the first to

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Чикина, Наталья Валерьевна. "СПЕЦИФИКА АВТОРСКОГО САМОВЫРАЖЕНИЯ В СОВРЕМЕННОЙ КАРЕЛОЯЗЫЧНОЙ ПРОЗЕ". Yearbook of Finno-Ugric Studies 19, № 1 (2025): 64–71. https://doi.org/10.35634/2224-9443-2025-19-1-64-71.

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Статья посвящена анализу творчества современных прозаиков, пишущих на карельском языке. Материалом для исследования послужили рассказы и повести Николая Зайцева и Валентины Кондратьевой, ярких представителей младописьменной литературы Карелии. Цель статьи - выявить специфику авторского самовыражения писателей, встраивающих в текст художественного произведения биографические данные мемуарного характера; определить соотношение вым и действительности, авторскую позицию. Статья включает в себя краткий обзор современного состояния финно-угорской прозы с последующим сопоставлением ее с карельской ли

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Ajdačić, D. "WE AND OTHERS (UKRAINIAN AND RUSSIAN) IN THE ALTERNATIVE HISTORIES OF WRITER OF WESTERN UKRAINE VASILY KOZHELIANKO." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 162–72. http://dx.doi.org/10.17721/2075-437x.2019.35.17.

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The topic of Ukrainian-Russian relations is very important in the alternative history novels of the Ukrainian writer Vasily Kozhelianko (1957-2008). Alternative histories novels «Parade in Moscow» (1997), «Kotigoroshko» (2000), «Terorium» (2001), «False-Nostradamus» (2001) novels appeared in an independent Ukraine when there was no longer a Soviet censorship. In alternative historical prose, heroes can be embedded in the history of an active person or as fictional characters who carry the ethno-stereotypical lines of their community and have ethnostereotypes about other peoples. Ethnic stereot

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Lobin, A. M. "Mythologization of Image of Marat Kirov in Novel “Sleep and Believe. Blockade Novel” by A. Turgenev." Nauchnyi dialog 13, no. 4 (2024): 230–48. http://dx.doi.org/10.24224/2227-1295-2024-13-4-230-248.

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This article presents the results of an analysis of the character system and plot-forming conflicts in the novel by Andrei Turgenev (Vyacheslav Kuritsyn) “Sleep and Believe. Blockade Novel.” The overall state of military-historical prose at the turn of the 20-21 centuries was examined. The main historical myths about the blockade were characterized. An overview of researchers' perspectives on the genre, plot, and poetics of this work was conducted. It was established that A. Turgenev’s novel is part of a postmodern historical discourse, where the metaphysics of the “Petersburg text” intertwine

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ЧОРНИЙ, І. В., та Г. Д. МАЛІНСЬКА. "ТРАВМА ВІЙНИ В СУЧАСНІЙ УКРАЇНСЬКІЙ ЛІТЕРАТУРІ". Current issues of linguistics and translation studies 28 (30 серпня 2023): 43–46. https://doi.org/10.31891/2415-7929-2023-28-7.

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The article is devoted to the literary interpretation of the Russian-Ukrainian war, reproduced in the author's texts of recent years. Given that the hostilities are still ongoing, the experience of this war by its participants and observers is changing, as well as the interpretation of this war experience. The fundamental problem of the global, national Ukrainian, and individual dimensions of the Russian-Ukrainian war have been and continue to be reflected in works of art, which indicates a dynamic process of cultural reflection on the trauma of war. The article focuses on the peculiarities of

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