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Books on the topic 'Fictional laws'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Hansen, Jim Michael. Fatal laws. Golden, CO: Dark Sky Pub., 2007.

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2

Hansen, Jim Michael. Wild laws. Golden, CO: Thriller Publishing Group, Inc., 2010.

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3

The Lipstick Laws. Boston: Graphia, 2011.

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4

Laws in conflict. Sutton, Surrey, England: Severn House, 2012.

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5

Frank, J. Suzanne. Laws of migration. Blue Ash, OH: Tyrus Books, 2013.

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6

Salle, Eriq La. Laws of depravity. [Charleston, S. C.]: [CreateSpace], 2012.

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7

Shadow laws: A novel. Golden, CO: Dark Sky Publishing, 2007.

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8

Paul, Barbara. In-laws and outlaws. Toronto: Worldwide, 1992.

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9

Conrad, Linda. The Laws of Passion. Toronto, Ontario: Silhouette, 2010.

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10

Huyler, Frank. The laws of invisible things. New York: H. Holt, 2004.

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11

The laws of invisible things. New York: H. Holt, 2004.

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12

Sizemore, Susan. Laws of the blood: Partners. New York: Ace Books, 2000.

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13

Turow, Scott. The laws of our fathers. New York: Grand Central, 2011.

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14

Lawn to lawn. New York: Alfred A. Knopf, 2010.

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15

The laws of our fathers. New York: Farrar, Straus and Giroux, 1996.

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16

Turow, Scott. The laws of our fathers. New York: Warner Vision Books, 1997.

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17

The laws of our fathers. New York: Time Warner, 1996.

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18

Turow, Scott. The laws of our fathers. Thorndike, Me: G.K. Hall, 1996.

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19

Stracher, Cameron. The laws of return. New York: W. Morrow and Co., 1996.

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20

Laurel, Corona. The laws of motion. New York: Gallery Books, 2011.

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21

Ian, Mathews, ed. Drugs policy: Fact, fiction, and the future. Sydney: Federation Press, 1992.

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22

Scott, Amanda. Border lass. Long Preston: Magna, 2010.

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23

The laws of evening: Stories. New York: Scribner, 2003.

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24

The laws of Harmony: A novel. New York: Harper, 2009.

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25

Hendricks, Judith Ryan. The laws of Harmony: A novel. New York: Harper, 2009.

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26

Code: And other laws of cyberspace. New York: Basic Books, 1999.

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27

Lessig, Lawrence. Code: And other laws of cyberspace. [New York, N.Y.]: Basic Books, 2000.

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28

Unwritten laws. Scribner, 2011.

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29

Stern, Simon. Legal and Literary Fictions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.003.0019.

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The term “legal fiction” is often used for doctrines that make the law’s image of the world seem distorted or bizarre. On this view, corporate personhood and civil death are fictional because of their narrative potential: the outlandish premise might yield some as yet unknown result. However, this narrative potential is an ordinary feature of all legal doctrines. If legal fictions resemble literary fictions, that kinship owes more to the ways in which both fictional modes solicit a particular kind of attention than to a shared ability to spin out narrative arrays. To develop these ideas, this chapter considers the doctrine of copyright misuse, the question of whether steamboats are floating inns, the concept of “unnatural narrative” in literary scholarship, and Marcel Duchamp’s Fountain (1917).

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30

Kishel, Ann-Marie. First Step Non-Fiction: Rules and Laws. Lerner Publishing Group, 2010.

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31

Myers, Victoria. Trial Literature. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.19.

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The increasing visibility of trials in the press, at a time when changes in trial procedures and dispute over political reform occupied national attention, stimulated Romantic-era writers to give trials a prominent place in fictional works. The need for defence against law’s invidious fictions encouraged the incorporation of fictional strategies into trial writings, and into legal proceedings themselves. Scepticism about institutions, allied with a crisis in epistemological trust, encouraged writers like William Godwin to challenge inadequate representation of the accused, reliance on circumstantial evidence, and dominance of judges. Thomas Holcroft, William Hone, and Robert Watt used fictional techniques in their defence writings to recover control over representation of their intentions. Other writers such as Percy Shelley, Walter Scott, and Joanna Baillie, using a historical perspective in their fictions, attempted to avert revolutionary crisis by making trials the focus for training sympathetic discernment and thus promoting gradual reform.

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32

Powell, Thomas D. Millennium Laws. Xlibris Corporation LLC, 2010.

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33

Powell, Thomas D. Millennium Laws. Xlibris Corporation LLC, 2010.

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34

Holder, Amy. Lipstick Laws. Houghton Mifflin Harcourt Publishing Company, 2011.

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35

Hansen, Jim Michael. Night Laws. Dark Sky Publishing, Inc., 2006.

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36

Ancient Laws. Dark Sky Publishing, Inc., 2009.

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37

Immortal Laws. Dark Sky Publishing, Inc., 2008.

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38

Hansen, Jim Michael. Voodoo Laws. Dark Sky Publishing, Inc., 2009.

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39

Walton, David. Three Laws Lethal. Pyr, 2019.

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40

Lohans, Alison. Laws of Emotion. Thistledown Press, 1993.

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41

Hansen, Jim Michael. Fatal Laws. Dark Sky Publishing, 2007.

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42

Laws of Wrath. 4 Clay Publishers, 2014.

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43

Hansen, Jim Michael. Hong Kong Laws. Dark Sky Publishing, Incorporated, 2010.

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44

Title, Sarah. Laws of Attraction. Penguin Random House, 2017.

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45

Woods, Sherryl. Laws of Attraction. Harlequin Enterprises, Limited, 2016.

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46

Bourdaghs, Michael K. A Fictional Commons. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021926.

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Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867–1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through—and beyond—private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan’s first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.

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47

Rodrigues, Carmen. Universal Laws of Marco. Simon Pulse, 2020.

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48

Earls, Nick. Making Laws for Clouds. Allen & Unwin, 2012.

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49

Slusser, George. Gregory Benford. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038228.003.0002.

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This chapter focuses on Gregory Benford's career as science fiction (SF) writer. Benford has remained steadfast in his claim that science is at the center both of the twentieth century and of the form of literature he sees as its central mode of expression. He is of the belief that SF should deal with the impact of scientific ideas and discoveries on society and the individual. This chapter discusses Benford's deep understanding of the philosophical currents born, as early as the Western seventeenth century, from the impact of scientific discovery on conventional worldviews; his view of physical environments in which human activity becomes radically problematic, if not unthinkable, and thus unnarratable in terms of conventional fictional structures, governed by a Newtonian stability; his insistence on writing “with the net up,” strictly adhering to the laws of physics rather than conveniently “suspending disbelief”; and his synthesis of the often-contradictory demands of science and fiction. The chapter suggests that Benford's work is philosophical fiction of the highest order.

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50

Lowrie, Michèle. Roman Law and Latin Literature. Edited by Paul J. du Plessis, Clifford Ando, and Kaius Tuori. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198728689.013.6.

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The law and literature movement is less active in Roman studies than in modern national languages despite the importance of ancient Rome for subsequent traditions. This chapter hopes to spur further research by surveying a range of representative topics individually familiar to Latinists, but whose interconnections become clearer under the “law and literature” rubric. These are: discursive media; censorship; law and theatricality; educative fictions; typology, exemplarity and moral reasoning; transformations in the public sphere. The Romans perceived law’s interaction with literature in terms that range from homology, to contestation, to intimate discomfort. Both do things with stories, both serve as normative vehicles, and fiction cannot rigorously disambiguate between these discourses. The Romans, however, were acutely aware of how formal differences affected pragmatic outcomes. A strong articulation of literature as ineffective over against the law’s power emerged during the Augustan period and was formative for modern conceptualisations.

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