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1

Plantagenet, Anne. The last rendezvous. New York: Other Press, 2009.

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2

Ira, Wood, ed. So you want to write: How to master the craft of fiction and the personal narrative. Wellfleet, Mass: Leapfrog Press, 2001.

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3

The limits of autobiography: Trauma and testimony. Ithaca, N.Y: Cornell University Press, 2000.

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4

The narrative forms of Southern community. Baton Rouge: Louisiana State University Press, 1999.

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5

Vision voiced: Narrative viewpoint in autobiographical writing. New York: P. Lang, 1991.

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6

Merete, Mazzarella. Att berätta sig själv: Inspirationsbok för den som vill skriva om sitt liv. Helsingfors]: Schildts & Söderströms, 2013.

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7

Frederick, Douglass. Narrative of the Life of Frederick Douglass. New York: Penguin USA, Inc., 2009.

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8

Frederick, Douglass. Narrative of the life of Frederick Douglass. New York: Dover Publications, 1995.

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9

Ich-Entwürfe im hybriden Raum: Das Algerische Quartett von Assia Djebar. Frankfurt am Main: Peter Lang, 2008.

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10

Making history: The biographical narratives of Robert Penn Warren. Baton Rouge: Louisiana State University Press, 2000.

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11

Self-discovery and authority in Afro-American narrative. Cambridge, Mass: Harvard University Press, 1987.

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12

Black Eagle Child: The Facepaint narratives. Iowa City: University of Iowa Press, 1992.

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13

Bear, Ray A. Young. Black Eagle Child: The Facepaint narratives. New York: Grove Press, 1997.

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14

Frederick, Douglass. Narrative of the life of Frederick Douglass: An American slave. Oxford: Oxford University Press, 2009.

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15

Frederick, Douglass. Narrative of the life of Frederick Douglass: An American slave. Oxford: Oxford University Press, 2009.

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16

Frederick, Douglass. Narrative of the life of Frederick Douglass, an american slave. New York: Anchor Books, 1989.

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17

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. Carmel, Calif: Hampton-Brown, 2006.

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18

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. 2nd ed. New York: Modern Library, 2000.

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19

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. Edited by Blassingame John W. 1940-, McKivigan John R. 1949-, Hinks Peter P, and Fulkerson Gerald. New Haven: Yale University Press, 2001.

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20

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. Boston: Bedford Books of St. Martin's Press, 1993.

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21

Frederick, Douglass. Narrative of the Life of Frederick Douglass, an American Slave. New York: Penguin USA, Inc., 2009.

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22

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. Austin, Tex: Holt, Rinehart and Winston, 2000.

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23

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. Harmondsworth, Middlesex, England: Penguin Books, 1986.

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24

Frederick, Douglass. Narrative of the life of Frederick Douglass: An American slave. New York: Signet Classics, 2005.

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25

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. Cambridge, MA: Belknap Press of Harvard University Press, 2009.

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26

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. New York, N.Y: Laurel, 1997.

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27

Frederick, Douglass. Narrative of the life of Frederick Douglass: An American slave. Oxford: Oxford University Press, 2009.

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28

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. Carmel, Calif: Hampton-Brown, 2006.

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29

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. New York: Signet Classic, 1997.

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30

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave. Edited by O'Meally Robert G. 1948-. New York: Barnes & Noble Classics, 2003.

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31

Roman und Geschichte in den apokryphen Memoiren von Gatien Courtilz de Sandras: Studien zur erzählerischen Sinnbildung. Frankfurt am Main: P. Lang, 1991.

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32

Frederick, Douglass. Narrative of the life of Frederick Douglass: Authoritative text, contexts, criticism. New York: W.W. Norton & Co., 1996.

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33

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave: And essays. Belmont, CA: Thomson Wadsworth, 2004.

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34

Frederick, Douglass. Narrative of the life of Frederick Douglass, an American slave: With related documents. 2nd ed. Boston: Bedford/St. Martin's, 2003.

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35

Cliff, Roberson. Vietnam medic: What am I doing here? Ukiah, Calif: CaeSaR Books, 1993.

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36

Fictions of consciousness: Mill, Newman, and the reading of Victorian prose. New Brunswick: Rutgers University Press, 1986.

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37

Bland, Sterling Lecater. Voices of the fugitives: Runaway slave stories and their fictions of self-creation. Westport, Conn: Greenwood Press, 2000.

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38

Higa, Tomiko. The girl with white flag: A spellbinding account of love and courage in wartime Okinawa. Tokyo: Kodansha International, 2003.

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39

Charrière, Henri. Papillon: Ngưxoi tù khto sai. Hà Nuoi: NXB Huoi nhà văn, 2004.

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40

Papillon. 7th ed. Barcelona: Plaza & Janés, 1994.

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41

Papillon. New York: Perennial, 2001.

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42

The impossible legacy: Identity and purpose in autobiographical children's literature set in the Third Reich and the Second World War. Bern: P. Lang, 1999.

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43

Meretoja, Hanna. Narrative Ethics of Implication. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190649364.003.0005.

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Chapter 5 problematizes the prevalent way of conceptualizing the relationship between fiction and history in terms of the actual and the possible. It argues that both fictional and autobiographical narratives have potential to cultivate one’s sense of history as a sense of the possible, and it examines four different aspects of their contribution to historical imagination. The chapter analyzes how Günter Grass’s Hundejahre (1963, Dog Years) and his autobiography Beim Häuten der Zwiebel (2006, Peeling the Onion) explore the historical world of Nazi Germany as a space of possibilities, how they self-reflexively examine—against idealist and determinist conceptions—the way history consists in concrete actions and inactions, how they unearth the ways narrative interpretations of the past shape one’s orientation to the present, and how they address the duty to remember—and to engage with the conditions of possibility of atrocity—through a future-oriented narrative ethics of implication.
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44

Owens, W. R. Religious Writings and the Early Novel. Edited by Alan Downie. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.005.

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Religious writings formed the largest category of publications in the seventeenth and eighteenth centuries, and were read on a vast scale. This essay focuses on the relationships between these writings and the early novel, discussing how religious ideas and controversies were represented in fiction, and the extent to which some novels were regarded by their authors—and valued by readers—as ‘religious’ works. The literary form of early novels drew upon conventions made familiar in popular religious writings, such as the use of dialogue and allegory. John Bunyan’s spiritual autobiography, Grace Abounding, and, even more, his extraordinarily successful fictional representation of the Christian life, The Pilgrim’s Progress were among the most significant influences on the narrative shape and concerns of early novels.
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45

Nicolas, Courtinat, and Université de Clermont-Ferrand II. Centre de recherches sur les littératures et la sociopoétique., eds. Lamartine: Autobiographie, mémoires, fiction de soi. Clermont-Ferrand: Presses universitaires Blaise-Pascal, 2009.

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46

Tidd, Ursula. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036347.003.0011.

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In the following short radio broadcast, in which Simone de Beauvoir reflects upon her engagement with the autobiographical genre and its relation to fiction, a meta-narrative of her autobiographical project is briefly emplotted. Beauvoir echoes here certain of her “in-flight” observations on autobiography in The Prime of Life...
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47

Bohata, Kirsti. Welsh Fiction in English: 1979, 1997, and After. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0033.

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This chapter focuses on Welsh fiction. Realism has dominated the Welsh novel, from the working-class novels of the 1930s onwards, and it remains an important, perhaps limiting form, although there has been a good deal of experimentation within this broad category. What is notable about the post-devolution wave of novels is the increasing number of fragmented or hybrid texts: novels which fuse fantasy and realism, fiction and autobiography, and novels which use place rather than plot to structure interlinked narratives. Fantastical narratives which could be described as magic realism are becoming more common and accomplished. Welsh myth in particular is reinvigorated and the palimpsest of Welsh topography is used to create narratives that unapologetically reimagine Wales as a place in which culture is generated rather than merely reflected or consumed.
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48

Mura, David. Stranger's Journey: Race, Identity, and Narrative Craft in Writing. University of Georgia Press, 2018.

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49

Mura, David. Stranger's Journey: Race, Identity, and Narrative Craft in Writing. University of Georgia Press, 2018.

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50

A Stranger's Journey: Race, Identity, and Narrative Craft in Writing. University of Georgia Press, 2018.

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