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Books on the topic 'Fictional orality'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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Consult the top 18 books for your research on the topic 'Fictional orality.'

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1

Spunta, Marina. The facets of orality: Representations of orality in contempoary Italian fiction. Birmingham: University of Birmingham, 2002.

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2

Fielding, Penny. Writing and orality: Nationality, culture, and nineteenth-century Scottish fiction. Oxford: Clarendon Press, 1996.

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3

Julien, Eileen. African novels and the question of orality. Bloomington: Indiana University Press, 1992.

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4

Julien, Eileen. African novels and the question of orality. Bloomington: Indiana University Press, 1992.

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5

Rewriting the vernacular Mark Twain: The aesthetics and politics of orality in Samuel Clemens's fictions. Trier: Wissenschaftlicher, 2003.

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6

Creation romanesque negro-africaine et ressources de la litterature orale. Paris, France: L'Harmattan, 2005.

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7

Boustani, Carmen. Oralité et gestualité: La différence homme-femme dans le roman francophone. Paris: Karthala, 2009.

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8

Oralité et gestualité: La différence homme-femme dans le roman francophone. Paris: Karthala, 2009.

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9

Ahouli, Akila. Oralität in modernen Schriftkulturen: Untersuchungen zu afrikanischen und deutschsprachigen Erzähltexten. Frankfurt am Main: IKO - Verlag für Interkulturelle Kommunikation, 2007.

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10

Scanlin's Law: Harlequin Historical - 283. Don Mills, Canada: Harlequin, 1995.

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11

Voicing The Word: Writing Orality In Contemporary Italian Fiction. Peter Lang Publishing, 2004.

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12

Voicing The Word: Writing Orality In Contemporary Italian Fiction. Peter Lang Publishing, 2004.

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13

Lombardi, Elena. Imagining the Woman Reader in the Age of Dante. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198818960.001.0001.

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The literature of the Italian Due- and Trecento frequently calls into play the figure of a woman reader. From Guittone d’Arezzo’s piercing critic, the ‘villainous woman’, to the mysterious Lady who bids Guido Cavalcanti to write his grand philosophical song, to Dante’s female co-editors in the Vita Nova and his great characters of female readers, such as Francesca and Beatrice in the Comedy, all the way to Boccaccio’s overtly female audience, this particular sort of interlocutor appears to be central to the construct of textuality and the construction of literary authority in these times. The aim of this book is to shed light on this figure by contextualizing her within the history of female literacy, the material culture of the book, and the ways in which writers and poets of earlier traditions (in particular Occitan and French) imagined her. Its argument is that these figures of women readers are not mere veneers between a male author and a ‘real’ male readership, but that, although fictional, they bring several advantages to their vernacular authors, such as orality, the mother tongue, the recollection of the delights of early education, literality, freedom in interpretation, absence of teleology, the beauties of ornamentation and amplification, a reduced preoccupation with the fixity of the text, the pleasure of making mistakes, dialogue with the other, the extension of desire, original simplicity, and new and more flexible forms of authority.

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14

Thear, Gwilym. The opium of the people: Fiction, text and orality in Bulgakov's The master and Margarita. 2000.

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15

Victoria, Rimell, ed. Seeing tongues, hearing scripts: Orality and representation in the ancient novel. Eelde: Barkhuis Publishing, 2007.

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16

Millay, Amy Nauss. Voices from the Fuente Viva: The Effect of Orality in Twentieth-Century Spanish American Narrative. Rowman & Littlefield Publishers, Incorporated, 2005.

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17

Voices From The Fuente Viva: The Effect Of Orality In Twentieth-Century Spanish American Narrative (The Bucknell Series in Latin American Literature and Theory). Bucknell University Press, 2005.

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18

Amarillas, Susan. Scanlin's Law. Harlequin Mills & Boon, Limited, 2012.

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