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Books on the topic 'Fictional worlds'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Fictional worlds. Cambridge, Mass: Harvard University Press, 1986.

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2

Queneau's fictional worlds. Oxford: P. Lang, 2002.

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3

Neurohr, Benedict, and Lizzie Stewart-Shaw, eds. Experiencing Fictional Worlds. Amsterdam: John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/lal.32.

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4

Characters in fictional worlds. New York: De Gruyter, 2010.

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5

Fictional and historical worlds. New York: Palgrave Macmillan, 2012.

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6

Eder, Jens, Fotis Jannidis, and Ralf Schneider, eds. Characters in Fictional Worlds. Berlin, New York: DE GRUYTER, 2010. http://dx.doi.org/10.1515/9783110232424.

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7

Hart, Jonathan. Fictional and Historical Worlds. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012647.

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8

Hagberg, Garry L., ed. Fictional Worlds and the Moral Imagination. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55049-3.

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9

Ito, Ken Kenneth. Visions of desire: Tanizaki's fictional worlds. Stanford, Calif: Stanford University Press, 1991.

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10

Kyokō sekai no sonzairon: The metaphysics of fictional worlds. Tōkyō: Keisō Shobō, 1995.

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11

Wendland, Albert. Science, myth, and the fictional creation of alien worlds. Ann Arbor, Mich: UMI Research Press, 1985.

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12

Du Bois, W. E. B. Worlds of color. New York: Oxford University Press, 2007.

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13

Juul, Jesper. Half-real: Video games between real rules and fictional worlds. Cambridge, MA: MIT Press, 2005.

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14

Half-real: Video Games between Real Rules and Fictional Worlds. Cambridge, Mass: MIT Press, 2005.

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15

Half-real: Video games between real rules and fictional worlds. Cambridge, Mass: MIT Press, 2011.

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16

Negotiating the new in the French novel: Building contexts for fictional worlds. London: Routledge, 1998.

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17

Creating fictional worlds: Peshat-exegesis and narrativity in Rashbam's commentary on the Torah. Leiden: Brill, 2011.

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18

Samuel Beckett's new worlds: Style in metafiction. Norman: University of Oklahoma Press, 1987.

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19

ill, Bennett Felix, and Wells, H. G. (Herbert George), 1866-1946, eds. The war of the worlds. New York: Skyview Books, 2009.

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20

Wells, H. G. Time Machine & The War of the Worlds. Grand Haven, Michigan: Brilliance Audio, 2005.

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21

Lewis, C. S. Of other worlds: Essays and stories. San Diego: Harcourt, 2002.

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22

Wells, H. G. War of the worlds. London: Marvel Books, 1990.

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23

Wells, H. G. The war of the worlds. New York: HarperCollins, 2001.

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24

Wells, H. G. The war of the worlds. New York: Signet Classics, 2007.

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25

Wells, H. G. The war of the worlds. [West Berlin, N.J.]: Townsend Press, 2007.

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26

Wells, H. G. The war of the worlds. New York: New York Review Books, 2005.

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27

Wells, H. G. The war of the worlds. St. Petersburg, Fla: Red and Black Publishers, 2009.

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28

Wells, H. G. The war of the worlds. Toronto: Bantam Books, 1988.

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29

Wells, H. G. The War of the Worlds. New York: Scholastic, 2005.

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30

Wells, H. G. The war of the worlds. [West Berlin, N.J.]: Townsend Press, 2007.

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31

Wells, H. G. The war of the worlds. Mineola, N.Y: Dover Publications, 2001.

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32

Wells, H. G. The war of the worlds. London, England: Penguin Books, 2005.

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33

Wells, H. G. The war of the worlds. Wickford, R.I: North Books, 2001.

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34

Wells, H. G. The war of the worlds. London: Marshall Cavendish, 1988.

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35

Wells, H. G. The War of the Worlds. New York: Penguin Group USA, Inc., 2008.

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36

Wells, H. G. The war of the worlds. New York: Oxford University Press, 1995.

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37

Wells, H. G. The war of the worlds. London: Dent, 1993.

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38

Pavel, Thomas G. Fictional Worlds. Harvard University Press, 1989.

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39

1944-, Sheridan Susan, and Genoni Paul, eds. Thea Astley's fictional worlds. Newcastle, UK: Cambridge Scholars Press, 2006.

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40

Hart, J. Fictional and Historical Worlds. Palgrave Macmillan, 2012.

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41

(Editor), Susan Sheridan, and Paul Genoni (Editor), eds. Thea Astley's Fictional Worlds. Cambridge Scholars Publishing, 2006.

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42

Fort, Bohumil. Introduction to Fictional Worlds Theory. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2015.

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43

Fort, Bohumil. Introduction to Fictional Worlds Theory. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2015.

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44

Fort, Bohumil. Introduction to Fictional Worlds Theory. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2015.

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45

Fort, Bohumil. Introduction to Fictional Worlds Theory. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2015.

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46

Racial Asymmetries Asian American Fictional Worlds. NYU Press, 2014.

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47

Sohn, Stephen Hong. Racial Asymmetries: Asian American Fictional Worlds. New York University Press, 2013.

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48

Dowsett, Colin Frank. The fictional worlds of Russian symbolism: a typological study. 1985.

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49

Gierzynski, Anthony. Political Effects of Entertainment Media: How Fictional Worlds Affect Real World Political Perspectives. Rowman & Littlefield Publishers, Incorporated, 2020.

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50

Freedgood, Elaine. Worlds Enough. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691193304.001.0001.

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Abstract:

Now praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As this book reveals, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction. Examining criticism of Victorian novels since the 1850s, this book demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavorably to their French and German counterparts. The book analyzes the characteristics of realism—denotation, omniscience, paratext, reference, and ontology—and the politics inherent in them, arguing that if critics displaced the nineteenth-century realist novel as the standard by which others are judged, literary history might be richer. It would allow peripheral literatures and the neglected wisdom of their critics to come fully into view. It concludes by questioning the aesthetic racism built into prevailing ideas about the centrality of realism in the novel, and how those ideas have affected debates about world literature. By re-examining the critical reception of the Victorian novel, the book suggests how we can rethink our practices and perceptions about books we think we know.

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