Relevant bibliographies by topics / Fictioning

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Fictioning'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Fictioning"

1

Milbank, John. "Fictioning Things." Chesterton Review 31, no. 3 (2005): 141–70. http://dx.doi.org/10.5840/chesterton2005313/414.

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O’Sullivan, Simon. "Fictioning the Landscape." Journal of Aesthetics and Phenomenology 5, no. 1 (January 2, 2018): 53–65. http://dx.doi.org/10.1080/20539320.2018.1460114.

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Mccloskey, Paula, and Sam Vardy. "Performing geopower: Eile and border-fictioning." Scene 8, no. 1-2 (December 1, 2020): 195–212. http://dx.doi.org/10.1386/scene_00032_1.

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Since 2016 we have developed the Eile Project, a transdisciplinary investigation of the border in Ireland that centres around site-responsive performance and audio-visual films in a process and praxis that we call border-fictioning. Through this practice, we ask how the border might be differently understood, experienced, critiqued and altered through affective encounters in the artworks produced between bodies, the earth and sovereign power. In this article, we explore (somewhat experimentally) our notion of border-fictioning in the Eile Project, specifically through one of the piece’s ‘experiments’ (#3 Territories of Eile). We draw on a specific concept, that of geopower, and a specific diffractive method. Geopower, or the forces of the earth itself, allows us to comprehend and conceptualize the geo (earthly, material, affect, power) and the human (bio, anthropic, biopolitics, body, power) together in specific ways. A ‘diffractive’ methodology sees the production of knowledge and meaning as inextricably connected to (entangled with) the social and material practices of the world. The article offers a discussion of that which emerges from a ‘diffractive’ approach to border-fictioning in light of the concept of geopower. We show that geopower enables us to see the ways in which the Eile Project border-fictioning through performance and audio-visual film constitutes a particular kind of capitalization of the earth’s forces – radically different from those of capitalism and sovereign power, and potentially resistant to colonial histories, and suggests new alliances and imaginaries that allow us to work through the complex conditions of the border and partition in Ireland through the entanglement of human (anthropic) and earthly (non-human) concerns within the tensions of the Anthropocene.
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Nappi, Carla. "Metamorphoses: Fictioning and the Historian's Craft." PMLA/Publications of the Modern Language Association of America 133, no. 1 (January 2018): 160–65. http://dx.doi.org/10.1632/pmla.2018.133.1.160.

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Language and flesh create each other. here you will find three stories, from three ongoing projects, that are each in some way about the metamorphosis between word and body. Each story is an example of my use of fiction writing as a scholarly tool: for understanding a map as a material object, for weaving lives from textual fragments, and for making a little world with little gods as a way of exploring a work of theory. Fiction, here, is an apparatus for paying new kinds of attention, as well as a vehicle for creating stories, worlds, and selves to give to others. Some persistent concerns in my fiction writing have deeply influenced how I pay attention to the documents I work with in my research: concerns with materiality and history, with the legibility of bodies, with fragmentariness and the transformative power of desire, with the nature of selves and flesh as constantly in the process of becoming, with voicing and with fiction as technologies of conversion. (I did not understand, before writing “The Gesture of Smoking a Pipe,” which you'll read below, that there was an important link in Vilém Flusser's work between physical gesture, selfhood, and the calling down of—and metamorphosis of selves into—gods. Now, the connection between movement, identity, and conversion is becoming central to my work as a historian.) Imagining materiality and metamorphoses this way—and practicing the metamorphosis and conversion of documents—has pointed me toward the ways that materiality and material experience emerge out of relations and relationships and the ways that the kind of orientations that relate bodies in space and time leave traces in our documents.
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O’Sullivan, Simon. "Myth-Science and the Fictioning of Reality." Paragrana 25, no. 2 (December 1, 2016): 80–93. http://dx.doi.org/10.1515/para-2016-0030.

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AbstractIn what follows I put forward an idea of contemporary art practice as a form of myth-science, itself defined as a kind of fictioning of reality.The article draws on and develops ideas first put forward in O’Sullivan 2014. The term mythscience is borrowed from Sun Ra and Afrofuturism more generally (see Kodwo Eshun’s discussion, “Synthesizing the Omniverse”, in Eshun 1998, 154-163). The artist Mike Kelley, in an essay on Olaf Fahlstrom (Kelley 1995), links the term more particularly to expanded contemporary art practice. Most of what follows has been developed in relation to the collaborative ‘performance fiction’ Plastique Fantastique (and especially in conversation with David Burrows) and thus, in acknowledgement of this parallel research programme, interspersed throughout the text are images from our practice and, in particular, a performance itself titled ‘Myth-Science’.“Myth-Science” was performed in 2014 at the “Webewoche” exhibition/event, Stroom den Haag, The Hague and at the “Schizo-Culture” exhibition/event, Space Gallery, London (see http://www. plastiquefantastique.org/performance25.html). Plastique Fantastique, for this performance, involved myself and Burrows alongside Alex Marzeta and Harriet Skully. I hope that this local ‘scene’ might resonate on a more global level, but also that my comments will not be read as being solely tethered to this particular collaboration (indeed, my article intends the mapping of a more general trajectory in art). The article ends with a brief Coda on Felix Guattari’s concept – from Schizoanalytic Cartographies – of ‘fabulous images’ that offers another inflection on my theme....theres some thing in us it dont have no name... it aint us but yet its in us...(Russell Hoban, Riddly Walker)
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O’Sullivan, Simon. "Deleuze Against Control: Fictioning to Myth-Science." Theory, Culture & Society 33, no. 7-8 (July 9, 2016): 205–20. http://dx.doi.org/10.1177/0263276416645154.

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Through recourse to Gilles Deleuze’s short polemical essay ‘Postscript on Control Societies’ and the accompanying interview (in Negotiations) on ‘Control and Becoming’, this article attempts to map out the conceptual contours of an artistic war machine (Deleuze’s ‘new weapons’) that might be pitched against control and also play a role in the more ethico-political function of the constitution of a people (or, what Deleuze calls subjectification). Along the way a series of other Deleuzian concepts are introduced and outlined – with an eye to their pertinence for art practice and, indeed, for any more general ‘thought’ against control. At stake here is the development of a concept of fictioning – the production of alternative narratives and image-worlds – and also the idea of art practice as a form of myth-science, exemplified by Burroughs’ cut-up method. It is argued that these aesthetic strategies might offer alternative models for a subjectivity that is increasingly standardized and hemmed in by neoliberalism.
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Moran, Stephanie, and Maggie Roberts. "Exploring the Pluriverse: Fictioning, Science and Interspecies Communication." Ecocene: Cappadocia Journal of Environmental Humanities, Cappadocia University 2, no. 2 (1) (July 29, 2021): 84–93. http://dx.doi.org/10.46863/ecocene.26.

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Burman, Erica. "Fictioning authority: Writing experience in feminist teaching and learning." Psychodynamic Counselling 7, no. 2 (January 2001): 187–205. http://dx.doi.org/10.1080/13533330110041264.

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Wong, Eddie. "the Unknown Person: Post-Colonial Fictioning, Personal Stories and Surveillance." Leonardo 53, no. 4 (July 2020): 442–45. http://dx.doi.org/10.1162/leon_a_01934.

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the Unknown Person connects the artist's family history to Britain's postcolonial “fictioning.” The project interrogates the gaze of surveillance and social control systems to explore the fiction of the self, data and liminal spaces of the City of London. The final output of this research is a video documentary that employs machine learning processes and facial recognition techniques to generate visuals to reveal the aesthetic value of a neural network. The project culminated as an installation of multiple screens mounted on a scaffolding structure.
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Besana, Bruno. "Fictioning disagreement: The construction of separation in the work of Jacques Rancière." Maska 32, no. 185 (September 1, 2017): 64–74. http://dx.doi.org/10.1386/maska.32.185-186.64_1.

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Although constantly intertwining aesthetic and political considerations, the work of Rancière also forcefully stresses the absence of any evidence in the relation between art and politics. The article uses the theme of this lack of self-evident relation in order to analyse a series of key-concepts of Rancière’s work (regime, contrariété, disagreement, etc.) and, lastly, proposes to read through this reconstruction of its conceptual architecture the place – both conceptual and practical – where a subject can be thought and produced. In this sense, this article proposes to read in Rancière’s work the presence of a structured concept of the subject, the very determination of which is inseparable from the – at once collective and singular – articulation of a space of indetermination and fracture: a space articulating the absence of relation between different modes of interruption of evidences, taking place in the arts and in politics. In this way, Rancière’s work contributes to thinking the subject as groundless, irrelative to any given, specific reality (such as, for instance, ‘humanity’), as a new form connecting together, via a radically new narrative, a series of fractures operated within received, allegedly ‘natural’ modes of classifications of reality.
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Dissertations / Theses on the topic "Fictioning"

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Andolfatto, Lorenzo. "Paper worlds : the chinese utopian novel at the beginning of the twentieth century, 1902-1910." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30033.

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A travers cette recherche, nous souhaitons identifier et définir le genre duroman utopique de la fin des Qing via la lecture attentive d'une sélection deromans chinois écrits entre 1902 et 1910. A partir de l'analyse de romans telsque Xin Zhongguo weilai ji de Liang Qichao (1902 ), Shizi hou de Chen Tianhua(1905), Xin shitou ji de Wu Jianren (1908) et Xin Zhongguo de Lu Shi'e(1910), nous pensons qu'un tel genre littéraire puisse être considéré à la foiscomme un produit particulier du climat de fragmentation socio-historique quicaractérise la période de la fin des Qing, et comme un prisme utile à sacompréhension. La structure de cette thèse est celle d'un itinéraire critique àtravers l’imaginaire utopique chinois moderne. Cet itinéraire est débuté par latraduction de l’histoire courte Xinnian Meng, écrite par Cai Yuanpei en 1905. Lecorps de cette recherche est divisé en cinq chapitres: dans le premier, lalégitimité de la catégorie générique de "wutuobang xiaoshuo" comme outilcritique valable est questionnee; le deuxième chapitre concerne les deuxromans inachevés de Liang Qichao et Chen Tianhua, dont l'étatd’«incomplétude» est utilisé comme métaphore pour la compréhension de laconstruction utopique; le troisième chapitre touche à la relation entre le romanutopique de la fin des Qing et ses modèles étrangers; enfin, dans les deuxderniers chapitres, les éléments critiques développés dans les sectionsprécédentes de la thèse sont appliqués à la lecture attentive de Xin shitou ji deWu Jianren et de Xin Zhongguo de Lu Shi'e, deux des romans les plusintéressants écrits durant cette période
With this research it is our intention to identify and define the genre of the lateQing utopian novel from the close reading of a selection of Chinese novelswritten between 1902 and 1910. With the analysis of novels such as LiangQichao's Xin Zhongguo weilai ji (1902), Chen Tianhua's Shizi hou (1905), WuJianren's Xin shitou ji (1908) and Lu Shi'e's Xin Zhongguo (1910), we believethat such a literary genre can be considered both as a peculiar product of theclimate of socio-historical fragmentation that characterises the late Qingperiod, and as a useful lens for its understanding. The structure of this thesis isthat of a critical itinerary within the Chinese modern utopian imaginary. Thisitinerary is introduced by the translation of the short story Xinnian meng,written by Cai Yuanpei in 1905. The body of this research is divided into fivechapters: in the first one, the legitimacy of the generic category of “wutuobangxiaoshuo” as a viable critical tool is put under question; the second chapterconcerns the two unfinished novels by Liang Qichao and Chen Tianhua, whosecondition of “incompleteness” is adopted as metaphor for the understanding ofthe utopian construct; the third chapter concerns the relation between the lateQing utopian novel and its foreign models; while in the last two chapters, thecritical framework developed in previous sections of the thesis is applied to theclose reading of Wu Jianren's Xin shitou ji and Lu Shi'e's Xin Zhongguo, two ofthe most interesting novels written in this period
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2

Mannarino, Thomas Winegardner Mark. "The Fictionist." Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-09222003-191543/.

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Thesis (Ph. D.)--Florida State University, 2003.
Advisor: Dr. Mark Winegardner, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed Feb. 25, 2004). Includes bibliographical references.
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Wu, Hsueh-Lien, and 吳雪連. "A Study of Taiwan's Hakka Writer Roman-Fleuve Fiction.In “Orphan of Asia ", " Turbial Currents" , "The Trilogy of Wintry Night" as The Object Analysis." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/f58nmv.

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博士
佛光大學
中國文學與應用學系
103
A「Roman-Fleuve」 is a story that spans several generations much like a flowing river that never stops. Taiwanese 「Roman-Fleuve」stories are not few in number, such as Hakka writer Wu-Zhuo Liu’s Orphan of Asia, Chung Chao Chang’s Turbial Currents, and Lee Ciao’s The Trilogy of Wintry Night. Moreover, all of these writers are teachers with similar backgrounds so I choose them as the subject of my research. The story involves a thought analysis of the Hakka people’s ethnicity, personality traits, thought archetypes, complexes (from the collective unconsciousness) and inferiority complexes and a compensatory place of reverie. From this thought background, the story delves into the hardships endured by Taiwanese in their daily lives under Japanese colonial during World War II and under Taiwan’s military control over the people’s thinking. A「Roman-Fleuve」traces the generational changes of a family as seen through their interactions. Writers Wu-Zhuo Liu's Orphan of Asia, Chung Chao Chang's Turbial Currents ,Lee Ciao's The Trilogy of Wintry Night have written novels that are referred to as semi-autobiographic works of fiction in academia. A creative style is not only imaginary in regard to the who, when, where and what but also gives a special impression of the reality of everyday life in fiction. Through virtual and personal experience, history and fiction are fused together. In addition these works of fiction are not highlights of Hakka culture but a mixture of what is true and what is imaginary. This article is an analysis of Hakka writers’ Roman-Fleuve. Hakka has become literature’s Individuality. So this thesis also use the Hakka view as a thinking point.
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Shu-Ming, Hsu, and 許淑閔. "Hung Hsing-Fu’s concern about farmers and country life in his fictionHung Hsing-Fu’s concern about farmers and country life in his fiction." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/r427j6.

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碩士
國立臺東大學
語文教育學系碩士班
94
During 1970s and 1980s, country literature was relatively noticeable in Taiwan. Hung Hsing-Fu’s work caught readers’ attention with his unique style. Hung was born in a miserably poor farmer family in Er-Lin, Changhua County and he was the only one who received education. He laughed at himself that he could neither do laborious work nor distinguish different grains. He closely observed farmers’ life and understood their happiness and sadness. He experienced how an agricultural economy in Taiwan was transformed into an industrial one. Meanwhile, he also witnessed the decline of farm and the change of values. Hung started literary writing while he studied in teacher’s college. His literary types include fiction, poetry, prose and literary criticism. The best known work of Hung’s is his fiction as not only the country life is portrayed but also the interpersonal relationships in the country life which occupies quite a lot space in his work. His feelings, familiarity and understanding about the interpersonal relationships in the country life vivify his work, which is full of sympathy, tolerance and consideration. The touching wording in his fiction has moved a lot of readers. Reflection and sympathy can be seen everywhere in his fiction. All the stories tell the prosperity and decline of the land and the tracks of early explorers. Nowadays the farmers insisting to live in their land and the damage to farms are not concerned any more. Country literature has been neglected for a long time. All those factors make Hung’s concern about country people and their life more meaningful. This thesis is to analyze Hung Hsing-Fu’s concern about country people and life, the country life issues and his point of view on the interpersonal relationships in the country life. Reflecting the country life in which Hung used to live and re-representing his in-depth views can be expected in this thesis. Finally, how meaningful the country literature is for an era will be manifested.
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Books on the topic "Fictioning"

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Hitchcock, Peter. Working-class fictionin theory and practice: A reading of Alan Sillitoe. Ann Arbor, Mich: U.M.I. Research, 1989.

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Peters, Elizabeth. Legend in green velvet. South Yarmouth, MA: Curley Pub, 1991.

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Leonard, Woolf. The wise virgins: A story of words, opinions and a few emotions. London: Persephone Books, 2003.

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Woolf, Leonard. The wise virgins: A story of words, opinions, and a few emotions. New Haven: Yale University Press, 2007.

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Stepping. Thorndike, Me: Center Point Pub., 2000.

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Ballard, J. G. The Atrocity Exhibition. London, England: Flamingo, 2001.

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Hibbert, Eleanor Alice Burford. The Queen'sconfession: A fictional autobiography. (Glasgow): Fontana, 1986.

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Ballard, J. G. The Atrocity exhibition: With author'sannotations. London: Flamingo, 1993.

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Ballard, J. G. The atrocity exhibition. San Francisco, CA: RE/Search Publications, 1990.

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Farmer, Philip José. The fabulous riverboat. New York: Ballantine Pub. Group, 1998.

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Book chapters on the topic "Fictioning"

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Beier, Jessie. "Dispatch from the Future: Science Fictioning (in) the Anthropocene." In Interrogating the Anthropocene, 359–400. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78747-3_16.

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Bunge, Mario. "Moderate Mathematical Fictionism." In Philosophy of Mathematics Today, 51–71. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-011-5690-5_3.

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"9 Scenes as Performance Fictions." In Fictioning, 155–70. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-012.

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"Introduction." In Fictioning, 1–10. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-003.

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"12 Afrofuturism, Sonic Fiction and Alienation as Method." In Fictioning, 217–34. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-015.

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"22 Technofeminisms." In Fictioning, 417–32. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-025.

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"7 Fictioning the Landscape." In Fictioning, 125–42. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-010.

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"1 Mythopoesis, Fabulous Images and Memories of a Sorcerer." In Fictioning, 11–28. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-004.

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"25 By Any Memes Necessary." In Fictioning, 473–90. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-028.

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"18 A Renewed Prometheanism." In Fictioning, 337–60. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-021.

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Conference papers on the topic "Fictioning"

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Laplace, Ricelli, and Joel Peter Weber Letkemann. "Science Fictioning Participatory Design." In PDC 2022: Participatory Design Conference 2022. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3536169.3537775.

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